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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2D226 it is the complementary color #1D2DD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2D226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2D226 shade: #E7D221, #F8E434, #FFF647, #FFFF5A and #FFFF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2D226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2D226 shade: #E2D226, #D1C013, #C0AE00, #AF9C00 and #9E8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2D226 shade: #E2D228, #E2A028, #E26D28, #E23B28 and #E22828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2D226 shade: #E2D228, #BFE228, #8DE228, #5BE228 and #29E228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2D226 shade matches the following richer shades: #E2D228 and #F5E214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2D226 shade: #E2D228, #CEC13B, #BAB14F, #A6A063 and #929077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2D226 shade: #E26C28, #E29D28, #E2CF28, #C3E228 and #91E228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2D226 shade: #A19516, #C5B71B, #E2D228, #E7D94C and #ECE170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2D226 shade: #E2D226, #28E23A and #8528E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2D226 shade: #E2D226, #28E2CF and #CF28E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2D226 shade: #E2D226, #28E23A, #283AE2 and #E228CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2D226 shade: #E2D226, #28E272, #283AE2 and #E22897

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 83 / 11

HEX #E2D226

RGB 226 210 38

HSL 54.89, 0.76%, 0.52%

LAB 83.13, -11.22, 77.78

 

Complementary color

CMYK 87 / 79 / 0 / 15

HEX #1D2DD9

RGB 29 45 217

HSL 234.89, 0.76%, 0.48%

LAB 32.14, 56.36, -86.51

 

CMYK 0 / 9 / 86 / 9

HEX #E7D221

RGB 231 210 33

HSL 53.64, 0.8%, 0.52%

LAB 83.54, -9.21, 79.42

 

CMYK 0 / 8 / 79 / 3

HEX #F8E434

RGB 248 228 52

HSL 53.88, 0.93%, 0.59%

LAB 89.72, -10.52, 80.55

 

CMYK 0 / 4 / 72 / 0

HEX #FFF647

RGB 255 246 71

HSL 57.07, 1%, 0.64%

LAB 95, -15.74, 79.81

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 7 / 83 / 11

HEX #E2D226

RGB 226 210 38

HSL 54.89, 0.76%, 0.52%

LAB 83.13, -11.22, 77.78

 

CMYK 0 / 8 / 91 / 18

HEX #D1C013

RGB 209 192 19

HSL 54.63, 0.83%, 0.45%

LAB 76.86, -9.81, 75.88

 

CMYK 0 / 9 / 100 / 25

HEX #C0AE00

RGB 192 174 0

HSL 54.38, 1%, 0.38%

LAB 70.51, -8.22, 72.78

 

CMYK 0 / 11 / 100 / 31

HEX #AF9C00

RGB 175 156 0

HSL 53.49, 1%, 0.34%

LAB 64.07, -6.35, 67.45

 

CMYK 0 / 13 / 100 / 38

HEX #9E8A00

RGB 158 138 0

HSL 52.41, 1%, 0.31%

LAB 57.51, -4.41, 62.02

 

CMYK 0 / 7 / 82 / 11

HEX #E2D228

RGB 226 210 40

HSL 54.84, 0.76%, 0.52%

LAB 83.13, -11.17, 77.3

 

CMYK 0 / 29 / 82 / 11

HEX #E2A028

RGB 226 160 40

HSL 38.71, 0.76%, 0.52%

LAB 70.5, 14.88, 66.52

 

CMYK 0 / 52 / 82 / 11

HEX #E26D28

RGB 226 109 40

HSL 22.26, 0.76%, 0.52%

LAB 59.21, 41.59, 56.62

 

CMYK 0 / 74 / 82 / 11

HEX #E23B28

RGB 226 59 40

HSL 6.13, 0.76%, 0.52%

LAB 51.21, 62.83, 49.36

 

CMYK 0 / 82 / 82 / 11

HEX #E22828

RGB 226 40 40

HSL 0, 0.76%, 0.52%

LAB 49.3, 68.19, 47.59

 

CMYK 0 / 7 / 82 / 11

HEX #E2D228

RGB 226 210 40

HSL 54.84, 0.76%, 0.52%

LAB 83.13, -11.17, 77.3

 

CMYK 15 / 0 / 82 / 11

HEX #BFE228

RGB 191 226 40

HSL 71.29, 0.76%, 0.52%

LAB 84.8, -33.4, 77.68

 

CMYK 38 / 0 / 82 / 11

HEX #8DE228

RGB 141 226 40

HSL 87.42, 0.76%, 0.52%

LAB 81.95, -52.05, 74.08

 

CMYK 60 / 0 / 82 / 11

HEX #5BE228

RGB 91 226 40

HSL 103.55, 0.76%, 0.52%

LAB 80.05, -66.56, 71.66

 

CMYK 82 / 0 / 82 / 11

HEX #29E228

RGB 41 226 40

HSL 119.68, 0.76%, 0.52%

LAB 79.05, -75.07, 70.38

 

CMYK 0 / 7 / 82 / 11

HEX #E2D228

RGB 226 210 40

HSL 54.84, 0.76%, 0.52%

LAB 83.13, -11.17, 77.3

 

CMYK 0 / 8 / 92 / 4

HEX #F5E214

RGB 245 226 20

HSL 54.93, 0.92%, 0.52%

LAB 88.85, -11.49, 86.26

 

CMYK 0 / 7 / 82 / 11

HEX #E2D228

RGB 226 210 40

HSL 54.84, 0.76%, 0.52%

LAB 83.13, -11.17, 77.3

 

