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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2D9D3 it is the complementary color #1D262C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2D9D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2D9D3 shade: #E7D9CE, #F8EBE1 and #FFFDF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2D9D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2D9D3 shade: #E2D9D3, #D1C7C0, #C0B5AD, #AFA39A and #9E9187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2D9D3 shade: #E2D9D3, #E2D5D3 and #E2D3D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2D9D3 shade: #E2D9D3, #E2DDD3, #E2E1D3, #DFE2D3 and #DBE2D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2D9D3 shade matches the following richer shades: #E2D9D3, #E8D8CE, #EED7C8, #F4D6C2 and #F9D5BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2D9D3 shade: #E2D9D3, #DDDAD9, #D7DCDF, #D1DDE5 and #CBDEEA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2D9D3 shade: #E2D3D5, #E2D5D3, #E2D9D3, #E2DDD3 and #E2E1D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2D9D3 shade: #C2AEA1, #D2C4BA, #E2D9D3 and #F3EFEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2D9D3 shade: #E2D9D3, #D9E2D3 and #D3D3E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2D9D3 shade: #E2D9D3, #D3E2D9 and #D9D3E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2D9D3 shade: #E2D9D3, #D9E2D3, #D3DCE2 and #DCD3E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2D9D3 shade: #E2D9D3, #D5E2D3, #D3DCE2 and #E1D3E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

Complementary color

CMYK 34 / 14 / 0 / 83

HEX #1D262C

RGB 29 38 44

HSL 204, 0.21%, 0.14%

LAB 14.56, -2.16, -5.25

 

CMYK 0 / 6 / 11 / 9

HEX #E7D9CE

RGB 231 217 206

HSL 26.4, 0.34%, 0.86%

LAB 87.52, 2.97, 7.13

 

CMYK 0 / 5 / 9 / 3

HEX #F8EBE1

RGB 248 235 225

HSL 26.09, 0.62%, 0.93%

LAB 93.8, 2.73, 6.41

 

CMYK 0 / 1 / 4 / 0

HEX #FFFDF4

RGB 255 253 244

HSL 49.09, 1%, 0.98%

LAB 99.24, -0.88, 4.52

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 0 / 5 / 8 / 18

HEX #D1C7C0

RGB 209 199 192

HSL 24.71, 0.16%, 0.79%

LAB 80.85, 2.27, 4.73

 

CMYK 0 / 6 / 10 / 25

HEX #C0B5AD

RGB 192 181 173

HSL 25.26, 0.13%, 0.72%

LAB 74.36, 2.51, 5.46

 

CMYK 0 / 7 / 12 / 31

HEX #AFA39A

RGB 175 163 154

HSL 25.71, 0.12%, 0.65%

LAB 67.76, 2.78, 6.23

 

CMYK 0 / 8 / 15 / 38

HEX #9E9187

RGB 158 145 135

HSL 26.09, 0.11%, 0.57%

LAB 61.02, 3.07, 7.04

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 0 / 6 / 7 / 11

HEX #E2D5D3

RGB 226 213 211

HSL 8, 0.21%, 0.86%

LAB 86.24, 4.13, 2.58

 

CMYK 0 / 7 / 7 / 11

HEX #E2D3D3

RGB 226 211 211

HSL 0, 0.21%, 0.86%

LAB 85.74, 5.18, 1.85

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 0 / 2 / 7 / 11

HEX #E2DDD3

RGB 226 221 211

HSL 40, 0.21%, 0.86%

LAB 88.25, -0.02, 5.5

 

CMYK 0 / 0 / 7 / 11

HEX #E2E1D3

RGB 226 225 211

HSL 56, 0.21%, 0.86%

LAB 89.26, -2.08, 6.96

 

CMYK 1 / 0 / 7 / 11

HEX #DFE2D3

RGB 223 226 211

HSL 72, 0.21%, 0.86%

LAB 89.29, -3.63, 6.97

 

CMYK 3 / 0 / 7 / 11

HEX #DBE2D3

RGB 219 226 211

HSL 88, 0.21%, 0.86%

LAB 89, -5.01, 6.5

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 0 / 7 / 11 / 9

HEX #E8D8CE

RGB 232 216 206

HSL 23.08, 0.36%, 0.86%

LAB 87.35, 3.84, 6.9

 

CMYK 0 / 10 / 16 / 7

HEX #EED7C8

RGB 238 215 200

HSL 23.68, 0.53%, 0.86%

LAB 87.46, 5.56, 10.28

 

CMYK 0 / 12 / 20 / 4

HEX #F4D6C2

RGB 244 214 194

HSL 24, 0.69%, 0.86%

LAB 87.59, 7.35, 13.7

 

