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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2C962CE it is the complementary color #1D369DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2C962CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2C962CE shade: #E7C95DCE, #F8DB70CE, #FFED83CE, #FFFF96CE and #FFFFA9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2C962CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2C962CE shade: #E2C962CE, #D1B74FCE, #C0A53CCE, #AF9329CE and #9E8116CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2C962CE shade: #E3CA64, #E3A864, #E38564 and #E36464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2C962CE shade: #E3CA64, #D9E364, #B7E364, #95E364 and #73E364

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2C962CE shade matches the following richer shades: #E3CA64 and #F1D355

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2C962CE shade: #E3CA64, #D4C173, #C5B882, #B6AF90 and #A7A69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2C962CE shade: #E38664, #E3A764, #E3C964, #DAE364 and #B8E364

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2C962CE shade: #CEAD26, #DCBE41, #E3CA64, #E9D687 and #EFE2AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2C962CE shade: #E2C962, #64E364 and #9764E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2C962CE shade: #E2C962, #64E3C9 and #C964E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2C962CE shade: #E2C962, #64E364, #647DE3 and #E364E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2C962CE shade: #E2C962, #64E38A, #647DE3 and #E364BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 46 / 9

HEX #E2C962CE

RGBA 226 201 98 0.81

HSLA 48.28, 0.69%, 0.64%, 0.81

LABA 81.19, -3.67, 53.81, 0.81

 

Complementary color

CMYK 66 / 53 / 0 / 31

HEX #1D369DCE

RGBA 29 54 157 0.81

HSLA 228.28, 0.69%, 0.36%, 0.81

LABA 27.67, 30.1, -58.39, 0.81

 

CMYK 0 / 11 / 48 / 8

HEX #E7C95DCE

RGBA 231 201 93 0.81

HSLA 46.96, 0.74%, 0.64%, 0.81

LABA 81.59, -1.95, 56.68, 0.81

 

CMYK 0 / 9 / 44 / 2

HEX #F8DB70CE

RGBA 248 219 112 0.81

HSLA 47.21, 0.91%, 0.71%, 0.81

LABA 87.87, -2.79, 55.55, 0.81

 

CMYK 0 / 6 / 39 / 0

HEX #FFED83CE

RGBA 255 237 131 0.81

HSLA 51.29, 1%, 0.76%, 0.81

LABA 93.22, -7.46, 53.16, 0.81

 

CMYK 0 / 0 / 33 / 0

HEX #FFFF96CE

RGBA 255 255 150 0.81

HSLA 60, 1%, 0.79%, 0.81

LABA 98.03, -14.53, 50.05, 0.81

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFA9CE

RGBA 255 255 169 0.81

HSLA 60, 1%, 0.83%, 0.81

LABA 98.29, -12.5, 41.16, 0.81

 

CMYK 0 / 9 / 46 / 9

HEX #E2C962CE

RGBA 226 201 98 0.81

HSLA 48.28, 0.69%, 0.64%, 0.81

LABA 81.19, -3.67, 53.81, 0.81

 

CMYK 0 / 10 / 50 / 15

HEX #D1B74FCE

RGBA 209 183 79 0.81

HSLA 48, 0.59%, 0.56%, 0.81

LABA 74.82, -2.8, 54.9, 0.81

 

CMYK 0 / 11 / 56 / 20

HEX #C0A53CCE

RGBA 192 165 60 0.81

HSLA 47.73, 0.52%, 0.49%, 0.81

LABA 68.35, -1.77, 55.8, 0.81

 

CMYK 0 / 13 / 62 / 25

HEX #AF9329CE

RGBA 175 147 41 0.81

HSLA 47.46, 0.62%, 0.42%, 0.81

LABA 61.78, -0.53, 56.28, 0.81

 

CMYK 0 / 15 / 70 / 31

HEX #9E8116CE

RGBA 158 129 22 0.81

HSLA 47.21, 0.76%, 0.35%, 0.81

LABA 55.1, 0.97, 55.88, 0.81

 

