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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2A62BCE it is the complementary color #1D59D4CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2A62BCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2A62BCE shade: #E7A626CE, #F8B839CE, #FFCA4CCE, #FFDC5FCE and #FFEE72CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2A62BCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2A62BCE shade: #E2A62BCE, #D19418CE, #C08205CE, #AF7000CE and #9E5E00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2A62BCE shade: #E2A72C, #E2752C, #E2442C and #E22C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2A62BCE shade: #E2A72C, #E2D82C, #BCE22C, #8BE22C and #59E22C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2A62BCE shade matches the following richer shades: #E2A72C and #F6AD19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2A62BCE shade: #E2A72C, #CFA03F, #BB9953, #A89266 and #958C7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2A62BCE shade: #E2442C, #E2752C, #E2A62C, #E2D62C and #BEE22C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2A62BCE shade: #A57617, #CA901B, #E2A72C, #E7B650 and #ECC575

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2A62BCE shade: #E2A62B, #44E22C and #5D2CE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2A62BCE shade: #E2A62B, #2CE2A6 and #A62CE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2A62BCE shade: #E2A62B, #44E22C, #2C69E2 and #CA2CE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2A62BCE shade: #E2A62B, #2CE24A, #2C69E2 and #E22CC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 66 / 9

HEX #E2A62BCE

RGBA 226 166 43 0.81

HSLA 40.33, 0.76%, 0.53%, 0.81

LABA 71.97, 11.77, 66.84, 0.81

 

Complementary color

CMYK 70 / 47 / 0 / 14

HEX #1D59D4CE

RGBA 29 89 212 0.81

HSLA 220.33, 0.76%, 0.47%, 0.81

LABA 41.47, 28.15, -68.27, 0.81

 

CMYK 0 / 23 / 68 / 8

HEX #E7A626CE

RGBA 231 166 38 0.81

HSLA 39.79, 0.8%, 0.53%, 0.81

LABA 72.5, 13.77, 69.06, 0.81

 

CMYK 0 / 21 / 62 / 2

HEX #F8B839CE

RGBA 248 184 57 0.81

HSLA 39.9, 0.93%, 0.6%, 0.81

LABA 78.77, 12.14, 69.1, 0.81

 

CMYK 0 / 17 / 57 / 0

HEX #FFCA4CCE

RGBA 255 202 76 0.81

HSLA 42.23, 1%, 0.65%, 0.81

LABA 83.98, 6.54, 67.19, 0.81

 

CMYK 0 / 11 / 51 / 0

HEX #FFDC5FCE

RGBA 255 220 95 0.81

HSLA 46.88, 1%, 0.69%, 0.81

LABA 88.58, -1.61, 64.14, 0.81

 

CMYK 0 / 5 / 45 / 0

HEX #FFEE72CE

RGBA 255 238 114 0.81

HSLA 52.77, 1%, 0.72%, 0.81

LABA 93.29, -9.33, 61.07, 0.81

 

CMYK 0 / 22 / 66 / 9

HEX #E2A62BCE

RGBA 226 166 43 0.81

HSLA 40.33, 0.76%, 0.53%, 0.81

LABA 71.97, 11.77, 66.84, 0.81

 

CMYK 0 / 24 / 72 / 15

HEX #D19418CE

RGBA 209 148 24 0.81

HSLA 40.22, 0.79%, 0.46%, 0.81

LABA 65.59, 13.55, 66.17, 0.81

 

CMYK 0 / 26 / 79 / 20

HEX #C08205CE

RGBA 192 130 5 0.81

HSLA 40.11, 0.95%, 0.39%, 0.81

LABA 59.14, 15.59, 64.07, 0.81

 

CMYK 0 / 29 / 81 / 25

HEX #AF7000CE

RGBA 175 112 0 0.81

HSLA 38.4, 1%, 0.34%, 0.81

LABA 52.62, 17.92, 59.57, 0.81

 

CMYK 0 / 33 / 81 / 31

HEX #9E5E00CE

RGBA 158 94 0 0.81

HSLA 35.7, 1%, 0.31%, 0.81

LABA 46.01, 20.4, 54.19, 0.81

 

