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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2B8C2 it is the complementary color #1D473D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2B8C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2B8C2 shade: #E7B8BD, #F8CAD0, #FFDCE3, #FFEEF6 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2B8C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2B8C2 shade: #E2B8C2, #D1A6AF, #C0949C, #AF8289 and #9E7076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2B8C2 shade: #E1B7C1 and #E1B7B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2B8C2 shade: #E1B7C1, #E1B7CC, #E1B7D8, #DFB7E1 and #D4B7E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2B8C2 shade matches the following richer shades: #E1B7C1, #EAAEBC, #F2A6B8 and #FA9EB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2B8C2 shade: #E1B7C1, #D9BFC5, #D1C7C9, #C9CFCE and #C0D8D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2B8C2 shade: #E1B7D8, #E1B7CD, #E1B7C1, #E1B7B7 and #E1C3B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2B8C2 shade: #C97C8E, #D599A8, #E1B7C1, #EDD4DA and #F9F1F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2B8C2 shade: #E2B8C2, #E1DFB7 and #B7D2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2B8C2 shade: #E2B8C2, #C1E1B7 and #B7C1E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2B8C2 shade: #E2B8C2, #E1DFB7, #B7E1D7 and #B7B9E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2B8C2 shade: #E2B8C2, #D7E1B7, #B7E1D7 and #C1B7E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 14 / 11

HEX #E2B8C2

RGB 226 184 194

HSL 345.71, 0.42%, 0.8%

LAB 78.66, 16.66, 0.66

 

Complementary color

CMYK 59 / 0 / 14 / 72

HEX #1D473D

RGB 29 71 61

HSL 165.71, 0.42%, 0.2%

LAB 27.03, -17.53, 1.58

 

CMYK 0 / 20 / 18 / 9

HEX #E7B8BD

RGB 231 184 189

HSL 353.62, 0.49%, 0.81%

LAB 79.01, 17.68, 3.93

 

CMYK 0 / 19 / 16 / 3

HEX #F8CAD0

RGB 248 202 208

HSL 352.17, 0.77%, 0.88%

LAB 85.38, 17.16, 3.16

 

CMYK 0 / 14 / 11 / 0

HEX #FFDCE3

RGB 255 220 227

HSL 348, 1%, 0.93%

LAB 90.78, 13.21, 1.05

 

CMYK 0 / 7 / 4 / 0

HEX #FFEEF6

RGB 255 238 246

HSL 331.76, 1%, 0.97%

LAB 95.61, 7.09, -1.8

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 19 / 14 / 11

HEX #E2B8C2

RGB 226 184 194

HSL 345.71, 0.42%, 0.8%

LAB 78.66, 16.66, 0.66

 

CMYK 0 / 21 / 16 / 18

HEX #D1A6AF

RGB 209 166 175

HSL 347.44, 0.32%, 0.74%

LAB 72.18, 17.18, 1.39

 

CMYK 0 / 23 / 19 / 25

HEX #C0949C

RGB 192 148 156

HSL 349.09, 0.26%, 0.67%

LAB 65.58, 17.75, 2.17

 

CMYK 0 / 26 / 22 / 31

HEX #AF8289

RGB 175 130 137

HSL 350.67, 0.22%, 0.6%

LAB 58.87, 18.39, 3.02

 

CMYK 0 / 29 / 25 / 38

HEX #9E7076

RGB 158 112 118

HSL 352.17, 0.19%, 0.53%

LAB 52.02, 19.11, 3.95

 

CMYK 0 / 19 / 14 / 12

HEX #E1B7C1

RGB 225 183 193

HSL 345.71, 0.41%, 0.8%

LAB 78.3, 16.68, 0.66

 

CMYK 0 / 19 / 19 / 12

HEX #E1B7B7

RGB 225 183 183

HSL 0, 0.41%, 0.8%

LAB 78.05, 15.11, 5.71

 

