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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E25F7E it is the complementary color #1DA081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E25F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E25F7E shade: #E75F79, #F8718C, #FF839F, #FF95B2 and #FFA7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E25F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E25F7E shade: #E25F7E, #D14D6B, #C03B58, #AF2945 and #9E1732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E25F7E shade: #E2607E and #E26060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E25F7E shade: #E2607E, #E260A1, #E260C5, #DC60E2 and #B960E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E25F7E shade matches the following richer shades: #E2607E and #F15076

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E25F7E shade: #E2607E, #D26F86, #C37E8E, #B48D96 and #A59D9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E25F7E shade: #E260C6, #E260A3, #E26080, #E26260 and #E28460

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E25F7E shade: #CA254C, #DB3D62, #E2607E, #E8829A and #EFA5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E25F7E shade: #E25F7E, #E2DB60 and #60B4E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E25F7E shade: #E25F7E, #80E260 and #6080E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E25F7E shade: #E25F7E, #E2DB60, #60E2C1 and #6066E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E25F7E shade: #E25F7E, #C1E260, #60E2C1 and #8060E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 44 / 11

HEX #E25F7E

RGB 226 95 126

HSL 345.8, 0.69%, 0.63%

LAB 57.9, 53.7, 8.89

 

Complementary color

CMYK 82 / 0 / 19 / 37

HEX #1DA081

RGB 29 160 129

HSL 165.8, 0.69%, 0.37%

LAB 58.96, -41.18, 6.65

 

CMYK 0 / 59 / 48 / 9

HEX #E75F79

RGB 231 95 121

HSL 348.53, 0.74%, 0.64%

LAB 58.56, 54.87, 12.85

 

CMYK 0 / 54 / 44 / 3

HEX #F8718C

RGB 248 113 140

HSL 348, 0.91%, 0.71%

LAB 64.69, 54.06, 10.88

 

CMYK 0 / 49 / 38 / 0

HEX #FF839F

RGB 255 131 159

HSL 346.45, 1%, 0.76%

LAB 69.47, 49.81, 7.05

 

CMYK 0 / 42 / 30 / 0

HEX #FF95B2

RGB 255 149 178

HSL 343.58, 1%, 0.79%

LAB 73.53, 43.09, 2.32

 

CMYK 0 / 35 / 23 / 0

HEX #FFA7C5

RGB 255 167 197

HSL 339.55, 1%, 0.83%

LAB 77.83, 36.37, -1.83

 

CMYK 0 / 58 / 44 / 11

HEX #E25F7E

RGB 226 95 126

HSL 345.8, 0.69%, 0.63%

LAB 57.9, 53.7, 8.89

 

CMYK 0 / 63 / 49 / 18

HEX #D14D6B

RGB 209 77 107

HSL 346.36, 0.59%, 0.56%

LAB 51.75, 54.35, 11.08

 

CMYK 0 / 69 / 54 / 25

HEX #C03B58

RGB 192 59 88

HSL 346.92, 0.53%, 0.49%

LAB 45.69, 54.74, 13.74

 

CMYK 0 / 77 / 61 / 31

HEX #AF2945

RGB 175 41 69

HSL 347.46, 0.62%, 0.42%

LAB 39.8, 54.62, 17.06

 

CMYK 0 / 85 / 68 / 38

HEX #9E1732

RGB 158 23 50

HSL 348, 0.75%, 0.35%

LAB 34.22, 53.65, 21.26

 

CMYK 0 / 58 / 44 / 11

HEX #E2607E

RGB 226 96 126

HSL 346.15, 0.69%, 0.63%

LAB 58.08, 53.24, 9.14

 

CMYK 0 / 58 / 58 / 11

HEX #E26060

RGB 226 96 96

HSL 0, 0.69%, 0.63%

LAB 57.44, 50.67, 25.73

 

CMYK 0 / 58 / 44 / 11

HEX #E2607E

RGB 226 96 126

HSL 346.15, 0.69%, 0.63%

LAB 58.08, 53.24, 9.14

 

CMYK 0 / 58 / 29 / 11

HEX #E260A1

RGB 226 96 161

HSL 330, 0.69%, 0.63%

LAB 59.07, 57.18, -9.8

 

CMYK 0 / 58 / 13 / 11

HEX #E260C5

RGB 226 96 197

HSL 313.38, 0.69%, 0.63%

LAB 60.4, 62.2, -28.46

 

CMYK 3 / 58 / 0 / 11

HEX #DC60E2

RGB 220 96 226

HSL 297.23, 0.69%, 0.63%

LAB 60.85, 65.35, -44.19

 

CMYK 18 / 58 / 0 / 11

HEX #B960E2

RGB 185 96 226

HSL 281.08, 0.69%, 0.63%

LAB 56.26, 56.62, -51.75

 

CMYK 0 / 58 / 44 / 11

HEX #E2607E

RGB 226 96 126

HSL 346.15, 0.69%, 0.63%

LAB 58.08, 53.24, 9.14

 

CMYK 0 / 67 / 51 / 5

HEX #F15076

RGB 241 80 118

HSL 345.84, 0.85%, 0.63%

LAB 57.8, 64, 13.78

 

CMYK 0 / 58 / 44 / 11

HEX #E2607E

RGB 226 96 126

HSL 346.15, 0.69%, 0.63%

LAB 58.08, 53.24, 9.14

 

CMYK 0 / 47 / 36 / 18

HEX #D26F86

RGB 210 111 134

HSL 346.06, 0.52%, 0.63%

LAB 58.78, 41.32, 5.17

 

