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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E29EB6 it is the complementary color #1D6149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E29EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E29EB6 shade: #E79EB1, #F8B0C4, #FFC2D7, #FFD4EA and #FFE6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E29EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E29EB6 shade: #E29EB6, #D18CA3, #C07A90, #AF687D and #9E566A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E29EB6 shade: #E29DB5, #E29DA3 and #E29D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E29EB6 shade: #E29DB5, #E29DC8, #E29DDA, #D79DE2 and #C49DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E29EB6 shade matches the following richer shades: #E29DB5, #EC93B2 and #F688AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E29EB6 shade: #E29DB5, #D7A7B8, #CDB1BB, #C3BCBE and #B8C6C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E29EB6 shade: #E29DDB, #E29DC8, #E29DB6, #E29DA4 and #E2A89D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E29EB6 shade: #CF5D85, #D87D9D, #E29DB5, #EBBDCD and #F5DCE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E29EB6 shade: #E29EB6, #E2D69D and #9DD2E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E29EB6 shade: #E29EB6, #B6E29D and #9DB6E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E29EB6 shade: #E29EB6, #E2D69D, #9DE2C8 and #9DA8E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E29EB6 shade: #E29EB6, #D8E29D, #9DE2C8 and #A69DE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 19 / 11

HEX #E29EB6

RGB 226 158 182

HSL 338.82, 0.54%, 0.75%

LAB 72.23, 28.73, -2.19

 

Complementary color

CMYK 70 / 0 / 25 / 62

HEX #1D6149

RGB 29 97 73

HSL 158.82, 0.54%, 0.25%

LAB 36.54, -27.56, 7.59

 

CMYK 0 / 32 / 23 / 9

HEX #E79EB1

RGB 231 158 177

HSL 344.38, 0.6%, 0.76%

LAB 72.64, 29.78, 1.24

 

CMYK 0 / 29 / 21 / 3

HEX #F8B0C4

RGB 248 176 196

HSL 343.33, 0.84%, 0.83%

LAB 79.04, 29.06, 0.39

 

CMYK 0 / 24 / 16 / 0

HEX #FFC2D7

RGB 255 194 215

HSL 339.34, 1%, 0.88%

LAB 84.35, 24.91, -1.98

 

CMYK 0 / 17 / 8 / 0

HEX #FFD4EA

RGB 255 212 234

HSL 329.3, 1%, 0.92%

LAB 89.06, 18.53, -5.15

 

CMYK 0 / 10 / 1 / 0

HEX #FFE6FD

RGB 255 230 253

HSL 304.8, 1%, 0.95%

LAB 93.86, 12.43, -8.01

 

CMYK 0 / 30 / 19 / 11

HEX #E29EB6

RGB 226 158 182

HSL 338.82, 0.54%, 0.75%

LAB 72.23, 28.73, -2.19

 

CMYK 0 / 33 / 22 / 18

HEX #D18CA3

RGB 209 140 163

HSL 340, 0.43%, 0.68%

LAB 65.71, 29.48, -1.35

 

CMYK 0 / 36 / 25 / 25

HEX #C07A90

RGB 192 122 144

HSL 341.14, 0.36%, 0.62%

LAB 59.1, 30.28, -0.43

 

CMYK 0 / 41 / 29 / 31

HEX #AF687D

RGB 175 104 125

HSL 342.25, 0.31%, 0.55%

LAB 52.39, 31.15, 0.61

 

CMYK 0 / 46 / 33 / 38

HEX #9E566A

RGB 158 86 106

HSL 343.33, 0.3%, 0.48%

LAB 45.59, 32.08, 1.83

 

CMYK 0 / 31 / 20 / 11

HEX #E29DB5

RGB 226 157 181

HSL 339.13, 0.54%, 0.75%

LAB 71.97, 29.12, -2.01

 

