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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2D30D it is the complementary color #1D2CF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2D30D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2D30D shade: #E7D308, #F8E51B, #FFF72E, #FFFF41 and #FFFF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2D30D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2D30D shade: #E2D30D, #D1C100, #C0AF00, #AF9D00 and #9E8B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2D30D shade: #E3D30D, #E39A0D, #E3600D, #E3270D and #E30D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2D30D shade: #E3D30D, #B8E30D, #7EE30D, #45E30D and #0DE30F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2D30D shade matches the following richer shades: #E3D30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2D30D shade: #E3D30D, #CFC321, #BCB234, #A8A247 and #95915B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2D30D shade: #E35F0D, #E3980D, #E3D10D, #BBE30D and #83E30D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2D30D shade: #958B09, #BCAF0B, #E3D30D, #F2E427 and #F5E94E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2D30D shade: #E2D30D, #0DE326 and #7B0DE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2D30D shade: #E2D30D, #0DE3D1 and #D10DE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2D30D shade: #E2D30D, #0DE326, #0D1FE3 and #E30DCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2D30D shade: #E2D30D, #0DE366, #0D1FE3 and #E30D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 94 / 11

HEX #E2D30D

RGB 226 211 13

HSL 55.77, 0.89%, 0.47%

LAB 83.33, -12.17, 82.2

 

Complementary color

CMYK 88 / 82 / 0 / 5

HEX #1D2CF2

RGB 29 44 242

HSL 235.77, 0.89%, 0.53%

LAB 34.95, 64.48, -96.11

 

CMYK 0 / 9 / 97 / 9

HEX #E7D308

RGB 231 211 8

HSL 54.62, 0.93%, 0.47%

LAB 83.75, -10.08, 83.17

 

CMYK 0 / 8 / 89 / 3

HEX #F8E51B

RGB 248 229 27

HSL 54.84, 0.94%, 0.54%

LAB 89.89, -11.61, 86.17

 

CMYK 0 / 3 / 82 / 0

HEX #FFF72E

RGB 255 247 46

HSL 57.7, 1%, 0.59%

LAB 95.15, -17.08, 86.96

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF41

RGB 255 255 65

HSL 60, 1%, 0.63%

LAB 97.29, -20.31, 83.82

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 0 / 7 / 94 / 11

HEX #E2D30D

RGB 226 211 13

HSL 55.77, 0.89%, 0.47%

LAB 83.33, -12.17, 82.2

 

CMYK 0 / 8 / 100 / 18

HEX #D1C100

RGB 209 193 0

HSL 55.41, 1%, 0.41%

LAB 77.1, -10.54, 78.21

 

CMYK 0 / 9 / 100 / 25

HEX #C0AF00

RGB 192 175 0

HSL 54.69, 1%, 0.38%

LAB 70.78, -8.74, 72.98

 

CMYK 0 / 10 / 100 / 31

HEX #AF9D00

RGB 175 157 0

HSL 53.83, 1%, 0.34%

LAB 64.35, -6.88, 67.65

 

CMYK 0 / 12 / 100 / 38

HEX #9E8B00

RGB 158 139 0

HSL 52.78, 1%, 0.31%

LAB 57.78, -4.96, 62.22

 

CMYK 0 / 7 / 94 / 11

HEX #E3D30D

RGB 227 211 13

HSL 55.51, 0.89%, 0.47%

LAB 83.42, -11.74, 82.3

 

CMYK 0 / 32 / 94 / 11

HEX #E39A0D

RGB 227 154 13

HSL 39.53, 0.89%, 0.47%

LAB 69.09, 17.98, 71.82

 

CMYK 0 / 58 / 94 / 11

HEX #E3600D

RGB 227 96 13

HSL 23.27, 0.89%, 0.47%

LAB 56.81, 47.72, 63.43

 

CMYK 0 / 83 / 94 / 11

HEX #E3270D

RGB 227 39 13

HSL 7.29, 0.89%, 0.47%

LAB 49.27, 68.24, 58.83

 

CMYK 0 / 94 / 94 / 11

HEX #E30D0D

RGB 227 13 13

HSL 0, 0.89%, 0.47%

LAB 47.81, 72.4, 58.03

 

CMYK 0 / 7 / 94 / 11

HEX #E3D30D

RGB 227 211 13

HSL 55.51, 0.89%, 0.47%

LAB 83.42, -11.74, 82.3

 

CMYK 19 / 0 / 94 / 11

HEX #B8E30D

RGB 184 227 13

HSL 72.06, 0.89%, 0.47%

LAB 84.56, -37.22, 81.78

 

CMYK 44 / 0 / 94 / 11

HEX #7EE30D

RGB 126 227 13

HSL 88.32, 0.89%, 0.47%

LAB 81.51, -58.06, 78.07

 

CMYK 70 / 0 / 94 / 11

HEX #45E30D

RGB 69 227 13

HSL 104.3, 0.89%, 0.47%

LAB 79.75, -72.28, 75.9

 

CMYK 94 / 0 / 93 / 11

HEX #0DE30F

RGB 13 227 15

HSL 120.56, 0.89%, 0.47%

LAB 79.07, -78.22, 74.85

 

CMYK 0 / 7 / 94 / 11

HEX #E3D30D

RGB 227 211 13

HSL 55.51, 0.89%, 0.47%

LAB 83.42, -11.74, 82.3

 

CMYK 0 / 7 / 94 / 11

HEX #E3D30D

RGB 227 211 13

HSL 55.51, 0.89%, 0.47%

LAB 83.42, -11.74, 82.3

 

