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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2DF6B it is the complementary color #1D2094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2DF6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2DF6B shade: #E7DF66, #F8F179, #FFFF8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2DF6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2DF6B shade: #E2DF6B, #D1CD58, #C0BB45, #AFA932 and #9E971F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2DF6B shade: #E2DF6A, #E2BE6A, #E29E6A, #E27E6A and #E26A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2DF6B shade: #E2DF6A, #C4E26A, #A4E26A, #84E26A and #6AE270

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2DF6B shade matches the following richer shades: #E2DF6A, #F0EC5C and #FEFA4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2DF6B shade: #E2DF6A, #D3D178, #C5C387, #B6B595 and #A8A8A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2DF6B shade: #E29E6A, #E2BE6A, #E2DE6A, #C6E26A and #A6E26A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2DF6B shade: #D0CC29, #DBD748, #E2DF6A, #E8E68C and #EFEEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2DF6B shade: #E2DF6B, #6AE27E and #AE6AE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2DF6B shade: #E2DF6B, #6AE2DE and #DE6AE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2DF6B shade: #E2DF6B, #6AE27E, #6A6EE2 and #E26ACE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2DF6B shade: #E2DF6B, #6AE2A2, #6A6EE2 and #E26AAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 53 / 11

HEX #E2DF6B

RGB 226 223 107

HSL 58.49, 0.67%, 0.65%

LAB 87, -14.08, 56.37

 

Complementary color

CMYK 80 / 78 / 0 / 42

HEX #1D2094

RGB 29 32 148

HSL 238.49, 0.67%, 0.35%

LAB 21.7, 40.59, -62.7

 

CMYK 0 / 3 / 56 / 9

HEX #E7DF66

RGB 231 223 102

HSL 56.28, 0.73%, 0.65%

LAB 87.35, -12.45, 59.14

 

CMYK 0 / 3 / 51 / 3

HEX #F8F179

RGB 248 241 121

HSL 56.69, 0.9%, 0.72%

LAB 93.56, -13.05, 58.07

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 1 / 53 / 11

HEX #E2DF6B

RGB 226 223 107

HSL 58.49, 0.67%, 0.65%

LAB 87, -14.08, 56.37

 

CMYK 0 / 2 / 58 / 18

HEX #D1CD58

RGB 209 205 88

HSL 58.02, 0.57%, 0.58%

LAB 80.7, -13.47, 57.39

 

CMYK 0 / 3 / 64 / 25

HEX #C0BB45

RGB 192 187 69

HSL 57.56, 0.49%, 0.51%

LAB 74.3, -12.73, 58.24

 

CMYK 0 / 3 / 71 / 31

HEX #AFA932

RGB 175 169 50

HSL 57.12, 0.56%, 0.44%

LAB 67.81, -11.83, 58.73

 

CMYK 0 / 4 / 80 / 38

HEX #9E971F

RGB 158 151 31

HSL 56.69, 0.67%, 0.37%

LAB 61.22, -10.73, 58.54

 

CMYK 0 / 1 / 53 / 11

HEX #E2DF6A

RGB 226 223 106

HSL 58.5, 0.67%, 0.65%

LAB 86.99, -14.16, 56.82

 

CMYK 0 / 16 / 53 / 11

HEX #E2BE6A

RGB 226 190 106

HSL 42, 0.67%, 0.65%

LAB 78.48, 2.68, 46.79

 

CMYK 0 / 30 / 53 / 11

HEX #E29E6A

RGB 226 158 106

HSL 26, 0.67%, 0.65%

LAB 70.64, 19.67, 37.14

 

CMYK 0 / 44 / 53 / 11

HEX #E27E6A

RGB 226 126 106

HSL 10, 0.67%, 0.65%

LAB 63.45, 36.63, 27.93

 

CMYK 0 / 53 / 53 / 11

HEX #E26A6A

RGB 226 106 106

HSL 0, 0.67%, 0.65%

LAB 59.45, 46.71, 22.64

 

CMYK 0 / 1 / 53 / 11

HEX #E2DF6A

RGB 226 223 106

HSL 58.5, 0.67%, 0.65%

LAB 86.99, -14.16, 56.82

 

CMYK 13 / 0 / 53 / 11

HEX #C4E26A

RGB 196 226 106

HSL 75, 0.67%, 0.65%

LAB 85.59, -27.48, 54.63

 

CMYK 27 / 0 / 53 / 11

HEX #A4E26A

RGB 164 226 106

HSL 91, 0.67%, 0.65%

LAB 83.61, -39.36, 51.81

 

CMYK 42 / 0 / 53 / 11

HEX #84E26A

RGB 132 226 106

HSL 107, 0.67%, 0.65%

LAB 82.02, -49.97, 49.53

 

CMYK 53 / 0 / 50 / 11

HEX #6AE270

RGB 106 226 112

HSL 123, 0.67%, 0.65%

LAB 81.09, -56.49, 45.34

 

CMYK 0 / 1 / 53 / 11

HEX #E2DF6A

RGB 226 223 106

HSL 58.5, 0.67%, 0.65%

LAB 86.99, -14.16, 56.82

 

CMYK 0 / 2 / 62 / 6

HEX #F0EC5C

RGB 240 236 92

HSL 58.38, 0.83%, 0.65%

LAB 91.36, -15.89, 68.01

 

CMYK 0 / 2 / 70 / 0

HEX #FEFA4D

RGB 254 250 77

HSL 58.64, 0.99%, 0.65%

LAB 95.99, -17.81, 78.71

 

CMYK 0 / 1 / 53 / 11

HEX #E2DF6A

RGB 226 223 106

HSL 58.5, 0.67%, 0.65%

LAB 86.99, -14.16, 56.82

 

