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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2A370 it is the complementary color #1D5C8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2A370. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2A370 shade: #E7A36B, #F8B57E, #FFC791, #FFD9A4 and #FFEBB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2A370. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2A370 shade: #E2A370, #D1915D, #C07F4A, #AF6D37 and #9E5B24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2A370 shade: #E2A26F, #E2836F and #E26F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2A370 shade: #E2A26F, #E2C16F, #E2E06F, #C4E26F and #A5E26F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2A370 shade matches the following richer shades: #E2A26F, #F0A161 and #FE9F53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2A370 shade: #E2A26F, #D3A47D, #C5A58B, #B7A799 and #A9A8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2A370 shade: #E26F7B, #E2826F, #E2A16F, #E2BF6F and #E2DE6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2A370 shade: #D3762B, #DB8C4D, #E2A26F, #E9B891 and #F0CEB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2A370 shade: #E2A370, #99E26F and #736FE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2A370 shade: #E2A370, #6FE2A1 and #A16FE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2A370 shade: #E2A370, #99E26F, #6FB0E2 and #B86FE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2A370 shade: #E2A370, #77E26F, #6FB0E2 and #DA6FE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 50 / 11

HEX #E2A370

RGB 226 163 112

HSL 26.84, 0.66%, 0.66%

LAB 71.92, 17.52, 35.6

 

Complementary color

CMYK 80 / 36 / 0 / 44

HEX #1D5C8F

RGB 29 92 143

HSL 206.84, 0.66%, 0.34%

LAB 37.66, -0.96, -33.76

 

CMYK 0 / 29 / 54 / 9

HEX #E7A36B

RGB 231 163 107

HSL 27.1, 0.72%, 0.66%

LAB 72.39, 19.12, 38.93

 

CMYK 0 / 27 / 49 / 3

HEX #F8B57E

RGB 248 181 126

HSL 27.05, 0.9%, 0.73%

LAB 78.76, 18.08, 37.49

 

CMYK 0 / 22 / 43 / 0

HEX #FFC791

RGB 255 199 145

HSL 29.45, 1%, 0.78%

LAB 84.04, 13.26, 34.64

 

CMYK 0 / 15 / 36 / 0

HEX #FFD9A4

RGB 255 217 164

HSL 34.95, 1%, 0.82%

LAB 88.72, 6.01, 31.04

 

CMYK 0 / 8 / 28 / 0

HEX #FFEBB7

RGB 255 235 183

HSL 43.33, 1%, 0.86%

LAB 93.49, -0.86, 27.74

 

CMYK 0 / 28 / 50 / 11

HEX #E2A370

RGB 226 163 112

HSL 26.84, 0.66%, 0.66%

LAB 71.92, 17.52, 35.6

 

CMYK 0 / 31 / 56 / 18

HEX #D1915D

RGB 209 145 93

HSL 26.9, 0.56%, 0.59%

LAB 65.43, 18.61, 37.09

 

CMYK 0 / 34 / 61 / 25

HEX #C07F4A

RGB 192 127 74

HSL 26.95, 0.48%, 0.52%

LAB 58.86, 19.87, 38.67

 

CMYK 0 / 38 / 69 / 31

HEX #AF6D37

RGB 175 109 55

HSL 27, 0.52%, 0.45%

LAB 52.21, 21.33, 40.32

 

CMYK 0 / 42 / 77 / 38

HEX #9E5B24

RGB 158 91 36

HSL 27.05, 0.63%, 0.38%

LAB 45.47, 23.03, 41.88

 

CMYK 0 / 28 / 51 / 11

HEX #E2A26F

RGB 226 162 111

HSL 26.61, 0.66%, 0.66%

LAB 71.66, 17.97, 35.8

 

CMYK 0 / 42 / 51 / 11

HEX #E2836F

RGB 226 131 111

HSL 10.43, 0.66%, 0.66%

LAB 64.6, 34.46, 26.66

 

CMYK 0 / 51 / 51 / 11

HEX #E26F6F

RGB 226 111 111

HSL 0, 0.66%, 0.66%

LAB 60.5, 44.68, 21.18

 

CMYK 0 / 28 / 51 / 11

HEX #E2A26F

RGB 226 162 111

HSL 26.61, 0.66%, 0.66%

LAB 71.66, 17.97, 35.8

 

CMYK 0 / 15 / 51 / 11

HEX #E2C16F

RGB 226 193 111

HSL 42.78, 0.66%, 0.66%

LAB 79.3, 1.54, 45.32

 

CMYK 0 / 1 / 51 / 11

HEX #E2E06F

RGB 226 224 111

HSL 58.96, 0.66%, 0.66%

LAB 87.3, -14.25, 54.89

 

CMYK 13 / 0 / 51 / 11

HEX #C4E26F

RGB 196 226 111

HSL 75.65, 0.66%, 0.66%

LAB 85.64, -27.01, 52.39

 

CMYK 27 / 0 / 51 / 11

HEX #A5E26F

RGB 165 226 111

HSL 91.83, 0.66%, 0.66%

LAB 83.73, -38.48, 49.63

 

CMYK 0 / 28 / 51 / 11

HEX #E2A26F

RGB 226 162 111

HSL 26.61, 0.66%, 0.66%

LAB 71.66, 17.97, 35.8

 

CMYK 0 / 33 / 60 / 6

HEX #F0A161

RGB 240 161 97

HSL 26.85, 0.83%, 0.66%

LAB 72.81, 23.06, 44.82

 

CMYK 0 / 37 / 67 / 0

HEX #FE9F53

RGB 254 159 83

HSL 26.67, 0.99%, 0.66%

LAB 73.86, 28.89, 53.35

 

