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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2CE4C it is the complementary color #1D31B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2CE4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2CE4C shade: #E7CE47, #F8E05A, #FFF26D, #FFFF80 and #FFFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2CE4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2CE4C shade: #E2CE4C, #D1BC39, #C0AA26, #AF9813 and #9E8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2CE4C shade: #E2CE4B, #E2A54B, #E27C4B, #E2544B and #E24B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2CE4C shade: #E2CE4B, #CDE24B, #A5E24B, #7CE24B and #53E24B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2CE4C shade matches the following richer shades: #E2CE4B and #F3DA3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2CE4C shade: #E2CE4B, #D1C15C, #C0B56D, #AFA87E and #9E9C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2CE4C shade: #E27D4B, #E2A64B, #E2CE4B, #CEE24B and #A6E24B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2CE4C shade: #BCA71F, #DCC428, #E2CE4B, #E8D76F and #EDE192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2CE4C shade: #E2CE4C, #4BE255 and #914BE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2CE4C shade: #E2CE4C, #4BE2CE and #CE4BE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2CE4C shade: #E2CE4C, #4BE255, #4B5FE2 and #E24BD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2CE4C shade: #E2CE4C, #4BE282, #4B5FE2 and #E24BAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 66 / 11

HEX #E2CE4C

RGB 226 206 76

HSL 52, 0.72%, 0.59%

LAB 82.29, -7.66, 64.6

 

Complementary color

CMYK 84 / 73 / 0 / 30

HEX #1D31B3

RGB 29 49 179

HSL 232, 0.72%, 0.41%

LAB 28.68, 41.43, -69.98

 

CMYK 0 / 11 / 69 / 9

HEX #E7CE47

RGB 231 206 71

HSL 50.63, 0.77%, 0.59%

LAB 82.69, -5.83, 67.12

 

CMYK 0 / 10 / 64 / 3

HEX #F8E05A

RGB 248 224 90

HSL 50.89, 0.92%, 0.66%

LAB 88.93, -6.81, 66.44

 

CMYK 0 / 5 / 57 / 0

HEX #FFF26D

RGB 255 242 109

HSL 54.66, 1%, 0.71%

LAB 94.26, -11.66, 64.37

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 9 / 66 / 11

HEX #E2CE4C

RGB 226 206 76

HSL 52, 0.72%, 0.59%

LAB 82.29, -7.66, 64.6

 

CMYK 0 / 10 / 73 / 18

HEX #D1BC39

RGB 209 188 57

HSL 51.71, 0.62%, 0.52%

LAB 75.96, -6.62, 65.08

 

CMYK 0 / 11 / 80 / 25

HEX #C0AA26

RGB 192 170 38

HSL 51.43, 0.67%, 0.45%

LAB 69.54, -5.39, 64.95

 

CMYK 0 / 13 / 89 / 31

HEX #AF9813

RGB 175 152 19

HSL 51.15, 0.8%, 0.38%

LAB 63.03, -3.92, 63.74

 

CMYK 0 / 15 / 100 / 38

HEX #9E8600

RGB 158 134 0

HSL 50.89, 1%, 0.31%

LAB 56.41, -2.22, 61.24

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4B

RGB 226 206 75

HSL 52.05, 0.72%, 0.59%

LAB 82.28, -7.72, 64.99

 

CMYK 0 / 27 / 67 / 11

HEX #E2A54B

RGB 226 165 75

HSL 35.76, 0.72%, 0.59%

LAB 71.95, 13.72, 54.07

 

CMYK 0 / 45 / 67 / 11

HEX #E27C4B

RGB 226 124 75

HSL 19.47, 0.72%, 0.59%

LAB 62.59, 35.47, 43.61

 

CMYK 0 / 63 / 67 / 11

HEX #E2544B

RGB 226 84 75

HSL 3.58, 0.72%, 0.59%

LAB 55.09, 54.68, 34.77

 

CMYK 0 / 67 / 67 / 11

HEX #E24B4B

RGB 226 75 75

HSL 0, 0.72%, 0.59%

LAB 53.72, 58.39, 33.1

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4B

RGB 226 206 75

HSL 52.05, 0.72%, 0.59%

LAB 82.28, -7.72, 64.99

 

CMYK 9 / 0 / 67 / 11

HEX #CDE24B

RGB 205 226 75

HSL 68.34, 0.72%, 0.59%

LAB 85.95, -26.22, 68.22

 

CMYK 27 / 0 / 67 / 11

HEX #A5E24B

RGB 165 226 75

HSL 84.24, 0.72%, 0.59%

LAB 83.39, -41.66, 64.78

 

CMYK 45 / 0 / 67 / 11

HEX #7CE24B

RGB 124 226 75

HSL 100.53, 0.72%, 0.59%

LAB 81.39, -55.45, 62.07

 

CMYK 63 / 0 / 67 / 11

HEX #53E24B

RGB 83 226 75

HSL 116.82, 0.72%, 0.59%

LAB 80.03, -65.98, 60.21

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4B

RGB 226 206 75

HSL 52.05, 0.72%, 0.59%

LAB 82.28, -7.72, 64.99

 

CMYK 0 / 10 / 76 / 5

HEX #F3DA3A

RGB 243 218 58

HSL 51.89, 0.89%, 0.59%

LAB 86.75, -7.42, 75.95

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4B

RGB 226 206 75

HSL 52.05, 0.72%, 0.59%

LAB 82.28, -7.72, 64.99

 

