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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E28FEE it is the complementary color #1D7011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E28FEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E28FEE shade: #E78FE9, #F8A1FC, #FFB3FF, #FFC5FF and #FFD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E28FEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E28FEE shade: #E28FEE, #D17DDB, #C06BC8, #AF59B5 and #9E47A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E28FEE shade: #E390EE, #EE90E1, #EE90C7, #EE90AE and #EE9095

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E28FEE shade: #E390EE, #C990EE, #B090EE, #9690EE and #9090EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E28FEE shade matches the following richer shades: #E390EE and #EA86F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E28FEE shade: #E390EE, #DB9AE4, #D3A5DA, #CBAFCF and #C4B9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E28FEE shade: #B090EE, #C990EE, #E290EE, #EE90E2 and #EE90C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E28FEE shade: #D048E4, #D96CE9, #E390EE, #ECB4F4 and #F5D8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E28FEE shade: #E28FEE, #EE9690 and #90EEBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E28FEE shade: #E28FEE, #EEE290 and #90EEE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E28FEE shade: #E28FEE, #EE9690, #9DEE90 and #90E8EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E28FEE shade: #E28FEE, #EEB390, #9DEE90 and #90CCEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 40 / 0 / 7

HEX #E28FEE

RGB 226 143 238

HSL 292.42, 0.74%, 0.75%

LAB 70.86, 46.3, -35.12

 

Complementary color

CMYK 74 / 0 / 85 / 56

HEX #1D7011

RGB 29 112 17

HSL 112.42, 0.74%, 0.25%

LAB 41.04, -42.43, 41.59

 

CMYK 1 / 39 / 0 / 9

HEX #E78FE9

RGB 231 143 233

HSL 298.67, 0.67%, 0.74%

LAB 71.23, 46.87, -31.77

 

CMYK 2 / 36 / 0 / 1

HEX #F8A1FC

RGB 248 161 252

HSL 297.36, 0.94%, 0.81%

LAB 77.56, 46.14, -32.17

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 5 / 40 / 0 / 7

HEX #E28FEE

RGB 226 143 238

HSL 292.42, 0.74%, 0.75%

LAB 70.86, 46.3, -35.12

 

CMYK 5 / 43 / 0 / 14

HEX #D17DDB

RGB 209 125 219

HSL 293.62, 0.57%, 0.67%

LAB 64.43, 47.05, -34.76

 

CMYK 4 / 47 / 0 / 22

HEX #C06BC8

RGB 192 107 200

HSL 294.84, 0.46%, 0.6%

LAB 57.93, 47.78, -34.34

 

CMYK 3 / 51 / 0 / 29

HEX #AF59B5

RGB 175 89 181

HSL 296.09, 0.38%, 0.53%

LAB 51.38, 48.47, -33.84

 

CMYK 2 / 56 / 0 / 36

HEX #9E47A2

RGB 158 71 162

HSL 297.36, 0.39%, 0.46%

LAB 44.78, 49.04, -33.19

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 0 / 39 / 5 / 7

HEX #EE90E1

RGB 238 144 225

HSL 308.3, 0.73%, 0.75%

LAB 71.93, 47.07, -26.22

 

CMYK 0 / 39 / 16 / 7

HEX #EE90C7

RGB 238 144 199

HSL 324.89, 0.73%, 0.75%

LAB 71.04, 42.84, -13.22

 

CMYK 0 / 39 / 27 / 7

HEX #EE90AE

RGB 238 144 174

HSL 340.85, 0.73%, 0.75%

LAB 70.3, 39.23, -0.41

 

CMYK 0 / 39 / 37 / 7

HEX #EE9095

RGB 238 144 149

HSL 356.81, 0.73%, 0.75%

LAB 69.68, 36.09, 12.65

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 16 / 39 / 0 / 7

HEX #C990EE

RGB 201 144 238

HSL 276.38, 0.73%, 0.75%

LAB 68.41, 38.4, -39.13

 

CMYK 26 / 39 / 0 / 7

HEX #B090EE

RGB 176 144 238

HSL 260.43, 0.73%, 0.75%

LAB 66.02, 31.22, -43.05

 

CMYK 37 / 39 / 0 / 7

HEX #9690EE

RGB 150 144 238

HSL 243.83, 0.73%, 0.75%

LAB 63.84, 24.16, -46.63

 

CMYK 39 / 39 / 0 / 7

HEX #9090EE

RGB 144 144 238

HSL 240, 0.73%, 0.75%

LAB 63.38, 22.61, -47.38

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 6 / 46 / 0 / 2

HEX #EA86F9

RGB 234 134 249

HSL 292.17, 0.91%, 0.75%

LAB 70.44, 55.26, -41.72

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 4 / 32 / 0 / 11

HEX #DB9AE4

RGB 219 154 228

HSL 292.7, 0.58%, 0.75%

LAB 72.08, 36.44, -27.83

 

CMYK 3 / 24 / 0 / 15

HEX #D3A5DA

RGB 211 165 218

HSL 292.08, 0.42%, 0.75%

LAB 73.43, 26.01, -20.36

 

