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Color name
HEX #E2D08A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2D08A it is the complementary color #1D2F75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2D08A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2D08A shade: #E7D085, #F8E298, #FFF4AB, #FFFFBE and #FFFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2D08A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2D08A shade: #E2D08A, #D1BE77, #C0AC64, #AF9A51 and #9E883E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2D08A shade: #E1CF89, #E1B789, #E19F89 and #E18989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2D08A shade: #E1CF89, #DCE189, #C4E189, #ACE189 and #94E189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2D08A shade matches the following richer shades: #E1CF89, #EDD67D and #F9DD71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2D08A shade: #E1CF89, #D5C895, #C9C1A1, #BEBAAD and #B2B3B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2D08A shade: #E19F89, #E1B789, #E1CE89, #DDE189 and #C5E189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2D08A shade: #D1B547, #D9C268, #E1CF89, #EADDAA and #F2EACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2D08A shade: #E2D08A, #8AE189 and #AB89E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2D08A shade: #E2D08A, #89E1CE and #CE89E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2D08A shade: #E2D08A, #8AE189, #899CE1 and #E089E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2D08A shade: #E2D08A, #89E1A2, #899CE1 and #E189C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 39 / 11

HEX #E2D08A

RGB 226 208 138

HSL 47.73, 0.6%, 0.71%

LAB 83.5, -3.56, 37.02

 

Complementary color

CMYK 75 / 60 / 0 / 54

HEX #1D2F75

RGB 29 47 117

HSL 227.73, 0.6%, 0.29%

LAB 22.23, 19.2, -42.36

 

CMYK 0 / 10 / 42 / 9

HEX #E7D085

RGB 231 208 133

HSL 45.92, 0.67%, 0.71%

LAB 83.86, -2.12, 40.1

 

CMYK 0 / 9 / 39 / 3

HEX #F8E298

RGB 248 226 152

HSL 46.25, 0.87%, 0.78%

LAB 90.14, -2.62, 38.91

 

CMYK 0 / 4 / 33 / 0

HEX #FFF4AB

RGB 255 244 171

HSL 52.14, 1%, 0.84%

LAB 95.54, -6.84, 36.56

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 8 / 39 / 11

HEX #E2D08A

RGB 226 208 138

HSL 47.73, 0.6%, 0.71%

LAB 83.5, -3.56, 37.02

 

CMYK 0 / 9 / 43 / 18

HEX #D1BE77

RGB 209 190 119

HSL 47.33, 0.49%, 0.64%

LAB 77.11, -3.06, 38.22

 

CMYK 0 / 10 / 48 / 25

HEX #C0AC64

RGB 192 172 100

HSL 46.96, 0.42%, 0.57%

LAB 70.62, -2.46, 39.48

 

CMYK 0 / 12 / 54 / 31

HEX #AF9A51

RGB 175 154 81

HSL 46.6, 0.37%, 0.5%

LAB 64.01, -1.75, 40.75

 

CMYK 0 / 14 / 61 / 38

HEX #9E883E

RGB 158 136 62

HSL 46.25, 0.44%, 0.43%

LAB 57.29, -0.89, 42

 

CMYK 0 / 8 / 39 / 12

HEX #E1CF89

RGB 225 207 137

HSL 47.73, 0.59%, 0.71%

LAB 83.15, -3.55, 37.05

 

CMYK 0 / 19 / 39 / 12

HEX #E1B789

RGB 225 183 137

HSL 31.36, 0.59%, 0.71%

LAB 77.09, 9, 29.1

 

CMYK 0 / 29 / 39 / 12

HEX #E19F89

RGB 225 159 137

HSL 15, 0.59%, 0.71%

LAB 71.29, 21.83, 21.28

 

CMYK 0 / 39 / 39 / 12

HEX #E18989

RGB 225 137 137

HSL 0, 0.59%, 0.71%

LAB 66.29, 33.57, 14.38

 

CMYK 0 / 8 / 39 / 12

HEX #E1CF89

RGB 225 207 137

HSL 47.73, 0.59%, 0.71%

LAB 83.15, -3.55, 37.05

 

CMYK 2 / 0 / 39 / 12

HEX #DCE189

RGB 220 225 137

HSL 63.41, 0.59%, 0.71%

LAB 87.42, -14.6, 42.45

 

CMYK 13 / 0 / 39 / 12

HEX #C4E189

RGB 196 225 137

HSL 79.77, 0.59%, 0.71%

LAB 85.7, -23.73, 39.9

 

CMYK 24 / 0 / 39 / 12

HEX #ACE189

RGB 172 225 137

HSL 96.14, 0.59%, 0.71%

LAB 84.19, -32.42, 37.65

 

CMYK 34 / 0 / 39 / 12

HEX #94E189

RGB 148 225 137

HSL 112.5, 0.59%, 0.71%

LAB 82.89, -40.47, 35.72

 

CMYK 0 / 8 / 39 / 12

HEX #E1CF89

RGB 225 207 137

HSL 47.73, 0.59%, 0.71%

LAB 83.15, -3.55, 37.05

 

CMYK 0 / 10 / 47 / 7

HEX #EDD67D

RGB 237 214 125

HSL 47.68, 0.76%, 0.71%

LAB 85.8, -3.58, 46.62

 

CMYK 0 / 11 / 55 / 2

HEX #F9DD71

RGB 249 221 113

HSL 47.65, 0.92%, 0.71%

LAB 88.47, -3.32, 55.81

 

CMYK 0 / 8 / 39 / 12

HEX #E1CF89

RGB 225 207 137

HSL 47.73, 0.59%, 0.71%

LAB 83.15, -3.55, 37.05

 

