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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E29E35 it is the complementary color #1D61CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E29E35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E29E35: #E79E30, #F8B043, #FFC256, #FFD469 and #FFE67C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E29E35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E29E35: #E29E35, #D18C22, #C07A0F, #AF6800 and #9E5600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 77 / 11

HEX #E29E35

RGB 226 158 53

HSL 36.42, 0.75%, 0.55%

LAB 70.09, 16.39, 61.55

 

Complementary color

CMYK 86 / 52 / 0 / 21

HEX #1D61CA

RGB 29 97 202

HSL 216.42, 0.75%, 0.45%

LAB 42.88, 19.05, -60.23

 

CMYK 0 / 32 / 79 / 9

HEX #E79E30

RGB 231 158 48

HSL 36.07, 0.79%, 0.55%

LAB 70.63, 18.33, 64.13

 

CMYK 0 / 29 / 73 / 3

HEX #F8B043

RGB 248 176 67

HSL 36.13, 0.93%, 0.62%

LAB 76.93, 16.73, 63.48

 

CMYK 0 / 24 / 66 / 0

HEX #FFC256

RGB 255 194 86

HSL 38.34, 1%, 0.67%

LAB 82.12, 11.2, 61.04

 

CMYK 0 / 17 / 59 / 0

HEX #FFD469

RGB 255 212 105

HSL 42.8, 1%, 0.71%

LAB 86.69, 3.12, 57.58

 

CMYK 0 / 10 / 51 / 0

HEX #FFE67C

RGB 255 230 124

HSL 48.55, 1%, 0.74%

LAB 91.37, -4.56, 54.24

 

CMYK 0 / 30 / 77 / 11

HEX #E29E35

RGB 226 158 53

HSL 36.42, 0.75%, 0.55%

LAB 70.09, 16.39, 61.55

 

CMYK 0 / 33 / 84 / 18

HEX #D18C22

RGB 209 140 34

HSL 36.34, 0.72%, 0.48%

LAB 63.69, 18.12, 61.82

 

CMYK 0 / 36 / 92 / 25

HEX #C07A0F

RGB 192 122 15

HSL 36.27, 0.86%, 0.41%

LAB 57.23, 20.12, 60.95

 

CMYK 0 / 41 / 100 / 31

HEX #AF6800

RGB 175 104 0

HSL 35.66, 1%, 0.34%

LAB 50.7, 22.38, 58.33

 

CMYK 0 / 46 / 100 / 38

HEX #9E5600

RGB 158 86 0

HSL 32.66, 1%, 0.31%

LAB 44.12, 24.9, 53.01

 

CMYK 0 / 30 / 77 / 11

HEX #E29E35

RGB 226 158 53

HSL 36.42, 0.75%, 0.55%

LAB 70.09, 16.39, 61.55

 

CMYK 0 / 18 / 76 / 11

HEX #E2BA36

RGB 226 186 54

HSL 46.05, 0.75%, 0.55%

LAB 77.01, 1.6, 67.71

 

CMYK 0 / 5 / 76 / 11

HEX #E2D636

RGB 226 214 54

HSL 55.81, 0.75%, 0.55%

LAB 84.24, -12.71, 74.37

 

CMYK 8 / 0 / 76 / 11

HEX #D1E236

RGB 209 226 54

HSL 65.93, 0.75%, 0.55%

LAB 86.11, -25.63, 75.59

 

CMYK 20 / 0 / 76 / 11

HEX #B4E236

RGB 180 226 54

HSL 76.05, 0.75%, 0.55%

LAB 84.15, -37.2, 73.07

 

CMYK 0 / 30 / 77 / 11

HEX #E29E35

RGB 226 158 53

HSL 36.42, 0.75%, 0.55%

LAB 70.09, 16.39, 61.55

 

CMYK 0 / 32 / 77 / 91

HEX #160F05

RGB 22 15 5

HSL 35.29, 0.63%, 0.05%

LAB 4.73, 1.3, 5.05

 

CMYK 0 / 30 / 77 / 71

HEX #493311

RGB 73 51 17

HSL 36.43, 0.62%, 0.18%

LAB 23.08, 5.93, 24.73

 

CMYK 0 / 30 / 77 / 51

HEX #7C571D

RGB 124 87 29

HSL 36.63, 0.62%, 0.3%

LAB 39.9, 9.49, 38.11

 

CMYK 0 / 30 / 77 / 31

HEX #AF7A29

RGB 175 122 41

HSL 36.27, 0.62%, 0.42%

LAB 55.27, 13.32, 50.06

 

CMYK 0 / 30 / 77 / 11

HEX #E29E35

RGB 226 158 53

HSL 36.42, 0.75%, 0.55%

LAB 70.09, 16.39, 61.55

 

CMYK 61 / 0 / 76 / 11

HEX #58E236

RGB 88 226 54

HSL 108.14, 0.75%, 0.55%

LAB 80.03, -66.5, 67.7

 

CMYK 61 / 76 / 0 / 11

HEX #5836E2

RGB 88 54 226

HSL 251.86, 0.75%, 0.55%

LAB 38.21, 59.07, -81.52

 

CMYK 0 / 30 / 77 / 11

HEX #E29E35

RGB 226 158 53

HSL 36.42, 0.75%, 0.55%

LAB 70.09, 16.39, 61.55

 

CMYK 76 / 0 / 31 / 11

HEX #36E29D

RGB 54 226 157

HSL 155.93, 0.75%, 0.55%

LAB 80.52, -58.33, 21.78

 

CMYK 31 / 76 / 0 / 11

HEX #9D36E2

RGB 157 54 226

HSL 275.93, 0.75%, 0.55%

LAB 46.04, 69.01, -68.38

 

CMYK 0 / 30 / 77 / 11

HEX #E29E35

RGB 226 158 53

HSL 36.42, 0.75%, 0.55%

LAB 70.09, 16.39, 61.55

 

CMYK 61 / 0 / 76 / 11

HEX #58E236

RGB 88 226 54

HSL 108.14, 0.75%, 0.55%

LAB 80.03, -66.5, 67.7

 

CMYK 76 / 46 / 0 / 11

HEX #367BE2

RGB 54 123 226

HSL 215.93, 0.75%, 0.55%

LAB 52.33, 13.99, -58.6

 

CMYK 15 / 76 / 0 / 11

HEX #BF36E2

RGB 191 54 226

HSL 287.79, 0.75%, 0.55%

LAB 50.93, 75.06, -60.24

 

CMYK 0 / 30 / 77 / 11

HEX #E29E35

RGB 226 158 53

HSL 36.42, 0.75%, 0.55%

LAB 70.09, 16.39, 61.55

 

CMYK 76 / 0 / 69 / 11

HEX #36E247

RGB 54 226 71

HSL 125.93, 0.75%, 0.55%

LAB 79.4, -71.34, 60.91

 

CMYK 76 / 46 / 0 / 11

HEX #367BE2

RGB 54 123 226

HSL 215.93, 0.75%, 0.55%

LAB 52.33, 13.99, -58.6

 

CMYK 0 / 76 / 8 / 11

HEX #E236D1

RGB 226 54 209

HSL 305.93, 0.75%, 0.55%

LAB 55.49, 79.19, -42.96

 

Description

Color code: HEX #E29E35 | qconv.com Color code: HEX #E29E35 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 158 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 158 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 77 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 77% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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