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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E25F5B00 it is the complementary color #1DA0A400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E25F5B00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E25F5B00 shade: #E75F5600, #F8716900, #FF837C00, #FF958F00 and #FFA7A200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E25F5B00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E25F5B00 shade: #E25F5B00, #D14D4800, #C03B3500, #AF292200 and #9E170F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E25F5B00 shade: #E25E5A and #E25A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E25F5B00 shade: #E25E5A, #E2835A, #E2A75A, #E2CC5A and #D3E25A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E25F5B00 shade matches the following richer shades: #E25E5A and #F2504B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E25F5B00 shade: #E25E5A, #D26D6A, #C37C7A, #B38B89 and #A39999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E25F5B00 shade: #E25AA0, #E25A7C, #E25D5A, #E2815A and #E2A55A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E25F5B00 shade: #C72823, #DC3C37, #E25E5A, #E8817D and #EEA3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E25F5B00 shade: #E25F5B, #C5E25A and #5A8EE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E25F5B00 shade: #E25F5B, #5AE25D and #5D5AE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E25F5B00 shade: #E25F5B, #C5E25A, #5AE0E2 and #785AE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E25F5B00 shade: #E25F5B, #9CE25A, #5AE0E2 and #A05AE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #E25F5B00

RGBA 226 95 91 0

HSLA 1.78, 0.7%, 0.62%, 0

LABA 57.18, 50.78, 28.26, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #1DA0A400

RGBA 29 160 164 0

HSLA 181.78, 0.7%, 0.38%, 0

LABA 59.96, -31.14, -11.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E75F5600

RGBA 231 95 86 0

HSLA 3.72, 0.75%, 0.62%, 0

LABA 57.89, 52.19, 32.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8716900

RGBA 248 113 105 0

HSLA 3.36, 0.91%, 0.69%, 0

LABA 63.99, 51.08, 29.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF837C00

RGBA 255 131 124 0

HSLA 3.21, 1%, 0.74%, 0

LABA 68.71, 46.38, 25.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF958F00

RGBA 255 149 143 0

HSLA 3.21, 1%, 0.78%, 0

LABA 72.72, 39.1, 20.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA7A200

RGBA 255 167 162 0

HSLA 3.23, 1%, 0.82%, 0

LABA 76.98, 31.86, 16.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E25F5B00

RGBA 226 95 91 0

HSLA 1.78, 0.7%, 0.62%, 0

LABA 57.18, 50.78, 28.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D14D4800

RGBA 209 77 72 0

HSLA 2.19, 0.6%, 0.55%, 0

LABA 51.07, 51.77, 30.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C03B3500

RGBA 192 59 53 0

HSLA 2.59, 0.57%, 0.48%, 0

LABA 45.07, 52.56, 34.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AF292200

RGBA 175 41 34 0

HSLA 2.98, 0.67%, 0.41%, 0

LABA 39.27, 52.9, 37.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9E170F00

RGBA 158 23 15 0

HSLA 3.36, 0.83%, 0.34%, 0

LABA 33.81, 52.43, 41.17, 0

 

CMYK 0 / 58 / 60 / 11

HEX #E25E5A

RGB 226 94 90

HSL 1.76, 0.7%, 0.62%

LAB 56.99, 51.17, 28.59

 

CMYK 0 / 60 / 60 / 11

HEX #E25A5A

RGB 226 90 90

HSL 0, 0.7%, 0.62%

LAB 56.31, 52.97, 27.71

 

CMYK 0 / 58 / 60 / 11

HEX #E25E5A

RGB 226 94 90

HSL 1.76, 0.7%, 0.62%

LAB 56.99, 51.17, 28.59

 

CMYK 0 / 42 / 60 / 11

HEX #E2835A

RGB 226 131 90

HSL 18.09, 0.7%, 0.62%

LAB 64.27, 32.78, 37.72

 

CMYK 0 / 26 / 60 / 11

HEX #E2A75A

RGB 226 167 90

HSL 33.97, 0.7%, 0.62%

LAB 72.59, 13.61, 47.66

 

CMYK 0 / 10 / 60 / 11

HEX #E2CC5A

RGB 226 204 90

HSL 50.29, 0.7%, 0.62%

LAB 81.89, -5.78, 58.23

 

CMYK 7 / 0 / 60 / 11

HEX #D3E25A

RGB 211 226 90

HSL 66.62, 0.7%, 0.62%

LAB 86.49, -22.85, 62.95

 

CMYK 0 / 58 / 60 / 11

HEX #E25E5A

RGB 226 94 90

HSL 1.76, 0.7%, 0.62%

LAB 56.99, 51.17, 28.59

 

CMYK 0 / 67 / 69 / 5

HEX #F2504B

RGB 242 80 75

HSL 1.8, 0.87%, 0.62%

LAB 57.19, 61.55, 37.94

 

CMYK 0 / 58 / 60 / 11

HEX #E25E5A

RGB 226 94 90

HSL 1.76, 0.7%, 0.62%

LAB 56.99, 51.17, 28.59

 

CMYK 0 / 48 / 50 / 18

HEX #D26D6A

RGB 210 109 106

HSL 1.73, 0.54%, 0.62%

LAB 57.73, 39.37, 19.93

 

CMYK 0 / 36 / 37 / 24

HEX #C37C7A

RGB 195 124 122

HSL 1.64, 0.38%, 0.62%

LAB 59.36, 27.38, 12.66

 

