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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2E451 it is the complementary color #1D1BAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2E451. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2E451 shade: #E7E44C, #F8F65F, #FFFF72, #FFFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2E451. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2E451 shade: #E2E451, #D1D23E, #C0C02B, #AFAE18 and #9E9C05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2E451 shade: #E2E453, #E4BF53, #E49853, #E47153 and #E45353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2E451 shade: #E2E453, #BBE453, #94E453, #6DE453 and #53E460

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2E451 shade matches the following richer shades: #E2E453 and #F2F443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2E451 shade: #E2E453, #D3D463, #C3C473, #B3B483 and #A4A493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2E451 shade: #E49753, #E4BD53, #E4E453, #BDE453 and #97E453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2E451 shade: #C3C61F, #DCDF2F, #E2E453, #E8EA77 and #EEEF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2E451 shade: #E2E451, #53E470 and #AA53E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2E451 shade: #E2E451, #53E4E4 and #E453E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2E451 shade: #E2E451, #53E470, #5353E4 and #E453C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2E451 shade: #E2E451, #53E49C, #5353E4 and #E4539C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 64 / 11

HEX #E2E451

RGB 226 228 81

HSL 60.82, 0.73%, 0.61%

LAB 88.09, -18.33, 68.62

 

Complementary color

CMYK 83 / 84 / 0 / 32

HEX #1D1BAE

RGB 29 27 174

HSL 240.82, 0.73%, 0.39%

LAB 24, 51.51, -74.73

 

CMYK 0 / 1 / 67 / 9

HEX #E7E44C

RGB 231 228 76

HSL 58.84, 0.76%, 0.6%

LAB 88.45, -16.56, 71.01

 

CMYK 0 / 1 / 62 / 3

HEX #F8F65F

RGB 248 246 95

HSL 59.22, 0.92%, 0.67%

LAB 94.61, -17.34, 70.44

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 1 / 0 / 64 / 11

HEX #E2E451

RGB 226 228 81

HSL 60.82, 0.73%, 0.61%

LAB 88.09, -18.33, 68.62

 

CMYK 0 / 0 / 70 / 18

HEX #D1D23E

RGB 209 210 62

HSL 60.41, 0.62%, 0.53%

LAB 81.84, -17.51, 68.98

 

CMYK 0 / 0 / 78 / 25

HEX #C0C02B

RGB 192 192 43

HSL 60, 0.63%, 0.46%

LAB 75.5, -16.54, 68.75

 

CMYK 0 / 1 / 86 / 31

HEX #AFAE18

RGB 175 174 24

HSL 59.6, 0.76%, 0.39%

LAB 69.08, -15.36, 67.57

 

CMYK 0 / 1 / 97 / 38

HEX #9E9C05

RGB 158 156 5

HSL 59.22, 0.94%, 0.32%

LAB 62.56, -13.96, 64.95

 

CMYK 1 / 0 / 64 / 11

HEX #E2E453

RGB 226 228 83

HSL 60.83, 0.73%, 0.61%

LAB 88.1, -18.22, 67.85

 

CMYK 0 / 16 / 64 / 11

HEX #E4BF53

RGB 228 191 83

HSL 44.69, 0.73%, 0.61%

LAB 78.68, 1.31, 57.86

 

CMYK 0 / 33 / 64 / 11

HEX #E49853

RGB 228 152 83

HSL 28.55, 0.73%, 0.61%

LAB 69.17, 21.98, 47.2

 

CMYK 0 / 50 / 64 / 11

HEX #E47153

RGB 228 113 83

HSL 12.41, 0.73%, 0.61%

LAB 60.72, 42.32, 37.22

 

CMYK 0 / 64 / 64 / 11

HEX #E45353

RGB 228 83 83

HSL 0, 0.73%, 0.61%

LAB 55.39, 56.23, 30.64

 

CMYK 1 / 0 / 64 / 11

HEX #E2E453

RGB 226 228 83

HSL 60.83, 0.73%, 0.61%

LAB 88.1, -18.22, 67.85

 

CMYK 18 / 0 / 64 / 11

HEX #BBE453

RGB 187 228 83

HSL 76.97, 0.73%, 0.61%

LAB 85.34, -33.73, 64.09

 

CMYK 35 / 0 / 64 / 11

HEX #94E453

RGB 148 228 83

HSL 93.1, 0.73%, 0.61%

LAB 83.13, -47.91, 61.06

 

CMYK 52 / 0 / 64 / 11

HEX #6DE453

RGB 109 228 83

HSL 109.24, 0.73%, 0.61%

LAB 81.49, -59.76, 58.8

 

CMYK 64 / 0 / 58 / 11

HEX #53E460

RGB 83 228 96

HSL 125.38, 0.73%, 0.61%

LAB 80.83, -64.47, 52.26

 

CMYK 1 / 0 / 64 / 11

HEX #E2E453

RGB 226 228 83

HSL 60.83, 0.73%, 0.61%

LAB 88.1, -18.22, 67.85

 

CMYK 1 / 0 / 73 / 4

HEX #F2F443

RGB 242 244 67

HSL 60.68, 0.89%, 0.61%

LAB 93.44, -20.25, 79.27

 

CMYK 1 / 0 / 64 / 11

HEX #E2E453

RGB 226 228 83

HSL 60.83, 0.73%, 0.61%

LAB 88.1, -18.22, 67.85

 

