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Color name
HEX #E250DA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E250DA it is the complementary color #1DAF25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E250DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E250DA shade: #E750D5, #F862E8, #FF74FB, #FF86FF and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E250DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E250DA shade: #E250DA, #D13EC7, #C02CB4, #AF1AA1 and #9E088E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E250DA shade: #E250DA, #E250B3, #E2508B, #E25064 and #E25050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E250DA shade: #E250DA, #C350E2, #9B50E2, #7450E2 and #5050E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E250DA shade matches the following richer shades: #E250DA and #F33FE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E250DA shade: #E250DA, #D260CC, #C171BD, #B181AE and #A092A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E250DA shade: #9B50E2, #C350E2, #E250DB, #E250B4 and #E2508D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E250DA shade: #C01FB7, #DD2CD3, #E250DA, #E873E2 and #EE97E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E250DA shade: #E250DA, #E27450 and #50E2AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E250DA shade: #E250DA, #DBE250 and #50DBE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E250DA shade: #E250DA, #E27450, #50E257 and #50BEE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E250DA shade: #E250DA, #E2A050, #50E257 and #5092E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

Complementary color

CMYK 83 / 0 / 79 / 31

HEX #1DAF25

RGB 29 175 37

HSL 123.29, 0.72%, 0.4%

LAB 62.55, -61.54, 55.73

 

CMYK 0 / 65 / 8 / 9

HEX #E750D5

RGB 231 80 213

HSL 307.15, 0.76%, 0.61%

LAB 59.46, 72.44, -38.93

 

CMYK 0 / 60 / 6 / 3

HEX #F862E8

RGB 248 98 232

HSL 306.4, 0.91%, 0.68%

LAB 65.37, 72.49, -40.15

 

CMYK 0 / 55 / 2 / 0

HEX #FF74FB

RGB 255 116 251

HSL 301.73, 1%, 0.73%

LAB 69.98, 69.7, -43.35

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

CMYK 0 / 70 / 5 / 18

HEX #D13EC7

RGB 209 62 199

HSL 304.08, 0.62%, 0.53%

LAB 53.09, 71.61, -41.21

 

CMYK 0 / 77 / 6 / 25

HEX #C02CB4

RGB 192 44 180

HSL 304.86, 0.63%, 0.46%

LAB 47.37, 70.57, -39.38

 

CMYK 0 / 85 / 8 / 31

HEX #AF1AA1

RGB 175 26 161

HSL 305.64, 0.74%, 0.39%

LAB 41.89, 68.62, -36.97

 

CMYK 0 / 95 / 10 / 38

HEX #9E088E

RGB 158 8 142

HSL 306.4, 0.9%, 0.33%

LAB 36.74, 65.4, -33.79

 

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

CMYK 0 / 65 / 21 / 11

HEX #E250B3

RGB 226 80 179

HSL 319.32, 0.72%, 0.6%

LAB 57.23, 66.3, -23.01

 

CMYK 0 / 65 / 38 / 11

HEX #E2508B

RGB 226 80 139

HSL 335.75, 0.72%, 0.6%

LAB 55.86, 61.48, -1.7

 

CMYK 0 / 65 / 56 / 11

HEX #E25064

RGB 226 80 100

HSL 351.78, 0.72%, 0.6%

LAB 54.89, 57.97, 20.01

 

CMYK 0 / 65 / 65 / 11

HEX #E25050

RGB 226 80 80

HSL 0, 0.72%, 0.6%

LAB 54.54, 56.65, 31.24

 

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

CMYK 14 / 65 / 0 / 11

HEX #C350E2

RGB 195 80 226

HSL 287.26, 0.72%, 0.6%

LAB 54.9, 66.28, -53.84

 

CMYK 31 / 65 / 0 / 11

HEX #9B50E2

RGB 155 80 226

HSL 270.82, 0.72%, 0.6%

LAB 49.73, 57.53, -62.41

 

CMYK 49 / 65 / 0 / 11

HEX #7450E2

RGB 116 80 226

HSL 254.79, 0.72%, 0.6%

LAB 45.55, 49.83, -69.38

 

CMYK 65 / 65 / 0 / 11

HEX #5050E2

RGB 80 80 226

HSL 240, 0.72%, 0.6%

LAB 42.66, 44.06, -74.22

 

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

CMYK 0 / 74 / 4 / 5

HEX #F33FE9

RGB 243 63 233

HSL 303.33, 0.88%, 0.6%

LAB 60.33, 83.68, -48.69

 

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

CMYK 0 / 54 / 3 / 18

HEX #D260CC

RGB 210 96 204

HSL 303.16, 0.56%, 0.6%

LAB 58.44, 58.95, -35.65

 