CMYK 0 / 35 / 27 / 24

HEX #C37E8E

RGB 195 126 142

HSL 346.09, 0.37%, 0.63%

LAB 60.32, 28.91, 2.53

 

CMYK 0 / 22 / 17 / 29

HEX #B48D96

RGB 180 141 150

HSL 346.15, 0.21%, 0.63%

LAB 62.47, 16.19, 0.89

 

CMYK 0 / 5 / 4 / 35

HEX #A59D9F

RGB 165 157 159

HSL 345, 0.04%, 0.63%

LAB 65.45, 3.28, -0.01

 

CMYK 0 / 58 / 12 / 11

HEX #E260C6

RGB 226 96 198

HSL 312.92, 0.69%, 0.63%

LAB 60.44, 62.35, -28.96

 

CMYK 0 / 58 / 28 / 11

HEX #E260A3

RGB 226 96 163

HSL 329.08, 0.69%, 0.63%

LAB 59.14, 57.44, -10.86

 

CMYK 0 / 58 / 43 / 11

HEX #E26080

RGB 226 96 128

HSL 345.23, 0.69%, 0.63%

LAB 58.13, 53.44, 8.04

 

CMYK 0 / 57 / 58 / 11

HEX #E26260

RGB 226 98 96

HSL 0.92, 0.69%, 0.63%

LAB 57.8, 49.74, 26.19

 

CMYK 0 / 42 / 58 / 11

HEX #E28460

RGB 226 132 96

HSL 16.62, 0.69%, 0.63%

LAB 64.58, 32.7, 34.86

 

CMYK 0 / 82 / 62 / 21

HEX #CA254C

RGB 202 37 76

HSL 345.82, 0.69%, 0.47%

LAB 44.8, 63.83, 20.27

 

CMYK 0 / 72 / 55 / 14

HEX #DB3D62

RGB 219 61 98

HSL 345.95, 0.69%, 0.55%

LAB 51.01, 62.88, 15.73

 

CMYK 0 / 58 / 44 / 11

HEX #E2607E

RGB 226 96 126

HSL 346.15, 0.69%, 0.63%

LAB 58.08, 53.24, 9.14

 

CMYK 0 / 44 / 34 / 9

HEX #E8829A

RGB 232 130 154

HSL 345.88, 0.69%, 0.71%

LAB 66.1, 41.77, 4.64

 

CMYK 0 / 31 / 23 / 6

HEX #EFA5B7

RGB 239 165 183

HSL 345.41, 0.7%, 0.79%

LAB 75.25, 29.79, 1.85

 

CMYK 0 / 58 / 44 / 11

HEX #E25F7E

RGB 226 95 126

HSL 345.8, 0.69%, 0.63%

LAB 57.9, 53.7, 8.89

 

CMYK 0 / 3 / 58 / 11

HEX #E2DB60

RGB 226 219 96

HSL 56.77, 0.69%, 0.63%

LAB 85.84, -12.93, 59.99

 

CMYK 58 / 20 / 0 / 11

HEX #60B4E2

RGB 96 180 226

HSL 201.23, 0.69%, 0.63%

LAB 69.91, -12.35, -30.8

 

CMYK 0 / 58 / 44 / 11

HEX #E25F7E

RGB 226 95 126

HSL 345.8, 0.69%, 0.63%

LAB 57.9, 53.7, 8.89

 

CMYK 43 / 0 / 58 / 11

HEX #80E260

RGB 128 226 96

HSL 105.23, 0.69%, 0.63%

LAB 81.74, -52.29, 53.71

 

CMYK 58 / 43 / 0 / 11

HEX #6080E2

RGB 96 128 226

HSL 225.23, 0.69%, 0.63%

LAB 55.5, 17.51, -53.42

 

CMYK 0 / 58 / 44 / 11

HEX #E25F7E

RGB 226 95 126

HSL 345.8, 0.69%, 0.63%

LAB 57.9, 53.7, 8.89

 

CMYK 0 / 3 / 58 / 11

HEX #E2DB60

RGB 226 219 96

HSL 56.77, 0.69%, 0.63%

LAB 85.84, -12.93, 59.99

 

CMYK 58 / 0 / 15 / 11

HEX #60E2C1

RGB 96 226 193

HSL 164.77, 0.69%, 0.63%

LAB 82.23, -43.65, 5.42

 

CMYK 58 / 55 / 0 / 11

HEX #6066E2

RGB 96 102 226

HSL 237.23, 0.69%, 0.63%

LAB 48.86, 33.37, -64.09

 

CMYK 0 / 58 / 44 / 11

HEX #E25F7E

RGB 226 95 126

HSL 345.8, 0.69%, 0.63%

LAB 57.9, 53.7, 8.89

 

CMYK 15 / 0 / 58 / 11

HEX #C1E260

RGB 193 226 96

HSL 75.23, 0.69%, 0.63%

LAB 85.29, -29.49, 58.69

 

CMYK 58 / 0 / 15 / 11

HEX #60E2C1

RGB 96 226 193

HSL 164.77, 0.69%, 0.63%

LAB 82.23, -43.65, 5.42

 

CMYK 43 / 58 / 0 / 11

HEX #8060E2

RGB 128 96 226

HSL 254.77, 0.69%, 0.63%

LAB 50.03, 43.3, -62.07

 

Description

Color code: HEX #E25F7E | qconv.com Color code: HEX #E25F7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 95 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 95 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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