CMYK 0 / 31 / 28 / 11

HEX #E29DA3

RGB 226 157 163

HSL 354.78, 0.54%, 0.75%

LAB 71.51, 26.53, 7.28

 

CMYK 0 / 31 / 31 / 11

HEX #E29D9D

RGB 226 157 157

HSL 0, 0.54%, 0.75%

LAB 71.36, 25.73, 10.39

 

CMYK 0 / 31 / 20 / 11

HEX #E29DB5

RGB 226 157 181

HSL 339.13, 0.54%, 0.75%

LAB 71.97, 29.12, -2.01

 

CMYK 0 / 31 / 12 / 11

HEX #E29DC8

RGB 226 157 200

HSL 322.61, 0.54%, 0.75%

LAB 72.53, 32.13, -11.68

 

CMYK 0 / 31 / 4 / 11

HEX #E29DDA

RGB 226 157 218

HSL 306.96, 0.54%, 0.75%

LAB 73.12, 35.23, -20.69

 

CMYK 5 / 31 / 0 / 11

HEX #D79DE2

RGB 215 157 226

HSL 290.43, 0.54%, 0.75%

LAB 72.26, 33.18, -26.48

 

CMYK 13 / 31 / 0 / 11

HEX #C49DE2

RGB 196 157 226

HSL 273.91, 0.54%, 0.75%

LAB 70.41, 27.21, -29.48

 

CMYK 0 / 31 / 20 / 11

HEX #E29DB5

RGB 226 157 181

HSL 339.13, 0.54%, 0.75%

LAB 71.97, 29.12, -2.01

 

CMYK 0 / 38 / 25 / 7

HEX #EC93B2

RGB 236 147 178

HSL 339.1, 0.7%, 0.75%

LAB 70.81, 37.51, -1.92

 

CMYK 0 / 45 / 29 / 4

HEX #F688AF

RGB 246 136 175

HSL 338.73, 0.86%, 0.75%

LAB 69.68, 46.2, -1.76

 

CMYK 0 / 31 / 20 / 11

HEX #E29DB5

RGB 226 157 181

HSL 339.13, 0.54%, 0.75%

LAB 71.97, 29.12, -2.01

 

CMYK 0 / 22 / 14 / 16

HEX #D7A7B8

RGB 215 167 184

HSL 338.75, 0.38%, 0.75%

LAB 73.25, 20.26, -1.93

 

CMYK 0 / 14 / 9 / 20

HEX #CDB1BB

RGB 205 177 187

HSL 338.57, 0.22%, 0.75%

LAB 74.83, 11.76, -1.36

 

CMYK 0 / 4 / 3 / 24

HEX #C3BCBE

RGB 195 188 190

HSL 342.86, 0.06%, 0.75%

LAB 76.85, 2.82, -0.14

 

CMYK 7 / 0 / 3 / 22

HEX #B8C6C1

RGB 184 198 193

HSL 158.57, 0.11%, 0.75%

LAB 78.71, -5.72, 0.85

 

CMYK 0 / 31 / 3 / 11

HEX #E29DDB

RGB 226 157 219

HSL 306.09, 0.54%, 0.75%

LAB 73.15, 35.4, -21.19

 

CMYK 0 / 31 / 12 / 11

HEX #E29DC8

RGB 226 157 200

HSL 322.61, 0.54%, 0.75%

LAB 72.53, 32.13, -11.68

 

CMYK 0 / 31 / 19 / 11

HEX #E29DB6

RGB 226 157 182

HSL 338.26, 0.54%, 0.75%

LAB 72, 29.27, -2.52

 

CMYK 0 / 31 / 27 / 11

HEX #E29DA4

RGB 226 157 164

HSL 353.91, 0.54%, 0.75%

LAB 71.53, 26.67, 6.76

 

CMYK 0 / 26 / 31 / 11

HEX #E2A89D

RGB 226 168 157

HSL 9.57, 0.54%, 0.75%

LAB 73.94, 19.83, 14.03

 

