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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2B74B it is the complementary color #1D48B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2B74B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2B74B shade: #E7B746, #F8C959, #FFDB6C, #FFED7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2B74B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2B74B shade: #E2B74B, #D1A538, #C09325, #AF8112 and #9E6F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2B74B shade: #E1B64B, #E18E4B, #E1654B and #E14B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2B74B shade: #E1B64B, #E1DF4B, #BBE14B, #92E14B and #6AE14B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2B74B shade matches the following richer shades: #E1B64B and #F2BE3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2B74B shade: #E1B64B, #D0AF5C, #BFA86D, #AEA17D and #9E998E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2B74B shade: #E1644B, #E18C4B, #E1B44B, #E1DC4B and #BEE14B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2B74B shade: #BB8F1E, #DBA827, #E1B64B, #E7C56E and #EDD392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2B74B shade: #E2B74B, #5AE14B and #784BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2B74B shade: #E2B74B, #4BE1B4 and #B44BE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2B74B shade: #E2B74B, #5AE14B, #4B78E1 and #D24BE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2B74B shade: #E2B74B, #4BE169, #4B78E1 and #E14BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 67 / 11

HEX #E2B74B

RGB 226 183 75

HSL 42.91, 0.72%, 0.59%

LAB 76.4, 4.18, 58.85

 

Complementary color

CMYK 84 / 60 / 0 / 29

HEX #1D48B4

RGB 29 72 180

HSL 222.91, 0.72%, 0.41%

LAB 34.38, 26.97, -61.2

 

CMYK 0 / 21 / 70 / 9

HEX #E7B746

RGB 231 183 70

HSL 42.11, 0.77%, 0.59%

LAB 76.86, 6.03, 61.6

 

CMYK 0 / 19 / 64 / 3

HEX #F8C959

RGB 248 201 89

HSL 42.26, 0.92%, 0.66%

LAB 83.15, 4.85, 60.64

 

CMYK 0 / 14 / 58 / 0

HEX #FFDB6C

RGB 255 219 108

HSL 45.31, 1%, 0.71%

LAB 88.45, -0.24, 58.23

 

CMYK 0 / 7 / 50 / 0

HEX #FFED7F

RGB 255 237 127

HSL 51.56, 1%, 0.75%

LAB 93.17, -7.8, 54.98

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 19 / 67 / 11

HEX #E2B74B

RGB 226 183 75

HSL 42.91, 0.72%, 0.59%

LAB 76.4, 4.18, 58.85

 

CMYK 0 / 21 / 73 / 18

HEX #D1A538

RGB 209 165 56

HSL 42.75, 0.62%, 0.52%

LAB 70, 5.44, 59.65

 

CMYK 0 / 23 / 81 / 25

HEX #C09325

RGB 192 147 37

HSL 42.58, 0.68%, 0.45%

LAB 63.51, 6.93, 59.93

 

CMYK 0 / 26 / 90 / 31

HEX #AF8112

RGB 175 129 18

HSL 42.42, 0.81%, 0.38%

LAB 56.94, 8.68, 59.16

 

CMYK 0 / 30 / 100 / 38

HEX #9E6F00

RGB 158 111 0

HSL 42.15, 1%, 0.31%

LAB 50.26, 10.72, 56.99

 

CMYK 0 / 19 / 67 / 12

HEX #E1B64B

RGB 225 182 75

HSL 42.8, 0.71%, 0.59%

LAB 76.05, 4.28, 58.45

 

CMYK 0 / 37 / 67 / 12

HEX #E18E4B

RGB 225 142 75

HSL 26.8, 0.71%, 0.59%

LAB 66.41, 25.59, 47.93

 

CMYK 0 / 55 / 67 / 12

HEX #E1654B

RGB 225 101 75

HSL 10.4, 0.71%, 0.59%

LAB 57.87, 46.6, 38.06

 

CMYK 0 / 67 / 67 / 12

HEX #E14B4B

RGB 225 75 75

HSL 0, 0.71%, 0.59%

LAB 53.54, 58.07, 32.85

 

CMYK 0 / 19 / 67 / 12

HEX #E1B64B

RGB 225 182 75

HSL 42.8, 0.71%, 0.59%

LAB 76.05, 4.28, 58.45

 

CMYK 0 / 1 / 67 / 12

HEX #E1DF4B

RGB 225 223 75

HSL 59.2, 0.71%, 0.59%

LAB 86.65, -16.63, 69.42

 

CMYK 17 / 0 / 67 / 12

HEX #BBE14B

RGB 187 225 75

HSL 75.2, 0.71%, 0.59%

LAB 84.44, -32.88, 66.29

 

CMYK 35 / 0 / 67 / 12

HEX #92E14B

RGB 146 225 75

HSL 91.6, 0.71%, 0.59%

LAB 82.09, -47.97, 63.11

 

CMYK 53 / 0 / 67 / 12

HEX #6AE14B

RGB 106 225 75

HSL 107.6, 0.71%, 0.59%

LAB 80.42, -60.17, 60.83

 

CMYK 0 / 19 / 67 / 12

HEX #E1B64B

RGB 225 182 75

HSL 42.8, 0.71%, 0.59%

LAB 76.05, 4.28, 58.45

 

CMYK 0 / 21 / 76 / 5

HEX #F2BE3A

RGB 242 190 58

HSL 43.04, 0.88%, 0.59%

LAB 79.62, 6.5, 69.31

 

CMYK 0 / 19 / 67 / 12

HEX #E1B64B

RGB 225 182 75

HSL 42.8, 0.71%, 0.59%

LAB 76.05, 4.28, 58.45

 

