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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2CCB0 it is the complementary color #1D334F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2CCB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2CCB0 shade: #E7CCAB, #F8DEBE, #FFF0D1, #FFFFE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2CCB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2CCB0 shade: #E2CCB0, #D1BA9D, #C0A88A, #AF9677 and #9E8464

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2CCB0 shade: #E2CCB0, #E2BFB0, #E2B1B0 and #E2B0B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2CCB0 shade: #E2CCB0, #E2D9B0, #DDE2B0, #CFE2B0 and #C2E2B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2CCB0 shade matches the following richer shades: #E2CCB0, #EACDA8, #F3CE9F and #FCCF96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2CCB0 shade: #E2CCB0, #D9CBB9, #D0CAC2, #C8C9CA and #BFC8D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2CCB0 shade: #E2B1B0, #E2BEB0, #E2CBB0, #E2D9B0 and #DDE2B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2CCB0 shade: #CBA574, #D6B892, #E2CCB0, #EDDFCE and #F8F3ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2CCB0 shade: #E2CCB0, #BDE2B0 and #B8B0E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2CCB0 shade: #E2CCB0, #B0E2CB and #CBB0E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2CCB0 shade: #E2CCB0, #BDE2B0, #B0C6E2 and #D5B0E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2CCB0 shade: #E2CCB0, #B0E2B3, #B0C6E2 and #E2B0DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

Complementary color

CMYK 63 / 35 / 0 / 69

HEX #1D334F

RGB 29 51 79

HSL 213.6, 0.46%, 0.21%

LAB 20.8, 1.15, -19.79

 

CMYK 0 / 12 / 26 / 9

HEX #E7CCAB

RGB 231 204 171

HSL 33, 0.56%, 0.79%

LAB 83.5, 4.5, 19.93

 

CMYK 0 / 10 / 23 / 3

HEX #F8DEBE

RGB 248 222 190

HSL 33.1, 0.81%, 0.86%

LAB 89.82, 4.11, 18.97

 

CMYK 0 / 6 / 18 / 0

HEX #FFF0D1

RGB 255 240 209

HSL 40.43, 1%, 0.91%

LAB 95.24, 0.18, 16.81

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

CMYK 0 / 11 / 25 / 18

HEX #D1BA9D

RGB 209 186 157

HSL 33.46, 0.36%, 0.72%

LAB 76.74, 3.7, 17.71

 

CMYK 0 / 13 / 28 / 25

HEX #C0A88A

RGB 192 168 138

HSL 33.33, 0.3%, 0.65%

LAB 70.21, 4.13, 18.72

 

CMYK 0 / 14 / 32 / 31

HEX #AF9677

RGB 175 150 119

HSL 33.21, 0.26%, 0.58%

LAB 63.56, 4.61, 19.81

 

CMYK 0 / 16 / 37 / 38

HEX #9E8464

RGB 158 132 100

HSL 33.1, 0.23%, 0.51%

LAB 56.77, 5.19, 20.99

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

CMYK 0 / 15 / 22 / 11

HEX #E2BFB0

RGB 226 191 176

HSL 18, 0.46%, 0.79%

LAB 79.93, 10.18, 12.2

 

CMYK 0 / 22 / 22 / 11

HEX #E2B1B0

RGB 226 177 176

HSL 1.2, 0.46%, 0.79%

LAB 76.53, 17.64, 7.34

 

CMYK 0 / 22 / 22 / 11

HEX #E2B0B0

RGB 226 176 176

HSL 0, 0.46%, 0.79%

LAB 76.29, 18.18, 7

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

CMYK 0 / 4 / 22 / 11

HEX #E2D9B0

RGB 226 217 176

HSL 49.2, 0.46%, 0.79%

LAB 86.47, -3.4, 21.34

 

CMYK 2 / 0 / 22 / 11

HEX #DDE2B0

RGB 221 226 176

HSL 66, 0.46%, 0.79%

LAB 88.4, -9.82, 23.94

 

CMYK 8 / 0 / 22 / 11

HEX #CFE2B0

RGB 207 226 176

HSL 82.8, 0.46%, 0.79%

LAB 87.38, -14.89, 22.38

 

CMYK 14 / 0 / 22 / 11

HEX #C2E2B0

RGB 194 226 176

HSL 98.4, 0.46%, 0.79%

LAB 86.5, -19.48, 21.03

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

CMYK 0 / 12 / 28 / 8

HEX #EACDA8

RGB 234 205 168

HSL 33.64, 0.61%, 0.79%

LAB 83.96, 4.71, 22.18

 

CMYK 0 / 15 / 35 / 5

HEX #F3CE9F

RGB 243 206 159

HSL 33.57, 0.78%, 0.79%

LAB 84.84, 6.5, 28.23

 

