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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2807E it is the complementary color #1D7F81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2807E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2807E shade: #E78079, #F8928C, #FFA49F, #FFB6B2 and #FFC8C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2807E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2807E shade: #E2807E, #D16E6B, #C05C58, #AF4A45 and #9E3832

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2807E shade: #E2807E and #E27E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2807E shade: #E2807E, #E29B7E, #E2B67E, #E2D17E and #D8E27E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2807E shade matches the following richer shades: #E2807E, #EF7471 and #FB6865

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2807E shade: #E2807E, #D58C8B, #C89998, #BBA5A5 and #AFB1B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2807E shade: #E27EB2, #E27E97, #E2807E, #E29A7E and #E2B57E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2807E shade: #D23E3B, #DA5F5D, #E2807E, #E9A1A0 and #F1C2C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2807E shade: #E2807E, #CCE27E and #7EA4E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2807E shade: #E2807E, #7EE280 and #807EE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2807E shade: #E2807E, #CCE27E, #7EE0E2 and #947EE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2807E shade: #E2807E, #AEE27E, #7EE0E2 and #B27EE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

Complementary color

CMYK 78 / 2 / 0 / 49

HEX #1D7F81

RGB 29 127 129

HSL 181.2, 0.63%, 0.31%

LAB 48.29, -25.88, -8.98

 

CMYK 0 / 45 / 48 / 9

HEX #E78079

RGB 231 128 121

HSL 3.82, 0.7%, 0.69%

LAB 64.81, 38.84, 21.46

 

CMYK 0 / 41 / 44 / 3

HEX #F8928C

RGB 248 146 140

HSL 3.33, 0.89%, 0.76%

LAB 71.15, 37.76, 19.88

 

CMYK 0 / 36 / 38 / 0

HEX #FFA49F

RGB 255 164 159

HSL 3.13, 1%, 0.81%

LAB 76.26, 33.07, 16.66

 

CMYK 0 / 29 / 30 / 0

HEX #FFB6B2

RGB 255 182 178

HSL 3.12, 1%, 0.85%

LAB 80.7, 25.96, 12.61

 

CMYK 0 / 22 / 23 / 0

HEX #FFC8C5

RGB 255 200 197

HSL 3.1, 1%, 0.89%

LAB 85.3, 19.09, 8.99

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 0 / 47 / 49 / 18

HEX #D16E6B

RGB 209 110 107

HSL 1.76, 0.53%, 0.62%

LAB 57.82, 38.58, 19.44

 

CMYK 0 / 52 / 54 / 25

HEX #C05C58

RGB 192 92 88

HSL 2.31, 0.45%, 0.55%

LAB 51.34, 39.74, 21.38

 

CMYK 0 / 58 / 61 / 31

HEX #AF4A45

RGB 175 74 69

HSL 2.83, 0.43%, 0.48%

LAB 44.86, 40.91, 23.68

 

CMYK 0 / 65 / 68 / 38

HEX #9E3832

RGB 158 56 50

HSL 3.33, 0.52%, 0.41%

LAB 38.42, 42.01, 26.46

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 0 / 44 / 44 / 11

HEX #E27E7E

RGB 226 126 126

HSL 0, 0.63%, 0.69%

LAB 63.83, 38.51, 17.19

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 0 / 31 / 44 / 11

HEX #E29B7E

RGB 226 155 126

HSL 17.4, 0.63%, 0.69%

LAB 70.26, 23.17, 25.92

 

CMYK 0 / 19 / 44 / 11

HEX #E2B67E

RGB 226 182 126

HSL 33.6, 0.63%, 0.69%

LAB 76.76, 8.75, 34.47

 

CMYK 0 / 8 / 44 / 11

HEX #E2D17E

RGB 226 209 126

HSL 49.8, 0.63%, 0.69%

LAB 83.59, -5.33, 43.17

 

CMYK 4 / 0 / 44 / 11

HEX #D8E27E

RGB 216 226 126

HSL 66, 0.63%, 0.69%

LAB 87.24, -17.8, 47.54

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 0 / 51 / 53 / 6

HEX #EF7471

RGB 239 116 113

HSL 1.43, 0.8%, 0.69%

LAB 63.37, 47.07, 24.22

 