CMYK 0 / 11 / 56 / 11

HEX #E3CA64

RGB 227 202 100

HSL 48.19, 0.69%, 0.64%

LAB 81.56, -3.62, 53.33

 

CMYK 0 / 26 / 56 / 11

HEX #E3A864

RGB 227 168 100

HSL 32.13, 0.69%, 0.64%

LAB 73.06, 14.24, 43.25

 

CMYK 0 / 41 / 56 / 11

HEX #E38564

RGB 227 133 100

HSL 15.59, 0.69%, 0.64%

LAB 64.98, 32.88, 33.23

 

CMYK 0 / 56 / 56 / 11

HEX #E36464

RGB 227 100 100

HSL 0, 0.69%, 0.64%

LAB 58.38, 49.45, 24.69

 

CMYK 0 / 11 / 56 / 11

HEX #E3CA64

RGB 227 202 100

HSL 48.19, 0.69%, 0.64%

LAB 81.56, -3.62, 53.33

 

CMYK 4 / 0 / 56 / 11

HEX #D9E364

RGB 217 227 100

HSL 64.72, 0.69%, 0.64%

LAB 87.3, -20.2, 59.66

 

CMYK 19 / 0 / 56 / 11

HEX #B7E364

RGB 183 227 100

HSL 80.79, 0.69%, 0.64%

LAB 84.96, -33.44, 56.38

 

CMYK 34 / 0 / 56 / 11

HEX #95E364

RGB 149 227 100

HSL 96.85, 0.69%, 0.64%

LAB 83.05, -45.59, 53.68

 

CMYK 49 / 0 / 56 / 11

HEX #73E364

RGB 115 227 100

HSL 112.91, 0.69%, 0.64%

LAB 81.57, -55.99, 51.58

 

CMYK 0 / 11 / 56 / 11

HEX #E3CA64

RGB 227 202 100

HSL 48.19, 0.69%, 0.64%

LAB 81.56, -3.62, 53.33

 

CMYK 0 / 12 / 65 / 5

HEX #F1D355

RGB 241 211 85

HSL 48.46, 0.85%, 0.64%

LAB 84.97, -3.43, 64.12

 

CMYK 0 / 11 / 56 / 11

HEX #E3CA64

RGB 227 202 100

HSL 48.19, 0.69%, 0.64%

LAB 81.56, -3.62, 53.33

 

CMYK 0 / 9 / 46 / 17

HEX #D4C173

RGB 212 193 115

HSL 48.25, 0.53%, 0.64%

LAB 78.1, -3.81, 41.55

 

CMYK 0 / 7 / 34 / 23

HEX #C5B882

RGB 197 184 130

HSL 48.36, 0.37%, 0.64%

LAB 74.68, -3.48, 29.14

 

CMYK 0 / 4 / 21 / 29

HEX #B6AF90

RGB 182 175 144

HSL 48.95, 0.21%, 0.64%

LAB 71.3, -2.66, 16.82

 

CMYK 0 / 1 / 5 / 35

HEX #A7A69F

RGB 167 166 159

HSL 52.5, 0.04%, 0.64%

LAB 68.01, -0.93, 3.74

 

CMYK 0 / 41 / 56 / 11

HEX #E38664

RGB 227 134 100

HSL 16.06, 0.69%, 0.64%

LAB 65.2, 32.35, 33.51

 

CMYK 0 / 26 / 56 / 11

HEX #E3A764

RGB 227 167 100

HSL 31.65, 0.69%, 0.64%

LAB 72.82, 14.77, 42.96

 

CMYK 0 / 11 / 56 / 11

HEX #E3C964

RGB 227 201 100

HSL 47.72, 0.69%, 0.64%

LAB 81.3, -3.1, 53.03

 

CMYK 4 / 0 / 56 / 11

HEX #DAE364

RGB 218 227 100

HSL 64.25, 0.69%, 0.64%

LAB 87.37, -19.8, 59.77

 