CMYK 0 / 14 / 24 / 2

HEX #F9D5BC

RGB 249 213 188

HSL 24.59, 0.84%, 0.86%

LAB 87.66, 8.86, 17.01

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 0 / 1 / 2 / 13

HEX #DDDAD9

RGB 221 218 217

HSL 15, 0.06%, 0.86%

LAB 87.25, 0.85, 0.84

 

CMYK 4 / 1 / 0 / 13

HEX #D7DCDF

RGB 215 220 223

HSL 202.5, 0.11%, 0.86%

LAB 87.47, -1.13, -2.07

 

CMYK 9 / 3 / 0 / 10

HEX #D1DDE5

RGB 209 221 229

HSL 204, 0.28%, 0.86%

LAB 87.45, -2.48, -5.31

 

CMYK 13 / 5 / 0 / 8

HEX #CBDEEA

RGB 203 222 234

HSL 203.23, 0.42%, 0.86%

LAB 87.43, -3.93, -8.02

 

CMYK 0 / 7 / 6 / 11

HEX #E2D3D5

RGB 226 211 213

HSL 352, 0.21%, 0.86%

LAB 85.79, 5.52, 0.87

 

CMYK 0 / 6 / 7 / 11

HEX #E2D5D3

RGB 226 213 211

HSL 8, 0.21%, 0.86%

LAB 86.24, 4.13, 2.58

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 0 / 2 / 7 / 11

HEX #E2DDD3

RGB 226 221 211

HSL 40, 0.21%, 0.86%

LAB 88.25, -0.02, 5.5

 

CMYK 0 / 0 / 7 / 11

HEX #E2E1D3

RGB 226 225 211

HSL 56, 0.21%, 0.86%

LAB 89.26, -2.08, 6.96

 

CMYK 0 / 10 / 17 / 24

HEX #C2AEA1

RGB 194 174 161

HSL 23.64, 0.21%, 0.7%

LAB 72.44, 5.05, 9.29

 

CMYK 0 / 7 / 11 / 18

HEX #D2C4BA

RGB 210 196 186

HSL 25, 0.21%, 0.78%

LAB 80.03, 3.21, 6.77

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 0 / 2 / 3 / 5

HEX #F3EFEC

RGB 243 239 236

HSL 25.71, 0.23%, 0.94%

LAB 94.67, 0.82, 1.91

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 4 / 0 / 7 / 11

HEX #D9E2D3

RGB 217 226 211

HSL 96, 0.21%, 0.86%

LAB 88.85, -5.7, 6.28

 

CMYK 7 / 7 / 0 / 11

HEX #D3D3E2

RGB 211 211 226

HSL 240, 0.21%, 0.86%

LAB 84.96, 2.81, -7.38

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 7 / 0 / 4 / 11

HEX #D3E2D9

RGB 211 226 217

HSL 144, 0.21%, 0.86%

LAB 88.57, -6.65, 2.66

 

CMYK 4 / 7 / 0 / 11

HEX #D9D3E2

RGB 217 211 226

HSL 264, 0.21%, 0.86%

LAB 85.42, 4.8, -6.65

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 4 / 0 / 7 / 11

HEX #D9E2D3

RGB 217 226 211

HSL 96, 0.21%, 0.86%

LAB 88.85, -5.7, 6.28

 

CMYK 7 / 3 / 0 / 11

HEX #D3DCE2

RGB 211 220 226

HSL 204, 0.21%, 0.86%

LAB 87.25, -1.89, -3.99

 

CMYK 3 / 7 / 0 / 11

HEX #DCD3E2

RGB 220 211 226

HSL 276, 0.21%, 0.86%

LAB 85.65, 5.8, -6.28

 

CMYK 0 / 4 / 7 / 11

HEX #E2D9D3

RGB 226 217 211

HSL 24, 0.21%, 0.86%

LAB 87.24, 2.05, 4.04

 

CMYK 6 / 0 / 7 / 11

HEX #D5E2D3

RGB 213 226 211

HSL 112, 0.21%, 0.86%

LAB 88.56, -7.06, 5.82

 

CMYK 7 / 3 / 0 / 11

HEX #D3DCE2

RGB 211 220 226

HSL 204, 0.21%, 0.86%

LAB 87.25, -1.89, -3.99

 

CMYK 0 / 7 / 0 / 11

HEX #E1D3E2

RGB 225 211 226

HSL 296, 0.21%, 0.86%

LAB 86.05, 7.48, -5.65

 

Description

Color code: HEX #E2D9D3 | qconv.com Color code: HEX #E2D9D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 217 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 217 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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