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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2ED6F it is the complementary color #1D1290. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2ED6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2ED6F shade: #E7ED6A, #F8FF7D, #FFFF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2ED6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2ED6F shade: #E2ED6F, #D1DB5C, #C0C949, #AFB736 and #9EA523

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2ED6F shade: #E2ED6E, #EDD66E, #EDB46E, #ED916E and #ED6F6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2ED6F shade: #E2ED6E, #C0ED6E, #9DED6E, #7BED6E and #6EED83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2ED6F shade matches the following richer shades: #E2ED6E and #EDFA61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2ED6F shade: #E2ED6E, #D7E07B, #CCD388, #C1C595 and #B6B8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2ED6F shade: #EDB46E, #EDD66E, #E2ED6E, #C0ED6E and #9FED6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2ED6F shade: #D3E424, #DBE949, #E2ED6E, #E9F292 and #F1F6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2ED6F shade: #E2ED6F, #6EED92 and #C56EED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2ED6F shade: #E2ED6F, #6EE2ED and #ED6EE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2ED6F shade: #E2ED6F, #6EED92, #786EED and #ED6EC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2ED6F shade: #E2ED6F, #6EEDB8, #786EED and #ED6EA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 53 / 7

HEX #E2ED6F

RGB 226 237 111

HSL 65.24, 0.78%, 0.68%

LAB 90.73, -20.61, 58.87

 

Complementary color

CMYK 80 / 88 / 0 / 44

HEX #1D1290

RGB 29 18 144

HSL 245.24, 0.78%, 0.32%

LAB 18.83, 46.22, -64.98

 

CMYK 3 / 0 / 55 / 7

HEX #E7ED6A

RGB 231 237 106

HSL 62.75, 0.78%, 0.67%

LAB 91.05, -19.02, 61.56

 

CMYK 3 / 0 / 51 / 0

HEX #F8FF7D

RGB 248 255 125

HSL 63.23, 1%, 0.75%

LAB 97.21, -19.51, 60.54

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 5 / 0 / 53 / 7

HEX #E2ED6F

RGB 226 237 111

HSL 65.24, 0.78%, 0.68%

LAB 90.73, -20.61, 58.87

 

CMYK 5 / 0 / 58 / 14

HEX #D1DB5C

RGB 209 219 92

HSL 64.72, 0.64%, 0.61%

LAB 84.48, -20.12, 59.84

 

CMYK 4 / 0 / 64 / 21

HEX #C0C949

RGB 192 201 73

HSL 64.22, 0.54%, 0.54%

LAB 78.15, -19.52, 60.63

 

CMYK 4 / 0 / 70 / 28

HEX #AFB736

RGB 175 183 54

HSL 63.72, 0.54%, 0.46%

LAB 71.72, -18.78, 61.08

 

CMYK 4 / 0 / 79 / 35

HEX #9EA523

RGB 158 165 35

HSL 63.23, 0.65%, 0.39%

LAB 65.2, -17.87, 60.88

 

CMYK 5 / 0 / 54 / 7

HEX #E2ED6E

RGB 226 237 110

HSL 65.2, 0.78%, 0.68%

LAB 90.72, -20.69, 59.31

 

CMYK 0 / 10 / 54 / 7

HEX #EDD66E

RGB 237 214 110

HSL 49.13, 0.78%, 0.68%

LAB 85.62, -4.87, 53.6

 

CMYK 0 / 24 / 54 / 7

HEX #EDB46E

RGB 237 180 110

HSL 33.07, 0.78%, 0.68%

LAB 77.14, 12.78, 43.42

 

CMYK 0 / 39 / 54 / 7

HEX #ED916E

RGB 237 145 110

HSL 16.54, 0.78%, 0.68%

LAB 69.03, 31.31, 33.23

 

CMYK 0 / 53 / 54 / 7

HEX #ED6F6E

RGB 237 111 110

HSL 0.47, 0.78%, 0.68%

LAB 62.08, 48.53, 24.15

 

CMYK 5 / 0 / 54 / 7

HEX #E2ED6E

RGB 226 237 110

HSL 65.2, 0.78%, 0.68%

LAB 90.72, -20.69, 59.31

 

CMYK 19 / 0 / 54 / 7

HEX #C0ED6E

RGB 192 237 110

HSL 81.26, 0.78%, 0.68%

LAB 88.4, -33.76, 56.03

 

CMYK 34 / 0 / 54 / 7

HEX #9DED6E

RGB 157 237 110

HSL 97.8, 0.78%, 0.68%

LAB 86.44, -46.14, 53.23

 

CMYK 48 / 0 / 54 / 7

HEX #7BED6E

RGB 123 237 110

HSL 113.86, 0.78%, 0.68%

LAB 84.95, -56.51, 51.1

 

CMYK 54 / 0 / 45 / 7

HEX #6EED83

RGB 110 237 131

HSL 129.92, 0.78%, 0.68%

LAB 84.75, -57.07, 40.78

 

CMYK 5 / 0 / 54 / 7

HEX #E2ED6E

RGB 226 237 110

HSL 65.2, 0.78%, 0.68%

LAB 90.72, -20.69, 59.31

 

CMYK 5 / 0 / 61 / 2

HEX #EDFA61

RGB 237 250 97

HSL 65.1, 0.94%, 0.68%

LAB 94.84, -23.51, 69.64

 

CMYK 5 / 0 / 54 / 7

HEX #E2ED6E

RGB 226 237 110

HSL 65.2, 0.78%, 0.68%

LAB 90.72, -20.69, 59.31

 

