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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E27A5E it is the complementary color #1D85A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E27A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E27A5E shade: #E77A59, #F88C6C, #FF9E7F, #FFB092 and #FFC2A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E27A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E27A5E shade: #E27A5E, #D1684B, #C05638, #AF4425 and #9E3212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E27A5E shade: #E17B5F and #E15F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E27A5E shade: #E17B5F, #E19E5F, #E1C15F, #DEE15F and #BBE15F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E27A5E shade matches the following richer shades: #E17B5F and #F17250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E27A5E shade: #E17B5F, #D2836E, #C38C7E, #B3958D and #A49E9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E27A5E shade: #E15F8A, #E15F68, #E1795F, #E19C5F and #E1BF5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E27A5E shade: #C94725, #DB5E3C, #E17B5F, #E89782 and #EEB4A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E27A5E shade: #E27A5E, #ADE15F and #5F79E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E27A5E shade: #E27A5E, #5FE179 and #795FE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E27A5E shade: #E27A5E, #ADE15F, #5FC7E1 and #935FE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E27A5E shade: #E27A5E, #86E15F, #5FC7E1 and #BA5FE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 58 / 11

HEX #E27A5E

RGB 226 122 94

HSL 12.73, 0.69%, 0.63%

LAB 62.42, 37.75, 33.25

 

Complementary color

CMYK 82 / 17 / 0 / 37

HEX #1D85A1

RGB 29 133 161

HSL 192.73, 0.69%, 0.37%

LAB 51.39, -18.33, -22.99

 

CMYK 0 / 47 / 61 / 9

HEX #E77A59

RGB 231 122 89

HSL 13.94, 0.75%, 0.63%

LAB 63.04, 39.31, 36.89

 

CMYK 0 / 44 / 56 / 3

HEX #F88C6C

RGB 248 140 108

HSL 13.71, 0.91%, 0.7%

LAB 69.32, 37.98, 34.97

 

CMYK 0 / 38 / 50 / 0

HEX #FF9E7F

RGB 255 158 127

HSL 14.53, 1%, 0.75%

LAB 74.35, 32.95, 31.41

 

CMYK 0 / 31 / 43 / 0

HEX #FFB092

RGB 255 176 146

HSL 16.51, 1%, 0.79%

LAB 78.69, 25.39, 27

 

CMYK 0 / 24 / 35 / 0

HEX #FFC2A5

RGB 255 194 165

HSL 19.33, 1%, 0.82%

LAB 83.21, 18.07, 23.05

 

CMYK 0 / 46 / 58 / 11

HEX #E27A5E

RGB 226 122 94

HSL 12.73, 0.69%, 0.63%

LAB 62.42, 37.75, 33.25

 

CMYK 0 / 50 / 64 / 18

HEX #D1684B

RGB 209 104 75

HSL 12.99, 0.59%, 0.56%

LAB 56.05, 39.12, 35.31

 

CMYK 0 / 55 / 71 / 25

HEX #C05638

RGB 192 86 56

HSL 13.24, 0.55%, 0.49%

LAB 49.67, 40.58, 37.61

 

CMYK 0 / 61 / 79 / 31

HEX #AF4425

RGB 175 68 37

HSL 13.48, 0.65%, 0.42%

LAB 43.33, 42.05, 40.1

 

CMYK 0 / 68 / 89 / 38

HEX #9E3212

RGB 158 50 18

HSL 13.71, 0.8%, 0.35%

LAB 37.1, 43.39, 42.42

 

CMYK 0 / 45 / 58 / 12

HEX #E17B5F

RGB 225 123 95

HSL 12.92, 0.68%, 0.63%

LAB 62.51, 36.92, 32.78

 

CMYK 0 / 58 / 58 / 12

HEX #E15F5F

RGB 225 95 95

HSL 0, 0.68%, 0.63%

LAB 57.09, 50.71, 25.82

 

CMYK 0 / 45 / 58 / 12

HEX #E17B5F

RGB 225 123 95

HSL 12.92, 0.68%, 0.63%

LAB 62.51, 36.92, 32.78

 

CMYK 0 / 30 / 58 / 12

HEX #E19E5F

RGB 225 158 95

HSL 29.08, 0.68%, 0.63%

LAB 70.38, 18.37, 42.5

 

CMYK 0 / 14 / 58 / 12

HEX #E1C15F

RGB 225 193 95

HSL 45.23, 0.68%, 0.63%

LAB 79.03, -0.17, 52.69

 

CMYK 1 / 0 / 58 / 12

HEX #DEE15F

RGB 222 225 95

HSL 61.38, 0.68%, 0.63%

LAB 87.1, -17.59, 61.72

 

CMYK 17 / 0 / 58 / 12

HEX #BBE15F

RGB 187 225 95

HSL 77.54, 0.68%, 0.63%

LAB 84.61, -31.42, 58.26

 

CMYK 0 / 45 / 58 / 12

HEX #E17B5F

RGB 225 123 95

HSL 12.92, 0.68%, 0.63%

LAB 62.51, 36.92, 32.78

 

CMYK 0 / 53 / 67 / 5

HEX #F17250

RGB 241 114 80

HSL 12.67, 0.85%, 0.63%

LAB 62.77, 46.49, 41.75

 

CMYK 0 / 45 / 58 / 12

HEX #E17B5F

RGB 225 123 95

HSL 12.92, 0.68%, 0.63%

LAB 62.51, 36.92, 32.78

 

