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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2EBA4 it is the complementary color #1D145B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2EBA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2EBA4 shade: #E7EB9F, #F8FDB2, #FFFFC5, #FFFFD8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2EBA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2EBA4 shade: #E2EBA4, #D1D991, #C0C77E, #AFB56B and #9EA358

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2EBA4 shade: #E2EBA3, #EBE1A3, #EBCDA3, #EBBAA3 and #EBA6A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2EBA4 shade: #E2EBA3, #CEEBA3, #BBEBA3, #A8EBA3 and #A3EBB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2EBA4 shade matches the following richer shades: #E2EBA3, #E8F49A and #EFFD91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2EBA4 shade: #E2EBA3, #DBE2AC, #D4D9B5, #CDD0BE and #C7C6C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2EBA4 shade: #EBCDA3, #EBE0A3, #E2EBA3, #CFEBA3 and #BCEBA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2EBA4 shade: #CCDC5F, #D7E381, #E2EBA3, #ECF2C5 and #F7FAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2EBA4 shade: #E2EBA4, #A3EBBA and #D6A3EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2EBA4 shade: #E2EBA4, #A3E2EB and #EBA3E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2EBA4 shade: #E2EBA4, #A3EBBA, #ABA3EB and #EBA3D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2EBA4 shade: #E2EBA4, #A3EBCF, #ABA3EB and #EBA3BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 30 / 8

HEX #E2EBA4

RGB 226 235 164

HSL 67.61, 0.64%, 0.78%

LAB 90.9, -14.09, 33.53

 

Complementary color

CMYK 68 / 78 / 0 / 64

HEX #1D145B

RGB 29 20 91

HSL 247.61, 0.64%, 0.22%

LAB 12.71, 27.75, -40.88

 

CMYK 2 / 0 / 32 / 8

HEX #E7EB9F

RGB 231 235 159

HSL 63.16, 0.66%, 0.77%

LAB 91.19, -12.84, 36.51

 

CMYK 2 / 0 / 30 / 1

HEX #F8FDB2

RGB 248 253 178

HSL 64, 0.95%, 0.85%

LAB 97.4, -13.05, 35.43

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 4 / 0 / 30 / 8

HEX #E2EBA4

RGB 226 235 164

HSL 67.61, 0.64%, 0.78%

LAB 90.9, -14.09, 33.53

 

CMYK 4 / 0 / 33 / 15

HEX #D1D991

RGB 209 217 145

HSL 66.67, 0.49%, 0.71%

LAB 84.6, -13.91, 34.62

 

CMYK 4 / 0 / 37 / 22

HEX #C0C77E

RGB 192 199 126

HSL 65.75, 0.39%, 0.64%

LAB 78.2, -13.7, 35.76

 

CMYK 3 / 0 / 41 / 29

HEX #AFB56B

RGB 175 181 107

HSL 64.86, 0.33%, 0.56%

LAB 71.71, -13.43, 36.94

 

CMYK 3 / 0 / 46 / 36

HEX #9EA358

RGB 158 163 88

HSL 64, 0.3%, 0.49%

LAB 65.1, -13.1, 38.16

 

CMYK 4 / 0 / 31 / 8

HEX #E2EBA3

RGB 226 235 163

HSL 67.5, 0.64%, 0.78%

LAB 90.88, -14.21, 34.01

 

CMYK 0 / 4 / 31 / 8

HEX #EBE1A3

RGB 235 225 163

HSL 51.67, 0.64%, 0.78%

LAB 89, -5.83, 31.62

 

CMYK 0 / 13 / 31 / 8

HEX #EBCDA3

RGB 235 205 163

HSL 35, 0.64%, 0.78%

LAB 83.95, 4.45, 24.81

 

CMYK 0 / 21 / 31 / 8

HEX #EBBAA3

RGB 235 186 163

HSL 19.17, 0.64%, 0.78%

LAB 79.29, 14.43, 18.39

 

