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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2DF8C it is the complementary color #1D2073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2DF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2DF8C shade: #E7DF87, #F8F19A, #FFFFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2DF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2DF8C shade: #E2DF8C, #D1CD79, #C0BB66, #AFA953 and #9E9740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2DF8C shade: #E2DF8C, #E2C88C, #E2B18C, #E29A8C and #E28C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2DF8C shade: #E2DF8C, #CEE28C, #B7E28C, #A0E28C and #8CE290

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2DF8C shade matches the following richer shades: #E2DF8C, #EDEA81 and #F9F475

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2DF8C shade: #E2DF8C, #D6D498, #CBC9A3, #BFBFAF and #B4B4BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2DF8C shade: #E2B08C, #E2C78C, #E2DE8C, #CFE28C and #B9E28C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2DF8C shade: #D1CD4A, #DAD66B, #E2DF8C, #EAE8AD and #F2F1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2DF8C shade: #E2DF8C, #8CE299 and #BB8CE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2DF8C shade: #E2DF8C, #8CE2DE and #DE8CE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2DF8C shade: #E2DF8C, #8CE299, #8C91E2 and #E28CD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2DF8C shade: #E2DF8C, #8CE2B3, #8C91E2 and #E28CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

Complementary color

CMYK 75 / 72 / 0 / 55

HEX #1D2073

RGB 29 32 115

HSL 237.91, 0.6%, 0.28%

LAB 18.06, 28.78, -47.88

 

CMYK 0 / 3 / 42 / 9

HEX #E7DF87

RGB 231 223 135

HSL 55, 0.67%, 0.72%

LAB 87.73, -9.53, 44.01

 

CMYK 0 / 3 / 38 / 3

HEX #F8F19A

RGB 248 241 154

HSL 55.53, 0.87%, 0.79%

LAB 93.97, -9.92, 42.85

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

CMYK 0 / 2 / 42 / 18

HEX #D1CD79

RGB 209 205 121

HSL 57.27, 0.49%, 0.65%

LAB 81.07, -10.58, 42.21

 

CMYK 0 / 3 / 47 / 25

HEX #C0BB66

RGB 192 187 102

HSL 56.67, 0.42%, 0.58%

LAB 74.64, -10.13, 43.41

 

CMYK 0 / 3 / 53 / 31

HEX #AFA953

RGB 175 169 83

HSL 56.09, 0.37%, 0.51%

LAB 68.1, -9.58, 44.6

 

CMYK 0 / 4 / 59 / 38

HEX #9E9740

RGB 158 151 64

HSL 55.53, 0.42%, 0.44%

LAB 61.46, -8.91, 45.72

 

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

CMYK 0 / 12 / 38 / 11

HEX #E2C88C

RGB 226 200 140

HSL 41.86, 0.6%, 0.72%

LAB 81.49, 0.8, 33.37

 

CMYK 0 / 22 / 38 / 11

HEX #E2B18C

RGB 226 177 140

HSL 25.81, 0.6%, 0.72%

LAB 75.77, 12.93, 25.75

 

CMYK 0 / 32 / 38 / 11

HEX #E29A8C

RGB 226 154 140

HSL 9.77, 0.6%, 0.72%

LAB 70.3, 25.24, 18.29

 

CMYK 0 / 38 / 38 / 11

HEX #E28C8C

RGB 226 140 140

HSL 0, 0.6%, 0.72%

LAB 67.14, 32.7, 13.9

 

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

CMYK 9 / 0 / 38 / 11

HEX #CEE28C

RGB 206 226 140

HSL 73.95, 0.6%, 0.72%

LAB 86.71, -20.11, 39.84

 

CMYK 19 / 0 / 38 / 11

HEX #B7E28C

RGB 183 226 140

HSL 90, 0.6%, 0.72%

LAB 85.18, -28.59, 37.56

 

CMYK 29 / 0 / 38 / 11

HEX #A0E28C

RGB 160 226 140

HSL 106.05, 0.6%, 0.72%

LAB 83.84, -36.57, 35.57

 

CMYK 38 / 0 / 36 / 11

HEX #8CE290

RGB 140 226 144

HSL 122.79, 0.6%, 0.72%

LAB 82.9, -42.34, 32.12

 

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

CMYK 0 / 1 / 46 / 7

HEX #EDEA81

RGB 237 234 129

HSL 58.33, 0.75%, 0.72%

LAB 90.98, -13.24, 51.05

 

CMYK 0 / 2 / 53 / 2

HEX #F9F475

RGB 249 244 117

HSL 57.73, 0.92%, 0.72%

LAB 94.37, -14.44, 60.84

 

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

CMYK 0 / 1 / 29 / 16

HEX #D6D498

RGB 214 212 152

HSL 58.06, 0.43%, 0.72%

LAB 83.78, -8.6, 30.02

 