CMYK 0 / 19 / 14 / 12

HEX #E1B7C1

RGB 225 183 193

HSL 345.71, 0.41%, 0.8%

LAB 78.3, 16.68, 0.66

 

CMYK 0 / 19 / 9 / 12

HEX #E1B7CC

RGB 225 183 204

HSL 330, 0.41%, 0.8%

LAB 78.6, 18.49, -4.86

 

CMYK 0 / 19 / 4 / 12

HEX #E1B7D8

RGB 225 183 216

HSL 312.86, 0.41%, 0.8%

LAB 78.94, 20.58, -10.84

 

CMYK 1 / 19 / 0 / 12

HEX #DFB7E1

RGB 223 183 225

HSL 297.14, 0.41%, 0.8%

LAB 79.04, 21.54, -15.58

 

CMYK 6 / 19 / 0 / 12

HEX #D4B7E1

RGB 212 183 225

HSL 281.43, 0.41%, 0.8%

LAB 78.05, 17.91, -17.16

 

CMYK 0 / 19 / 14 / 12

HEX #E1B7C1

RGB 225 183 193

HSL 345.71, 0.41%, 0.8%

LAB 78.3, 16.68, 0.66

 

CMYK 0 / 26 / 20 / 8

HEX #EAAEBC

RGB 234 174 188

HSL 346, 0.59%, 0.8%

LAB 76.92, 23.94, 1.47

 

CMYK 0 / 31 / 24 / 5

HEX #F2A6B8

RGB 242 166 184

HSL 345.79, 0.75%, 0.8%

LAB 75.83, 30.48, 2.18

 

CMYK 0 / 37 / 28 / 2

HEX #FA9EB4

RGB 250 158 180

HSL 345.65, 0.9%, 0.8%

LAB 74.87, 36.97, 3.09

 

CMYK 0 / 19 / 14 / 12

HEX #E1B7C1

RGB 225 183 193

HSL 345.71, 0.41%, 0.8%

LAB 78.3, 16.68, 0.66

 

CMYK 0 / 12 / 9 / 15

HEX #D9BFC5

RGB 217 191 197

HSL 346.15, 0.25%, 0.8%

LAB 79.64, 10.21, 0.36

 

CMYK 0 / 5 / 4 / 18

HEX #D1C7C9

RGB 209 199 201

HSL 348, 0.1%, 0.8%

LAB 81.08, 3.83, 0.24

 

CMYK 3 / 0 / 0 / 19

HEX #C9CFCE

RGB 201 207 206

HSL 170, 0.06%, 0.8%

LAB 82.65, -2.22, -0.23

 

CMYK 11 / 0 / 3 / 15

HEX #C0D8D2

RGB 192 216 210

HSL 165, 0.24%, 0.8%

LAB 84.47, -9.14, 0.23

HEX #C0D8D2

CMYK 0 / 19 / 4 / 12

HEX #E1B7D8

RGB 225 183 216

HSL 312.86, 0.41%, 0.8%

LAB 78.94, 20.58, -10.84

 

CMYK 0 / 19 / 9 / 12

HEX #E1B7CD

RGB 225 183 205

HSL 328.57, 0.41%, 0.8%

LAB 78.63, 18.66, -5.36

 

CMYK 0 / 19 / 14 / 12

HEX #E1B7C1

RGB 225 183 193

HSL 345.71, 0.41%, 0.8%

LAB 78.3, 16.68, 0.66

 

CMYK 0 / 19 / 19 / 12

HEX #E1B7B7

RGB 225 183 183

HSL 0, 0.41%, 0.8%

LAB 78.05, 15.11, 5.71

 

CMYK 0 / 13 / 19 / 12

HEX #E1C3B7

RGB 225 195 183

HSL 17.14, 0.41%, 0.8%

LAB 80.99, 8.73, 9.93

 