CMYK 0 / 41 / 2 / 24

HEX #C171BD

RGB 193 113 189

HSL 303, 0.39%, 0.6%

LAB 58.81, 42.9, -26.71

 

CMYK 0 / 27 / 2 / 31

HEX #B181AE

RGB 177 129 174

HSL 303.75, 0.24%, 0.6%

LAB 59.98, 26.11, -16.52

 

CMYK 0 / 9 / 0 / 37

HEX #A092A0

RGB 160 146 160

HSL 300, 0.07%, 0.6%

LAB 62.14, 7.8, -5.49

 

CMYK 31 / 65 / 0 / 11

HEX #9B50E2

RGB 155 80 226

HSL 270.82, 0.72%, 0.6%

LAB 49.73, 57.53, -62.41

 

CMYK 14 / 65 / 0 / 11

HEX #C350E2

RGB 195 80 226

HSL 287.26, 0.72%, 0.6%

LAB 54.9, 66.28, -53.84

 

CMYK 0 / 65 / 3 / 11

HEX #E250DB

RGB 226 80 219

HSL 302.88, 0.72%, 0.6%

LAB 58.99, 72.19, -43.11

 

CMYK 0 / 65 / 20 / 11

HEX #E250B4

RGB 226 80 180

HSL 318.9, 0.72%, 0.6%

LAB 57.27, 66.43, -23.53

 

CMYK 0 / 65 / 38 / 11

HEX #E2508D

RGB 226 80 141

HSL 334.93, 0.72%, 0.6%

LAB 55.92, 61.69, -2.8

 

CMYK 0 / 84 / 5 / 25

HEX #C01FB7

RGB 192 31 183

HSL 303.35, 0.72%, 0.44%

LAB 46.45, 74.15, -42.6

 

CMYK 0 / 80 / 5 / 13

HEX #DD2CD3

RGB 221 44 211

HSL 303.39, 0.72%, 0.52%

LAB 53.9, 81, -46.68

 

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

CMYK 0 / 50 / 3 / 9

HEX #E873E2

RGB 232 115 226

HSL 303.08, 0.72%, 0.68%

LAB 65.68, 59.84, -36.5

 

CMYK 0 / 37 / 2 / 7

HEX #EE97E9

RGB 238 151 233

HSL 303.45, 0.72%, 0.76%

LAB 73.67, 44.86, -27.94

 

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

CMYK 0 / 49 / 65 / 11

HEX #E27450

RGB 226 116 80

HSL 14.79, 0.72%, 0.6%

LAB 60.99, 39.87, 39.11

 

CMYK 65 / 0 / 23 / 11

HEX #50E2AF

RGB 80 226 175

HSL 159.04, 0.72%, 0.6%

LAB 81.4, -50.69, 13.66

 

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

CMYK 3 / 0 / 65 / 11

HEX #DBE250

RGB 219 226 80

HSL 62.88, 0.72%, 0.6%

LAB 87.01, -20.27, 67.73

 

CMYK 65 / 3 / 0 / 11

HEX #50DBE2

RGB 80 219 226

HSL 182.88, 0.72%, 0.6%

LAB 80.66, -34.7, -14.48

 

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

CMYK 0 / 49 / 65 / 11

HEX #E27450

RGB 226 116 80

HSL 14.79, 0.72%, 0.6%

LAB 60.99, 39.87, 39.11

 

CMYK 65 / 0 / 62 / 11

HEX #50E257

RGB 80 226 87

HSL 122.88, 0.72%, 0.6%

LAB 80.06, -65.4, 55.29

 

CMYK 65 / 16 / 0 / 11

HEX #50BEE2

RGB 80 190 226

HSL 194.79, 0.72%, 0.6%

LAB 72.24, -20.45, -27.25

 

CMYK 0 / 65 / 4 / 11

HEX #E250DA

RGB 226 80 218

HSL 303.29, 0.72%, 0.6%

LAB 58.94, 72.03, -42.63

 

CMYK 0 / 29 / 65 / 11

HEX #E2A050

RGB 226 160 80

HSL 32.88, 0.72%, 0.6%

LAB 70.79, 16.68, 50.45

 

CMYK 65 / 0 / 62 / 11

HEX #50E257

RGB 80 226 87

HSL 122.88, 0.72%, 0.6%

LAB 80.06, -65.4, 55.29

 

CMYK 65 / 35 / 0 / 11

HEX #5092E2

RGB 80 146 226

HSL 212.88, 0.72%, 0.6%

LAB 59.67, 3.81, -46.85

 

Description

Color code: HEX #E250DA | qconv.com Color code: HEX #E250DA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 80 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 80 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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