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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E28B8C it is the complementary color #1D7473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E28B8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E28B8C shade: #E78B87, #F89D9A, #FFAFAD, #FFC1C0 and #FFD3D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E28B8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E28B8C shade: #E28B8C, #D17979, #C06766, #AF5553 and #9E4340

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E28B8C shade: #E28C8D and #E28C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E28B8C shade: #E28C8D, #E28CA4, #E28CBB, #E28CD3 and #DA8CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E28B8C shade matches the following richer shades: #E28C8D, #ED8182 and #F97577

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E28B8C shade: #E28C8D, #D69899, #CBA3A4, #BFAFAF and #B4BABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E28B8C shade: #E28CBB, #E28CA5, #E28C8E, #E2A28C and #E2B98C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E28B8C shade: #D14A4C, #DA6B6D, #E28C8D, #EAADAE and #F2CECF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E28B8C shade: #E28B8C, #D2E28C and #8CB0E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E28B8C shade: #E28B8C, #8EE28C and #8C8EE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E28B8C shade: #E28B8C, #D2E28C, #8CE2E1 and #9C8CE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E28B8C shade: #E28B8C, #B9E28C, #8CE2E1 and #B68CE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 38 / 11

HEX #E28B8C

RGB 226 139 140

HSL 359.31, 0.6%, 0.72%

LAB 66.92, 33.23, 13.59

 

Complementary color

CMYK 75 / 0 / 1 / 55

HEX #1D7473

RGB 29 116 115

HSL 179.31, 0.6%, 0.28%

LAB 44.22, -24.73, -6.75

 

CMYK 0 / 40 / 42 / 9

HEX #E78B87

RGB 231 139 135

HSL 2.5, 0.67%, 0.72%

LAB 67.43, 34.54, 17.19

 

CMYK 0 / 37 / 38 / 3

HEX #F89D9A

RGB 248 157 154

HSL 1.91, 0.87%, 0.79%

LAB 73.81, 33.56, 15.85

 

CMYK 0 / 31 / 32 / 0

HEX #FFAFAD

RGB 255 175 173

HSL 1.46, 1%, 0.84%

LAB 79.01, 29, 12.91

 

CMYK 0 / 24 / 25 / 0

HEX #FFC1C0

RGB 255 193 192

HSL 0.95, 1%, 0.88%

LAB 83.55, 22.06, 9.15

 

CMYK 0 / 17 / 17 / 0

HEX #FFD3D3

RGB 255 211 211

HSL 0, 1%, 0.91%

LAB 88.23, 15.39, 5.78

 

CMYK 0 / 38 / 38 / 11

HEX #E28B8C

RGB 226 139 140

HSL 359.31, 0.6%, 0.72%

LAB 66.92, 33.23, 13.59

 

CMYK 0 / 42 / 42 / 18

HEX #D17979

RGB 209 121 121

HSL 0, 0.49%, 0.65%

LAB 60.44, 34.24, 14.99

 

CMYK 0 / 46 / 47 / 25

HEX #C06766

RGB 192 103 102

HSL 0.67, 0.42%, 0.58%

LAB 53.88, 35.33, 16.6

 

CMYK 0 / 51 / 53 / 31

HEX #AF5553

RGB 175 85 83

HSL 1.3, 0.37%, 0.51%

LAB 47.28, 36.49, 18.48

 

CMYK 0 / 58 / 59 / 38

HEX #9E4340

RGB 158 67 64

HSL 1.91, 0.42%, 0.44%

LAB 40.66, 37.67, 20.74

 

CMYK 0 / 38 / 38 / 11

HEX #E28C8D

RGB 226 140 141

HSL 359.3, 0.6%, 0.72%

LAB 67.16, 32.82, 13.37

 

CMYK 0 / 38 / 38 / 11

HEX #E28C8C

RGB 226 140 140

HSL 0, 0.6%, 0.72%

LAB 67.14, 32.7, 13.9

 

CMYK 0 / 38 / 38 / 11

HEX #E28C8D

RGB 226 140 141

HSL 359.3, 0.6%, 0.72%

LAB 67.16, 32.82, 13.37

 

CMYK 0 / 38 / 27 / 11

HEX #E28CA4

RGB 226 140 164

HSL 343.26, 0.6%, 0.72%

LAB 67.73, 35.73, 1.26

 

CMYK 0 / 38 / 17 / 11

HEX #E28CBB

RGB 226 140 187

HSL 327.21, 0.6%, 0.72%

LAB 68.4, 39.07, -10.65

 

CMYK 0 / 38 / 7 / 11

HEX #E28CD3

RGB 226 140 211

HSL 310.47, 0.6%, 0.72%

LAB 69.2, 42.99, -22.79

 

CMYK 4 / 38 / 0 / 11

HEX #DA8CE2

RGB 218 140 226

HSL 294.42, 0.6%, 0.72%

LAB 68.86, 43.21, -31.69

 

CMYK 0 / 38 / 38 / 11

HEX #E28C8D

RGB 226 140 141

HSL 359.3, 0.6%, 0.72%

LAB 67.16, 32.82, 13.37

 

CMYK 0 / 46 / 45 / 7

HEX #ED8182

RGB 237 129 130

HSL 359.44, 0.75%, 0.72%

LAB 65.99, 41.41, 18.14

 

CMYK 0 / 53 / 52 / 2

HEX #F97577

RGB 249 117 119

HSL 359.09, 0.92%, 0.72%

LAB 65.12, 50.62, 23.42

 

CMYK 0 / 38 / 38 / 11

HEX #E28C8D

RGB 226 140 141

HSL 359.3, 0.6%, 0.72%

LAB 67.16, 32.82, 13.37

 

