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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2AD75 it is the complementary color #1D528A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2AD75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2AD75 shade: #E7AD70, #F8BF83, #FFD196, #FFE3A9 and #FFF5BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2AD75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2AD75 shade: #E2AD75, #D19B62, #C0894F, #AF773C and #9E6529

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2AD75 shade: #E2AC74, #E28F74 and #E27474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2AD75 shade: #E2AC74, #E2CA74, #DCE274, #BEE274 and #A1E274

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2AD75 shade matches the following richer shades: #E2AC74, #EFAD67 and #FDAD59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2AD75 shade: #E2AC74, #D4AC82, #C6AC8F, #B9AB9D and #ABABAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2AD75 shade: #E27478, #E28E74, #E2AB74, #E2C874 and #DEE274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2AD75 shade: #D38430, #DA9852, #E2AC74, #E9C196 and #F0D5B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2AD75 shade: #E2AD75, #95E274 and #7F74E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2AD75 shade: #E2AD75, #74E2AB and #AB74E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2AD75 shade: #E2AD75, #95E274, #74ABE2 and #C174E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2AD75 shade: #E2AD75, #74E274, #74ABE2 and #E274E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 48 / 11

HEX #E2AD75

RGB 226 173 117

HSL 30.83, 0.65%, 0.67%

LAB 74.41, 12.64, 36.15

 

Complementary color

CMYK 79 / 41 / 0 / 46

HEX #1D528A

RGB 29 82 138

HSL 210.83, 0.65%, 0.33%

LAB 34.25, 3.52, -36.13

 

CMYK 0 / 25 / 52 / 9

HEX #E7AD70

RGB 231 173 112

HSL 30.76, 0.71%, 0.67%

LAB 74.85, 14.22, 39.42

 

CMYK 0 / 23 / 47 / 3

HEX #F8BF83

RGB 248 191 131

HSL 30.77, 0.89%, 0.74%

LAB 81.21, 13.3, 38.05

 

CMYK 0 / 18 / 41 / 0

HEX #FFD196

RGB 255 209 150

HSL 33.71, 1%, 0.79%

LAB 86.54, 8.59, 35.34

 

CMYK 0 / 11 / 34 / 0

HEX #FFE3A9

RGB 255 227 169

HSL 40.47, 1%, 0.83%

LAB 91.26, 1.48, 31.88

 

CMYK 0 / 4 / 26 / 0

HEX #FFF5BC

RGB 255 245 188

HSL 51.04, 1%, 0.87%

LAB 96.08, -5.24, 28.71

 

CMYK 0 / 23 / 48 / 11

HEX #E2AD75

RGB 226 173 117

HSL 30.83, 0.65%, 0.67%

LAB 74.41, 12.64, 36.15

 

CMYK 0 / 26 / 53 / 18

HEX #D19B62

RGB 209 155 98

HSL 30.81, 0.55%, 0.6%

LAB 67.93, 13.61, 37.55

 

CMYK 0 / 29 / 59 / 25

HEX #C0894F

RGB 192 137 79

HSL 30.8, 0.47%, 0.53%

LAB 61.36, 14.72, 39.03

 

CMYK 0 / 32 / 66 / 31

HEX #AF773C

RGB 175 119 60

HSL 30.78, 0.49%, 0.46%

LAB 54.69, 16.04, 40.56

 

CMYK 0 / 36 / 74 / 38

HEX #9E6529

RGB 158 101 41

HSL 30.77, 0.59%, 0.39%

LAB 47.93, 17.6, 42.01

 

CMYK 0 / 24 / 49 / 11

HEX #E2AC74

RGB 226 172 116

HSL 30.55, 0.65%, 0.67%

LAB 74.15, 13.08, 36.34

 

CMYK 0 / 37 / 49 / 11

HEX #E28F74

RGB 226 143 116

HSL 14.73, 0.65%, 0.67%

LAB 67.33, 28.59, 27.5

 

CMYK 0 / 49 / 49 / 11

HEX #E27474

RGB 226 116 116

HSL 0, 0.65%, 0.67%

LAB 61.59, 42.64, 19.8

 

CMYK 0 / 24 / 49 / 11

HEX #E2AC74

RGB 226 172 116

HSL 30.55, 0.65%, 0.67%

LAB 74.15, 13.08, 36.34

 

CMYK 0 / 11 / 49 / 11

HEX #E2CA74

RGB 226 202 116

HSL 46.91, 0.65%, 0.67%

LAB 81.66, -2.68, 45.73

 

CMYK 3 / 0 / 49 / 11

HEX #DCE274

RGB 220 226 116

HSL 63.27, 0.65%, 0.67%

LAB 87.42, -17.19, 52.59

 

CMYK 16 / 0 / 49 / 11

HEX #BEE274

RGB 190 226 116

HSL 79.64, 0.65%, 0.67%

LAB 85.3, -28.8, 49.54

 

CMYK 29 / 0 / 49 / 11

HEX #A1E274

RGB 161 226 116

HSL 95.45, 0.65%, 0.67%

LAB 83.56, -39.32, 47.02

 

CMYK 0 / 24 / 49 / 11

HEX #E2AC74

RGB 226 172 116

HSL 30.55, 0.65%, 0.67%

LAB 74.15, 13.08, 36.34

 

CMYK 0 / 28 / 57 / 6

HEX #EFAD67

RGB 239 173 103

HSL 30.88, 0.81%, 0.67%

LAB 75.59, 16.75, 45.1

 

CMYK 0 / 32 / 65 / 1

HEX #FDAD59

RGB 253 173 89

HSL 30.73, 0.98%, 0.67%

LAB 76.98, 21.52, 53.95

 

