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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E28E89 it is the complementary color #1D7176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E28E89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E28E89 shade: #E78E84, #F8A097, #FFB2AA, #FFC4BD and #FFD6D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E28E89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E28E89 shade: #E28E89, #D17C76, #C06A63, #AF5850 and #9E463D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E28E89 shade: #E28D88 and #E28888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E28E89 shade: #E28D88, #E2A588, #E2BE88, #E2D688 and #D6E288

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E28E89 shade matches the following richer shades: #E28D88, #EE827C and #FA7870

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E28E89 shade: #E28D88, #D69894, #CAA2A0, #BEADAC and #B2B7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E28E89 shade: #E288B4, #E2889B, #E28C88, #E2A588 and #E2BD88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E28E89 shade: #D24D46, #DA6D67, #E28D88, #EAADA9 and #F2CDCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E28E89 shade: #E28E89, #CCE288 and #88A8E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E28E89 shade: #E28E89, #88E28C and #8C88E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E28E89 shade: #E28E89, #CCE288, #88DEE2 and #9E88E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E28E89 shade: #E28E89, #B1E288, #88DEE2 and #BA88E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 39 / 11

HEX #E28E89

RGB 226 142 137

HSL 3.37, 0.61%, 0.71%

LAB 67.52, 31.3, 16.1

 

Complementary color

CMYK 75 / 4 / 0 / 54

HEX #1D7176

RGB 29 113 118

HSL 183.37, 0.61%, 0.29%

LAB 43.33, -22.22, -9.88

 

CMYK 0 / 39 / 43 / 9

HEX #E78E84

RGB 231 142 132

HSL 6.06, 0.67%, 0.71%

LAB 68.02, 32.65, 19.68

 

CMYK 0 / 35 / 39 / 3

HEX #F8A097

RGB 248 160 151

HSL 5.57, 0.87%, 0.78%

LAB 74.4, 31.66, 18.32

 

CMYK 0 / 30 / 33 / 0

HEX #FFB2AA

RGB 255 178 170

HSL 5.65, 1%, 0.83%

LAB 79.62, 27.06, 15.39

 

CMYK 0 / 23 / 26 / 0

HEX #FFC4BD

RGB 255 196 189

HSL 6.36, 1%, 0.87%

LAB 84.18, 20.07, 11.65

 

CMYK 0 / 16 / 18 / 0

HEX #FFD6D0

RGB 255 214 208

HSL 7.66, 1%, 0.91%

LAB 88.88, 13.38, 8.29

 

CMYK 0 / 37 / 39 / 11

HEX #E28E89

RGB 226 142 137

HSL 3.37, 0.61%, 0.71%

LAB 67.52, 31.3, 16.1

 

CMYK 0 / 41 / 44 / 18

HEX #D17C76

RGB 209 124 118

HSL 3.96, 0.5%, 0.64%

LAB 61.03, 32.32, 17.52

 

CMYK 0 / 45 / 48 / 25

HEX #C06A63

RGB 192 106 99

HSL 4.52, 0.42%, 0.57%

LAB 54.46, 33.44, 19.14

 

CMYK 0 / 50 / 54 / 31

HEX #AF5850

RGB 175 88 80

HSL 5.05, 0.37%, 0.5%

LAB 47.84, 34.64, 21.01

 

CMYK 0 / 56 / 61 / 38

HEX #9E463D

RGB 158 70 61

HSL 5.57, 0.44%, 0.43%

LAB 41.19, 35.92, 23.25

 

CMYK 0 / 38 / 40 / 11

HEX #E28D88

RGB 226 141 136

HSL 3.33, 0.61%, 0.71%

LAB 67.27, 31.72, 16.33

 

CMYK 0 / 40 / 40 / 11

HEX #E28888

RGB 226 136 136

HSL 0, 0.61%, 0.71%

LAB 66.18, 34.36, 14.8

 

CMYK 0 / 38 / 40 / 11

HEX #E28D88

RGB 226 141 136

HSL 3.33, 0.61%, 0.71%

LAB 67.27, 31.72, 16.33

 

CMYK 0 / 27 / 40 / 11

HEX #E2A588

RGB 226 165 136

HSL 19.33, 0.61%, 0.71%

LAB 72.8, 18.89, 23.9

 

CMYK 0 / 16 / 40 / 11

HEX #E2BE88

RGB 226 190 136

HSL 36, 0.61%, 0.71%

LAB 78.91, 5.58, 32.06

 

CMYK 0 / 5 / 40 / 11

HEX #E2D688

RGB 226 214 136

HSL 52, 0.61%, 0.71%

LAB 85.02, -6.85, 39.98

 

CMYK 5 / 0 / 40 / 11

HEX #D6E288

RGB 214 226 136

HSL 68, 0.61%, 0.71%

LAB 87.23, -17.52, 42.6

 

CMYK 0 / 38 / 40 / 11

HEX #E28D88

RGB 226 141 136

HSL 3.33, 0.61%, 0.71%

LAB 67.27, 31.72, 16.33

 

CMYK 0 / 45 / 48 / 7

HEX #EE827C

RGB 238 130 124

HSL 3.16, 0.77%, 0.71%

LAB 66.21, 40.69, 21.83

 

CMYK 0 / 52 / 55 / 2

HEX #FA7870

RGB 250 120 112

HSL 3.48, 0.93%, 0.71%

LAB 65.69, 48.98, 28.14

 

CMYK 0 / 38 / 40 / 11

HEX #E28D88

RGB 226 141 136

HSL 3.33, 0.61%, 0.71%

LAB 67.27, 31.72, 16.33

 