CMYK 0 / 1 / 43 / 17

HEX #D3D178

RGB 211 209 120

HSL 58.68, 0.51%, 0.65%

LAB 82.27, -11.91, 44.24

 

CMYK 0 / 1 / 31 / 23

HEX #C5C387

RGB 197 195 135

HSL 58.06, 0.35%, 0.65%

LAB 77.67, -8.59, 30.48

 

CMYK 0 / 1 / 18 / 29

HEX #B6B595

RGB 182 181 149

HSL 58.18, 0.18%, 0.65%

LAB 73, -5.09, 16.47

 

CMYK 0 / 0 / 2 / 34

HEX #A8A8A4

RGB 168 168 164

HSL 60, 0.02%, 0.65%

LAB 68.76, -0.74, 2.05

 

CMYK 0 / 30 / 53 / 11

HEX #E29E6A

RGB 226 158 106

HSL 26, 0.67%, 0.65%

LAB 70.64, 19.67, 37.14

 

CMYK 0 / 16 / 53 / 11

HEX #E2BE6A

RGB 226 190 106

HSL 42, 0.67%, 0.65%

LAB 78.48, 2.68, 46.79

 

CMYK 0 / 2 / 53 / 11

HEX #E2DE6A

RGB 226 222 106

HSL 58, 0.67%, 0.65%

LAB 86.73, -13.67, 56.51

 

CMYK 12 / 0 / 53 / 11

HEX #C6E26A

RGB 198 226 106

HSL 74, 0.67%, 0.65%

LAB 85.73, -26.7, 54.82

 

CMYK 27 / 0 / 53 / 11

HEX #A6E26A

RGB 166 226 106

HSL 90, 0.67%, 0.65%

LAB 83.73, -38.65, 51.97

 

CMYK 0 / 2 / 80 / 18

HEX #D0CC29

RGB 208 204 41

HSL 58.56, 0.67%, 0.49%

LAB 80.04, -15.79, 73.81

 

CMYK 0 / 2 / 67 / 14

HEX #DBD748

RGB 219 215 72

HSL 58.37, 0.67%, 0.57%

LAB 84.03, -15.32, 67.76

 

CMYK 0 / 1 / 53 / 11

HEX #E2DF6A

RGB 226 223 106

HSL 58.5, 0.67%, 0.65%

LAB 86.99, -14.16, 56.82

 

CMYK 0 / 1 / 40 / 9

HEX #E8E68C

RGB 232 230 140

HSL 58.7, 0.67%, 0.73%

LAB 89.69, -12.12, 44.04

 

CMYK 0 / 0 / 27 / 6

HEX #EFEEAF

RGB 239 238 175

HSL 59.06, 0.67%, 0.81%

LAB 92.84, -9.34, 30.72

 

CMYK 0 / 1 / 53 / 11

HEX #E2DF6B

RGB 226 223 107

HSL 58.49, 0.67%, 0.65%

LAB 87, -14.08, 56.37

 

CMYK 53 / 0 / 44 / 11

HEX #6AE27E

RGB 106 226 126

HSL 130, 0.67%, 0.65%

LAB 81.27, -54.5, 38.77

 

CMYK 23 / 53 / 0 / 11

HEX #AE6AE2

RGB 174 106 226

HSL 274, 0.67%, 0.65%

LAB 56.88, 48.76, -50.84

 

CMYK 0 / 1 / 53 / 11

HEX #E2DF6B

RGB 226 223 107

HSL 58.49, 0.67%, 0.65%

LAB 87, -14.08, 56.37

 

CMYK 53 / 0 / 2 / 11

HEX #6AE2DE

RGB 106 226 222

HSL 178, 0.67%, 0.65%

LAB 83.3, -34.53, -8.34

 

CMYK 2 / 53 / 0 / 11

HEX #DE6AE2

RGB 222 106 226

HSL 298, 0.67%, 0.65%

LAB 62.78, 61.35, -41.12

 

CMYK 0 / 1 / 53 / 11

HEX #E2DF6B

RGB 226 223 107

HSL 58.49, 0.67%, 0.65%

LAB 87, -14.08, 56.37

 

CMYK 53 / 0 / 44 / 11

HEX #6AE27E

RGB 106 226 126

HSL 130, 0.67%, 0.65%

LAB 81.27, -54.5, 38.77

 

CMYK 53 / 51 / 0 / 11

HEX #6A6EE2

RGB 106 110 226

HSL 238, 0.67%, 0.65%

LAB 51.5, 30.44, -59.79

 

CMYK 0 / 53 / 9 / 11

HEX #E26ACE

RGB 226 106 206

HSL 310, 0.67%, 0.65%

LAB 62.45, 59.07, -30.38

 

CMYK 0 / 1 / 53 / 11

HEX #E2DF6B

RGB 226 223 107

HSL 58.49, 0.67%, 0.65%

LAB 87, -14.08, 56.37

 

CMYK 53 / 0 / 28 / 11

HEX #6AE2A2

RGB 106 226 162

HSL 148, 0.67%, 0.65%

LAB 81.87, -48.23, 21.24

 

CMYK 53 / 51 / 0 / 11

HEX #6A6EE2

RGB 106 110 226

HSL 238, 0.67%, 0.65%

LAB 51.5, 30.44, -59.79

 

CMYK 0 / 53 / 25 / 11

HEX #E26AAA

RGB 226 106 170

HSL 328, 0.67%, 0.65%

LAB 61.11, 53.73, -11.93

 

Description

Color code: HEX #E2DF6B | qconv.com Color code: HEX #E2DF6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 223 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 223 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 53 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 53% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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