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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E29C50 it is the complementary color #1D63AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E29C50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E29C50 shade: #E79C4B, #F8AE5E, #FFC071, #FFD284 and #FFE497

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E29C50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E29C50 shade: #E29C50, #D18A3D, #C0782A, #AF6617 and #9E5404

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E29C50 shade: #E29C50, #E27450 and #E25050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E29C50 shade: #E29C50, #E2C450, #DAE250, #B2E250 and #8AE250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E29C50 shade matches the following richer shades: #E29C50 and #F39D3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E29C50 shade: #E29C50, #D29B60, #C19B71, #B19A81 and #A09992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E29C50 shade: #E25052, #E27450, #E29B50, #E2C350 and #DBE250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E29C50 shade: #C0731F, #DD882C, #E29C50, #E8B073 and #EEC497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E29C50 shade: #E29C50, #79E250 and #6150E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E29C50 shade: #E29C50, #50E29B and #9B50E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E29C50 shade: #E29C50, #79E250, #5097E2 and #B950E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E29C50 shade: #E29C50, #50E252, #5097E2 and #E250E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

Complementary color

CMYK 83 / 43 / 0 / 31

HEX #1D63AF

RGB 29 99 175

HSL 211.23, 0.72%, 0.4%

LAB 41.66, 7.14, -46.48

 

CMYK 0 / 32 / 68 / 9

HEX #E79C4B

RGB 231 156 75

HSL 31.15, 0.76%, 0.6%

LAB 70.37, 20.61, 52.51

 

CMYK 0 / 30 / 62 / 3

HEX #F8AE5E

RGB 248 174 94

HSL 31.17, 0.92%, 0.67%

LAB 76.7, 19.26, 51.1

 

CMYK 0 / 25 / 56 / 0

HEX #FFC071

RGB 255 192 113

HSL 33.38, 1%, 0.72%

LAB 81.92, 14.04, 48.17

 

CMYK 0 / 18 / 48 / 0

HEX #FFD284

RGB 255 210 132

HSL 38.05, 1%, 0.76%

LAB 86.51, 6.31, 44.41

 

CMYK 0 / 11 / 41 / 0

HEX #FFE497

RGB 255 228 151

HSL 44.42, 1%, 0.8%

LAB 91.23, -1.03, 40.93

 

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

CMYK 0 / 34 / 71 / 18

HEX #D18A3D

RGB 209 138 61

HSL 31.22, 0.62%, 0.53%

LAB 63.4, 20.28, 50.77

 

CMYK 0 / 38 / 78 / 25

HEX #C0782A

RGB 192 120 42

HSL 31.2, 0.64%, 0.46%

LAB 56.89, 21.95, 51.93

 

CMYK 0 / 42 / 87 / 31

HEX #AF6617

RGB 175 102 23

HSL 31.18, 0.77%, 0.39%

LAB 50.31, 23.88, 52.44

 

CMYK 0 / 47 / 97 / 38

HEX #9E5404

RGB 158 84 4

HSL 31.17, 0.95%, 0.32%

LAB 43.68, 26.08, 51.65

 

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

CMYK 0 / 49 / 65 / 11

HEX #E27450

RGB 226 116 80

HSL 14.79, 0.72%, 0.6%

LAB 60.99, 39.87, 39.11

 

CMYK 0 / 65 / 65 / 11

HEX #E25050

RGB 226 80 80

HSL 0, 0.72%, 0.6%

LAB 54.54, 56.65, 31.24

 

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

CMYK 0 / 13 / 65 / 11

HEX #E2C450

RGB 226 196 80

HSL 47.67, 0.72%, 0.6%

LAB 79.74, -2.31, 60.26

 

CMYK 4 / 0 / 65 / 11

HEX #DAE250

RGB 218 226 80

HSL 63.29, 0.72%, 0.6%

LAB 86.94, -20.67, 67.62

 

CMYK 21 / 0 / 65 / 11

HEX #B2E250

RGB 178 226 80

HSL 79.73, 0.72%, 0.6%

LAB 84.19, -36.47, 63.9

 

CMYK 39 / 0 / 65 / 11

HEX #8AE250

RGB 138 226 80

HSL 96.16, 0.72%, 0.6%

LAB 82.04, -50.65, 60.96

 

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

CMYK 0 / 35 / 74 / 5

HEX #F39D3F

RGB 243 157 63

HSL 31.33, 0.88%, 0.6%

LAB 71.91, 24.47, 59.93

 

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

CMYK 0 / 26 / 54 / 18

HEX #D29B60

RGB 210 155 96

HSL 31.05, 0.56%, 0.6%

LAB 68.01, 13.85, 38.72

 

