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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E28AC6 it is the complementary color #1D7539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E28AC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E28AC6 shade: #E78AC1, #F89CD4, #FFAEE7, #FFC0FA and #FFD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E28AC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E28AC6 shade: #E28AC6, #D178B3, #C066A0, #AF548D and #9E427A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E28AC6 shade: #E189C5, #E189AD, #E18995 and #E18989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E28AC6 shade: #E189C5, #E189DD, #CE89E1, #B689E1 and #9E89E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E28AC6 shade matches the following richer shades: #E189C5, #ED7DCA and #F971CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E28AC6 shade: #E189C5, #D595C1, #C9A1BC, #BEADB8 and #B2B9B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E28AC6 shade: #CE89E1, #E189DD, #E189C5, #E189AE and #E18996

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E28AC6 shade: #D147A5, #D968B5, #E189C5, #EAAAD5 and #F2CBE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E28AC6 shade: #E28AC6, #E1B789 and #89E1DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E28AC6 shade: #E28AC6, #C5E189 and #89C5E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E28AC6 shade: #E28AC6, #E1B789, #89E1A5 and #89B4E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E28AC6 shade: #E28AC6, #E1D189, #89E1A5 and #8999E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 12 / 11

HEX #E28AC6

RGB 226 138 198

HSL 319.09, 0.6%, 0.71%

LAB 68.33, 41.86, -16.89

 

Complementary color

CMYK 75 / 0 / 51 / 54

HEX #1D7539

RGB 29 117 57

HSL 139.09, 0.6%, 0.29%

LAB 43.18, -39.62, 25.79

 

CMYK 0 / 40 / 16 / 9

HEX #E78AC1

RGB 231 138 193

HSL 324.52, 0.66%, 0.72%

LAB 68.76, 42.71, -13.39

 

CMYK 0 / 37 / 15 / 3

HEX #F89CD4

RGB 248 156 212

HSL 323.48, 0.87%, 0.79%

LAB 75.13, 41.95, -14.13

 

CMYK 0 / 32 / 9 / 0

HEX #FFAEE7

RGB 255 174 231

HSL 317.78, 1%, 0.84%

LAB 80.35, 37.95, -16.53

 

CMYK 0 / 25 / 2 / 0

HEX #FFC0FA

RGB 255 192 250

HSL 304.76, 1%, 0.88%

LAB 84.93, 31.78, -19.8

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 39 / 12 / 11

HEX #E28AC6

RGB 226 138 198

HSL 319.09, 0.6%, 0.71%

LAB 68.33, 41.86, -16.89

 

CMYK 0 / 43 / 14 / 18

HEX #D178B3

RGB 209 120 179

HSL 320.22, 0.49%, 0.65%

LAB 61.86, 42.63, -16.17

 

CMYK 0 / 47 / 17 / 25

HEX #C066A0

RGB 192 102 160

HSL 321.33, 0.42%, 0.58%

LAB 55.33, 43.39, -15.34

 

CMYK 0 / 52 / 19 / 31

HEX #AF548D

RGB 175 84 141

HSL 322.42, 0.36%, 0.51%

LAB 48.73, 44.12, -14.35

 

CMYK 0 / 58 / 23 / 38

HEX #9E427A

RGB 158 66 122

HSL 323.48, 0.41%, 0.44%

LAB 42.11, 44.74, -13.14

 

CMYK 0 / 39 / 12 / 12

HEX #E189C5

RGB 225 137 197

HSL 319.09, 0.59%, 0.71%

LAB 67.97, 41.89, -16.89

 

CMYK 0 / 39 / 23 / 12

HEX #E189AD

RGB 225 137 173

HSL 335.45, 0.59%, 0.71%

LAB 67.21, 38.21, -4.56

 

CMYK 0 / 39 / 34 / 12

HEX #E18995

RGB 225 137 149

HSL 351.82, 0.59%, 0.71%

LAB 66.57, 35, 8.02

 

CMYK 0 / 39 / 39 / 12

HEX #E18989

RGB 225 137 137

HSL 0, 0.59%, 0.71%

LAB 66.29, 33.57, 14.38

 

CMYK 0 / 39 / 12 / 12

HEX #E189C5

RGB 225 137 197

HSL 319.09, 0.59%, 0.71%

LAB 67.97, 41.89, -16.89

 

CMYK 0 / 39 / 2 / 12

HEX #E189DD

RGB 225 137 221

HSL 302.73, 0.59%, 0.71%

LAB 68.84, 45.99, -28.9

 

CMYK 8 / 39 / 0 / 12

HEX #CE89E1

RGB 206 137 225

HSL 287.05, 0.59%, 0.71%

LAB 66.86, 40.98, -34.34

 

CMYK 19 / 39 / 0 / 12

HEX #B689E1

RGB 182 137 225

HSL 270.68, 0.59%, 0.71%

LAB 64.38, 33.85, -38.4

 

CMYK 30 / 39 / 0 / 12

HEX #9E89E1

RGB 158 137 225

HSL 254.32, 0.59%, 0.71%

LAB 62.17, 26.96, -42.03

 

CMYK 0 / 39 / 12 / 12

HEX #E189C5

RGB 225 137 197

HSL 319.09, 0.59%, 0.71%

LAB 67.97, 41.89, -16.89

 

CMYK 0 / 47 / 15 / 7

HEX #ED7DCA

RGB 237 125 202

HSL 318.75, 0.76%, 0.71%

LAB 67.23, 52.59, -20.67

 

CMYK 0 / 55 / 17 / 2

HEX #F971CE

RGB 249 113 206

HSL 318.97, 0.92%, 0.71%

LAB 66.83, 62.43, -23.37

 