CMYK 0 / 29 / 31 / 16

HEX #D69894

RGB 214 152 148

HSL 3.64, 0.45%, 0.71%

LAB 68.67, 22.72, 11.39

 

CMYK 0 / 20 / 21 / 21

HEX #CAA2A0

RGB 202 162 160

HSL 2.86, 0.28%, 0.71%

LAB 70.13, 14.43, 6.64

 

CMYK 0 / 9 / 9 / 25

HEX #BEADAC

RGB 190 173 172

HSL 3.33, 0.12%, 0.71%

LAB 72.1, 5.93, 2.72

 

CMYK 3 / 1 / 0 / 28

HEX #B2B7B8

RGB 178 183 184

HSL 190, 0.04%, 0.71%

LAB 74.06, -1.55, -1.12

 

CMYK 0 / 40 / 20 / 11

HEX #E288B4

RGB 226 136 180

HSL 330.67, 0.61%, 0.71%

LAB 67.33, 40.11, -8.31

 

CMYK 0 / 40 / 31 / 11

HEX #E2889B

RGB 226 136 155

HSL 347.33, 0.61%, 0.71%

LAB 66.63, 36.64, 4.74

 

CMYK 0 / 38 / 40 / 11

HEX #E28C88

RGB 226 140 136

HSL 2.67, 0.61%, 0.71%

LAB 67.05, 32.25, 16.02

 

CMYK 0 / 27 / 40 / 11

HEX #E2A588

RGB 226 165 136

HSL 19.33, 0.61%, 0.71%

LAB 72.8, 18.89, 23.9

 

CMYK 0 / 16 / 40 / 11

HEX #E2BD88

RGB 226 189 136

HSL 35.33, 0.61%, 0.71%

LAB 78.66, 6.11, 31.73

 

CMYK 0 / 63 / 67 / 18

HEX #D24D46

RGB 210 77 70

HSL 3, 0.61%, 0.55%

LAB 51.21, 52, 32.29

 

CMYK 0 / 50 / 53 / 15

HEX #DA6D67

RGB 218 109 103

HSL 3.13, 0.61%, 0.63%

LAB 58.81, 42.07, 23.29

 

CMYK 0 / 38 / 40 / 11

HEX #E28D88

RGB 226 141 136

HSL 3.33, 0.61%, 0.71%

LAB 67.27, 31.72, 16.33

 

CMYK 0 / 26 / 28 / 8

HEX #EAADA9

RGB 234 173 169

HSL 3.69, 0.61%, 0.79%

LAB 76.22, 21.76, 10.82

 

CMYK 0 / 15 / 17 / 5

HEX #F2CDCA

RGB 242 205 202

HSL 4.5, 0.61%, 0.87%

LAB 85.4, 12.52, 6.32

 

CMYK 0 / 37 / 39 / 11

HEX #E28E89

RGB 226 142 137

HSL 3.37, 0.61%, 0.71%

LAB 67.52, 31.3, 16.1

 

CMYK 10 / 0 / 40 / 11

HEX #CCE288

RGB 204 226 136

HSL 74.67, 0.61%, 0.71%

LAB 86.51, -21.33, 41.54

 

CMYK 40 / 26 / 0 / 11

HEX #88A8E2

RGB 136 168 226

HSL 218.67, 0.61%, 0.71%

LAB 68.56, 3.5, -32.73

 

CMYK 0 / 37 / 39 / 11

HEX #E28E89

RGB 226 142 137

HSL 3.37, 0.61%, 0.71%

LAB 67.52, 31.3, 16.1

 

CMYK 40 / 0 / 38 / 11

HEX #88E28C

RGB 136 226 140

HSL 122.67, 0.61%, 0.71%

LAB 82.66, -44.16, 33.79

 

CMYK 38 / 40 / 0 / 11

HEX #8C88E2

RGB 140 136 226

HSL 242.67, 0.61%, 0.71%

LAB 60.49, 22.94, -45.31

 

CMYK 0 / 37 / 39 / 11

HEX #E28E89

RGB 226 142 137

HSL 3.37, 0.61%, 0.71%

LAB 67.52, 31.3, 16.1

 

CMYK 10 / 0 / 40 / 11

HEX #CCE288

RGB 204 226 136

HSL 74.67, 0.61%, 0.71%

LAB 86.51, -21.33, 41.54

 

CMYK 40 / 2 / 0 / 11

HEX #88DEE2

RGB 136 222 226

HSL 182.67, 0.61%, 0.71%

LAB 83.43, -24.92, -10.15

 

CMYK 30 / 40 / 0 / 11

HEX #9E88E2

RGB 158 136 226

HSL 254.67, 0.61%, 0.71%

LAB 61.97, 27.79, -42.89

 

CMYK 0 / 37 / 39 / 11

HEX #E28E89

RGB 226 142 137

HSL 3.37, 0.61%, 0.71%

LAB 67.52, 31.3, 16.1

 

CMYK 22 / 0 / 40 / 11

HEX #B1E288

RGB 177 226 136

HSL 92.67, 0.61%, 0.71%

LAB 84.75, -31.25, 38.94

 

CMYK 40 / 2 / 0 / 11

HEX #88DEE2

RGB 136 222 226

HSL 182.67, 0.61%, 0.71%

LAB 83.43, -24.92, -10.15

 

CMYK 18 / 40 / 0 / 11

HEX #BA88E2

RGB 186 136 226

HSL 273.33, 0.61%, 0.71%

LAB 64.59, 35.79, -38.59

 

Description

Color code: HEX #E28E89 | qconv.com Color code: HEX #E28E89 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 142 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 142 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 39 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 39% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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