CMYK 0 / 1 / 20 / 20

HEX #CBC9A3

RGB 203 201 163

HSL 57, 0.28%, 0.72%

LAB 80.24, -5.57, 19.29

 

CMYK 0 / 0 / 8 / 25

HEX #BFBFAF

RGB 191 191 175

HSL 60, 0.11%, 0.72%

LAB 76.94, -2.84, 8.07

 

CMYK 3 / 3 / 0 / 27

HEX #B4B4BA

RGB 180 180 186

HSL 240, 0.04%, 0.72%

LAB 73.47, 1.14, -3.05

 

CMYK 0 / 22 / 38 / 11

HEX #E2B08C

RGB 226 176 140

HSL 25.12, 0.6%, 0.72%

LAB 75.52, 13.46, 25.42

 

CMYK 0 / 12 / 38 / 11

HEX #E2C78C

RGB 226 199 140

HSL 41.16, 0.6%, 0.72%

LAB 81.24, 1.32, 33.04

 

CMYK 0 / 2 / 38 / 11

HEX #E2DE8C

RGB 226 222 140

HSL 57.21, 0.6%, 0.72%

LAB 87.15, -10.45, 40.7

 

CMYK 8 / 0 / 38 / 11

HEX #CFE28C

RGB 207 226 140

HSL 73.26, 0.6%, 0.72%

LAB 86.78, -19.73, 39.94

 

CMYK 18 / 0 / 38 / 11

HEX #B9E28C

RGB 185 226 140

HSL 88.6, 0.6%, 0.72%

LAB 85.3, -27.87, 37.75

 

CMYK 0 / 2 / 65 / 18

HEX #D1CD4A

RGB 209 205 74

HSL 58.22, 0.59%, 0.55%

LAB 80.58, -14.38, 63.18

 

CMYK 0 / 2 / 51 / 15

HEX #DAD66B

RGB 218 214 107

HSL 57.84, 0.6%, 0.64%

LAB 84, -12.82, 52.71

 

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

CMYK 0 / 1 / 26 / 8

HEX #EAE8AD

RGB 234 232 173

HSL 58.03, 0.59%, 0.8%

LAB 90.88, -8.45, 29.03

 

CMYK 0 / 0 / 15 / 5

HEX #F2F1CE

RGB 242 241 206

HSL 58.33, 0.58%, 0.88%

LAB 94.42, -5.4, 17.05

 

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

CMYK 38 / 0 / 32 / 11

HEX #8CE299

RGB 140 226 153

HSL 129.07, 0.6%, 0.72%

LAB 83.06, -40.88, 27.73

 

CMYK 17 / 38 / 0 / 11

HEX #BB8CE2

RGB 187 140 226

HSL 272.79, 0.6%, 0.72%

LAB 65.6, 33.88, -37.01

 

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

CMYK 38 / 0 / 2 / 11

HEX #8CE2DE

RGB 140 226 222

HSL 177.21, 0.6%, 0.72%

LAB 84.61, -26.84, -6.25

 

CMYK 2 / 38 / 0 / 11

HEX #DE8CE2

RGB 222 140 226

HSL 297.21, 0.6%, 0.72%

LAB 69.31, 44.42, -30.96

 

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

CMYK 38 / 0 / 32 / 11

HEX #8CE299

RGB 140 226 153

HSL 129.07, 0.6%, 0.72%

LAB 83.06, -40.88, 27.73

 

CMYK 38 / 36 / 0 / 11

HEX #8C91E2

RGB 140 145 226

HSL 236.51, 0.6%, 0.72%

LAB 62.77, 17.7, -41.72

 

CMYK 0 / 38 / 6 / 11

HEX #E28CD5

RGB 226 140 213

HSL 309.07, 0.6%, 0.72%

LAB 69.28, 43.33, -23.79

 

CMYK 0 / 1 / 38 / 11

HEX #E2DF8C

RGB 226 223 140

HSL 57.91, 0.6%, 0.72%

LAB 87.41, -10.96, 41.03

 

CMYK 38 / 0 / 21 / 11

HEX #8CE2B3

RGB 140 226 179

HSL 147.21, 0.6%, 0.72%

LAB 83.56, -36.15, 14.9

 

CMYK 38 / 36 / 0 / 11

HEX #8C91E2

RGB 140 145 226

HSL 236.51, 0.6%, 0.72%

LAB 62.77, 17.7, -41.72

 

CMYK 0 / 38 / 17 / 11

HEX #E28CBB

RGB 226 140 187

HSL 327.21, 0.6%, 0.72%

LAB 68.4, 39.07, -10.65

 

Description

Color code: HEX #E2DF8C | qconv.com Color code: HEX #E2DF8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 223 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 223 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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