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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2DE74 it is the complementary color #1D218B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2DE74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2DE74 shade: #E7DE6F, #F8F082, #FFFF95, #FFFFA8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2DE74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2DE74 shade: #E2DE74, #D1CC61, #C0BA4E, #AFA83B and #9E9628

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2DE74 shade: #E1DD74, #E1C074, #E1A274, #E18574 and #E17474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2DE74 shade: #E1DD74, #C8E174, #AAE174, #8DE174 and #74E178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2DE74 shade matches the following richer shades: #E1DD74, #EFEA66 and #FCF658

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2DE74 shade: #E1DD74, #D3D081, #C6C48F, #B8B79C and #ABABAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2DE74 shade: #E1A174, #E1BE74, #E1DC74, #C9E174 and #ACE174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2DE74 shade: #D3CD30, #DAD552, #E1DD74, #E8E596 and #EFEDB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2DE74 shade: #E2DE74, #74E184 and #B074E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2DE74 shade: #E2DE74, #74E1DC and #DC74E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2DE74 shade: #E2DE74, #74E184, #7479E1 and #E174D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2DE74 shade: #E2DE74, #74E1A5, #7479E1 and #E174B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 49 / 11

HEX #E2DE74

RGB 226 222 116

HSL 57.82, 0.65%, 0.67%

LAB 86.84, -12.83, 52

 

Complementary color

CMYK 79 / 76 / 0 / 45

HEX #1D218B

RGB 29 33 139

HSL 237.82, 0.65%, 0.33%

LAB 20.88, 36.88, -58.47

 

CMYK 0 / 4 / 52 / 9

HEX #E7DE6F

RGB 231 222 111

HSL 55.5, 0.71%, 0.67%

LAB 87.18, -11.25, 54.85

 

CMYK 0 / 3 / 48 / 3

HEX #F8F082

RGB 248 240 130

HSL 55.93, 0.89%, 0.74%

LAB 93.4, -11.79, 53.72

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 2 / 49 / 11

HEX #E2DE74

RGB 226 222 116

HSL 57.82, 0.65%, 0.67%

LAB 86.84, -12.83, 52

 

CMYK 0 / 2 / 54 / 18

HEX #D1CC61

RGB 209 204 97

HSL 57.32, 0.55%, 0.6%

LAB 80.52, -12.28, 53.12

 

CMYK 0 / 3 / 59 / 25

HEX #C0BA4E

RGB 192 186 78

HSL 56.84, 0.48%, 0.53%

LAB 74.11, -11.62, 54.15

 

CMYK 0 / 4 / 66 / 31

HEX #AFA83B

RGB 175 168 59

HSL 56.38, 0.5%, 0.46%

LAB 67.6, -10.82, 54.97

 

CMYK 0 / 5 / 75 / 38

HEX #9E9628

RGB 158 150 40

HSL 55.93, 0.6%, 0.39%

LAB 60.99, -9.83, 55.33

 

CMYK 0 / 2 / 48 / 12

HEX #E1DD74

RGB 225 221 116

HSL 57.8, 0.64%, 0.67%

LAB 86.49, -12.73, 51.58

 

CMYK 0 / 15 / 48 / 12

HEX #E1C074

RGB 225 192 116

HSL 41.83, 0.64%, 0.67%

LAB 79.02, 2.1, 42.46

 

CMYK 0 / 28 / 48 / 12

HEX #E1A274

RGB 225 162 116

HSL 25.32, 0.64%, 0.67%

LAB 71.63, 18.02, 33.09

 

CMYK 0 / 41 / 48 / 12

HEX #E18574

RGB 225 133 116

HSL 9.36, 0.64%, 0.67%

LAB 65, 33.49, 24.37

 

CMYK 0 / 48 / 48 / 12

HEX #E17474

RGB 225 116 116

HSL 0, 0.64%, 0.67%

LAB 61.45, 42.27, 19.58

 

CMYK 0 / 2 / 48 / 12

HEX #E1DD74

RGB 225 221 116

HSL 57.8, 0.64%, 0.67%

LAB 86.49, -12.73, 51.58

 

CMYK 11 / 0 / 48 / 12

HEX #C8E174

RGB 200 225 116

HSL 73.76, 0.64%, 0.67%

LAB 85.7, -24.51, 50.18

 

CMYK 24 / 0 / 48 / 12

HEX #AAE174

RGB 170 225 116

HSL 90.28, 0.64%, 0.67%

LAB 83.79, -35.7, 47.41

 

CMYK 37 / 0 / 48 / 12

HEX #8DE174

RGB 141 225 116

HSL 106.24, 0.64%, 0.67%

LAB 82.26, -45.54, 45.19

 

CMYK 48 / 0 / 47 / 12

HEX #74E178

RGB 116 225 120

HSL 122.2, 0.64%, 0.67%

LAB 81.25, -52.39, 41.76

 

CMYK 0 / 2 / 48 / 12

HEX #E1DD74

RGB 225 221 116

HSL 57.8, 0.64%, 0.67%

LAB 86.49, -12.73, 51.58

 

CMYK 0 / 2 / 57 / 6

HEX #EFEA66

RGB 239 234 102

HSL 57.81, 0.81%, 0.67%

LAB 90.85, -14.65, 63.24

 

CMYK 0 / 2 / 65 / 1

HEX #FCF658

RGB 252 246 88

HSL 57.8, 0.96%, 0.67%

LAB 94.87, -16.13, 73.55

 

CMYK 0 / 2 / 48 / 12

HEX #E1DD74

RGB 225 221 116

HSL 57.8, 0.64%, 0.67%

LAB 86.49, -12.73, 51.58

 