CMYK 0 / 28 / 51 / 11

HEX #E2A26F

RGB 226 162 111

HSL 26.61, 0.66%, 0.66%

LAB 71.66, 17.97, 35.8

 

CMYK 0 / 22 / 41 / 17

HEX #D3A47D

RGB 211 164 125

HSL 27.21, 0.49%, 0.66%

LAB 70.79, 12.24, 26.88

 

CMYK 0 / 16 / 29 / 23

HEX #C5A58B

RGB 197 165 139

HSL 26.9, 0.33%, 0.66%

LAB 69.93, 7.85, 17.86

 

CMYK 0 / 9 / 16 / 28

HEX #B7A799

RGB 183 167 153

HSL 28, 0.17%, 0.66%

LAB 69.47, 3.44, 9.33

 

CMYK 0 / 1 / 1 / 34

HEX #A9A8A7

RGB 169 168 167

HSL 30, 0.01%, 0.66%

LAB 68.92, 0.17, 0.63

 

CMYK 0 / 51 / 46 / 11

HEX #E26F7B

RGB 226 111 123

HSL 353.74, 0.66%, 0.66%

LAB 60.75, 45.8, 14.64

 

CMYK 0 / 42 / 51 / 11

HEX #E2826F

RGB 226 130 111

HSL 9.91, 0.66%, 0.66%

LAB 64.39, 34.99, 26.37

 

CMYK 0 / 29 / 51 / 11

HEX #E2A16F

RGB 226 161 111

HSL 26.09, 0.66%, 0.66%

LAB 71.42, 18.5, 35.5

 

CMYK 0 / 15 / 51 / 11

HEX #E2BF6F

RGB 226 191 111

HSL 41.74, 0.66%, 0.66%

LAB 78.8, 2.58, 44.7

 

CMYK 0 / 2 / 51 / 11

HEX #E2DE6F

RGB 226 222 111

HSL 57.91, 0.66%, 0.66%

LAB 86.78, -13.26, 54.28

 

CMYK 0 / 44 / 80 / 17

HEX #D3762B

RGB 211 118 43

HSL 26.79, 0.66%, 0.5%

LAB 58.96, 31.08, 54.36

 

CMYK 0 / 36 / 65 / 14

HEX #DB8C4D

RGB 219 140 77

HSL 26.62, 0.66%, 0.58%

LAB 65.24, 24.3, 45.4

 

CMYK 0 / 28 / 51 / 11

HEX #E2A26F

RGB 226 162 111

HSL 26.61, 0.66%, 0.66%

LAB 71.66, 17.97, 35.8

 

CMYK 0 / 21 / 38 / 9

HEX #E9B891

RGB 233 184 145

HSL 26.59, 0.67%, 0.74%

LAB 78.26, 12.53, 26.56

 

CMYK 0 / 14 / 25 / 6

HEX #F0CEB4

RGB 240 206 180

HSL 26, 0.67%, 0.82%

LAB 84.98, 8.06, 17.35

 

CMYK 0 / 28 / 50 / 11

HEX #E2A370

RGB 226 163 112

HSL 26.84, 0.66%, 0.66%

LAB 71.92, 17.52, 35.6

 

CMYK 32 / 0 / 51 / 11

HEX #99E26F

RGB 153 226 111

HSL 98.09, 0.66%, 0.66%

LAB 83.08, -42.63, 48.7

 

CMYK 49 / 51 / 0 / 11

HEX #736FE2

RGB 115 111 226

HSL 242.09, 0.66%, 0.66%

LAB 52.4, 31.73, -58.31

 

CMYK 0 / 28 / 50 / 11

HEX #E2A370

RGB 226 163 112

HSL 26.84, 0.66%, 0.66%

LAB 71.92, 17.52, 35.6

 

CMYK 51 / 0 / 29 / 11

HEX #6FE2A1

RGB 111 226 161

HSL 146.09, 0.66%, 0.66%

LAB 82.03, -47.25, 21.99

 

CMYK 29 / 51 / 0 / 11

HEX #A16FE2

RGB 161 111 226

HSL 266.09, 0.66%, 0.66%

LAB 56.52, 42.72, -51.49

 

CMYK 0 / 28 / 50 / 11

HEX #E2A370

RGB 226 163 112

HSL 26.84, 0.66%, 0.66%

LAB 71.92, 17.52, 35.6

 

CMYK 32 / 0 / 51 / 11

HEX #99E26F

RGB 153 226 111

HSL 98.09, 0.66%, 0.66%

LAB 83.08, -42.63, 48.7

 

CMYK 51 / 22 / 0 / 11

HEX #6FB0E2

RGB 111 176 226

HSL 206.09, 0.66%, 0.66%

LAB 69.41, -7.04, -31.51

 

CMYK 19 / 51 / 0 / 11

HEX #B86FE2

RGB 184 111 226

HSL 278.09, 0.66%, 0.66%

LAB 59.02, 48.75, -47.37

 

CMYK 0 / 28 / 50 / 11

HEX #E2A370

RGB 226 163 112

HSL 26.84, 0.66%, 0.66%

LAB 71.92, 17.52, 35.6

 

CMYK 47 / 0 / 51 / 11

HEX #77E26F

RGB 119 226 111

HSL 115.83, 0.66%, 0.66%

LAB 81.55, -53.17, 46.48

 

CMYK 51 / 22 / 0 / 11

HEX #6FB0E2

RGB 111 176 226

HSL 206.09, 0.66%, 0.66%

LAB 69.41, -7.04, -31.51

 

CMYK 4 / 51 / 0 / 11

HEX #DA6FE2

RGB 218 111 226

HSL 295.83, 0.66%, 0.66%

LAB 63.15, 57.91, -40.59

 

Description

Color code: HEX #E2A370 | qconv.com Color code: HEX #E2A370 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 163 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 163 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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