CMYK 0 / 8 / 56 / 18

HEX #D1C15C

RGB 209 193 92

HSL 51.79, 0.56%, 0.59%

LAB 77.56, -7.06, 52.03

 

CMYK 0 / 6 / 43 / 25

HEX #C0B56D

RGB 192 181 109

HSL 52.05, 0.4%, 0.59%

LAB 73.13, -6.31, 38

 

CMYK 0 / 4 / 28 / 31

HEX #AFA87E

RGB 175 168 126

HSL 51.43, 0.23%, 0.59%

LAB 68.48, -4.23, 22.66

 

CMYK 0 / 1 / 9 / 38

HEX #9E9C8F

RGB 158 156 143

HSL 52, 0.07%, 0.59%

LAB 64.18, -1.65, 7.06

 

CMYK 0 / 45 / 67 / 11

HEX #E27D4B

RGB 226 125 75

HSL 19.87, 0.72%, 0.59%

LAB 62.8, 34.95, 43.85

 

CMYK 0 / 27 / 67 / 11

HEX #E2A64B

RGB 226 166 75

HSL 36.16, 0.72%, 0.59%

LAB 72.19, 13.18, 54.34

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4B

RGB 226 206 75

HSL 52.05, 0.72%, 0.59%

LAB 82.28, -7.72, 64.99

 

CMYK 9 / 0 / 67 / 11

HEX #CEE24B

RGB 206 226 75

HSL 67.95, 0.72%, 0.59%

LAB 86.02, -25.82, 68.32

 

CMYK 27 / 0 / 67 / 11

HEX #A6E24B

RGB 166 226 75

HSL 83.84, 0.72%, 0.59%

LAB 83.45, -41.3, 64.85

 

CMYK 0 / 11 / 84 / 26

HEX #BCA71F

RGB 188 167 31

HSL 51.97, 0.72%, 0.43%

LAB 68.33, -5.8, 65.75

 

CMYK 0 / 11 / 82 / 14

HEX #DCC428

RGB 220 196 40

HSL 52, 0.72%, 0.51%

LAB 78.95, -6.63, 73.54

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4B

RGB 226 206 75

HSL 52.05, 0.72%, 0.59%

LAB 82.28, -7.72, 64.99

 

CMYK 0 / 7 / 52 / 9

HEX #E8D76F

RGB 232 215 111

HSL 51.57, 0.72%, 0.67%

LAB 85.46, -7.32, 52.84

 

CMYK 0 / 5 / 38 / 7

HEX #EDE192

RGB 237 225 146

HSL 52.09, 0.72%, 0.75%

LAB 88.89, -7.04, 40.12

 

CMYK 0 / 9 / 66 / 11

HEX #E2CE4C

RGB 226 206 76

HSL 52, 0.72%, 0.59%

LAB 82.29, -7.66, 64.6

 

CMYK 67 / 0 / 62 / 11

HEX #4BE255

RGB 75 226 85

HSL 123.97, 0.72%, 0.59%

LAB 79.92, -66.58, 55.95

 

CMYK 36 / 67 / 0 / 11

HEX #914BE2

RGB 145 75 226

HSL 267.81, 0.72%, 0.59%

LAB 47.68, 57.9, -65.79

 

CMYK 0 / 9 / 66 / 11

HEX #E2CE4C

RGB 226 206 76

HSL 52, 0.72%, 0.59%

LAB 82.29, -7.66, 64.6

 

CMYK 67 / 0 / 9 / 11

HEX #4BE2CE

RGB 75 226 206

HSL 172.05, 0.72%, 0.59%

LAB 82.03, -44, -1.83

 

CMYK 9 / 67 / 0 / 11

HEX #CE4BE2

RGB 206 75 226

HSL 292.05, 0.72%, 0.59%

LAB 55.73, 70.74, -52.42

 

CMYK 0 / 9 / 66 / 11

HEX #E2CE4C

RGB 226 206 76

HSL 52, 0.72%, 0.59%

LAB 82.29, -7.66, 64.6

 

CMYK 67 / 0 / 62 / 11

HEX #4BE255

RGB 75 226 85

HSL 123.97, 0.72%, 0.59%

LAB 79.92, -66.58, 55.95

 

CMYK 67 / 58 / 0 / 11

HEX #4B5FE2

RGB 75 95 226

HSL 232.05, 0.72%, 0.59%

LAB 45.87, 34.26, -69

 

CMYK 0 / 67 / 4 / 11

HEX #E24BD8

RGB 226 75 216

HSL 303.97, 0.72%, 0.59%

LAB 58.19, 73.57, -42.69

 

CMYK 0 / 9 / 66 / 11

HEX #E2CE4C

RGB 226 206 76

HSL 52, 0.72%, 0.59%

LAB 82.29, -7.66, 64.6

 

CMYK 67 / 0 / 42 / 11

HEX #4BE282

RGB 75 226 130

HSL 141.85, 0.72%, 0.59%

LAB 80.46, -60.4, 35.57

 

CMYK 67 / 58 / 0 / 11

HEX #4B5FE2

RGB 75 95 226

HSL 232.05, 0.72%, 0.59%

LAB 45.87, 34.26, -69

 

CMYK 0 / 67 / 24 / 11

HEX #E24BAB

RGB 226 75 171

HSL 321.85, 0.72%, 0.59%

LAB 56.23, 67.17, -19.91

 

Description

Color code: HEX #E2CE4C | qconv.com Color code: HEX #E2CE4C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 206 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 206 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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