CMYK 0 / 38 / 48 / 18

HEX #D2836E

RGB 210 131 110

HSL 12.6, 0.53%, 0.63%

LAB 62.56, 28.14, 24.14

 

CMYK 0 / 28 / 35 / 24

HEX #C38C7E

RGB 195 140 126

HSL 12.17, 0.37%, 0.63%

LAB 63.23, 19.07, 15.77

 

CMYK 0 / 17 / 21 / 30

HEX #B3958D

RGB 179 149 141

HSL 12.63, 0.2%, 0.63%

LAB 64.16, 9.91, 8.4

 

CMYK 0 / 4 / 5 / 36

HEX #A49E9C

RGB 164 158 156

HSL 15, 0.04%, 0.63%

LAB 65.55, 1.81, 1.81

 

CMYK 0 / 58 / 39 / 12

HEX #E15F8A

RGB 225 95 138

HSL 340.15, 0.68%, 0.63%

LAB 58.06, 54.62, 2.08

 

CMYK 0 / 58 / 54 / 12

HEX #E15F68

RGB 225 95 104

HSL 355.85, 0.68%, 0.63%

LAB 57.26, 51.4, 20.83

 

CMYK 0 / 46 / 58 / 12

HEX #E1795F

RGB 225 121 95

HSL 12, 0.68%, 0.63%

LAB 62.09, 37.95, 32.25

 

CMYK 0 / 31 / 58 / 12

HEX #E19C5F

RGB 225 156 95

HSL 28.15, 0.68%, 0.63%

LAB 69.9, 19.44, 41.93

 

CMYK 0 / 15 / 58 / 12

HEX #E1BF5F

RGB 225 191 95

HSL 44.31, 0.68%, 0.63%

LAB 78.52, 0.87, 52.11

 

CMYK 0 / 65 / 82 / 21

HEX #C94725

RGB 201 71 37

HSL 12.44, 0.69%, 0.47%

LAB 48.33, 50.06, 46.51

 

CMYK 0 / 57 / 73 / 14

HEX #DB5E3C

RGB 219 94 60

HSL 12.83, 0.69%, 0.55%

LAB 55.47, 46.97, 43.12

 

CMYK 0 / 45 / 58 / 12

HEX #E17B5F

RGB 225 123 95

HSL 12.92, 0.68%, 0.63%

LAB 62.51, 36.92, 32.78

 

CMYK 0 / 35 / 44 / 9

HEX #E89782

RGB 232 151 130

HSL 12.35, 0.69%, 0.71%

LAB 70.11, 28.06, 23.65

 

CMYK 0 / 24 / 31 / 7

HEX #EEB4A5

RGB 238 180 165

HSL 12.33, 0.68%, 0.79%

LAB 78.19, 19.01, 15.83

 

CMYK 0 / 46 / 58 / 11

HEX #E27A5E

RGB 226 122 94

HSL 12.73, 0.69%, 0.63%

LAB 62.42, 37.75, 33.25

 

CMYK 23 / 0 / 58 / 12

HEX #ADE15F

RGB 173 225 95

HSL 84, 0.68%, 0.63%

LAB 83.74, -36.7, 57.04

 

CMYK 58 / 46 / 0 / 12

HEX #5F79E1

RGB 95 121 225

HSL 228, 0.68%, 0.63%

LAB 53.54, 21.25, -56

 

CMYK 0 / 46 / 58 / 11

HEX #E27A5E

RGB 226 122 94

HSL 12.73, 0.69%, 0.63%

LAB 62.42, 37.75, 33.25

 

CMYK 58 / 0 / 46 / 12

HEX #5FE179

RGB 95 225 121

HSL 132, 0.68%, 0.63%

LAB 80.55, -57.46, 40.25

 

CMYK 46 / 58 / 0 / 12

HEX #795FE1

RGB 121 95 225

HSL 252, 0.68%, 0.63%

LAB 49.11, 42.11, -63.02

 

CMYK 0 / 46 / 58 / 11

HEX #E27A5E

RGB 226 122 94

HSL 12.73, 0.69%, 0.63%

LAB 62.42, 37.75, 33.25

 

CMYK 23 / 0 / 58 / 12

HEX #ADE15F

RGB 173 225 95

HSL 84, 0.68%, 0.63%

LAB 83.74, -36.7, 57.04

 

CMYK 58 / 12 / 0 / 12

HEX #5FC7E1

RGB 95 199 225

HSL 192, 0.68%, 0.63%

LAB 75.27, -22.73, -22.04

 

CMYK 35 / 58 / 0 / 12

HEX #935FE1

RGB 147 95 225

HSL 264, 0.68%, 0.63%

LAB 51.64, 47.81, -58.82

 

CMYK 0 / 46 / 58 / 11

HEX #E27A5E

RGB 226 122 94

HSL 12.73, 0.69%, 0.63%

LAB 62.42, 37.75, 33.25

 

CMYK 40 / 0 / 58 / 12

HEX #86E15F

RGB 134 225 95

HSL 102, 0.68%, 0.63%

LAB 81.7, -50.14, 54.17

 

CMYK 58 / 12 / 0 / 12

HEX #5FC7E1

RGB 95 199 225

HSL 192, 0.68%, 0.63%

LAB 75.27, -22.73, -22.04

 

CMYK 17 / 58 / 0 / 12

HEX #BA5FE1

RGB 186 95 225

HSL 282, 0.68%, 0.63%

LAB 56.15, 57.14, -51.35

 

Description

Color code: HEX #E27A5E | qconv.com Color code: HEX #E27A5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 122 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 122 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 58% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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