CMYK 0 / 22 / 23 / 30

HEX #B38B89

RGB 179 139 137

HSL 2.86, 0.22%, 0.62%

LAB 61.53, 14.88, 6.91

 

CMYK 0 / 6 / 6 / 36

HEX #A39999

RGB 163 153 153

HSL 0, 0.05%, 0.62%

LAB 64.05, 3.66, 1.31

 

CMYK 0 / 60 / 29 / 11

HEX #E25AA0

RGB 226 90 160

HSL 329.12, 0.7%, 0.62%

LAB 58.06, 59.71, -10.74

 

CMYK 0 / 60 / 45 / 11

HEX #E25A7C

RGB 226 90 124

HSL 345, 0.7%, 0.62%

LAB 57.01, 55.74, 8.8

 

CMYK 0 / 59 / 60 / 11

HEX #E25D5A

RGB 226 93 90

HSL 1.32, 0.7%, 0.62%

LAB 56.82, 51.62, 28.37

 

CMYK 0 / 43 / 60 / 11

HEX #E2815A

RGB 226 129 90

HSL 17.21, 0.7%, 0.62%

LAB 63.84, 33.83, 37.19

 

CMYK 0 / 27 / 60 / 11

HEX #E2A55A

RGB 226 165 90

HSL 33.09, 0.7%, 0.62%

LAB 72.11, 14.68, 47.1

 

CMYK 0 / 80 / 82 / 22

HEX #C72823

RGB 199 40 35

HSL 1.83, 0.7%, 0.46%

LAB 43.92, 60.44, 43.22

 

CMYK 0 / 73 / 75 / 14

HEX #DC3C37

RGB 220 60 55

HSL 1.82, 0.7%, 0.54%

LAB 50.36, 61.14, 40.26

 

CMYK 0 / 58 / 60 / 11

HEX #E25E5A

RGB 226 94 90

HSL 1.76, 0.7%, 0.62%

LAB 56.99, 51.17, 28.59

 

CMYK 0 / 44 / 46 / 9

HEX #E8817D

RGB 232 129 125

HSL 2.24, 0.7%, 0.7%

LAB 65.23, 39.08, 19.8

 

CMYK 0 / 32 / 33 / 7

HEX #EEA3A0

RGB 238 163 160

HSL 2.31, 0.7%, 0.78%

LAB 74.13, 27.4, 12.84

 

CMYK 0 / 58 / 60 / 11

HEX #E25F5B

RGB 226 95 91

HSL 1.78, 0.7%, 0.62%

LAB 57.18, 50.78, 28.26

 

CMYK 13 / 0 / 60 / 11

HEX #C5E25A

RGB 197 226 90

HSL 72.79, 0.7%, 0.62%

LAB 85.5, -28.4, 61.58

 

CMYK 60 / 37 / 0 / 11

HEX #5A8EE2

RGB 90 142 226

HSL 217.06, 0.7%, 0.62%

LAB 58.98, 7.96, -47.9

 

CMYK 0 / 58 / 60 / 11

HEX #E25F5B

RGB 226 95 91

HSL 1.78, 0.7%, 0.62%

LAB 57.18, 50.78, 28.26

 

CMYK 60 / 0 / 59 / 11

HEX #5AE25D

RGB 90 226 93

HSL 121.32, 0.7%, 0.62%

LAB 80.38, -62.63, 53.12

 

CMYK 59 / 60 / 0 / 11

HEX #5D5AE2

RGB 93 90 226

HSL 241.32, 0.7%, 0.62%

LAB 45.81, 40.09, -69.04

 

CMYK 0 / 58 / 60 / 11

HEX #E25F5B

RGB 226 95 91

HSL 1.78, 0.7%, 0.62%

LAB 57.18, 50.78, 28.26

 

CMYK 13 / 0 / 60 / 11

HEX #C5E25A

RGB 197 226 90

HSL 72.79, 0.7%, 0.62%

LAB 85.5, -28.4, 61.58

 

CMYK 60 / 1 / 0 / 11

HEX #5AE0E2

RGB 90 224 226

HSL 180.88, 0.7%, 0.62%

LAB 82.37, -35.45, -11.9

 

CMYK 47 / 60 / 0 / 11

HEX #785AE2

RGB 120 90 226

HSL 253.24, 0.7%, 0.62%

LAB 48, 45.04, -65.39

 

CMYK 0 / 58 / 60 / 11

HEX #E25F5B

RGB 226 95 91

HSL 1.78, 0.7%, 0.62%

LAB 57.18, 50.78, 28.26

 

CMYK 31 / 0 / 60 / 11

HEX #9CE25A

RGB 156 226 90

HSL 90.88, 0.7%, 0.62%

LAB 83.02, -43.71, 58.13

 

CMYK 60 / 1 / 0 / 11

HEX #5AE0E2

RGB 90 224 226

HSL 180.88, 0.7%, 0.62%

LAB 82.37, -35.45, -11.9

 

CMYK 29 / 60 / 0 / 11

HEX #A05AE2

RGB 160 90 226

HSL 270.88, 0.7%, 0.62%

LAB 52.15, 53.66, -58.49

 

Description

Color code: HEX #E25F5B00 | qconv.com Color code: HEX #E25F5B00 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 95 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 95 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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