CMYK 2 / 15 / 0 / 19

HEX #CBAFCF

RGB 203 175 207

HSL 292.5, 0.25%, 0.75%

LAB 74.74, 15.78, -12.45

 

CMYK 1 / 6 / 0 / 23

HEX #C4B9C5

RGB 196 185 197

HSL 295, 0.09%, 0.75%

LAB 76.35, 6.07, -4.66

 

CMYK 26 / 39 / 0 / 7

HEX #B090EE

RGB 176 144 238

HSL 260.43, 0.73%, 0.75%

LAB 66.02, 31.22, -43.05

 

CMYK 16 / 39 / 0 / 7

HEX #C990EE

RGB 201 144 238

HSL 276.38, 0.73%, 0.75%

LAB 68.41, 38.4, -39.13

 

CMYK 5 / 39 / 0 / 7

HEX #E290EE

RGB 226 144 238

HSL 292.34, 0.73%, 0.75%

LAB 71.07, 45.78, -34.8

 

CMYK 0 / 39 / 5 / 7

HEX #EE90E2

RGB 238 144 226

HSL 307.66, 0.73%, 0.75%

LAB 71.97, 47.25, -26.72

 

CMYK 0 / 39 / 16 / 7

HEX #EE90C9

RGB 238 144 201

HSL 323.62, 0.73%, 0.75%

LAB 71.11, 43.15, -14.23

 

CMYK 9 / 68 / 0 / 11

HEX #D048E4

RGB 208 72 228

HSL 292.31, 0.74%, 0.59%

LAB 55.73, 72.65, -53.53

 

CMYK 7 / 54 / 0 / 9

HEX #D96CE9

RGB 217 108 233

HSL 292.32, 0.74%, 0.67%

LAB 62.81, 60.36, -45.02

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 3 / 26 / 0 / 4

HEX #ECB4F4

RGB 236 180 244

HSL 292.5, 0.74%, 0.83%

LAB 80.18, 30.94, -23.96

 

CMYK 2 / 13 / 0 / 2

HEX #F5D8F9

RGB 245 216 249

HSL 292.73, 0.73%, 0.91%

LAB 89.56, 15.71, -12.39

 

CMYK 5 / 40 / 0 / 7

HEX #E28FEE

RGB 226 143 238

HSL 292.42, 0.74%, 0.75%

LAB 70.86, 46.3, -35.12

 

CMYK 0 / 37 / 39 / 7

HEX #EE9690

RGB 238 150 144

HSL 3.83, 0.73%, 0.75%

LAB 70.87, 32.38, 17.09

 

CMYK 39 / 0 / 21 / 7

HEX #90EEBC

RGB 144 238 188

HSL 148.09, 0.73%, 0.75%

LAB 87.34, -38.74, 15.56

 

CMYK 5 / 40 / 0 / 7

HEX #E28FEE

RGB 226 143 238

HSL 292.42, 0.74%, 0.75%

LAB 70.86, 46.3, -35.12

 

CMYK 0 / 5 / 39 / 7

HEX #EEE290

RGB 238 226 144

HSL 52.34, 0.73%, 0.75%

LAB 89.2, -7.37, 41.53

 

CMYK 39 / 0 / 5 / 7

HEX #90EEE2

RGB 144 238 226

HSL 172.34, 0.73%, 0.75%

LAB 88.24, -30.64, -2.98

 

CMYK 5 / 40 / 0 / 7

HEX #E28FEE

RGB 226 143 238

HSL 292.42, 0.74%, 0.75%

LAB 70.86, 46.3, -35.12

 

CMYK 0 / 37 / 39 / 7

HEX #EE9690

RGB 238 150 144

HSL 3.83, 0.73%, 0.75%

LAB 70.87, 32.38, 17.09

 

CMYK 34 / 0 / 39 / 7

HEX #9DEE90

RGB 157 238 144

HSL 111.7, 0.73%, 0.75%

LAB 87.16, -42.34, 37.85

 

CMYK 39 / 3 / 0 / 7

HEX #90E8EE

RGB 144 232 238

HSL 183.83, 0.73%, 0.75%

LAB 86.91, -24.92, -11.26

 

CMYK 5 / 40 / 0 / 7

HEX #E28FEE

RGB 226 143 238

HSL 292.42, 0.74%, 0.75%

LAB 70.86, 46.3, -35.12

 

CMYK 0 / 25 / 39 / 7

HEX #EEB390

RGB 238 179 144

HSL 22.34, 0.73%, 0.75%

LAB 77.54, 17.02, 26.21

 

CMYK 34 / 0 / 39 / 7

HEX #9DEE90

RGB 157 238 144

HSL 111.7, 0.73%, 0.75%

LAB 87.16, -42.34, 37.85

 

CMYK 39 / 14 / 0 / 7

HEX #90CCEE

RGB 144 204 238

HSL 201.7, 0.73%, 0.75%

LAB 79.21, -10.75, -22.85

 

Description

Color code: HEX #E28FEE | qconv.com Color code: HEX #E28FEE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 143 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 143 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 40 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 40% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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