CMYK 0 / 55 / 36 / 19

HEX #CF5D85

RGB 207 93 133

HSL 338.95, 0.54%, 0.59%

LAB 54.85, 49.12, 0.01

 

CMYK 0 / 42 / 27 / 15

HEX #D87D9D

RGB 216 125 157

HSL 338.9, 0.54%, 0.67%

LAB 63.09, 39.12, -1.69

 

CMYK 0 / 31 / 20 / 11

HEX #E29DB5

RGB 226 157 181

HSL 339.13, 0.54%, 0.75%

LAB 71.97, 29.12, -2.01

 

CMYK 0 / 20 / 13 / 8

HEX #EBBDCD

RGB 235 189 205

HSL 339.13, 0.53%, 0.83%

LAB 81, 18.96, -1.77

 

CMYK 0 / 10 / 7 / 4

HEX #F5DCE5

RGB 245 220 229

HSL 338.4, 0.56%, 0.91%

LAB 89.98, 10.1, -1.27

 

CMYK 0 / 30 / 19 / 11

HEX #E29EB6

RGB 226 158 182

HSL 338.82, 0.54%, 0.75%

LAB 72.23, 28.73, -2.19

 

CMYK 0 / 5 / 31 / 11

HEX #E2D69D

RGB 226 214 157

HSL 49.57, 0.54%, 0.75%

LAB 85.35, -4.4, 29.7

 

CMYK 31 / 7 / 0 / 11

HEX #9DD2E2

RGB 157 210 226

HSL 193.91, 0.54%, 0.75%

LAB 81.16, -13.33, -13.43

 

CMYK 0 / 30 / 19 / 11

HEX #E29EB6

RGB 226 158 182

HSL 338.82, 0.54%, 0.75%

LAB 72.23, 28.73, -2.19

 

CMYK 19 / 0 / 31 / 11

HEX #B6E29D

RGB 182 226 157

HSL 98.26, 0.54%, 0.75%

LAB 85.39, -26.58, 29.2

 

CMYK 31 / 19 / 0 / 11

HEX #9DB6E2

RGB 157 182 226

HSL 218.26, 0.54%, 0.75%

LAB 73.62, 1.55, -24.83

 

CMYK 0 / 30 / 19 / 11

HEX #E29EB6

RGB 226 158 182

HSL 338.82, 0.54%, 0.75%

LAB 72.23, 28.73, -2.19

 

CMYK 0 / 5 / 31 / 11

HEX #E2D69D

RGB 226 214 157

HSL 49.57, 0.54%, 0.75%

LAB 85.35, -4.4, 29.7

 

CMYK 31 / 0 / 12 / 11

HEX #9DE2C8

RGB 157 226 200

HSL 157.39, 0.54%, 0.75%

LAB 84.86, -27.04, 5.83

 

CMYK 31 / 26 / 0 / 11

HEX #9DA8E2

RGB 157 168 226

HSL 230.43, 0.54%, 0.75%

LAB 69.94, 9.3, -30.48

 

CMYK 0 / 30 / 19 / 11

HEX #E29EB6

RGB 226 158 182

HSL 338.82, 0.54%, 0.75%

LAB 72.23, 28.73, -2.19

 

CMYK 4 / 0 / 31 / 11

HEX #D8E29D

RGB 216 226 157

HSL 68.7, 0.54%, 0.75%

LAB 87.69, -14.25, 32.69

 

CMYK 31 / 0 / 12 / 11

HEX #9DE2C8

RGB 157 226 200

HSL 157.39, 0.54%, 0.75%

LAB 84.86, -27.04, 5.83

 

CMYK 27 / 31 / 0 / 11

HEX #A69DE2

RGB 166 157 226

HSL 247.83, 0.54%, 0.75%

LAB 67.81, 18.11, -33.72

 

Description

Color code: HEX #E29EB6 | qconv.com Color code: HEX #E29EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 158 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 158 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 19 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 19% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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