CMYK 0 / 6 / 84 / 19

HEX #CFC321

RGB 207 195 33

HSL 55.86, 0.73%, 0.47%

LAB 77.52, -11.92, 73.63

 

CMYK 0 / 5 / 72 / 26

HEX #BCB234

RGB 188 178 52

HSL 55.59, 0.57%, 0.47%

LAB 71.41, -10.75, 61.86

 

CMYK 0 / 4 / 58 / 34

HEX #A8A247

RGB 168 162 71

HSL 56.29, 0.41%, 0.47%

LAB 65.45, -9.88, 47.14

 

CMYK 0 / 3 / 39 / 42

HEX #95915B

RGB 149 145 91

HSL 55.86, 0.24%, 0.47%

LAB 59.34, -6.93, 29.19

 

CMYK 0 / 58 / 94 / 11

HEX #E35F0D

RGB 227 95 13

HSL 22.99, 0.89%, 0.47%

LAB 56.63, 48.18, 63.32

 

CMYK 0 / 33 / 94 / 11

HEX #E3980D

RGB 227 152 13

HSL 38.97, 0.89%, 0.47%

LAB 68.62, 19.04, 71.48

 

CMYK 0 / 8 / 94 / 11

HEX #E3D10D

RGB 227 209 13

HSL 54.95, 0.89%, 0.47%

LAB 82.89, -10.74, 81.91

 

CMYK 18 / 0 / 94 / 11

HEX #BBE30D

RGB 187 227 13

HSL 71.21, 0.89%, 0.47%

LAB 84.76, -36.03, 82.01

 

CMYK 42 / 0 / 94 / 11

HEX #83E30D

RGB 131 227 13

HSL 86.92, 0.89%, 0.47%

LAB 81.73, -56.47, 78.33

 

CMYK 0 / 7 / 94 / 42

HEX #958B09

RGB 149 139 9

HSL 55.71, 0.89%, 0.31%

LAB 56.95, -8.97, 59.76

 

CMYK 0 / 7 / 94 / 26

HEX #BCAF0B

RGB 188 175 11

HSL 55.59, 0.89%, 0.39%

LAB 70.44, -10.38, 71.27

 

CMYK 0 / 7 / 94 / 11

HEX #E3D30D

RGB 227 211 13

HSL 55.51, 0.89%, 0.47%

LAB 83.42, -11.74, 82.3

 

CMYK 0 / 6 / 84 / 5

HEX #F2E427

RGB 242 228 39

HSL 55.86, 0.89%, 0.55%

LAB 89.16, -13.39, 83.11

 

CMYK 0 / 5 / 68 / 4

HEX #F5E94E

RGB 245 233 78

HSL 55.69, 0.89%, 0.63%

LAB 90.89, -13.17, 73.09

 

CMYK 0 / 7 / 94 / 11

HEX #E2D30D

RGB 226 211 13

HSL 55.77, 0.89%, 0.47%

LAB 83.33, -12.17, 82.2

 

CMYK 94 / 0 / 83 / 11

HEX #0DE326

RGB 13 227 38

HSL 127.01, 0.89%, 0.47%

LAB 79.14, -77.43, 70.86

 

CMYK 46 / 94 / 0 / 11

HEX #7B0DE3

RGB 123 13 227

HSL 270.84, 0.89%, 0.47%

LAB 37.92, 75.39, -82.43

 

CMYK 0 / 7 / 94 / 11

HEX #E2D30D

RGB 226 211 13

HSL 55.77, 0.89%, 0.47%

LAB 83.33, -12.17, 82.2

 

CMYK 94 / 0 / 8 / 11

HEX #0DE3D1

RGB 13 227 209

HSL 174.95, 0.89%, 0.47%

LAB 81.64, -48.84, -4.09

 

CMYK 8 / 94 / 0 / 11

HEX #D10DE3

RGB 209 13 227

HSL 294.95, 0.89%, 0.47%

LAB 51.14, 86.25, -60.31

 

CMYK 0 / 7 / 94 / 11

HEX #E2D30D

RGB 226 211 13

HSL 55.77, 0.89%, 0.47%

LAB 83.33, -12.17, 82.2

 

CMYK 94 / 0 / 83 / 11

HEX #0DE326

RGB 13 227 38

HSL 127.01, 0.89%, 0.47%

LAB 79.14, -77.43, 70.86

 

CMYK 94 / 86 / 0 / 11

HEX #0D1FE3

RGB 13 31 227

HSL 234.95, 0.89%, 0.47%

LAB 30.91, 65.11, -94.32

 

CMYK 0 / 94 / 11 / 11

HEX #E30DCA

RGB 227 13 202

HSL 307.01, 0.89%, 0.47%

LAB 52.82, 85.65, -43.16

 

CMYK 0 / 7 / 94 / 11

HEX #E2D30D

RGB 226 211 13

HSL 55.77, 0.89%, 0.47%

LAB 83.33, -12.17, 82.2

 

CMYK 94 / 0 / 55 / 11

HEX #0DE366

RGB 13 227 102

HSL 144.95, 0.89%, 0.47%

LAB 79.6, -71.53, 47.84

 

CMYK 94 / 86 / 0 / 11

HEX #0D1FE3

RGB 13 31 227

HSL 234.95, 0.89%, 0.47%

LAB 30.91, 65.11, -94.32

 

CMYK 0 / 94 / 39 / 11

HEX #E30D8A

RGB 227 13 138

HSL 324.95, 0.89%, 0.47%

LAB 50.04, 78.47, -9.72

 

Description

Color code: HEX #E2D30D | qconv.com Color code: HEX #E2D30D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 211 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 211 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 94 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 94% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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