CMYK 0 / 16 / 56 / 18

HEX #D0AF5C

RGB 208 175 92

HSL 42.93, 0.55%, 0.59%

LAB 72.79, 1.94, 46.46

 

CMYK 0 / 12 / 43 / 25

HEX #BFA86D

RGB 191 168 109

HSL 43.17, 0.39%, 0.59%

LAB 69.6, 0.17, 33.51

 

CMYK 0 / 7 / 28 / 32

HEX #AEA17D

RGB 174 161 125

HSL 44.08, 0.23%, 0.59%

LAB 66.5, -0.99, 20.49

 

CMYK 0 / 3 / 10 / 38

HEX #9E998E

RGB 158 153 142

HSL 41.25, 0.08%, 0.59%

LAB 63.35, -0.17, 6.42

 

CMYK 0 / 56 / 67 / 12

HEX #E1644B

RGB 225 100 75

HSL 10, 0.71%, 0.59%

LAB 57.68, 47.08, 37.84

 

CMYK 0 / 38 / 67 / 12

HEX #E18C4B

RGB 225 140 75

HSL 26, 0.71%, 0.59%

LAB 65.96, 26.65, 47.41

 

CMYK 0 / 20 / 67 / 12

HEX #E1B44B

RGB 225 180 75

HSL 42, 0.71%, 0.59%

LAB 75.55, 5.33, 57.92

 

CMYK 0 / 2 / 67 / 12

HEX #E1DC4B

RGB 225 220 75

HSL 58, 0.71%, 0.59%

LAB 85.86, -15.15, 68.62

 

CMYK 16 / 0 / 67 / 12

HEX #BEE14B

RGB 190 225 75

HSL 74, 0.71%, 0.59%

LAB 84.64, -31.71, 66.55

 

CMYK 0 / 24 / 84 / 27

HEX #BB8F1E

RGB 187 143 30

HSL 43.18, 0.72%, 0.43%

LAB 61.92, 6.66, 60.55

 

CMYK 0 / 23 / 82 / 14

HEX #DBA827

RGB 219 168 39

HSL 43, 0.71%, 0.51%

LAB 71.7, 7.55, 67.57

 

CMYK 0 / 19 / 67 / 12

HEX #E1B64B

RGB 225 182 75

HSL 42.8, 0.71%, 0.59%

LAB 76.05, 4.28, 58.45

 

CMYK 0 / 15 / 52 / 9

HEX #E7C56E

RGB 231 197 110

HSL 43.14, 0.72%, 0.67%

LAB 80.77, 1.42, 47.69

 

CMYK 0 / 11 / 38 / 7

HEX #EDD392

RGB 237 211 146

HSL 42.86, 0.72%, 0.75%

LAB 85.34, 0.09, 35.5

 

CMYK 0 / 19 / 67 / 11

HEX #E2B74B

RGB 226 183 75

HSL 42.91, 0.72%, 0.59%

LAB 76.4, 4.18, 58.85

 

CMYK 60 / 0 / 67 / 12

HEX #5AE14B

RGB 90 225 75

HSL 114, 0.71%, 0.59%

LAB 79.92, -64.11, 60.14

 

CMYK 47 / 67 / 0 / 12

HEX #784BE1

RGB 120 75 225

HSL 258, 0.71%, 0.59%

LAB 44.89, 52.93, -69.88

 

CMYK 0 / 19 / 67 / 11

HEX #E2B74B

RGB 226 183 75

HSL 42.91, 0.72%, 0.59%

LAB 76.4, 4.18, 58.85

 

CMYK 67 / 0 / 20 / 12

HEX #4BE1B4

RGB 75 225 180

HSL 162, 0.71%, 0.59%

LAB 81.09, -49.96, 10.58

 

CMYK 20 / 67 / 0 / 12

HEX #B44BE1

RGB 180 75 225

HSL 282, 0.71%, 0.59%

LAB 52.03, 64.9, -57.98

 

CMYK 0 / 19 / 67 / 11

HEX #E2B74B

RGB 226 183 75

HSL 42.91, 0.72%, 0.59%

LAB 76.4, 4.18, 58.85

 

CMYK 60 / 0 / 67 / 12

HEX #5AE14B

RGB 90 225 75

HSL 114, 0.71%, 0.59%

LAB 79.92, -64.11, 60.14

 

CMYK 67 / 47 / 0 / 12

HEX #4B78E1

RGB 75 120 225

HSL 222, 0.71%, 0.59%

LAB 52.25, 18.35, -58.13

 

CMYK 7 / 67 / 0 / 12

HEX #D24BE1

RGB 210 75 225

HSL 294, 0.71%, 0.59%

LAB 56.26, 71.44, -50.98

 

CMYK 0 / 19 / 67 / 11

HEX #E2B74B

RGB 226 183 75

HSL 42.91, 0.72%, 0.59%

LAB 76.4, 4.18, 58.85

 

CMYK 67 / 0 / 53 / 12

HEX #4BE169

RGB 75 225 105

HSL 132, 0.71%, 0.59%

LAB 79.82, -63.83, 46.9

 

CMYK 67 / 47 / 0 / 12

HEX #4B78E1

RGB 75 120 225

HSL 222, 0.71%, 0.59%

LAB 52.25, 18.35, -58.13

 

CMYK 0 / 67 / 13 / 12

HEX #E14BC3

RGB 225 75 195

HSL 312, 0.71%, 0.59%

LAB 57.06, 70.18, -32.51

 

Description

Color code: HEX #E2B74B | qconv.com Color code: HEX #E2B74B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 183 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 183 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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