CMYK 0 / 26 / 81 / 11

HEX #E2A72C

RGB 226 167 44

HSL 40.55, 0.76%, 0.53%

LAB 72.22, 11.27, 66.73

 

CMYK 0 / 48 / 81 / 11

HEX #E2752C

RGB 226 117 44

HSL 24.07, 0.76%, 0.53%

LAB 60.85, 37.69, 56.46

 

CMYK 0 / 70 / 81 / 11

HEX #E2442C

RGB 226 68 44

HSL 7.91, 0.76%, 0.53%

LAB 52.38, 59.79, 48.49

 

CMYK 0 / 81 / 81 / 11

HEX #E22C2C

RGB 226 44 44

HSL 0, 0.76%, 0.53%

LAB 49.68, 67.32, 45.87

 

CMYK 0 / 26 / 81 / 11

HEX #E2A72C

RGB 226 167 44

HSL 40.55, 0.76%, 0.53%

LAB 72.22, 11.27, 66.73

 

CMYK 0 / 4 / 81 / 11

HEX #E2D82C

RGB 226 216 44

HSL 56.7, 0.76%, 0.53%

LAB 84.72, -14.05, 77.64

 

CMYK 17 / 0 / 81 / 11

HEX #BCE22C

RGB 188 226 44

HSL 72.53, 0.76%, 0.53%

LAB 84.62, -34.46, 76.46

 

CMYK 38 / 0 / 81 / 11

HEX #8BE22C

RGB 139 226 44

HSL 88.68, 0.76%, 0.53%

LAB 81.87, -52.56, 72.97

 

CMYK 61 / 0 / 81 / 11

HEX #59E22C

RGB 89 226 44

HSL 105.16, 0.76%, 0.53%

LAB 80.01, -66.83, 70.58

 

CMYK 0 / 26 / 81 / 11

HEX #E2A72C

RGB 226 167 44

HSL 40.55, 0.76%, 0.53%

LAB 72.22, 11.27, 66.73

 

CMYK 0 / 30 / 90 / 4

HEX #F6AD19

RGB 246 173 25

HSL 40.18, 0.92%, 0.53%

LAB 75.79, 16.21, 75.61

 

CMYK 0 / 26 / 81 / 11

HEX #E2A72C

RGB 226 167 44

HSL 40.55, 0.76%, 0.53%

LAB 72.22, 11.27, 66.73

 

CMYK 0 / 23 / 70 / 19

HEX #CFA03F

RGB 207 160 63

HSL 40.42, 0.6%, 0.53%

LAB 68.58, 7.61, 55.24

 

CMYK 0 / 18 / 56 / 27

HEX #BB9953

RGB 187 153 83

HSL 40.38, 0.43%, 0.53%

LAB 64.94, 4.12, 41.13

 

CMYK 0 / 13 / 39 / 34

HEX #A89266

RGB 168 146 102

HSL 40, 0.28%, 0.53%

LAB 61.52, 1.8, 26.36

 

CMYK 0 / 6 / 18 / 42

HEX #958C7A

RGB 149 140 122

HSL 40, 0.11%, 0.53%

LAB 58.56, 0.21, 10.82

 

CMYK 0 / 70 / 81 / 11

HEX #E2442C

RGB 226 68 44

HSL 7.91, 0.76%, 0.53%

LAB 52.38, 59.79, 48.49

 

CMYK 0 / 48 / 81 / 11

HEX #E2752C

RGB 226 117 44

HSL 24.07, 0.76%, 0.53%

LAB 60.85, 37.69, 56.46

 

CMYK 0 / 27 / 81 / 11

HEX #E2A62C

RGB 226 166 44

HSL 40.22, 0.76%, 0.53%

LAB 71.98, 11.8, 66.52

 

CMYK 0 / 5 / 81 / 11

HEX #E2D62C

RGB 226 214 44

HSL 56.04, 0.76%, 0.53%

LAB 84.2, -13.05, 77.19

 