CMYK 19 / 0 / 56 / 11

HEX #B8E364

RGB 184 227 100

HSL 80.31, 0.69%, 0.64%

LAB 85.02, -33.06, 56.47

 

CMYK 0 / 16 / 82 / 19

HEX #CEAD26

RGB 206 173 38

HSL 48.21, 0.69%, 0.48%

LAB 71.66, -0.81, 67.31

 

CMYK 0 / 14 / 70 / 14

HEX #DCBE41

RGB 220 190 65

HSL 48.39, 0.69%, 0.56%

LAB 77.53, -2.56, 63.95

 

CMYK 0 / 11 / 56 / 11

HEX #E3CA64

RGB 227 202 100

HSL 48.19, 0.69%, 0.64%

LAB 81.56, -3.62, 53.33

 

CMYK 0 / 8 / 42 / 9

HEX #E9D687

RGB 233 214 135

HSL 48.37, 0.69%, 0.72%

LAB 85.59, -4.19, 41.33

 

CMYK 0 / 5 / 29 / 6

HEX #EFE2AA

RGB 239 226 170

HSL 48.7, 0.68%, 0.8%

LAB 89.69, -3.94, 29.03

 

CMYK 0 / 11 / 57 / 11

HEX #E2C962

RGB 226 201 98

HSL 48.28, 0.69%, 0.64%

LAB 81.19, -3.67, 53.81

 

CMYK 56 / 0 / 56 / 11

HEX #64E364

RGB 100 227 100

HSL 120, 0.69%, 0.64%

LAB 81.05, -59.87, 50.84

 

CMYK 33 / 56 / 0 / 11

HEX #9764E3

RGB 151 100 227

HSL 264.09, 0.69%, 0.64%

LAB 53.21, 46.53, -57.4

 

CMYK 0 / 11 / 57 / 11

HEX #E2C962

RGB 226 201 98

HSL 48.28, 0.69%, 0.64%

LAB 81.19, -3.67, 53.81

 

CMYK 56 / 0 / 11 / 11

HEX #64E3C9

RGB 100 227 201

HSL 167.72, 0.69%, 0.64%

LAB 82.84, -41.41, 2.08

 

CMYK 11 / 56 / 0 / 11

HEX #C964E3

RGB 201 100 227

HSL 287.72, 0.69%, 0.64%

LAB 59.05, 58.9, -47.76

 

CMYK 0 / 11 / 57 / 11

HEX #E2C962

RGB 226 201 98

HSL 48.28, 0.69%, 0.64%

LAB 81.19, -3.67, 53.81

 

CMYK 56 / 0 / 56 / 11

HEX #64E364

RGB 100 227 100

HSL 120, 0.69%, 0.64%

LAB 81.05, -59.87, 50.84

 

CMYK 56 / 45 / 0 / 11

HEX #647DE3

RGB 100 125 227

HSL 228.19, 0.69%, 0.64%

LAB 54.99, 20.45, -54.78

 

CMYK 0 / 56 / 0 / 11

HEX #E364E3

RGB 227 100 227

HSL 300, 0.69%, 0.64%

LAB 62.5, 65.54, -42.08

 

CMYK 0 / 11 / 57 / 11

HEX #E2C962

RGB 226 201 98

HSL 48.28, 0.69%, 0.64%

LAB 81.19, -3.67, 53.81

 

CMYK 56 / 0 / 39 / 11

HEX #64E38A

RGB 100 227 138

HSL 137.95, 0.69%, 0.64%

LAB 81.56, -54.39, 33.1

 

CMYK 56 / 45 / 0 / 11

HEX #647DE3

RGB 100 125 227

HSL 228.19, 0.69%, 0.64%

LAB 54.99, 20.45, -54.78

 

CMYK 0 / 56 / 17 / 11

HEX #E364BD

RGB 227 100 189

HSL 317.95, 0.69%, 0.64%

LAB 60.89, 59.5, -23.13

 

Description

Color code: HEX #E2C962CE | qconv.com Color code: HEX #E2C962CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 201 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 201 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 46 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 46% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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