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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2DE4B it is the complementary color #1D21B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2DE4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2DE4B shade: #E7DE46, #F8F059, #FFFF6C, #FFFF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2DE4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2DE4B shade: #E2DE4B, #D1CC38, #C0BA25, #AFA812 and #9E9600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2DE4B shade: #E1DD4B, #E1B54B, #E18C4B, #E1634B and #E14B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2DE4B shade: #E1DD4B, #BDE14B, #94E14B, #6BE14B and #4BE153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2DE4B shade matches the following richer shades: #E1DD4B and #F2ED3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2DE4B shade: #E1DD4B, #D0CD5C, #BFBD6D, #AEAD7D and #9E9D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2DE4B shade: #E18C4B, #E1B44B, #E1DC4B, #BEE14B and #96E14B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2DE4B shade: #BBB71E, #DBD727, #E1DD4B, #E7E46E and #EDEA92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2DE4B shade: #E2DE4B, #4BE164 and #A04BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2DE4B shade: #E2DE4B, #4BE1DC and #DC4BE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2DE4B shade: #E2DE4B, #4BE164, #4B50E1 and #E14BC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2DE4B shade: #E2DE4B, #4BE191, #4B50E1 and #E14B9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 67 / 11

HEX #E2DE4B

RGB 226 222 75

HSL 58.41, 0.72%, 0.59%

LAB 86.46, -15.72, 69.26

 

Complementary color

CMYK 84 / 82 / 0 / 29

HEX #1D21B4

RGB 29 33 180

HSL 238.41, 0.72%, 0.41%

LAB 25.7, 50.58, -75.51

 

CMYK 0 / 4 / 70 / 9

HEX #E7DE46

RGB 231 222 70

HSL 56.65, 0.77%, 0.59%

LAB 86.84, -13.91, 71.61

 

CMYK 0 / 3 / 64 / 3

HEX #F8F059

RGB 248 240 89

HSL 56.98, 0.92%, 0.66%

LAB 93.01, -14.78, 71.14

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 2 / 67 / 11

HEX #E2DE4B

RGB 226 222 75

HSL 58.41, 0.72%, 0.59%

LAB 86.46, -15.72, 69.26

 

CMYK 0 / 2 / 73 / 18

HEX #D1CC38

RGB 209 204 56

HSL 58.04, 0.62%, 0.52%

LAB 80.19, -14.8, 69.47

 

CMYK 0 / 3 / 81 / 25

HEX #C0BA25

RGB 192 186 37

HSL 57.68, 0.68%, 0.45%

LAB 73.84, -13.71, 68.99

 

CMYK 0 / 4 / 90 / 31

HEX #AFA812

RGB 175 168 18

HSL 57.32, 0.81%, 0.38%

LAB 67.4, -12.4, 67.39

 

CMYK 0 / 5 / 100 / 38

HEX #9E9600

RGB 158 150 0

HSL 56.96, 1%, 0.31%

LAB 60.85, -10.88, 64.42

 

CMYK 0 / 2 / 67 / 12

HEX #E1DD4B

RGB 225 221 75

HSL 58.4, 0.71%, 0.59%

LAB 86.12, -15.64, 68.89

 

CMYK 0 / 20 / 67 / 12

HEX #E1B54B

RGB 225 181 75

HSL 42.4, 0.71%, 0.59%

LAB 75.8, 4.8, 58.18

 

CMYK 0 / 38 / 67 / 12

HEX #E18C4B

RGB 225 140 75

HSL 26, 0.71%, 0.59%

LAB 65.96, 26.65, 47.41

 

CMYK 0 / 56 / 67 / 12

HEX #E1634B

RGB 225 99 75

HSL 9.6, 0.71%, 0.59%

LAB 57.5, 47.55, 37.62

 

CMYK 0 / 67 / 67 / 12

HEX #E14B4B

RGB 225 75 75

HSL 0, 0.71%, 0.59%

LAB 53.54, 58.07, 32.85

 

CMYK 0 / 2 / 67 / 12

HEX #E1DD4B

RGB 225 221 75

HSL 58.4, 0.71%, 0.59%

LAB 86.12, -15.64, 68.89

 

CMYK 16 / 0 / 67 / 12

HEX #BDE14B

RGB 189 225 75

HSL 74.4, 0.71%, 0.59%

LAB 84.57, -32.1, 66.47

 

CMYK 34 / 0 / 67 / 12

HEX #94E14B

RGB 148 225 75

HSL 90.8, 0.71%, 0.59%

LAB 82.19, -47.28, 63.24

 

CMYK 52 / 0 / 67 / 12

HEX #6BE14B

RGB 107 225 75

HSL 107.2, 0.71%, 0.59%

LAB 80.45, -59.9, 60.87

 

CMYK 67 / 0 / 63 / 12

HEX #4BE153

RGB 75 225 83

HSL 123.2, 0.71%, 0.59%

LAB 79.6, -66.45, 56.43

 

CMYK 0 / 2 / 67 / 12

HEX #E1DD4B

RGB 225 221 75

HSL 58.4, 0.71%, 0.59%

LAB 86.12, -15.64, 68.89

 

CMYK 0 / 2 / 76 / 5

HEX #F2ED3A

RGB 242 237 58

HSL 58.37, 0.88%, 0.59%

LAB 91.57, -17.22, 80.31

 

CMYK 0 / 2 / 67 / 12

HEX #E1DD4B

RGB 225 221 75

HSL 58.4, 0.71%, 0.59%

LAB 86.12, -15.64, 68.89

 