CMYK 0 / 20 / 41 / 24

HEX #C19B71

RGB 193 155 113

HSL 31.5, 0.39%, 0.6%

LAB 66.5, 8.48, 27.36

 

CMYK 0 / 13 / 27 / 31

HEX #B19A81

RGB 177 154 129

HSL 31.25, 0.24%, 0.6%

LAB 65, 4.59, 16.26

 

CMYK 0 / 4 / 9 / 37

HEX #A09992

RGB 160 153 146

HSL 30, 0.07%, 0.6%

LAB 63.62, 1.29, 4.58

 

CMYK 0 / 65 / 64 / 11

HEX #E25052

RGB 226 80 82

HSL 359.18, 0.72%, 0.6%

LAB 54.57, 56.76, 30.12

 

CMYK 0 / 49 / 65 / 11

HEX #E27450

RGB 226 116 80

HSL 14.79, 0.72%, 0.6%

LAB 60.99, 39.87, 39.11

 

CMYK 0 / 31 / 65 / 11

HEX #E29B50

RGB 226 155 80

HSL 30.82, 0.72%, 0.6%

LAB 69.61, 19.36, 49.11

 

CMYK 0 / 14 / 65 / 11

HEX #E2C350

RGB 226 195 80

HSL 47.26, 0.72%, 0.6%

LAB 79.49, -1.79, 59.99

 

CMYK 3 / 0 / 65 / 11

HEX #DBE250

RGB 219 226 80

HSL 62.88, 0.72%, 0.6%

LAB 87.01, -20.27, 67.73

 

CMYK 0 / 40 / 84 / 25

HEX #C0731F

RGB 192 115 31

HSL 31.3, 0.72%, 0.44%

LAB 55.65, 24.31, 55.1

 

CMYK 0 / 38 / 80 / 13

HEX #DD882C

RGB 221 136 44

HSL 31.19, 0.72%, 0.52%

LAB 64.29, 25.7, 59.38

 

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

CMYK 0 / 24 / 50 / 9

HEX #E8B073

RGB 232 176 115

HSL 31.28, 0.72%, 0.68%

LAB 75.73, 13.3, 38.99

 

CMYK 0 / 18 / 37 / 7

HEX #EEC497

RGB 238 196 151

HSL 31.03, 0.72%, 0.76%

LAB 81.78, 8.85, 28.21

 

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

CMYK 46 / 0 / 65 / 11

HEX #79E250

RGB 121 226 80

HSL 103.15, 0.72%, 0.6%

LAB 81.31, -55.92, 59.96

 

CMYK 57 / 65 / 0 / 11

HEX #6150E2

RGB 97 80 226

HSL 246.99, 0.72%, 0.6%

LAB 43.9, 46.58, -72.15

 

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

CMYK 65 / 0 / 31 / 11

HEX #50E29B

RGB 80 226 155

HSL 150.82, 0.72%, 0.6%

LAB 81, -54.92, 23.55

 

CMYK 31 / 65 / 0 / 11

HEX #9B50E2

RGB 155 80 226

HSL 270.82, 0.72%, 0.6%

LAB 49.73, 57.53, -62.41

 

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

CMYK 46 / 0 / 65 / 11

HEX #79E250

RGB 121 226 80

HSL 103.15, 0.72%, 0.6%

LAB 81.31, -55.92, 59.96

 

CMYK 65 / 33 / 0 / 11

HEX #5097E2

RGB 80 151 226

HSL 210.82, 0.72%, 0.6%

LAB 61.07, 0.89, -44.63

 

CMYK 18 / 65 / 0 / 11

HEX #B950E2

RGB 185 80 226

HSL 283.15, 0.72%, 0.6%

LAB 53.54, 64.04, -56.09

 

CMYK 0 / 31 / 65 / 11

HEX #E29C50

RGB 226 156 80

HSL 31.23, 0.72%, 0.6%

LAB 69.84, 18.82, 49.38

 

CMYK 65 / 0 / 64 / 11

HEX #50E252

RGB 80 226 82

HSL 120.82, 0.72%, 0.6%

LAB 80.01, -65.92, 57.34

 

CMYK 65 / 33 / 0 / 11

HEX #5097E2

RGB 80 151 226

HSL 210.82, 0.72%, 0.6%

LAB 61.07, 0.89, -44.63

 

CMYK 0 / 65 / 1 / 11

HEX #E250E0

RGB 226 80 224

HSL 300.82, 0.72%, 0.6%

LAB 59.24, 73, -45.54

 

Description

Color code: HEX #E29C50 | qconv.com Color code: HEX #E29C50 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 156 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 156 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 65 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 65% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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