CMYK 0 / 29 / 29 / 16

HEX #D69899

RGB 214 152 153

HSL 359.03, 0.43%, 0.72%

LAB 68.79, 23.39, 8.77

 

CMYK 0 / 20 / 19 / 20

HEX #CBA3A4

RGB 203 163 164

HSL 358.5, 0.28%, 0.72%

LAB 70.57, 14.87, 5.07

 

CMYK 0 / 8 / 8 / 25

HEX #BFAFAF

RGB 191 175 175

HSL 0, 0.11%, 0.72%

LAB 72.78, 5.73, 2.07

 

CMYK 3 / 0 / 0 / 27

HEX #B4BABA

RGB 180 186 186

HSL 180, 0.04%, 0.72%

LAB 75.06, -2.08, -0.73

 

CMYK 0 / 38 / 17 / 11

HEX #E28CBB

RGB 226 140 187

HSL 327.21, 0.6%, 0.72%

LAB 68.4, 39.07, -10.65

 

CMYK 0 / 38 / 27 / 11

HEX #E28CA5

RGB 226 140 165

HSL 342.56, 0.6%, 0.72%

LAB 67.76, 35.86, 0.74

 

CMYK 0 / 38 / 37 / 11

HEX #E28C8E

RGB 226 140 142

HSL 358.6, 0.6%, 0.72%

LAB 67.19, 32.94, 12.84

 

CMYK 0 / 28 / 38 / 11

HEX #E2A28C

RGB 226 162 140

HSL 15.35, 0.6%, 0.72%

LAB 72.16, 20.95, 20.86

 

CMYK 0 / 18 / 38 / 11

HEX #E2B98C

RGB 226 185 140

HSL 31.4, 0.6%, 0.72%

LAB 77.73, 8.67, 28.39

 

CMYK 0 / 65 / 64 / 18

HEX #D14A4C

RGB 209 74 76

HSL 359.11, 0.59%, 0.55%

LAB 50.66, 53.3, 28.08

 

CMYK 0 / 51 / 50 / 15

HEX #DA6B6D

RGB 218 107 109

HSL 358.92, 0.6%, 0.64%

LAB 58.53, 43.6, 19.47

 

CMYK 0 / 38 / 38 / 11

HEX #E28C8D

RGB 226 140 141

HSL 359.3, 0.6%, 0.72%

LAB 67.16, 32.82, 13.37

 

CMYK 0 / 26 / 26 / 8

HEX #EAADAE

RGB 234 173 174

HSL 359.02, 0.59%, 0.8%

LAB 76.34, 22.45, 8.26

 

CMYK 0 / 15 / 14 / 5

HEX #F2CECF

RGB 242 206 207

HSL 358.33, 0.58%, 0.88%

LAB 85.77, 12.77, 4.19

 

CMYK 0 / 38 / 38 / 11

HEX #E28B8C

RGB 226 139 140

HSL 359.31, 0.6%, 0.72%

LAB 66.92, 33.23, 13.59

 

CMYK 7 / 0 / 38 / 11

HEX #D2E28C

RGB 210 226 140

HSL 71.16, 0.6%, 0.72%

LAB 86.99, -18.59, 40.26

 

CMYK 38 / 22 / 0 / 11

HEX #8CB0E2

RGB 140 176 226

HSL 214.88, 0.6%, 0.72%

LAB 70.95, 0.12, -29.01

 

CMYK 0 / 38 / 38 / 11

HEX #E28B8C

RGB 226 139 140

HSL 359.31, 0.6%, 0.72%

LAB 66.92, 33.23, 13.59

 

CMYK 37 / 0 / 38 / 11

HEX #8EE28C

RGB 142 226 140

HSL 118.6, 0.6%, 0.72%

LAB 82.93, -42.35, 34.21

 

CMYK 38 / 37 / 0 / 11

HEX #8C8EE2

RGB 140 142 226

HSL 238.6, 0.6%, 0.72%

LAB 62.01, 19.44, -42.93

 

CMYK 0 / 38 / 38 / 11

HEX #E28B8C

RGB 226 139 140

HSL 359.31, 0.6%, 0.72%

LAB 66.92, 33.23, 13.59

 

CMYK 7 / 0 / 38 / 11

HEX #D2E28C

RGB 210 226 140

HSL 71.16, 0.6%, 0.72%

LAB 86.99, -18.59, 40.26

 

CMYK 38 / 0 / 0 / 11

HEX #8CE2E1

RGB 140 226 225

HSL 179.3, 0.6%, 0.72%

LAB 84.69, -26.12, -7.72

 

CMYK 31 / 38 / 0 / 11

HEX #9C8CE2

RGB 156 140 226

HSL 251.16, 0.6%, 0.72%

LAB 62.77, 24.94, -41.64

 

CMYK 0 / 38 / 38 / 11

HEX #E28B8C

RGB 226 139 140

HSL 359.31, 0.6%, 0.72%

LAB 66.92, 33.23, 13.59

 

CMYK 18 / 0 / 38 / 11

HEX #B9E28C

RGB 185 226 140

HSL 88.6, 0.6%, 0.72%

LAB 85.3, -27.87, 37.75

 

CMYK 38 / 0 / 0 / 11

HEX #8CE2E1

RGB 140 226 225

HSL 179.3, 0.6%, 0.72%

LAB 84.69, -26.12, -7.72

 

CMYK 19 / 38 / 0 / 11

HEX #B68CE2

RGB 182 140 226

HSL 269.3, 0.6%, 0.72%

LAB 65.11, 32.4, -37.8

 

Description

Color code: HEX #E28B8C | qconv.com Color code: HEX #E28B8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 139 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 139 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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