CMYK 4 / 0 / 45 / 12

HEX #D7E07B

RGB 215 224 123

HSL 65.35, 0.62%, 0.68%

LAB 86.6, -17.51, 48.18

 

CMYK 3 / 0 / 36 / 17

HEX #CCD388

RGB 204 211 136

HSL 65.6, 0.46%, 0.68%

LAB 82.49, -13.91, 36.38

 

CMYK 2 / 0 / 24 / 23

HEX #C1C595

RGB 193 197 149

HSL 65, 0.29%, 0.68%

LAB 78.13, -9.29, 23.68

 

CMYK 1 / 0 / 11 / 28

HEX #B6B8A3

RGB 182 184 163

HSL 65.71, 0.13%, 0.68%

LAB 74.11, -4.43, 10.43

 

CMYK 0 / 24 / 54 / 7

HEX #EDB46E

RGB 237 180 110

HSL 33.07, 0.78%, 0.68%

LAB 77.14, 12.78, 43.42

 

CMYK 0 / 10 / 54 / 7

HEX #EDD66E

RGB 237 214 110

HSL 49.13, 0.78%, 0.68%

LAB 85.62, -4.87, 53.6

 

CMYK 5 / 0 / 54 / 7

HEX #E2ED6E

RGB 226 237 110

HSL 65.2, 0.78%, 0.68%

LAB 90.72, -20.69, 59.31

 

CMYK 19 / 0 / 54 / 7

HEX #C0ED6E

RGB 192 237 110

HSL 81.26, 0.78%, 0.68%

LAB 88.4, -33.76, 56.03

 

CMYK 33 / 0 / 54 / 7

HEX #9FED6E

RGB 159 237 110

HSL 96.85, 0.78%, 0.68%

LAB 86.54, -45.47, 53.37

 

CMYK 7 / 0 / 84 / 11

HEX #D3E424

RGB 211 228 36

HSL 65.31, 0.78%, 0.52%

LAB 86.73, -26.34, 80.75

 

CMYK 6 / 0 / 69 / 9

HEX #DBE949

RGB 219 233 73

HSL 65.25, 0.78%, 0.6%

LAB 88.84, -24.03, 72.19

 

CMYK 5 / 0 / 54 / 7

HEX #E2ED6E

RGB 226 237 110

HSL 65.2, 0.78%, 0.68%

LAB 90.72, -20.69, 59.31

 

CMYK 4 / 0 / 40 / 5

HEX #E9F292

RGB 233 242 146

HSL 65.63, 0.79%, 0.76%

LAB 92.97, -17.01, 45.27

 

CMYK 2 / 0 / 26 / 4

HEX #F1F6B7

RGB 241 246 183

HSL 64.76, 0.78%, 0.84%

LAB 95.17, -11.52, 29.84

 

CMYK 5 / 0 / 53 / 7

HEX #E2ED6F

RGB 226 237 111

HSL 65.24, 0.78%, 0.68%

LAB 90.73, -20.61, 58.87

 

CMYK 54 / 0 / 38 / 7

HEX #6EED92

RGB 110 237 146

HSL 137.01, 0.78%, 0.68%

LAB 84.98, -54.69, 33.63

 

CMYK 17 / 54 / 0 / 7

HEX #C56EED

RGB 197 110 237

HSL 281.1, 0.78%, 0.68%

LAB 60.9, 54.99, -50.43

 

CMYK 5 / 0 / 53 / 7

HEX #E2ED6F

RGB 226 237 111

HSL 65.24, 0.78%, 0.68%

LAB 90.73, -20.61, 58.87

 

CMYK 54 / 5 / 0 / 7

HEX #6EE2ED

RGB 110 226 237

HSL 185.2, 0.78%, 0.68%

LAB 83.87, -29.81, -15.41

 

CMYK 0 / 54 / 5 / 7

HEX #ED6EE2

RGB 237 110 226

HSL 305.2, 0.78%, 0.68%

LAB 65.47, 63.52, -36.77

 

CMYK 5 / 0 / 53 / 7

HEX #E2ED6F

RGB 226 237 111

HSL 65.24, 0.78%, 0.68%

LAB 90.73, -20.61, 58.87

 

CMYK 54 / 0 / 38 / 7

HEX #6EED92

RGB 110 237 146

HSL 137.01, 0.78%, 0.68%

LAB 84.98, -54.69, 33.63

 

CMYK 49 / 54 / 0 / 7

HEX #786EED

RGB 120 110 237

HSL 244.72, 0.78%, 0.68%

LAB 53.23, 36.67, -63.12

 

CMYK 0 / 54 / 15 / 7

HEX #ED6EC9

RGB 237 110 201

HSL 317.01, 0.78%, 0.68%

LAB 64.46, 59.6, -24.33

 

CMYK 5 / 0 / 53 / 7

HEX #E2ED6F

RGB 226 237 111

HSL 65.24, 0.78%, 0.68%

LAB 90.73, -20.61, 58.87

 

CMYK 54 / 0 / 22 / 7

HEX #6EEDB8

RGB 110 237 184

HSL 154.96, 0.78%, 0.68%

LAB 85.68, -47.51, 15.11

 

CMYK 49 / 54 / 0 / 7

HEX #786EED

RGB 120 110 237

HSL 244.72, 0.78%, 0.68%

LAB 53.23, 36.67, -63.12

 

CMYK 0 / 54 / 31 / 7

HEX #ED6EA3

RGB 237 110 163

HSL 334.96, 0.78%, 0.68%

LAB 63.18, 54.42, -4.67

 

Description

Color code: HEX #E2ED6F | qconv.com Color code: HEX #E2ED6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 237 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 237 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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