CMYK 0 / 38 / 29 / 21

HEX #C97C8E

RGB 201 124 142

HSL 345.97, 0.42%, 0.64%

LAB 60.59, 32.22, 3.02

 

CMYK 0 / 28 / 21 / 16

HEX #D599A8

RGB 213 153 168

HSL 345, 0.42%, 0.72%

LAB 69.3, 24.63, 1.13

 

CMYK 0 / 19 / 14 / 12

HEX #E1B7C1

RGB 225 183 193

HSL 345.71, 0.41%, 0.8%

LAB 78.3, 16.68, 0.66

 

CMYK 0 / 11 / 8 / 7

HEX #EDD4DA

RGB 237 212 218

HSL 345.6, 0.41%, 0.88%

LAB 87.07, 9.66, 0.2

 

CMYK 0 / 3 / 2 / 2

HEX #F9F1F3

RGB 249 241 243

HSL 345, 0.4%, 0.96%

LAB 95.8, 3.03, -0.02

 

CMYK 0 / 19 / 14 / 11

HEX #E2B8C2

RGB 226 184 194

HSL 345.71, 0.42%, 0.8%

LAB 78.66, 16.66, 0.66

 

CMYK 0 / 1 / 19 / 12

HEX #E1DFB7

RGB 225 223 183

HSL 57.14, 0.41%, 0.8%

LAB 88.07, -5.83, 19.89

 

CMYK 19 / 7 / 0 / 12

HEX #B7D2E1

RGB 183 210 225

HSL 201.43, 0.41%, 0.8%

LAB 82.7, -5.85, -10.42

 

CMYK 0 / 19 / 14 / 11

HEX #E2B8C2

RGB 226 184 194

HSL 345.71, 0.42%, 0.8%

LAB 78.66, 16.66, 0.66

 

CMYK 14 / 0 / 19 / 12

HEX #C1E1B7

RGB 193 225 183

HSL 105.71, 0.41%, 0.8%

LAB 86.31, -18.2, 17.1

 

CMYK 19 / 14 / 0 / 12

HEX #B7C1E1

RGB 183 193 225

HSL 225.71, 0.41%, 0.8%

LAB 78.25, 3.17, -17.09

 

CMYK 0 / 19 / 14 / 11

HEX #E2B8C2

RGB 226 184 194

HSL 345.71, 0.42%, 0.8%

LAB 78.66, 16.66, 0.66

 

CMYK 0 / 1 / 19 / 12

HEX #E1DFB7

RGB 225 223 183

HSL 57.14, 0.41%, 0.8%

LAB 88.07, -5.83, 19.89

 

CMYK 19 / 0 / 4 / 12

HEX #B7E1D7

RGB 183 225 215

HSL 165.71, 0.41%, 0.8%

LAB 86.42, -15.61, 0.36

 

CMYK 19 / 18 / 0 / 12

HEX #B7B9E1

RGB 183 185 225

HSL 237.14, 0.41%, 0.8%

LAB 76.19, 7.5, -20.2

 

CMYK 0 / 19 / 14 / 11

HEX #E2B8C2

RGB 226 184 194

HSL 345.71, 0.42%, 0.8%

LAB 78.66, 16.66, 0.66

 

CMYK 4 / 0 / 19 / 12

HEX #D7E1B7

RGB 215 225 183

HSL 74.29, 0.41%, 0.8%

LAB 87.83, -10.46, 19.45

 

CMYK 19 / 0 / 4 / 12

HEX #B7E1D7

RGB 183 225 215

HSL 165.71, 0.41%, 0.8%

LAB 86.42, -15.61, 0.36

 

CMYK 14 / 19 / 0 / 12

HEX #C1B7E1

RGB 193 183 225

HSL 254.29, 0.41%, 0.8%

LAB 76.46, 11.75, -19.72

 

Description

Color code: HEX #E2B8C2 | qconv.com Color code: HEX #E2B8C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 184 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 184 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 14 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 14% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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