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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2AB77 it is the complementary color #1D5488. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2AB77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2AB77 shade: #E7AB72, #F8BD85, #FFCF98, #FFE1AB and #FFF3BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2AB77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2AB77 shade: #E2AB77, #D19964, #C08751, #AF753E and #9E632B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2AB77 shade: #E2AC78, #E28F78 and #E27878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2AB77 shade: #E2AC78, #E2C978, #E0E278, #C3E278 and #A7E278

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2AB77 shade matches the following richer shades: #E2AC78, #F0AC6B and #FDAB5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2AB77 shade: #E2AC78, #D5AC86, #C8AD93, #BBADA0 and #AEADAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2AB77 shade: #E2787E, #E28F78, #E2AC78, #E2C878 and #E1E278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2AB77 shade: #D48234, #DB9756, #E2AC78, #EAC19A and #F1D6BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2AB77 shade: #E2AB77, #9AE278 and #8178E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2AB77 shade: #E2AB77, #78E2AC and #AC78E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2AB77 shade: #E2AB77, #9AE278, #78AFE2 and #C178E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2AB77 shade: #E2AB77, #7AE278, #78AFE2 and #E178E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 47 / 11

HEX #E2AB77

RGB 226 171 119

HSL 29.16, 0.65%, 0.68%

LAB 73.95, 13.9, 34.51

 

Complementary color

CMYK 79 / 38 / 0 / 47

HEX #1D5488

RGB 29 84 136

HSL 209.16, 0.65%, 0.32%

LAB 34.76, 1.42, -34.1

 

CMYK 0 / 26 / 51 / 9

HEX #E7AB72

RGB 231 171 114

HSL 29.23, 0.71%, 0.68%

LAB 74.4, 15.46, 37.81

 

CMYK 0 / 24 / 46 / 3

HEX #F8BD85

RGB 248 189 133

HSL 29.22, 0.89%, 0.75%

LAB 80.76, 14.54, 36.44

 

CMYK 0 / 19 / 40 / 0

HEX #FFCF98

RGB 255 207 152

HSL 32.04, 1%, 0.8%

LAB 86.08, 9.84, 33.71

 

CMYK 0 / 12 / 33 / 0

HEX #FFE1AB

RGB 255 225 171

HSL 38.57, 1%, 0.84%

LAB 90.8, 2.74, 30.24

 

CMYK 0 / 5 / 25 / 0

HEX #FFF3BE

RGB 255 243 190

HSL 48.92, 1%, 0.87%

LAB 95.61, -3.98, 27.06

 

CMYK 0 / 24 / 47 / 11

HEX #E2AB77

RGB 226 171 119

HSL 29.16, 0.65%, 0.68%

LAB 73.95, 13.9, 34.51

 

CMYK 0 / 27 / 52 / 18

HEX #D19964

RGB 209 153 100

HSL 29.17, 0.54%, 0.61%

LAB 67.47, 14.87, 35.92

 

CMYK 0 / 30 / 58 / 25

HEX #C08751

RGB 192 135 81

HSL 29.19, 0.47%, 0.54%

LAB 60.89, 15.98, 37.42

 

CMYK 0 / 33 / 65 / 31

HEX #AF753E

RGB 175 117 62

HSL 29.2, 0.48%, 0.46%

LAB 54.22, 17.29, 38.99

 

CMYK 0 / 37 / 73 / 38

HEX #9E632B

RGB 158 99 43

HSL 29.22, 0.57%, 0.39%

LAB 47.45, 18.84, 40.54

 

CMYK 0 / 24 / 47 / 11

HEX #E2AC78

RGB 226 172 120

HSL 29.43, 0.65%, 0.68%

LAB 74.21, 13.46, 34.32

 

CMYK 0 / 37 / 47 / 11

HEX #E28F78

RGB 226 143 120

HSL 13.02, 0.65%, 0.68%

LAB 67.4, 28.97, 25.39

 

CMYK 0 / 47 / 47 / 11

HEX #E27878

RGB 226 120 120

HSL 0, 0.65%, 0.68%

LAB 62.47, 40.99, 18.73

 

CMYK 0 / 24 / 47 / 11

HEX #E2AC78

RGB 226 172 120

HSL 29.43, 0.65%, 0.68%

LAB 74.21, 13.46, 34.32

 

CMYK 0 / 11 / 47 / 11

HEX #E2C978

RGB 226 201 120

HSL 45.85, 0.65%, 0.68%

LAB 81.46, -1.8, 43.5

 

CMYK 1 / 0 / 47 / 11

HEX #E0E278

RGB 224 226 120

HSL 61.13, 0.65%, 0.68%

LAB 87.77, -15.24, 51.2

 

CMYK 14 / 0 / 47 / 11

HEX #C3E278

RGB 195 226 120

HSL 77.55, 0.65%, 0.68%

LAB 85.68, -26.5, 48.17

 

CMYK 26 / 0 / 47 / 11

HEX #A7E278

RGB 167 226 120

HSL 93.4, 0.65%, 0.68%

LAB 83.95, -36.76, 45.65

 

CMYK 0 / 24 / 47 / 11

HEX #E2AC78

RGB 226 172 120

HSL 29.43, 0.65%, 0.68%

LAB 74.21, 13.46, 34.32

 

CMYK 0 / 28 / 55 / 6

HEX #F0AC6B

RGB 240 172 107

HSL 29.32, 0.82%, 0.68%

LAB 75.51, 17.99, 43.01

 

CMYK 0 / 32 / 63 / 1

HEX #FDAB5E

RGB 253 171 94

HSL 29.06, 0.98%, 0.68%

LAB 76.57, 22.87, 51.09

 