CMYK 0 / 6 / 30 / 16

HEX #D5C895

RGB 213 200 149

HSL 47.81, 0.43%, 0.71%

LAB 80.53, -3.19, 27.2

 

CMYK 0 / 4 / 20 / 21

HEX #C9C1A1

RGB 201 193 161

HSL 48, 0.27%, 0.71%

LAB 77.95, -2.44, 17.14

 

CMYK 0 / 2 / 9 / 25

HEX #BEBAAD

RGB 190 186 173

HSL 45.88, 0.12%, 0.71%

LAB 75.5, -0.89, 7.08

 

CMYK 4 / 3 / 0 / 27

HEX #B2B3B9

RGB 178 179 185

HSL 231.43, 0.05%, 0.71%

LAB 73.03, 0.8, -3.18

 

CMYK 0 / 29 / 39 / 12

HEX #E19F89

RGB 225 159 137

HSL 15, 0.59%, 0.71%

LAB 71.29, 21.83, 21.28

 

CMYK 0 / 19 / 39 / 12

HEX #E1B789

RGB 225 183 137

HSL 31.36, 0.59%, 0.71%

LAB 77.09, 9, 29.1

 

CMYK 0 / 8 / 39 / 12

HEX #E1CE89

RGB 225 206 137

HSL 47.05, 0.59%, 0.71%

LAB 82.89, -3.04, 36.72

 

CMYK 2 / 0 / 39 / 12

HEX #DDE189

RGB 221 225 137

HSL 62.73, 0.59%, 0.71%

LAB 87.5, -14.22, 42.56

 

CMYK 12 / 0 / 39 / 12

HEX #C5E189

RGB 197 225 137

HSL 79.09, 0.59%, 0.71%

LAB 85.77, -23.36, 40

 

CMYK 0 / 13 / 66 / 18

HEX #D1B547

RGB 209 181 71

HSL 47.83, 0.6%, 0.55%

LAB 74.23, -2.25, 57.77

 

CMYK 0 / 11 / 52 / 15

HEX #D9C268

RGB 217 194 104

HSL 47.79, 0.6%, 0.63%

LAB 78.66, -3.29, 47.78

 

CMYK 0 / 8 / 39 / 12

HEX #E1CF89

RGB 225 207 137

HSL 47.73, 0.59%, 0.71%

LAB 83.15, -3.55, 37.05

 

CMYK 0 / 6 / 27 / 8

HEX #EADDAA

RGB 234 221 170

HSL 47.81, 0.6%, 0.79%

LAB 88.02, -3.28, 26.69

 

CMYK 0 / 3 / 16 / 5

HEX #F2EACB

RGB 242 234 203

HSL 47.69, 0.6%, 0.87%

LAB 92.59, -2.32, 16.03

 

CMYK 0 / 8 / 39 / 11

HEX #E2D08A

RGB 226 208 138

HSL 47.73, 0.6%, 0.71%

LAB 83.5, -3.56, 37.02

 

CMYK 39 / 0 / 39 / 12

HEX #8AE189

RGB 138 225 137

HSL 119.32, 0.59%, 0.71%

LAB 82.41, -43.58, 35

 

CMYK 24 / 39 / 0 / 12

HEX #AB89E1

RGB 171 137 225

HSL 263.18, 0.59%, 0.71%

LAB 63.33, 30.65, -40.11

 

CMYK 0 / 8 / 39 / 11

HEX #E2D08A

RGB 226 208 138

HSL 47.73, 0.6%, 0.71%

LAB 83.5, -3.56, 37.02

 

CMYK 39 / 0 / 8 / 12

HEX #89E1CE

RGB 137 225 206

HSL 167.05, 0.59%, 0.71%

LAB 83.77, -30.82, 0.96

 

CMYK 8 / 39 / 0 / 12

HEX #CE89E1

RGB 206 137 225

HSL 287.05, 0.59%, 0.71%

LAB 66.86, 40.98, -34.34

 

CMYK 0 / 8 / 39 / 11

HEX #E2D08A

RGB 226 208 138

HSL 47.73, 0.6%, 0.71%

LAB 83.5, -3.56, 37.02

 

CMYK 39 / 0 / 39 / 12

HEX #8AE189

RGB 138 225 137

HSL 119.32, 0.59%, 0.71%

LAB 82.41, -43.58, 35

 

CMYK 39 / 31 / 0 / 12

HEX #899CE1

RGB 137 156 225

HSL 227.05, 0.59%, 0.71%

LAB 65.38, 10.29, -37.11

 

CMYK 0 / 39 / 0 / 12

HEX #E089E1

RGB 224 137 225

HSL 299.32, 0.59%, 0.71%

LAB 68.88, 46.41, -31.06

 

CMYK 0 / 8 / 39 / 11

HEX #E2D08A

RGB 226 208 138

HSL 47.73, 0.6%, 0.71%

LAB 83.5, -3.56, 37.02

 

CMYK 39 / 0 / 28 / 12

HEX #89E1A2

RGB 137 225 162

HSL 137.05, 0.59%, 0.71%

LAB 82.79, -39.75, 22.7

 

CMYK 39 / 31 / 0 / 12

HEX #899CE1

RGB 137 156 225

HSL 227.05, 0.59%, 0.71%

LAB 65.38, 10.29, -37.11

 

CMYK 0 / 39 / 11 / 12

HEX #E189C8

RGB 225 137 200

HSL 317.05, 0.59%, 0.71%

LAB 68.07, 42.38, -18.41

 

Description

Color code: HEX #E2D08A | qconv.com Color code: HEX #E2D08A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 208 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 208 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 39 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 39% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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