CMYK 0 / 29 / 31 / 8

HEX #EBA6A3

RGB 235 166 163

HSL 2.5, 0.64%, 0.78%

LAB 74.56, 25.07, 11.76

 

CMYK 4 / 0 / 31 / 8

HEX #E2EBA3

RGB 226 235 163

HSL 67.5, 0.64%, 0.78%

LAB 90.88, -14.21, 34.01

 

CMYK 12 / 0 / 31 / 8

HEX #CEEBA3

RGB 206 235 163

HSL 84.17, 0.64%, 0.78%

LAB 89.48, -21.55, 31.89

 

CMYK 20 / 0 / 31 / 8

HEX #BBEBA3

RGB 187 235 163

HSL 100, 0.64%, 0.78%

LAB 88.27, -28.25, 30.06

 

CMYK 29 / 0 / 31 / 8

HEX #A8EBA3

RGB 168 235 163

HSL 115.83, 0.64%, 0.78%

LAB 87.19, -34.61, 28.41

 

CMYK 31 / 0 / 24 / 8

HEX #A3EBB2

RGB 163 235 178

HSL 132.5, 0.64%, 0.78%

LAB 87.2, -33.68, 20.68

 

CMYK 4 / 0 / 31 / 8

HEX #E2EBA3

RGB 226 235 163

HSL 67.5, 0.64%, 0.78%

LAB 90.88, -14.21, 34.01

 

CMYK 5 / 0 / 37 / 4

HEX #E8F49A

RGB 232 244 154

HSL 68, 0.8%, 0.78%

LAB 93.53, -17.47, 42.05

 

CMYK 6 / 0 / 43 / 1

HEX #EFFD91

RGB 239 253 145

HSL 67.78, 0.96%, 0.78%

LAB 96.26, -20.15, 49.98

 

CMYK 4 / 0 / 31 / 8

HEX #E2EBA3

RGB 226 235 163

HSL 67.5, 0.64%, 0.78%

LAB 90.88, -14.21, 34.01

 

CMYK 3 / 0 / 24 / 11

HEX #DBE2AC

RGB 219 226 172

HSL 67.78, 0.48%, 0.78%

LAB 88.18, -11.12, 25.68

 

CMYK 2 / 0 / 17 / 15

HEX #D4D9B5

RGB 212 217 181

HSL 68.33, 0.32%, 0.78%

LAB 85.48, -7.78, 17.19

 

CMYK 1 / 0 / 9 / 18

HEX #CDD0BE

RGB 205 208 190

HSL 70, 0.16%, 0.78%

LAB 82.81, -4.2, 8.58

 

CMYK 0 / 1 / 0 / 22

HEX #C7C6C7

RGB 199 198 199

HSL 300, 0.01%, 0.78%

LAB 79.98, 0.53, -0.39

 

CMYK 0 / 13 / 31 / 8

HEX #EBCDA3

RGB 235 205 163

HSL 35, 0.64%, 0.78%

LAB 83.95, 4.45, 24.81

 

CMYK 0 / 5 / 31 / 8

HEX #EBE0A3

RGB 235 224 163

HSL 50.83, 0.64%, 0.78%

LAB 88.74, -5.32, 31.28

 

CMYK 4 / 0 / 31 / 8

HEX #E2EBA3

RGB 226 235 163

HSL 67.5, 0.64%, 0.78%

LAB 90.88, -14.21, 34.01

 

CMYK 12 / 0 / 31 / 8

HEX #CFEBA3

RGB 207 235 163

HSL 83.33, 0.64%, 0.78%

LAB 89.55, -21.19, 31.99

 

CMYK 20 / 0 / 31 / 8

HEX #BCEBA3

RGB 188 235 163

HSL 99.17, 0.64%, 0.78%

LAB 88.33, -27.91, 30.15

 