CMYK 16 / 0 / 81 / 11

HEX #BEE22C

RGB 190 226 44

HSL 71.87, 0.76%, 0.53%

LAB 84.75, -33.67, 76.63

 

CMYK 0 / 28 / 86 / 35

HEX #A57617

RGB 165 118 23

HSL 40.14, 0.76%, 0.37%

LAB 52.97, 10.41, 54.13

 

CMYK 0 / 29 / 87 / 21

HEX #CA901B

RGB 202 144 27

HSL 40.11, 0.76%, 0.45%

LAB 63.82, 12.71, 63.66

 

CMYK 0 / 26 / 81 / 11

HEX #E2A72C

RGB 226 167 44

HSL 40.55, 0.76%, 0.53%

LAB 72.22, 11.27, 66.73

 

CMYK 0 / 21 / 65 / 9

HEX #E7B650

RGB 231 182 80

HSL 40.53, 0.76%, 0.61%

LAB 76.69, 7.11, 57.12

 

CMYK 0 / 17 / 50 / 7

HEX #ECC575

RGB 236 197 117

HSL 40.34, 0.76%, 0.69%

LAB 81.32, 4.06, 45.03

 

CMYK 0 / 27 / 81 / 11

HEX #E2A62B

RGB 226 166 43

HSL 40.33, 0.76%, 0.53%

LAB 71.97, 11.77, 66.84

 

CMYK 70 / 0 / 81 / 11

HEX #44E22C

RGB 68 226 44

HSL 112.09, 0.76%, 0.53%

LAB 79.5, -71.08, 69.93

 

CMYK 59 / 81 / 0 / 11

HEX #5D2CE2

RGB 93 44 226

HSL 256.15, 0.76%, 0.53%

LAB 37.15, 63.98, -83.25

 

CMYK 0 / 27 / 81 / 11

HEX #E2A62B

RGB 226 166 43

HSL 40.33, 0.76%, 0.53%

LAB 71.97, 11.77, 66.84

 

CMYK 81 / 0 / 27 / 11

HEX #2CE2A6

RGB 44 226 166

HSL 160.22, 0.76%, 0.53%

LAB 80.56, -57.43, 17.11

 

CMYK 27 / 81 / 0 / 11

HEX #A62CE2

RGB 166 44 226

HSL 280.22, 0.76%, 0.53%

LAB 46.18, 73.76, -68.1

 

CMYK 0 / 27 / 81 / 11

HEX #E2A62B

RGB 226 166 43

HSL 40.33, 0.76%, 0.53%

LAB 71.97, 11.77, 66.84

 

CMYK 70 / 0 / 81 / 11

HEX #44E22C

RGB 68 226 44

HSL 112.09, 0.76%, 0.53%

LAB 79.5, -71.08, 69.93

 

CMYK 81 / 54 / 0 / 11

HEX #2C69E2

RGB 44 105 226

HSL 219.89, 0.76%, 0.53%

LAB 47.14, 24.32, -66.99

 

CMYK 11 / 81 / 0 / 11

HEX #CA2CE2

RGB 202 44 226

HSL 292.09, 0.76%, 0.53%

LAB 51.67, 79.84, -58.96

 

CMYK 0 / 27 / 81 / 11

HEX #E2A62B

RGB 226 166 43

HSL 40.33, 0.76%, 0.53%

LAB 71.97, 11.77, 66.84

 

CMYK 81 / 0 / 67 / 11

HEX #2CE24A

RGB 44 226 74

HSL 129.89, 0.76%, 0.53%

LAB 79.28, -72.29, 59.58

 

CMYK 81 / 54 / 0 / 11

HEX #2C69E2

RGB 44 105 226

HSL 219.89, 0.76%, 0.53%

LAB 47.14, 24.32, -66.99

 

CMYK 0 / 81 / 13 / 11

HEX #E22CC4

RGB 226 44 196

HSL 309.89, 0.76%, 0.53%

LAB 53.98, 79.89, -37.89

 

Description

Color code: HEX #E2A62BCE | qconv.com Color code: HEX #E2A62BCE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 166 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 166 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 66 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 66% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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