CMYK 0 / 0 / 53 / 17

HEX #D3D463

RGB 211 212 99

HSL 60.53, 0.57%, 0.61%

LAB 82.83, -15.32, 54.9

 

CMYK 1 / 0 / 41 / 23

HEX #C3C473

RGB 195 196 115

HSL 60.74, 0.41%, 0.61%

LAB 77.47, -12.22, 40.46

 

CMYK 1 / 0 / 27 / 29

HEX #B3B483

RGB 179 180 131

HSL 61.22, 0.25%, 0.61%

LAB 72.14, -8.33, 24.96

 

CMYK 0 / 0 / 10 / 36

HEX #A4A493

RGB 164 164 147

HSL 60, 0.09%, 0.61%

LAB 66.94, -3.07, 8.82

 

CMYK 0 / 34 / 64 / 11

HEX #E49753

RGB 228 151 83

HSL 28.14, 0.73%, 0.61%

LAB 68.93, 22.51, 46.93

 

CMYK 0 / 17 / 64 / 11

HEX #E4BD53

RGB 228 189 83

HSL 43.86, 0.73%, 0.61%

LAB 78.18, 2.36, 57.31

 

CMYK 0 / 0 / 64 / 11

HEX #E4E453

RGB 228 228 83

HSL 60, 0.73%, 0.61%

LAB 88.26, -17.4, 68.06

 

CMYK 17 / 0 / 64 / 11

HEX #BDE453

RGB 189 228 83

HSL 76.14, 0.73%, 0.61%

LAB 85.47, -32.96, 64.27

 

CMYK 34 / 0 / 64 / 11

HEX #97E453

RGB 151 228 83

HSL 91.86, 0.73%, 0.61%

LAB 83.28, -46.89, 61.27

 

CMYK 2 / 0 / 84 / 22

HEX #C3C61F

RGB 195 198 31

HSL 61.08, 0.73%, 0.45%

LAB 77.33, -18.62, 73.52

 

CMYK 1 / 0 / 79 / 13

HEX #DCDF2F

RGB 220 223 47

HSL 61.02, 0.73%, 0.53%

LAB 86.1, -19.9, 77.87

 

CMYK 1 / 0 / 64 / 11

HEX #E2E453

RGB 226 228 83

HSL 60.83, 0.73%, 0.61%

LAB 88.1, -18.22, 67.85

 

CMYK 1 / 0 / 49 / 8

HEX #E8EA77

RGB 232 234 119

HSL 61.04, 0.73%, 0.69%

LAB 90.47, -16.11, 55.05

 

CMYK 0 / 0 / 36 / 6

HEX #EEEF9A

RGB 238 239 154

HSL 60.71, 0.73%, 0.77%

LAB 92.68, -12.75, 41.04

 

CMYK 1 / 0 / 64 / 11

HEX #E2E451

RGB 226 228 81

HSL 60.82, 0.73%, 0.61%

LAB 88.09, -18.33, 68.62

 

CMYK 64 / 0 / 51 / 11

HEX #53E470

RGB 83 228 112

HSL 132, 0.73%, 0.61%

LAB 81.01, -62.41, 45.1

 

CMYK 25 / 64 / 0 / 11

HEX #AA53E4

RGB 170 83 228

HSL 276, 0.73%, 0.61%

LAB 52.21, 59.78, -59.45

 

CMYK 1 / 0 / 64 / 11

HEX #E2E451

RGB 226 228 81

HSL 60.82, 0.73%, 0.61%

LAB 88.09, -18.33, 68.62

 

CMYK 64 / 0 / 0 / 11

HEX #53E4E4

RGB 83 228 228

HSL 180, 0.73%, 0.61%

LAB 83.4, -37.86, -11.43

 

CMYK 0 / 64 / 0 / 11

HEX #E453E4

RGB 228 83 228

HSL 300, 0.73%, 0.61%

LAB 60.14, 72.97, -46.34

 

CMYK 1 / 0 / 64 / 11

HEX #E2E451

RGB 226 228 81

HSL 60.82, 0.73%, 0.61%

LAB 88.09, -18.33, 68.62

 

CMYK 64 / 0 / 51 / 11

HEX #53E470

RGB 83 228 112

HSL 132, 0.73%, 0.61%

LAB 81.01, -62.41, 45.1

 

CMYK 64 / 64 / 0 / 11

HEX #5353E4

RGB 83 83 228

HSL 240, 0.73%, 0.61%

LAB 43.69, 43.35, -73.66

 

CMYK 0 / 64 / 13 / 11

HEX #E453C7

RGB 228 83 199

HSL 312, 0.73%, 0.61%

LAB 58.79, 68.46, -32.06

 

CMYK 1 / 0 / 64 / 11

HEX #E2E451

RGB 226 228 81

HSL 60.82, 0.73%, 0.61%

LAB 88.09, -18.33, 68.62

 

CMYK 64 / 0 / 32 / 11

HEX #53E49C

RGB 83 228 156

HSL 150.21, 0.73%, 0.61%

LAB 81.69, -54.97, 23.99

 

CMYK 64 / 64 / 0 / 11

HEX #5353E4

RGB 83 83 228

HSL 240, 0.73%, 0.61%

LAB 43.69, 43.35, -73.66

 

CMYK 0 / 64 / 32 / 11

HEX #E4539C

RGB 228 83 156

HSL 329.79, 0.73%, 0.61%

LAB 57.15, 62.74, -9.73

 

Description

Color code: HEX #E2E451 | qconv.com Color code: HEX #E2E451 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 228 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 228 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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