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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E25FE4 it is the complementary color #1DA01B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E25FE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E25FE4 shade: #E75FDF, #F871F2, #FF83FF, #FF95FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E25FE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E25FE4 shade: #E25FE4, #D14DD1, #C03BBE, #AF29AB and #9E1798

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E25FE4 shade: #E25EE4, #E45EC2, #E45E9D, #E45E79 and #E45E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E25FE4 shade: #E25EE4, #BD5EE4, #995EE4, #755EE4 and #5E5EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E25FE4 shade matches the following richer shades: #E25EE4 and #F04EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E25FE4 shade: #E25EE4, #D36DD4, #C47CC5, #B58BB6 and #A69BA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E25FE4 shade: #9A5EE4, #BE5EE4, #E15EE4, #E45EC2 and #E45E9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E25FE4 shade: #CA23CC, #DB3ADE, #E25EE4, #E881EA and #EEA4F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E25FE4 shade: #E25FE4, #E4765E and #5EE4AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E25FE4 shade: #E25FE4, #E4E15E and #5EE4E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E25FE4 shade: #E25FE4, #E4765E, #60E45E and #5ECBE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E25FE4 shade: #E25FE4, #E49E5E, #60E45E and #5EA3E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 58 / 0 / 11

HEX #E25FE4

RGB 226 95 228

HSL 299.1, 0.71%, 0.63%

LAB 61.62, 67.62, -44.04

 

Complementary color

CMYK 82 / 0 / 83 / 37

HEX #1DA01B

RGB 29 160 27

HSL 119.1, 0.71%, 0.37%

LAB 57.54, -57.57, 53.98

 

CMYK 0 / 59 / 3 / 9

HEX #E75FDF

RGB 231 95 223

HSL 303.53, 0.74%, 0.64%

LAB 62.08, 68.04, -40.45

 

CMYK 0 / 54 / 2 / 3

HEX #F871F2

RGB 248 113 242

HSL 302.67, 0.91%, 0.71%

LAB 68.15, 67.73, -41.33

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 1 / 58 / 0 / 11

HEX #E25FE4

RGB 226 95 228

HSL 299.1, 0.71%, 0.63%

LAB 61.62, 67.62, -44.04

 

CMYK 0 / 63 / 0 / 18

HEX #D14DD1

RGB 209 77 209

HSL 300, 0.59%, 0.56%

LAB 55.55, 67.71, -43.05

 

CMYK 0 / 69 / 1 / 25

HEX #C03BBE

RGB 192 59 190

HSL 300.9, 0.53%, 0.49%

LAB 49.56, 67.4, -41.76

 

CMYK 0 / 77 / 2 / 31

HEX #AF29AB

RGB 175 41 171

HSL 301.79, 0.62%, 0.42%

LAB 43.71, 66.46, -40.05

 

CMYK 0 / 85 / 4 / 38

HEX #9E1798

RGB 158 23 152

HSL 302.67, 0.75%, 0.35%

LAB 38.11, 64.54, -37.72

 

CMYK 1 / 59 / 0 / 11

HEX #E25EE4

RGB 226 94 228

HSL 299.1, 0.71%, 0.63%

LAB 61.46, 68.05, -44.28

 

CMYK 0 / 59 / 15 / 11

HEX #E45EC2

RGB 228 94 194

HSL 315.22, 0.71%, 0.63%

LAB 60.24, 63.17, -26.96

 

CMYK 0 / 59 / 31 / 11

HEX #E45E9D

RGB 228 94 157

HSL 331.79, 0.71%, 0.63%

LAB 58.91, 58.19, -7.69

 

CMYK 0 / 59 / 47 / 11

HEX #E45E79

RGB 228 94 121

HSL 347.91, 0.71%, 0.63%

LAB 57.92, 54.33, 11.89

 

CMYK 0 / 59 / 59 / 11

HEX #E45E5E

RGB 228 94 94

HSL 0, 0.71%, 0.63%

LAB 57.37, 52.13, 26.85

 

CMYK 1 / 59 / 0 / 11

HEX #E25EE4

RGB 226 94 228

HSL 299.1, 0.71%, 0.63%

LAB 61.46, 68.05, -44.28

 

CMYK 17 / 59 / 0 / 11

HEX #BD5EE4

RGB 189 94 228

HSL 282.54, 0.71%, 0.63%

LAB 56.51, 58.97, -52.44

 

CMYK 33 / 59 / 0 / 11

HEX #995EE4

RGB 153 94 228

HSL 266.42, 0.71%, 0.63%

LAB 52.26, 50.46, -59.48

 

CMYK 49 / 59 / 0 / 11

HEX #755EE4

RGB 117 94 228

HSL 250.3, 0.71%, 0.63%

LAB 48.75, 42.74, -65.33

 

CMYK 59 / 59 / 0 / 11

HEX #5E5EE4

RGB 94 94 228

HSL 240, 0.71%, 0.63%

LAB 46.96, 38.5, -68.31

 

CMYK 1 / 59 / 0 / 11

HEX #E25EE4

RGB 226 94 228

HSL 299.1, 0.71%, 0.63%

LAB 61.46, 68.05, -44.28

 

CMYK 1 / 68 / 0 / 5

HEX #F04EF3

RGB 240 78 243

HSL 298.91, 0.87%, 0.63%

LAB 62.04, 79.88, -51.6

 

CMYK 1 / 59 / 0 / 11

HEX #E25EE4

RGB 226 94 228

HSL 299.1, 0.71%, 0.63%

LAB 61.46, 68.05, -44.28

 