CMYK 0 / 39 / 12 / 12

HEX #E189C5

RGB 225 137 197

HSL 319.09, 0.59%, 0.71%

LAB 67.97, 41.89, -16.89

 

CMYK 0 / 30 / 9 / 16

HEX #D595C1

RGB 213 149 193

HSL 318.75, 0.43%, 0.71%

LAB 69.11, 30.82, -13.08

 

CMYK 0 / 20 / 6 / 21

HEX #C9A1BC

RGB 201 161 188

HSL 319.5, 0.27%, 0.71%

LAB 70.55, 19.24, -8.27

 

CMYK 0 / 9 / 3 / 25

HEX #BEADB8

RGB 190 173 184

HSL 321.18, 0.12%, 0.71%

LAB 72.43, 8.06, -3.41

 

CMYK 4 / 0 / 3 / 27

HEX #B2B9B4

RGB 178 185 180

HSL 137.14, 0.05%, 0.71%

LAB 74.48, -3.37, 1.68

 

CMYK 8 / 39 / 0 / 12

HEX #CE89E1

RGB 206 137 225

HSL 287.05, 0.59%, 0.71%

LAB 66.86, 40.98, -34.34

 

CMYK 0 / 39 / 2 / 12

HEX #E189DD

RGB 225 137 221

HSL 302.73, 0.59%, 0.71%

LAB 68.84, 45.99, -28.9

 

CMYK 0 / 39 / 12 / 12

HEX #E189C5

RGB 225 137 197

HSL 319.09, 0.59%, 0.71%

LAB 67.97, 41.89, -16.89

 

CMYK 0 / 39 / 23 / 12

HEX #E189AE

RGB 225 137 174

HSL 334.77, 0.59%, 0.71%

LAB 67.24, 38.36, -5.08

 

CMYK 0 / 39 / 33 / 12

HEX #E18996

RGB 225 137 150

HSL 351.14, 0.59%, 0.71%

LAB 66.6, 35.12, 7.49

 

CMYK 0 / 66 / 21 / 18

HEX #D147A5

RGB 209 71 165

HSL 319.13, 0.6%, 0.55%

LAB 52.71, 63.39, -22.04

 

CMYK 0 / 52 / 17 / 15

HEX #D968B5

RGB 217 104 181

HSL 319.12, 0.6%, 0.63%

LAB 59.88, 53.49, -20.23

 

CMYK 0 / 39 / 12 / 12

HEX #E189C5

RGB 225 137 197

HSL 319.09, 0.59%, 0.71%

LAB 67.97, 41.89, -16.89

 

CMYK 0 / 27 / 9 / 8

HEX #EAAAD5

RGB 234 170 213

HSL 319.69, 0.6%, 0.79%

LAB 76.71, 30.07, -12.47

 

CMYK 0 / 16 / 5 / 5

HEX #F2CBE5

RGB 242 203 229

HSL 320, 0.6%, 0.87%

LAB 85.63, 17.99, -7.7

 

CMYK 0 / 39 / 12 / 11

HEX #E28AC6

RGB 226 138 198

HSL 319.09, 0.6%, 0.71%

LAB 68.33, 41.86, -16.89

 

CMYK 0 / 19 / 39 / 12

HEX #E1B789

RGB 225 183 137

HSL 31.36, 0.59%, 0.71%

LAB 77.09, 9, 29.1

 

CMYK 39 / 0 / 3 / 12

HEX #89E1DA

RGB 137 225 218

HSL 175.23, 0.59%, 0.71%

LAB 84.09, -28.06, -4.93

 

CMYK 0 / 39 / 12 / 11

HEX #E28AC6

RGB 226 138 198

HSL 319.09, 0.6%, 0.71%

LAB 68.33, 41.86, -16.89

 

CMYK 12 / 0 / 39 / 12

HEX #C5E189

RGB 197 225 137

HSL 79.09, 0.59%, 0.71%

LAB 85.77, -23.36, 40

 

CMYK 39 / 12 / 0 / 12

HEX #89C5E1

RGB 137 197 225

HSL 199.09, 0.59%, 0.71%

LAB 76.49, -12.24, -20.03

 

CMYK 0 / 39 / 12 / 11

HEX #E28AC6

RGB 226 138 198

HSL 319.09, 0.6%, 0.71%

LAB 68.33, 41.86, -16.89

 

CMYK 0 / 19 / 39 / 12

HEX #E1B789

RGB 225 183 137

HSL 31.36, 0.59%, 0.71%

LAB 77.09, 9, 29.1

 

CMYK 39 / 0 / 27 / 12

HEX #89E1A5

RGB 137 225 165

HSL 139.09, 0.59%, 0.71%

LAB 82.85, -39.2, 21.22

 

CMYK 39 / 20 / 0 / 12

HEX #89B4E1

RGB 137 180 225

HSL 210.68, 0.59%, 0.71%

LAB 71.82, -3.14, -27.14

 

CMYK 0 / 39 / 12 / 11

HEX #E28AC6

RGB 226 138 198

HSL 319.09, 0.6%, 0.71%

LAB 68.33, 41.86, -16.89

 

CMYK 0 / 7 / 39 / 12

HEX #E1D189

RGB 225 209 137

HSL 49.09, 0.59%, 0.71%

LAB 83.66, -4.58, 37.71

 

CMYK 39 / 0 / 27 / 12

HEX #89E1A5

RGB 137 225 165

HSL 139.09, 0.59%, 0.71%

LAB 82.85, -39.2, 21.22

 

CMYK 39 / 32 / 0 / 12

HEX #8999E1

RGB 137 153 225

HSL 229.09, 0.59%, 0.71%

LAB 64.59, 12.01, -38.34

 

Description

Color code: HEX #E28AC6 | qconv.com Color code: HEX #E28AC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 138 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 138 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 12 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 12% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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