CMYK 0 / 6 / 71 / 19

HEX #CEC13B

RGB 206 193 59

HSL 54.69, 0.6%, 0.52%

LAB 77.03, -10.38, 65.3

 

CMYK 0 / 5 / 58 / 27

HEX #BAB14F

RGB 186 177 79

HSL 54.95, 0.44%, 0.52%

LAB 71.18, -9.43, 50.28

 

CMYK 0 / 4 / 40 / 35

HEX #A6A063

RGB 166 160 99

HSL 54.63, 0.27%, 0.52%

LAB 65.08, -6.99, 32.55

 

CMYK 0 / 1 / 18 / 43

HEX #929077

RGB 146 144 119

HSL 55.56, 0.11%, 0.52%

LAB 59.33, -3.68, 13.58

 

CMYK 0 / 52 / 82 / 11

HEX #E26C28

RGB 226 108 40

HSL 21.94, 0.76%, 0.52%

LAB 59.02, 42.09, 56.44

 

CMYK 0 / 31 / 82 / 11

HEX #E29D28

RGB 226 157 40

HSL 37.74, 0.76%, 0.52%

LAB 69.78, 16.48, 65.9

 

CMYK 0 / 8 / 82 / 11

HEX #E2CF28

RGB 226 207 40

HSL 53.87, 0.76%, 0.52%

LAB 82.35, -9.66, 76.64

 

CMYK 14 / 0 / 82 / 11

HEX #C3E228

RGB 195 226 40

HSL 70, 0.76%, 0.52%

LAB 85.07, -31.8, 78.01

 

CMYK 36 / 0 / 82 / 11

HEX #91E228

RGB 145 226 40

HSL 86.13, 0.76%, 0.52%

LAB 82.14, -50.68, 74.32

 

CMYK 0 / 7 / 86 / 37

HEX #A19516

RGB 161 149 22

HSL 54.82, 0.76%, 0.36%

LAB 60.9, -8.59, 60.8

 

CMYK 0 / 7 / 86 / 23

HEX #C5B71B

RGB 197 183 27

HSL 55.06, 0.76%, 0.44%

LAB 73.43, -10.27, 71.25

 

CMYK 0 / 7 / 82 / 11

HEX #E2D228

RGB 226 210 40

HSL 54.84, 0.76%, 0.52%

LAB 83.13, -11.17, 77.3

 

CMYK 0 / 6 / 67 / 9

HEX #E7D94C

RGB 231 217 76

HSL 54.58, 0.76%, 0.6%

LAB 85.57, -11.12, 68.11

 

CMYK 0 / 5 / 53 / 7

HEX #ECE170

RGB 236 225 112

HSL 54.68, 0.77%, 0.68%

LAB 88.38, -10.65, 55.89

 

CMYK 0 / 7 / 83 / 11

HEX #E2D226

RGB 226 210 38

HSL 54.89, 0.76%, 0.52%

LAB 83.13, -11.22, 77.78

 

CMYK 82 / 0 / 74 / 11

HEX #28E23A

RGB 40 226 58

HSL 125.81, 0.76%, 0.52%

LAB 79.13, -74.06, 65.21

 

CMYK 41 / 82 / 0 / 11

HEX #8528E2

RGB 133 40 226

HSL 270, 0.76%, 0.52%

LAB 41.21, 70.14, -76.41

 

CMYK 0 / 7 / 83 / 11

HEX #E2D226

RGB 226 210 38

HSL 54.89, 0.76%, 0.52%

LAB 83.13, -11.22, 77.78

 

CMYK 82 / 0 / 8 / 11

HEX #28E2CF

RGB 40 226 207

HSL 173.87, 0.76%, 0.52%

LAB 81.48, -47.58, -3.23

 

CMYK 8 / 82 / 0 / 11

HEX #CF28E2

RGB 207 40 226

HSL 293.87, 0.76%, 0.52%

LAB 52.15, 81.64, -58.15

 

CMYK 0 / 7 / 83 / 11

HEX #E2D226

RGB 226 210 38

HSL 54.89, 0.76%, 0.52%

LAB 83.13, -11.22, 77.78

 

CMYK 82 / 0 / 74 / 11

HEX #28E23A

RGB 40 226 58

HSL 125.81, 0.76%, 0.52%

LAB 79.13, -74.06, 65.21

 

CMYK 82 / 74 / 0 / 11

HEX #283AE2

RGB 40 58 226

HSL 234.19, 0.76%, 0.52%

LAB 35.92, 52.93, -85.39

 

CMYK 0 / 82 / 8 / 11

HEX #E228CF

RGB 226 40 207

HSL 306.13, 0.76%, 0.52%

LAB 54.23, 82.27, -43.81

 

CMYK 0 / 7 / 83 / 11

HEX #E2D226

RGB 226 210 38

HSL 54.89, 0.76%, 0.52%

LAB 83.13, -11.22, 77.78

 

CMYK 82 / 0 / 50 / 11

HEX #28E272

RGB 40 226 114

HSL 143.87, 0.76%, 0.52%

LAB 79.65, -67.7, 42.28

 

CMYK 82 / 74 / 0 / 11

HEX #283AE2

RGB 40 58 226

HSL 234.19, 0.76%, 0.52%

LAB 35.92, 52.93, -85.39

 

CMYK 0 / 82 / 33 / 11

HEX #E22897

RGB 226 40 151

HSL 324.19, 0.76%, 0.52%

LAB 51.75, 75.38, -14.96

 

Description

Color code: HEX #E2D226 | qconv.com Color code: HEX #E2D226 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 210 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 210 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 83 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 83% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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