CMYK 0 / 1 / 56 / 18

HEX #D0CD5C

RGB 208 205 92

HSL 58.45, 0.55%, 0.59%

LAB 80.65, -13.58, 55.54

 

CMYK 0 / 1 / 43 / 25

HEX #BFBD6D

RGB 191 189 109

HSL 58.54, 0.39%, 0.59%

LAB 75.19, -10.87, 40.56

 

CMYK 0 / 1 / 28 / 32

HEX #AEAD7D

RGB 174 173 125

HSL 58.78, 0.23%, 0.59%

LAB 69.73, -7.42, 24.87

 

CMYK 0 / 1 / 10 / 38

HEX #9E9D8E

RGB 158 157 142

HSL 56.25, 0.08%, 0.59%

LAB 64.43, -2.37, 7.97

 

CMYK 0 / 38 / 67 / 12

HEX #E18C4B

RGB 225 140 75

HSL 26, 0.71%, 0.59%

LAB 65.96, 26.65, 47.41

 

CMYK 0 / 20 / 67 / 12

HEX #E1B44B

RGB 225 180 75

HSL 42, 0.71%, 0.59%

LAB 75.55, 5.33, 57.92

 

CMYK 0 / 2 / 67 / 12

HEX #E1DC4B

RGB 225 220 75

HSL 58, 0.71%, 0.59%

LAB 85.86, -15.15, 68.62

 

CMYK 16 / 0 / 67 / 12

HEX #BEE14B

RGB 190 225 75

HSL 74, 0.71%, 0.59%

LAB 84.64, -31.71, 66.55

 

CMYK 33 / 0 / 67 / 12

HEX #96E14B

RGB 150 225 75

HSL 90, 0.71%, 0.59%

LAB 82.29, -46.59, 63.38

 

CMYK 0 / 2 / 84 / 27

HEX #BBB71E

RGB 187 183 30

HSL 58.47, 0.72%, 0.43%

LAB 72.58, -14.56, 69.52

 

CMYK 0 / 2 / 82 / 14

HEX #DBD727

RGB 219 215 39

HSL 58.67, 0.71%, 0.51%

LAB 83.87, -16.65, 77.93

 

CMYK 0 / 2 / 67 / 12

HEX #E1DD4B

RGB 225 221 75

HSL 58.4, 0.71%, 0.59%

LAB 86.12, -15.64, 68.89

 

CMYK 0 / 1 / 52 / 9

HEX #E7E46E

RGB 231 228 110

HSL 58.51, 0.72%, 0.67%

LAB 88.73, -14.31, 57.12

 

CMYK 0 / 1 / 38 / 7

HEX #EDEA92

RGB 237 234 146

HSL 58.02, 0.72%, 0.75%

LAB 91.2, -11.54, 43.08

 

CMYK 0 / 2 / 67 / 11

HEX #E2DE4B

RGB 226 222 75

HSL 58.41, 0.72%, 0.59%

LAB 86.46, -15.72, 69.26

 

CMYK 67 / 0 / 56 / 12

HEX #4BE164

RGB 75 225 100

HSL 130, 0.71%, 0.59%

LAB 79.77, -64.49, 49.15

 

CMYK 29 / 67 / 0 / 12

HEX #A04BE1

RGB 160 75 225

HSL 274, 0.71%, 0.59%

LAB 49.43, 60.69, -62.31

 

CMYK 0 / 2 / 67 / 11

HEX #E2DE4B

RGB 226 222 75

HSL 58.41, 0.72%, 0.59%

LAB 86.46, -15.72, 69.26

 

CMYK 67 / 0 / 2 / 12

HEX #4BE1DC

RGB 75 225 220

HSL 178, 0.71%, 0.59%

LAB 82.12, -39.84, -9.13

 

CMYK 2 / 67 / 0 / 12

HEX #DC4BE1

RGB 220 75 225

HSL 298, 0.71%, 0.59%

LAB 57.74, 73.66, -48.54

 

CMYK 0 / 2 / 67 / 11

HEX #E2DE4B

RGB 226 222 75

HSL 58.41, 0.72%, 0.59%

LAB 86.46, -15.72, 69.26

 

CMYK 67 / 0 / 56 / 12

HEX #4BE164

RGB 75 225 100

HSL 130, 0.71%, 0.59%

LAB 79.77, -64.49, 49.15

 

CMYK 67 / 64 / 0 / 12

HEX #4B50E1

RGB 75 80 225

HSL 238, 0.71%, 0.59%

LAB 42.26, 43.07, -74.32

 

CMYK 0 / 67 / 11 / 12

HEX #E14BC8

RGB 225 75 200

HSL 310, 0.71%, 0.59%

LAB 57.28, 70.91, -35.02

 

CMYK 0 / 2 / 67 / 11

HEX #E2DE4B

RGB 226 222 75

HSL 58.41, 0.72%, 0.59%

LAB 86.46, -15.72, 69.26

 

CMYK 67 / 0 / 36 / 12

HEX #4BE191

RGB 75 225 145

HSL 148, 0.71%, 0.59%

LAB 80.4, -57.34, 27.88

 

CMYK 67 / 64 / 0 / 12

HEX #4B50E1

RGB 75 80 225

HSL 238, 0.71%, 0.59%

LAB 42.26, 43.07, -74.32

 

CMYK 0 / 67 / 31 / 12

HEX #E14B9B

RGB 225 75 155

HSL 328, 0.71%, 0.59%

LAB 55.49, 64.94, -11.69

 

Description

Color code: HEX #E2DE4B | qconv.com Color code: HEX #E2DE4B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 222 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 222 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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