CMYK 0 / 24 / 49 / 11

HEX #E2AC74

RGB 226 172 116

HSL 30.55, 0.65%, 0.67%

LAB 74.15, 13.08, 36.34

 

CMYK 0 / 19 / 39 / 17

HEX #D4AC82

RGB 212 172 130

HSL 30.73, 0.49%, 0.67%

LAB 72.97, 8.9, 27.11

 

CMYK 0 / 13 / 28 / 22

HEX #C6AC8F

RGB 198 172 143

HSL 31.64, 0.33%, 0.67%

LAB 71.89, 5, 18.4

 

CMYK 0 / 8 / 15 / 27

HEX #B9AB9D

RGB 185 171 157

HSL 30, 0.17%, 0.67%

LAB 70.78, 2.66, 9.02

 

CMYK 0 / 0 / 0 / 33

HEX #ABABAB

RGB 171 171 171

HSL 0, 0%, 0.67%

LAB 69.98, 0, -0.01

 

CMYK 0 / 49 / 47 / 11

HEX #E27478

RGB 226 116 120

HSL 357.82, 0.65%, 0.67%

LAB 61.67, 43.02, 17.62

 

CMYK 0 / 37 / 49 / 11

HEX #E28E74

RGB 226 142 116

HSL 14.18, 0.65%, 0.67%

LAB 67.11, 29.12, 27.2

 

CMYK 0 / 24 / 49 / 11

HEX #E2AB74

RGB 226 171 116

HSL 30, 0.65%, 0.67%

LAB 73.9, 13.61, 36.03

 

CMYK 0 / 12 / 49 / 11

HEX #E2C874

RGB 226 200 116

HSL 45.82, 0.65%, 0.67%

LAB 81.15, -1.65, 45.1

 

CMYK 2 / 0 / 49 / 11

HEX #DEE274

RGB 222 226 116

HSL 62.18, 0.65%, 0.67%

LAB 87.57, -16.4, 52.81

 

CMYK 0 / 37 / 77 / 17

HEX #D38430

RGB 211 132 48

HSL 30.92, 0.65%, 0.51%

LAB 62.14, 23.78, 55.31

 

CMYK 0 / 30 / 62 / 15

HEX #DA9852

RGB 218 152 82

HSL 30.88, 0.65%, 0.59%

LAB 68, 17.76, 46.05

 

CMYK 0 / 24 / 49 / 11

HEX #E2AC74

RGB 226 172 116

HSL 30.55, 0.65%, 0.67%

LAB 74.15, 13.08, 36.34

 

CMYK 0 / 17 / 36 / 9

HEX #E9C196

RGB 233 193 150

HSL 31.08, 0.65%, 0.75%

LAB 80.55, 8.36, 27.01

 

CMYK 0 / 11 / 23 / 6

HEX #F0D5B8

RGB 240 213 184

HSL 31.07, 0.65%, 0.83%

LAB 86.79, 4.97, 17.77

 

CMYK 0 / 23 / 48 / 11

HEX #E2AD75

RGB 226 173 117

HSL 30.83, 0.65%, 0.67%

LAB 74.41, 12.64, 36.15

 

CMYK 34 / 0 / 49 / 11

HEX #95E274

RGB 149 226 116

HSL 102, 0.65%, 0.67%

LAB 82.94, -43.38, 46.11

 

CMYK 44 / 49 / 0 / 11

HEX #7F74E2

RGB 127 116 226

HSL 246, 0.65%, 0.67%

LAB 54.55, 31.46, -54.82

 

CMYK 0 / 23 / 48 / 11

HEX #E2AD75

RGB 226 173 117

HSL 30.83, 0.65%, 0.67%

LAB 74.41, 12.64, 36.15

 

CMYK 49 / 0 / 24 / 11

HEX #74E2AB

RGB 116 226 171

HSL 150, 0.65%, 0.67%

LAB 82.4, -44.07, 17.33

 

CMYK 24 / 49 / 0 / 11

HEX #AB74E2

RGB 171 116 226

HSL 270, 0.65%, 0.67%

LAB 58.64, 42.59, -48.06

 

CMYK 0 / 23 / 48 / 11

HEX #E2AD75

RGB 226 173 117

HSL 30.83, 0.65%, 0.67%

LAB 74.41, 12.64, 36.15

 

CMYK 34 / 0 / 49 / 11

HEX #95E274

RGB 149 226 116

HSL 102, 0.65%, 0.67%

LAB 82.94, -43.38, 46.11

 

CMYK 49 / 24 / 0 / 11

HEX #74ABE2

RGB 116 171 226

HSL 210, 0.65%, 0.67%

LAB 68.26, -3.15, -33.27

 

CMYK 15 / 49 / 0 / 11

HEX #C174E2

RGB 193 116 226

HSL 282, 0.65%, 0.67%

LAB 61.06, 48.57, -44.08

 

CMYK 0 / 23 / 48 / 11

HEX #E2AD75

RGB 226 173 117

HSL 30.83, 0.65%, 0.67%

LAB 74.41, 12.64, 36.15

 

CMYK 49 / 0 / 49 / 11

HEX #74E274

RGB 116 226 116

HSL 120, 0.65%, 0.67%

LAB 81.49, -53.34, 44.01

 

CMYK 49 / 24 / 0 / 11

HEX #74ABE2

RGB 116 171 226

HSL 210, 0.65%, 0.67%

LAB 68.26, -3.15, -33.27

 

CMYK 0 / 49 / 0 / 11

HEX #E274E2

RGB 226 116 226

HSL 300, 0.65%, 0.67%

LAB 65.08, 57.7, -37.49

 

Description

Color code: HEX #E2AD75 | qconv.com Color code: HEX #E2AD75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 173 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 173 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 48 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 48% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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