CMYK 0 / 1 / 39 / 17

HEX #D3D081

RGB 211 208 129

HSL 57.8, 0.48%, 0.67%

LAB 82.13, -10.46, 39.57

 

CMYK 0 / 1 / 28 / 22

HEX #C6C48F

RGB 198 196 143

HSL 57.82, 0.33%, 0.67%

LAB 78.15, -7.69, 26.94

 

CMYK 0 / 1 / 15 / 28

HEX #B8B79C

RGB 184 183 156

HSL 57.86, 0.16%, 0.67%

LAB 73.84, -4.3, 13.88

 

CMYK 0 / 0 / 1 / 33

HEX #ABABAA

RGB 171 171 170

HSL 60, 0.01%, 0.67%

LAB 69.96, -0.18, 0.51

 

CMYK 0 / 28 / 48 / 12

HEX #E1A174

RGB 225 161 116

HSL 24.77, 0.64%, 0.67%

LAB 71.39, 18.56, 32.78

 

CMYK 0 / 16 / 48 / 12

HEX #E1BE74

RGB 225 190 116

HSL 40.73, 0.64%, 0.67%

LAB 78.52, 3.15, 41.83

 

CMYK 0 / 2 / 48 / 12

HEX #E1DC74

RGB 225 220 116

HSL 57.25, 0.64%, 0.67%

LAB 86.23, -12.23, 51.26

 

CMYK 11 / 0 / 48 / 12

HEX #C9E174

RGB 201 225 116

HSL 73.21, 0.64%, 0.67%

LAB 85.77, -24.13, 50.28

 

CMYK 24 / 0 / 48 / 12

HEX #ACE174

RGB 172 225 116

HSL 89.17, 0.64%, 0.67%

LAB 83.9, -34.98, 47.58

 

CMYK 0 / 3 / 77 / 17

HEX #D3CD30

RGB 211 205 48

HSL 57.79, 0.65%, 0.51%

LAB 80.59, -14.78, 72.42

 

CMYK 0 / 2 / 62 / 15

HEX #DAD552

RGB 218 213 82

HSL 57.79, 0.65%, 0.59%

LAB 83.5, -14.16, 63.21

 

CMYK 0 / 2 / 48 / 12

HEX #E1DD74

RGB 225 221 116

HSL 57.8, 0.64%, 0.67%

LAB 86.49, -12.73, 51.58

 

CMYK 0 / 1 / 35 / 9

HEX #E8E596

RGB 232 229 150

HSL 57.8, 0.64%, 0.75%

LAB 89.58, -10.53, 38.93

 

CMYK 0 / 1 / 23 / 6

HEX #EFEDB8

RGB 239 237 184

HSL 57.82, 0.63%, 0.83%

LAB 92.74, -7.64, 26

 

CMYK 0 / 2 / 49 / 11

HEX #E2DE74

RGB 226 222 116

HSL 57.82, 0.65%, 0.67%

LAB 86.84, -12.83, 52

 

CMYK 48 / 0 / 41 / 12

HEX #74E184

RGB 116 225 132

HSL 128.81, 0.64%, 0.67%

LAB 81.42, -50.62, 36.04

 

CMYK 22 / 48 / 0 / 12

HEX #B074E1

RGB 176 116 225

HSL 273.03, 0.64%, 0.67%

LAB 59.12, 43.71, -46.71

 

CMYK 0 / 2 / 49 / 11

HEX #E2DE74

RGB 226 222 116

HSL 57.82, 0.65%, 0.67%

LAB 86.84, -12.83, 52

 

CMYK 48 / 0 / 2 / 12

HEX #74E1DC

RGB 116 225 220

HSL 177.25, 0.64%, 0.67%

LAB 83.3, -32.5, -7.24

 

CMYK 2 / 48 / 0 / 12

HEX #DC74E1

RGB 220 116 225

HSL 297.25, 0.64%, 0.67%

LAB 64.28, 55.86, -38.25

 

CMYK 0 / 2 / 49 / 11

HEX #E2DE74

RGB 226 222 116

HSL 57.82, 0.65%, 0.67%

LAB 86.84, -12.83, 52

 

CMYK 48 / 0 / 41 / 12

HEX #74E184

RGB 116 225 132

HSL 128.81, 0.64%, 0.67%

LAB 81.42, -50.62, 36.04

 

CMYK 48 / 46 / 0 / 12

HEX #7479E1

RGB 116 121 225

HSL 237.25, 0.64%, 0.67%

LAB 54.89, 25.66, -53.76

 

CMYK 0 / 48 / 7 / 12

HEX #E174D1

RGB 225 116 209

HSL 308.81, 0.64%, 0.67%

LAB 64.24, 54.51, -29.3

 

CMYK 0 / 2 / 49 / 11

HEX #E2DE74

RGB 226 222 116

HSL 57.82, 0.65%, 0.67%

LAB 86.84, -12.83, 52

 

CMYK 48 / 0 / 27 / 12

HEX #74E1A5

RGB 116 225 165

HSL 146.97, 0.64%, 0.67%

LAB 81.99, -44.83, 19.89

 

CMYK 48 / 46 / 0 / 12

HEX #7479E1

RGB 116 121 225

HSL 237.25, 0.64%, 0.67%

LAB 54.89, 25.66, -53.76

 

CMYK 0 / 48 / 22 / 12

HEX #E174B0

RGB 225 116 176

HSL 326.97, 0.64%, 0.67%

LAB 63.04, 49.4, -12.48

 

Description

Color code: HEX #E2DE74 | qconv.com Color code: HEX #E2DE74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 222 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 222 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 49 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 49% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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