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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2EE5A it is the complementary color #1D11A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2EE5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2EE5A shade: #E7EE55, #F8FF68, #FFFF7B, #FFFF8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2EE5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2EE5A shade: #E2EE5A, #D1DC47, #C0CA34, #AFB821 and #9EA60E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2EE5A shade: #E2EE59, #EED259, #EEA959, #EE8159 and #EE5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2EE5A shade: #E2EE59, #B9EE59, #91EE59, #69EE59 and #59EE71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2EE5A shade matches the following richer shades: #E2EE59 and #EEFC4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2EE5A shade: #E2EE59, #D5DF68, #C9D077, #BCC185 and #B0B294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2EE5A shade: #EEA859, #EED059, #E4EE59, #BCEE59 and #94EE59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2EE5A shade: #CDDD17, #DBEA34, #E2EE59, #E8F17E and #EFF5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2EE5A shade: #E2EE5A, #59EE80 and #BC59EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2EE5A shade: #E2EE5A, #59E4EE and #EE59E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2EE5A shade: #E2EE5A, #59EE80, #6359EE and #EE59C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2EE5A shade: #E2EE5A, #59EEAD, #6359EE and #EE5999

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 62 / 7

HEX #E2EE5A

RGB 226 238 90

HSL 64.86, 0.81%, 0.64%

LAB 90.81, -22.62, 67.91

 

Complementary color

CMYK 82 / 90 / 0 / 35

HEX #1D11A5

RGB 29 17 165

HSL 244.86, 0.81%, 0.36%

LAB 21.5, 52.8, -73.45

 

CMYK 3 / 0 / 64 / 7

HEX #E7EE55

RGB 231 238 85

HSL 62.75, 0.82%, 0.63%

LAB 91.14, -20.92, 70.34

 

CMYK 3 / 0 / 59 / 0

HEX #F8FF68

RGB 248 255 104

HSL 62.78, 1%, 0.7%

LAB 97.01, -21.08, 69.37

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 5 / 0 / 62 / 7

HEX #E2EE5A

RGB 226 238 90

HSL 64.86, 0.81%, 0.64%

LAB 90.81, -22.62, 67.91

 

CMYK 5 / 0 / 68 / 14

HEX #D1DC47

RGB 209 220 71

HSL 64.43, 0.68%, 0.57%

LAB 84.58, -21.95, 68.43

 

CMYK 5 / 0 / 74 / 21

HEX #C0CA34

RGB 192 202 52

HSL 64, 0.59%, 0.5%

LAB 78.28, -21.14, 68.51

 

CMYK 5 / 0 / 82 / 28

HEX #AFB821

RGB 175 184 33

HSL 63.58, 0.7%, 0.43%

LAB 71.9, -20.16, 67.83

 

CMYK 5 / 0 / 92 / 35

HEX #9EA60E

RGB 158 166 14

HSL 63.16, 0.84%, 0.35%

LAB 65.42, -18.96, 65.89

 

CMYK 5 / 0 / 63 / 7

HEX #E2EE59

RGB 226 238 89

HSL 64.83, 0.81%, 0.64%

LAB 90.8, -22.68, 68.3

 

CMYK 0 / 12 / 63 / 7

HEX #EED259

RGB 238 210 89

HSL 48.72, 0.81%, 0.64%

LAB 84.48, -3.92, 61.82

 

CMYK 0 / 29 / 63 / 7

HEX #EEA959

RGB 238 169 89

HSL 32.21, 0.81%, 0.64%

LAB 74.36, 17.46, 50.54

 

CMYK 0 / 46 / 63 / 7

HEX #EE8159

RGB 238 129 89

HSL 16.11, 0.81%, 0.64%

LAB 65.44, 38.43, 40.03

 

CMYK 0 / 63 / 63 / 7

HEX #EE5959

RGB 238 89 89

HSL 0, 0.81%, 0.64%

LAB 58.08, 57.37, 30.94

 

CMYK 5 / 0 / 63 / 7

HEX #E2EE59

RGB 226 238 89

HSL 64.83, 0.81%, 0.64%

LAB 90.8, -22.68, 68.3

 

CMYK 22 / 0 / 63 / 7

HEX #B9EE59

RGB 185 238 89

HSL 81.34, 0.81%, 0.64%

LAB 88.06, -38.58, 64.55

 

CMYK 39 / 0 / 63 / 7

HEX #91EE59

RGB 145 238 89

HSL 97.45, 0.81%, 0.64%

LAB 85.95, -52.5, 61.65

 

CMYK 56 / 0 / 63 / 7

HEX #69EE59

RGB 105 238 89

HSL 113.56, 0.81%, 0.64%

LAB 84.42, -63.84, 59.52

 

CMYK 63 / 0 / 53 / 7

HEX #59EE71

RGB 89 238 113

HSL 129.66, 0.81%, 0.64%

LAB 84.21, -64.64, 48.56

 

CMYK 5 / 0 / 63 / 7

HEX #E2EE59

RGB 226 238 89

HSL 64.83, 0.81%, 0.64%

LAB 90.8, -22.68, 68.3

 

CMYK 6 / 0 / 71 / 1

HEX #EEFC4A

RGB 238 252 74

HSL 64.72, 0.97%, 0.64%

LAB 95.28, -25.35, 78.63

 

CMYK 5 / 0 / 63 / 7

HEX #E2EE59

RGB 226 238 89

HSL 64.83, 0.81%, 0.64%

LAB 90.8, -22.68, 68.3

 