CMYK 0 / 24 / 47 / 11

HEX #E2AC78

RGB 226 172 120

HSL 29.43, 0.65%, 0.68%

LAB 74.21, 13.46, 34.32

 

CMYK 0 / 19 / 37 / 16

HEX #D5AC86

RGB 213 172 134

HSL 28.86, 0.48%, 0.68%

LAB 73.14, 9.76, 25.21

 

CMYK 0 / 14 / 27 / 22

HEX #C8AD93

RGB 200 173 147

HSL 29.43, 0.33%, 0.68%

LAB 72.41, 5.8, 16.97

 

CMYK 0 / 7 / 14 / 27

HEX #BBADA0

RGB 187 173 160

HSL 28.89, 0.17%, 0.68%

LAB 71.55, 2.82, 8.48

 

CMYK 0 / 1 / 1 / 32

HEX #AEADAD

RGB 174 173 173

HSL 0, 0.01%, 0.68%

LAB 70.8, 0.36, 0.12

 

CMYK 0 / 47 / 44 / 11

HEX #E2787E

RGB 226 120 126

HSL 356.6, 0.65%, 0.68%

LAB 62.6, 41.59, 15.48

 

CMYK 0 / 37 / 47 / 11

HEX #E28F78

RGB 226 143 120

HSL 13.02, 0.65%, 0.68%

LAB 67.4, 28.97, 25.39

 

CMYK 0 / 24 / 47 / 11

HEX #E2AC78

RGB 226 172 120

HSL 29.43, 0.65%, 0.68%

LAB 74.21, 13.46, 34.32

 

CMYK 0 / 12 / 47 / 11

HEX #E2C878

RGB 226 200 120

HSL 45.28, 0.65%, 0.68%

LAB 81.2, -1.28, 43.18

 

CMYK 0 / 0 / 47 / 11

HEX #E1E278

RGB 225 226 120

HSL 60.57, 0.65%, 0.68%

LAB 87.85, -14.85, 51.31

 

CMYK 0 / 39 / 75 / 17

HEX #D48234

RGB 212 130 52

HSL 29.25, 0.65%, 0.52%

LAB 61.84, 25.44, 53.34

 

CMYK 0 / 31 / 61 / 14

HEX #DB9756

RGB 219 151 86

HSL 29.32, 0.65%, 0.6%

LAB 67.92, 18.99, 43.98

 

CMYK 0 / 24 / 47 / 11

HEX #E2AC78

RGB 226 172 120

HSL 29.43, 0.65%, 0.68%

LAB 74.21, 13.46, 34.32

 

CMYK 0 / 18 / 34 / 8

HEX #EAC19A

RGB 234 193 154

HSL 29.25, 0.66%, 0.76%

LAB 80.72, 9.23, 25.14

 

CMYK 0 / 11 / 22 / 5

HEX #F1D6BC

RGB 241 214 188

HSL 29.43, 0.65%, 0.84%

LAB 87.2, 5.39, 16.27

 

CMYK 0 / 24 / 47 / 11

HEX #E2AB77

RGB 226 171 119

HSL 29.16, 0.65%, 0.68%

LAB 73.95, 13.9, 34.51

 

CMYK 32 / 0 / 47 / 11

HEX #9AE278

RGB 154 226 120

HSL 100.75, 0.65%, 0.68%

LAB 83.24, -41.23, 44.62

 

CMYK 43 / 47 / 0 / 11

HEX #8178E2

RGB 129 120 226

HSL 245.09, 0.65%, 0.68%

LAB 55.68, 29.57, -53.01

 

CMYK 0 / 24 / 47 / 11

HEX #E2AB77

RGB 226 171 119

HSL 29.16, 0.65%, 0.68%

LAB 73.95, 13.9, 34.51

 

CMYK 47 / 0 / 24 / 11

HEX #78E2AC

RGB 120 226 172

HSL 149.43, 0.65%, 0.68%

LAB 82.57, -42.88, 17.07

 

CMYK 24 / 47 / 0 / 11

HEX #AC78E2

RGB 172 120 226

HSL 269.43, 0.65%, 0.68%

LAB 59.61, 40.67, -46.52

 

CMYK 0 / 24 / 47 / 11

HEX #E2AB77

RGB 226 171 119

HSL 29.16, 0.65%, 0.68%

LAB 73.95, 13.9, 34.51

 

CMYK 32 / 0 / 47 / 11

HEX #9AE278

RGB 154 226 120

HSL 100.75, 0.65%, 0.68%

LAB 83.24, -41.23, 44.62

 

CMYK 47 / 23 / 0 / 11

HEX #78AFE2

RGB 120 175 226

HSL 208.87, 0.65%, 0.68%

LAB 69.57, -4.41, -31.23

 

CMYK 15 / 47 / 0 / 11

HEX #C178E2

RGB 193 120 226

HSL 281.32, 0.65%, 0.68%

LAB 61.88, 46.47, -42.79

 

CMYK 0 / 24 / 47 / 11

HEX #E2AB77

RGB 226 171 119

HSL 29.16, 0.65%, 0.68%

LAB 73.95, 13.9, 34.51

 

CMYK 46 / 0 / 47 / 11

HEX #7AE278

RGB 122 226 120

HSL 118.87, 0.65%, 0.68%

LAB 81.78, -51.14, 42.48

 

CMYK 47 / 23 / 0 / 11

HEX #78AFE2

RGB 120 175 226

HSL 208.87, 0.65%, 0.68%

LAB 69.57, -4.41, -31.23

 

CMYK 0 / 47 / 0 / 11

HEX #E178E2

RGB 225 120 226

HSL 299.43, 0.65%, 0.68%

LAB 65.7, 55.48, -36.54

 

Description

Color code: HEX #E2AB77 | qconv.com Color code: HEX #E2AB77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 171 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 171 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 47 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 47% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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