CMYK 0 / 59 / 60 / 2

HEX #FB6865

RGB 251 104 101

HSL 1.2, 0.95%, 0.69%

LAB 62.8, 55.96, 30.59

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 0 / 34 / 35 / 16

HEX #D58C8B

RGB 213 140 139

HSL 0.81, 0.47%, 0.69%

LAB 65.57, 27.68, 12.03

 

CMYK 0 / 24 / 24 / 22

HEX #C89998

RGB 200 153 152

HSL 1.25, 0.3%, 0.69%

LAB 67.52, 17.4, 7.32

 

CMYK 0 / 12 / 12 / 27

HEX #BBA5A5

RGB 187 165 165

HSL 0, 0.14%, 0.69%

LAB 69.61, 8, 2.93

 

CMYK 1 / 0 / 0 / 31

HEX #AFB1B1

RGB 175 177 177

HSL 180, 0.01%, 0.69%

LAB 72.05, -0.7, -0.25

 

CMYK 0 / 44 / 21 / 11

HEX #E27EB2

RGB 226 126 178

HSL 328.8, 0.63%, 0.69%

LAB 65.2, 44.98, -10.36

 

CMYK 0 / 44 / 33 / 11

HEX #E27E97

RGB 226 126 151

HSL 345, 0.63%, 0.69%

LAB 64.42, 41.34, 3.82

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 0 / 32 / 44 / 11

HEX #E29A7E

RGB 226 154 126

HSL 16.8, 0.63%, 0.69%

LAB 70.03, 23.7, 25.61

 

CMYK 0 / 20 / 44 / 11

HEX #E2B57E

RGB 226 181 126

HSL 33, 0.63%, 0.69%

LAB 76.51, 9.28, 34.15

 

CMYK 0 / 70 / 72 / 18

HEX #D23E3B

RGB 210 62 59

HSL 1.19, 0.63%, 0.53%

LAB 48.84, 57.48, 35.79

 

CMYK 0 / 56 / 57 / 15

HEX #DA5F5D

RGB 218 95 93

HSL 0.96, 0.63%, 0.61%

LAB 55.97, 48.11, 25.29

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 0 / 31 / 31 / 9

HEX #E9A1A0

RGB 233 161 160

HSL 0.82, 0.62%, 0.77%

LAB 73.12, 26.6, 11.34

 

CMYK 0 / 20 / 20 / 5

HEX #F1C2C1

RGB 241 194 193

HSL 1.25, 0.63%, 0.85%

LAB 82.45, 16.59, 6.86

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 10 / 0 / 44 / 11

HEX #CCE27E

RGB 204 226 126

HSL 73.2, 0.63%, 0.69%

LAB 86.37, -22.44, 46.27

 

CMYK 44 / 27 / 0 / 11

HEX #7EA4E2

RGB 126 164 226

HSL 217.2, 0.63%, 0.69%

LAB 66.88, 3.19, -35.37

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 44 / 0 / 43 / 11

HEX #7EE280

RGB 126 226 128

HSL 121.2, 0.63%, 0.69%

LAB 82.05, -48.88, 38.93

 

CMYK 43 / 44 / 0 / 11

HEX #807EE2

RGB 128 126 226

HSL 241.2, 0.63%, 0.69%

LAB 57.08, 25.79, -50.78

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 10 / 0 / 44 / 11

HEX #CCE27E

RGB 204 226 126

HSL 73.2, 0.63%, 0.69%

LAB 86.37, -22.44, 46.27

 

CMYK 44 / 1 / 0 / 11

HEX #7EE0E2

RGB 126 224 226

HSL 181.2, 0.63%, 0.69%

LAB 83.57, -28.29, -9.98

 

CMYK 35 / 44 / 0 / 11

HEX #947EE2

RGB 148 126 226

HSL 253.2, 0.63%, 0.69%

LAB 58.7, 30.84, -48.1

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 23 / 0 / 44 / 11

HEX #AEE27E

RGB 174 226 126

HSL 91.2, 0.63%, 0.69%

LAB 84.43, -33.57, 43.43

 

CMYK 44 / 1 / 0 / 11

HEX #7EE0E2

RGB 126 224 226

HSL 181.2, 0.63%, 0.69%

LAB 83.57, -28.29, -9.98

 

CMYK 21 / 44 / 0 / 11

HEX #B27EE2

RGB 178 126 226

HSL 271.2, 0.63%, 0.69%

LAB 61.55, 39.02, -43.42

 

Description

Color code: HEX #E2807E | qconv.com Color code: HEX #E2807E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 128 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 128 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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