CMYK 4 / 0 / 53 / 13

HEX #D5DF68

RGB 213 223 104

HSL 65.04, 0.65%, 0.64%

LAB 85.97, -19.53, 56.28

 

CMYK 3 / 0 / 43 / 18

HEX #C9D077

RGB 201 208 119

HSL 64.72, 0.49%, 0.64%

LAB 81.22, -15.48, 43.25

 

CMYK 3 / 0 / 31 / 24

HEX #BCC185

RGB 188 193 133

HSL 65, 0.33%, 0.64%

LAB 76.39, -11.32, 29.7

 

CMYK 1 / 0 / 17 / 30

HEX #B0B294

RGB 176 178 148

HSL 64, 0.16%, 0.64%

LAB 71.7, -5.92, 15.13

 

CMYK 0 / 29 / 63 / 7

HEX #EEA859

RGB 238 168 89

HSL 31.81, 0.81%, 0.64%

LAB 74.13, 17.99, 50.27

 

CMYK 0 / 13 / 63 / 7

HEX #EED059

RGB 238 208 89

HSL 47.92, 0.81%, 0.64%

LAB 83.97, -2.9, 61.26

 

CMYK 4 / 0 / 63 / 7

HEX #E4EE59

RGB 228 238 89

HSL 64.03, 0.81%, 0.64%

LAB 90.95, -21.88, 68.5

 

CMYK 21 / 0 / 63 / 7

HEX #BCEE59

RGB 188 238 89

HSL 80.13, 0.81%, 0.64%

LAB 88.24, -37.46, 64.8

 

CMYK 38 / 0 / 63 / 7

HEX #94EE59

RGB 148 238 89

HSL 96.24, 0.81%, 0.64%

LAB 86.09, -51.53, 61.84

 

CMYK 7 / 0 / 90 / 13

HEX #CDDD17

RGB 205 221 23

HSL 64.85, 0.81%, 0.48%

LAB 84.36, -25.77, 80.99

 

CMYK 6 / 0 / 78 / 8

HEX #DBEA34

RGB 219 234 52

HSL 64.95, 0.81%, 0.56%

LAB 89, -25.43, 79.04

 

CMYK 5 / 0 / 63 / 7

HEX #E2EE59

RGB 226 238 89

HSL 64.83, 0.81%, 0.64%

LAB 90.8, -22.68, 68.3

 

CMYK 4 / 0 / 48 / 5

HEX #E8F17E

RGB 232 241 126

HSL 64.7, 0.8%, 0.72%

LAB 92.39, -18.9, 54.08

 

CMYK 2 / 0 / 33 / 4

HEX #EFF5A4

RGB 239 245 164

HSL 64.44, 0.8%, 0.8%

LAB 94.46, -14.17, 38.4

 

CMYK 5 / 0 / 62 / 7

HEX #E2EE5A

RGB 226 238 90

HSL 64.86, 0.81%, 0.64%

LAB 90.81, -22.62, 67.91

 

CMYK 63 / 0 / 46 / 7

HEX #59EE80

RGB 89 238 128

HSL 135.7, 0.81%, 0.64%

LAB 84.4, -62.5, 41.66

 

CMYK 21 / 63 / 0 / 7

HEX #BC59EE

RGB 188 89 238

HSL 279.87, 0.81%, 0.64%

LAB 56.1, 63.13, -58.71

 

CMYK 5 / 0 / 62 / 7

HEX #E2EE5A

RGB 226 238 90

HSL 64.86, 0.81%, 0.64%

LAB 90.81, -22.62, 67.91

 

CMYK 63 / 4 / 0 / 7

HEX #59E4EE

RGB 89 228 238

HSL 184.03, 0.81%, 0.64%

LAB 83.85, -34.19, -16.03

 

CMYK 0 / 63 / 4 / 7

HEX #EE59E4

RGB 238 89 228

HSL 304.03, 0.81%, 0.64%

LAB 62.44, 73, -42.62

 

CMYK 5 / 0 / 62 / 7

HEX #E2EE5A

RGB 226 238 90

HSL 64.86, 0.81%, 0.64%

LAB 90.81, -22.62, 67.91

 

CMYK 63 / 0 / 46 / 7

HEX #59EE80

RGB 89 238 128

HSL 135.7, 0.81%, 0.64%

LAB 84.4, -62.5, 41.66

 

CMYK 58 / 63 / 0 / 7

HEX #6359EE

RGB 99 89 238

HSL 244.03, 0.81%, 0.64%

LAB 46.94, 45.41, -73.97

 

CMYK 0 / 63 / 17 / 7

HEX #EE59C6

RGB 238 89 198

HSL 316.11, 0.81%, 0.64%

LAB 61.13, 68.52, -27.75

 

CMYK 5 / 0 / 62 / 7

HEX #E2EE5A

RGB 226 238 90

HSL 64.86, 0.81%, 0.64%

LAB 90.81, -22.62, 67.91

 

CMYK 63 / 0 / 27 / 7

HEX #59EEAD

RGB 89 238 173

HSL 153.83, 0.81%, 0.64%

LAB 85.14, -54.41, 19.98

 

CMYK 58 / 63 / 0 / 7

HEX #6359EE

RGB 99 89 238

HSL 244.03, 0.81%, 0.64%

LAB 46.94, 45.41, -73.97

 

CMYK 0 / 63 / 36 / 7

HEX #EE5999

RGB 238 89 153

HSL 334.23, 0.81%, 0.64%

LAB 59.55, 62.86, -4.25

 

Description

Color code: HEX #E2EE5A | qconv.com Color code: HEX #E2EE5A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 238 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 238 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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