CMYK 0 / 49 / 0 / 17

HEX #D36DD4

RGB 211 109 212

HSL 299.42, 0.54%, 0.63%

LAB 61.25, 54.43, -35.77

 

CMYK 1 / 37 / 0 / 23

HEX #C47CC5

RGB 196 124 197

HSL 299.18, 0.39%, 0.63%

LAB 61.81, 39.46, -26.6

 

CMYK 1 / 24 / 0 / 29

HEX #B58BB6

RGB 181 139 182

HSL 298.6, 0.23%, 0.63%

LAB 63.07, 23.4, -16.35

 

CMYK 1 / 7 / 0 / 35

HEX #A69BA7

RGB 166 155 167

HSL 295, 0.06%, 0.63%

LAB 65.23, 6.26, -4.81

 

CMYK 32 / 59 / 0 / 11

HEX #9A5EE4

RGB 154 94 228

HSL 266.87, 0.71%, 0.63%

LAB 52.37, 50.69, -59.29

 

CMYK 17 / 59 / 0 / 11

HEX #BE5EE4

RGB 190 94 228

HSL 282.99, 0.71%, 0.63%

LAB 56.64, 59.21, -52.23

 

CMYK 1 / 59 / 0 / 11

HEX #E15EE4

RGB 225 94 228

HSL 298.66, 0.71%, 0.63%

LAB 61.32, 67.8, -44.51

 

CMYK 0 / 59 / 15 / 11

HEX #E45EC2

RGB 228 94 194

HSL 315.22, 0.71%, 0.63%

LAB 60.24, 63.17, -26.96

 

CMYK 0 / 59 / 31 / 11

HEX #E45E9E

RGB 228 94 158

HSL 331.34, 0.71%, 0.63%

LAB 58.94, 58.31, -8.22

 

CMYK 1 / 83 / 0 / 20

HEX #CA23CC

RGB 202 35 204

HSL 299.29, 0.71%, 0.47%

LAB 49.64, 78.36, -49.64

 

CMYK 1 / 74 / 0 / 13

HEX #DB3ADE

RGB 219 58 222

HSL 298.9, 0.71%, 0.55%

LAB 55.44, 78.59, -50.5

 

CMYK 1 / 59 / 0 / 11

HEX #E25EE4

RGB 226 94 228

HSL 299.1, 0.71%, 0.63%

LAB 61.46, 68.05, -44.28

 

CMYK 1 / 45 / 0 / 8

HEX #E881EA

RGB 232 129 234

HSL 298.86, 0.71%, 0.71%

LAB 68.6, 54.45, -36.37

 

CMYK 1 / 32 / 0 / 6

HEX #EEA4F0

RGB 238 164 240

HSL 298.42, 0.72%, 0.79%

LAB 76.69, 39.32, -27.12

 

CMYK 1 / 58 / 0 / 11

HEX #E25FE4

RGB 226 95 228

HSL 299.1, 0.71%, 0.63%

LAB 61.62, 67.62, -44.04

 

CMYK 0 / 48 / 59 / 11

HEX #E4765E

RGB 228 118 94

HSL 10.75, 0.71%, 0.63%

LAB 61.88, 40.55, 32.62

 

CMYK 59 / 0 / 25 / 11

HEX #5EE4AC

RGB 94 228 172

HSL 154.93, 0.71%, 0.63%

LAB 82.3, -49.6, 16.55

 

CMYK 1 / 58 / 0 / 11

HEX #E25FE4

RGB 226 95 228

HSL 299.1, 0.71%, 0.63%

LAB 61.62, 67.62, -44.04

 

CMYK 0 / 1 / 59 / 11

HEX #E4E15E

RGB 228 225 94

HSL 58.66, 0.71%, 0.63%

LAB 87.56, -15.23, 62.79

 

CMYK 59 / 0 / 1 / 11

HEX #5EE4E1

RGB 94 228 225

HSL 178.66, 0.71%, 0.63%

LAB 83.6, -36.89, -9.52

 

CMYK 1 / 58 / 0 / 11

HEX #E25FE4

RGB 226 95 228

HSL 299.1, 0.71%, 0.63%

LAB 61.62, 67.62, -44.04

 

CMYK 0 / 48 / 59 / 11

HEX #E4765E

RGB 228 118 94

HSL 10.75, 0.71%, 0.63%

LAB 61.88, 40.55, 32.62

 

CMYK 58 / 0 / 59 / 11

HEX #60E45E

RGB 96 228 94

HSL 119.1, 0.71%, 0.63%

LAB 81.17, -61.87, 53.63

 

CMYK 59 / 11 / 0 / 11

HEX #5ECBE4

RGB 94 203 228

HSL 191.19, 0.71%, 0.63%

LAB 76.49, -24.06, -21.81

 

CMYK 1 / 58 / 0 / 11

HEX #E25FE4

RGB 226 95 228

HSL 299.1, 0.71%, 0.63%

LAB 61.62, 67.62, -44.04

 

CMYK 0 / 31 / 59 / 11

HEX #E49E5E

RGB 228 158 94

HSL 28.66, 0.71%, 0.63%

LAB 70.7, 19.53, 43.48

 

CMYK 58 / 0 / 59 / 11

HEX #60E45E

RGB 96 228 94

HSL 119.1, 0.71%, 0.63%

LAB 81.17, -61.87, 53.63

 

CMYK 59 / 29 / 0 / 11

HEX #5EA3E4

RGB 94 163 228

HSL 209.1, 0.71%, 0.63%

LAB 65.1, -2.77, -39.37

 

Description

Color code: HEX #E25FE4 | qconv.com Color code: HEX #E25FE4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 95 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 95 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 58 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 58% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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