CMYK 0 / 18 / 40 / 1

HEX #FCCF96

RGB 252 207 150

HSL 33.53, 0.94%, 0.79%

LAB 85.77, 8.46, 34.27

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB9

RGB 217 203 185

HSL 33.75, 0.3%, 0.79%

LAB 82.36, 1.9, 10.72

 

CMYK 0 / 3 / 7 / 18

HEX #D0CAC2

RGB 208 202 194

HSL 34.29, 0.13%, 0.79%

LAB 81.59, 0.68, 4.72

 

CMYK 1 / 0 / 0 / 21

HEX #C8C9CA

RGB 200 201 202

HSL 210, 0.02%, 0.79%

LAB 80.91, -0.16, -0.63

 

CMYK 9 / 5 / 0 / 17

HEX #BFC8D3

RGB 191 200 211

HSL 213, 0.19%, 0.79%

LAB 80.23, -0.93, -6.54

 

CMYK 0 / 22 / 22 / 11

HEX #E2B1B0

RGB 226 177 176

HSL 1.2, 0.46%, 0.79%

LAB 76.53, 17.64, 7.34

 

CMYK 0 / 16 / 22 / 11

HEX #E2BEB0

RGB 226 190 176

HSL 16.8, 0.46%, 0.79%

LAB 79.69, 10.71, 11.85

 

CMYK 0 / 10 / 22 / 11

HEX #E2CBB0

RGB 226 203 176

HSL 32.4, 0.46%, 0.79%

LAB 82.92, 3.85, 16.41

 

CMYK 0 / 4 / 22 / 11

HEX #E2D9B0

RGB 226 217 176

HSL 49.2, 0.46%, 0.79%

LAB 86.47, -3.4, 21.34

 

CMYK 2 / 0 / 22 / 11

HEX #DDE2B0

RGB 221 226 176

HSL 66, 0.46%, 0.79%

LAB 88.4, -9.82, 23.94

 

CMYK 0 / 19 / 43 / 20

HEX #CBA574

RGB 203 165 116

HSL 33.79, 0.46%, 0.63%

LAB 70.08, 7.47, 30.64

 

CMYK 0 / 14 / 32 / 16

HEX #D6B892

RGB 214 184 146

HSL 33.53, 0.45%, 0.71%

LAB 76.47, 5.22, 23.3

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

CMYK 0 / 6 / 13 / 7

HEX #EDDFCE

RGB 237 223 206

HSL 32.9, 0.46%, 0.87%

LAB 89.5, 1.99, 10.03

 

CMYK 0 / 2 / 4 / 3

HEX #F8F3ED

RGB 248 243 237

HSL 32.73, 0.44%, 0.95%

LAB 96.07, 0.64, 3.47

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

CMYK 16 / 0 / 22 / 11

HEX #BDE2B0

RGB 189 226 176

HSL 104.4, 0.46%, 0.79%

LAB 86.18, -21.21, 20.53

 

CMYK 19 / 22 / 0 / 11

HEX #B8B0E2

RGB 184 176 226

HSL 249.6, 0.46%, 0.79%

LAB 74.02, 12.96, -24.05

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

CMYK 22 / 0 / 10 / 11

HEX #B0E2CB

RGB 176 226 203

HSL 152.4, 0.46%, 0.79%

LAB 85.97, -20.67, 5.99

 

CMYK 10 / 22 / 0 / 11

HEX #CBB0E2

RGB 203 176 226

HSL 272.4, 0.46%, 0.79%

LAB 75.6, 18.99, -21.49

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

CMYK 16 / 0 / 22 / 11

HEX #BDE2B0

RGB 189 226 176

HSL 104.4, 0.46%, 0.79%

LAB 86.18, -21.21, 20.53

 

CMYK 22 / 12 / 0 / 11

HEX #B0C6E2

RGB 176 198 226

HSL 213.6, 0.46%, 0.79%

LAB 79.1, -1.45, -16.39

 

CMYK 6 / 22 / 0 / 11

HEX #D5B0E2

RGB 213 176 226

HSL 284.4, 0.46%, 0.79%

LAB 76.49, 22.23, -20.06

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB0

RGB 226 204 176

HSL 33.6, 0.46%, 0.79%

LAB 83.17, 3.33, 16.76

 

CMYK 22 / 0 / 21 / 11

HEX #B0E2B3

RGB 176 226 179

HSL 123.6, 0.46%, 0.79%

LAB 85.44, -25.09, 17.82

 

CMYK 22 / 12 / 0 / 11

HEX #B0C6E2

RGB 176 198 226

HSL 213.6, 0.46%, 0.79%

LAB 79.1, -1.45, -16.39

 

CMYK 0 / 22 / 1 / 11

HEX #E2B0DF

RGB 226 176 223

HSL 303.6, 0.46%, 0.79%

LAB 77.61, 25.94, -16.63

 

Description

Color code: HEX #E2CCB0 | qconv.com Color code: HEX #E2CCB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 204 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 204 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 22 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 22% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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