CMYK 7 / 0 / 57 / 14

HEX #CCDC5F

RGB 204 220 95

HSL 67.68, 0.64%, 0.62%

LAB 84.41, -22.38, 58.35

 

CMYK 5 / 0 / 43 / 11

HEX #D7E381

RGB 215 227 129

HSL 67.35, 0.64%, 0.7%

LAB 87.47, -18.38, 46.35

 

CMYK 4 / 0 / 31 / 8

HEX #E2EBA3

RGB 226 235 163

HSL 67.5, 0.64%, 0.78%

LAB 90.88, -14.21, 34.01

 

CMYK 2 / 0 / 19 / 5

HEX #ECF2C5

RGB 236 242 197

HSL 68, 0.63%, 0.86%

LAB 94.04, -9.38, 21.09

 

CMYK 1 / 0 / 8 / 2

HEX #F7FAE7

RGB 247 250 231

HSL 69.47, 0.66%, 0.94%

LAB 97.6, -4.23, 8.76

 

CMYK 4 / 0 / 30 / 8

HEX #E2EBA4

RGB 226 235 164

HSL 67.61, 0.64%, 0.78%

LAB 90.9, -14.09, 33.53

 

CMYK 31 / 0 / 21 / 8

HEX #A3EBBA

RGB 163 235 186

HSL 139.17, 0.64%, 0.78%

LAB 87.36, -32.24, 16.76

 

CMYK 9 / 31 / 0 / 8

HEX #D6A3EB

RGB 214 163 235

HSL 282.5, 0.64%, 0.78%

LAB 73.86, 31.39, -28.95

 

CMYK 4 / 0 / 30 / 8

HEX #E2EBA4

RGB 226 235 164

HSL 67.61, 0.64%, 0.78%

LAB 90.9, -14.09, 33.53

 

CMYK 31 / 4 / 0 / 8

HEX #A3E2EB

RGB 163 226 235

HSL 187.5, 0.64%, 0.78%

LAB 86.1, -17.69, -10.79

 

CMYK 0 / 31 / 4 / 8

HEX #EBA3E2

RGB 235 163 226

HSL 307.5, 0.64%, 0.78%

LAB 75.67, 36.37, -21.1

 

CMYK 4 / 0 / 30 / 8

HEX #E2EBA4

RGB 226 235 164

HSL 67.61, 0.64%, 0.78%

LAB 90.9, -14.09, 33.53

 

CMYK 31 / 0 / 21 / 8

HEX #A3EBBA

RGB 163 235 186

HSL 139.17, 0.64%, 0.78%

LAB 87.36, -32.24, 16.76

 

CMYK 27 / 31 / 0 / 8

HEX #ABA3EB

RGB 171 163 235

HSL 246.67, 0.64%, 0.78%

LAB 70.07, 18.38, -35.12

 

CMYK 0 / 31 / 10 / 8

HEX #EBA3D4

RGB 235 163 212

HSL 319.17, 0.64%, 0.78%

LAB 75.21, 33.97, -14.16

 

CMYK 4 / 0 / 30 / 8

HEX #E2EBA4

RGB 226 235 164

HSL 67.61, 0.64%, 0.78%

LAB 90.9, -14.09, 33.53

 

CMYK 31 / 0 / 12 / 8

HEX #A3EBCF

RGB 163 235 207

HSL 156.67, 0.64%, 0.78%

LAB 87.83, -28.18, 6.47

 

CMYK 27 / 31 / 0 / 8

HEX #ABA3EB

RGB 171 163 235

HSL 246.67, 0.64%, 0.78%

LAB 70.07, 18.38, -35.12

 

CMYK 0 / 31 / 19 / 8

HEX #EBA3BF

RGB 235 163 191

HSL 336.67, 0.64%, 0.78%

LAB 74.58, 30.61, -3.57

 

Description

Color code: HEX #E2EBA4 | qconv.com Color code: HEX #E2EBA4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 235 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 235 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 30 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 30% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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