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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E24FB6 it is the complementary color #1DB049. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E24FB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E24FB6 shade: #E74FB1, #F861C4, #FF73D7, #FF85EA and #FF97FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E24FB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E24FB6 shade: #E24FB6, #D13DA3, #C02B90, #AF197D and #9E076A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E24FB6 shade: #E250B6, #E2508F, #E25067 and #E25050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E24FB6 shade: #E250B6, #E250DE, #BF50E2, #9850E2 and #7050E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E24FB6 shade matches the following richer shades: #E250B6 and #F33FBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E24FB6 shade: #E250B6, #D260B0, #C171A9, #B181A3 and #A0929C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E24FB6 shade: #BE50E2, #E250E0, #E250B9, #E25092 and #E2506A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E24FB6 shade: #C01F90, #DD2CA8, #E250B6, #E873C5 and #EE97D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E24FB6 shade: #E24FB6, #E29750 and #50E2D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E24FB6 shade: #E24FB6, #B9E250 and #50B9E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E24FB6 shade: #E24FB6, #E29750, #50E279 and #509BE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E24FB6 shade: #E24FB6, #E2C350, #50E279 and #506FE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 19 / 11

HEX #E24FB6

RGB 226 79 182

HSL 317.96, 0.72%, 0.6%

LAB 57.21, 67.09, -24.78

 

Complementary color

CMYK 84 / 0 / 59 / 31

HEX #1DB049

RGB 29 176 73

HSL 137.96, 0.72%, 0.4%

LAB 63.17, -58.25, 41.88

 

CMYK 0 / 66 / 23 / 9

HEX #E74FB1

RGB 231 79 177

HSL 321.32, 0.76%, 0.61%

LAB 57.8, 67.75, -20.91

 

CMYK 0 / 61 / 21 / 3

HEX #F861C4

RGB 248 97 196

HSL 320.66, 0.92%, 0.68%

LAB 63.75, 67.68, -22.46

 

CMYK 0 / 55 / 16 / 0

HEX #FF73D7

RGB 255 115 215

HSL 317.14, 1%, 0.73%

LAB 68.33, 64.54, -26.02

 

CMYK 0 / 48 / 8 / 0

HEX #FF85EA

RGB 255 133 234

HSL 310.33, 1%, 0.76%

LAB 72.21, 59.11, -30.56

 

CMYK 0 / 41 / 1 / 0

HEX #FF97FD

RGB 255 151 253

HSL 301.15, 1%, 0.8%

LAB 76.37, 53.48, -34.49

 

CMYK 0 / 65 / 19 / 11

HEX #E24FB6

RGB 226 79 182

HSL 317.96, 0.72%, 0.6%

LAB 57.21, 67.09, -24.78

 

CMYK 0 / 71 / 22 / 18

HEX #D13DA3

RGB 209 61 163

HSL 318.65, 0.62%, 0.53%

LAB 51.31, 66.79, -23.01

 

CMYK 0 / 78 / 25 / 25

HEX #C02B90

RGB 192 43 144

HSL 319.33, 0.63%, 0.46%

LAB 45.56, 65.89, -20.76

 

CMYK 0 / 86 / 29 / 31

HEX #AF197D

RGB 175 25 125

HSL 320, 0.75%, 0.39%

LAB 40.06, 64.07, -17.85

 

CMYK 0 / 96 / 33 / 38

HEX #9E076A

RGB 158 7 106

HSL 320.66, 0.92%, 0.32%

LAB 34.93, 60.97, -14.06

 

CMYK 0 / 65 / 19 / 11

HEX #E250B6

RGB 226 80 182

HSL 318.08, 0.72%, 0.6%

LAB 57.35, 66.7, -24.56

 

CMYK 0 / 65 / 37 / 11

HEX #E2508F

RGB 226 80 143

HSL 334.11, 0.72%, 0.6%

LAB 55.98, 61.91, -3.89

 

CMYK 0 / 65 / 54 / 11

HEX #E25067

RGB 226 80 103

HSL 350.55, 0.72%, 0.6%

LAB 54.95, 58.19, 18.32

 

CMYK 0 / 65 / 65 / 11

HEX #E25050

RGB 226 80 80

HSL 0, 0.72%, 0.6%

LAB 54.54, 56.65, 31.24

 

CMYK 0 / 65 / 19 / 11

HEX #E250B6

RGB 226 80 182

HSL 318.08, 0.72%, 0.6%

LAB 57.35, 66.7, -24.56

 

CMYK 0 / 65 / 2 / 11

HEX #E250DE

RGB 226 80 222

HSL 301.64, 0.72%, 0.6%

LAB 59.14, 72.67, -44.57

 

CMYK 15 / 65 / 0 / 11

HEX #BF50E2

RGB 191 80 226

HSL 285.62, 0.72%, 0.6%

LAB 54.35, 65.38, -54.75

 

CMYK 33 / 65 / 0 / 11

HEX #9850E2

RGB 152 80 226

HSL 269.59, 0.72%, 0.6%

LAB 49.38, 56.9, -63

 

CMYK 50 / 65 / 0 / 11

HEX #7050E2

RGB 112 80 226

HSL 253.15, 0.72%, 0.6%

LAB 45.18, 49.11, -70

 

CMYK 0 / 65 / 19 / 11

HEX #E250B6

RGB 226 80 182

HSL 318.08, 0.72%, 0.6%

LAB 57.35, 66.7, -24.56

 

CMYK 0 / 74 / 22 / 5

HEX #F33FBD

RGB 243 63 189

HSL 318, 0.88%, 0.6%

LAB 58.31, 77.68, -26.9

 

CMYK 0 / 65 / 19 / 11

HEX #E250B6

RGB 226 80 182

HSL 318.08, 0.72%, 0.6%

LAB 57.35, 66.7, -24.56

 

CMYK 0 / 54 / 16 / 18

HEX #D260B0

RGB 210 96 176

HSL 317.89, 0.56%, 0.6%

LAB 57.27, 54.44, -21.43

 

CMYK 0 / 41 / 12 / 24

HEX #C171A9

RGB 193 113 169

HSL 318, 0.39%, 0.6%

LAB 58.05, 39.41, -16.41

 

CMYK 0 / 27 / 8 / 31

HEX #B181A3

RGB 177 129 163

HSL 317.5, 0.24%, 0.6%

LAB 59.61, 24.07, -10.79

 

CMYK 0 / 9 / 2 / 37

HEX #A0929C

RGB 160 146 156

HSL 317.14, 0.07%, 0.6%

LAB 62.02, 7.03, -3.39

 

CMYK 16 / 65 / 0 / 11

HEX #BE50E2

RGB 190 80 226

HSL 285.21, 0.72%, 0.6%

LAB 54.21, 65.16, -54.97

 

CMYK 0 / 65 / 1 / 11

HEX #E250E0

RGB 226 80 224

HSL 300.82, 0.72%, 0.6%

LAB 59.24, 73, -45.54

 

CMYK 0 / 65 / 18 / 11

HEX #E250B9

RGB 226 80 185

HSL 316.85, 0.72%, 0.6%

LAB 57.47, 67.12, -26.11

 

CMYK 0 / 65 / 35 / 11

HEX #E25092

RGB 226 80 146

HSL 332.88, 0.72%, 0.6%

LAB 56.07, 62.23, -5.52

 

CMYK 0 / 65 / 53 / 11

HEX #E2506A

RGB 226 80 106

HSL 349.32, 0.72%, 0.6%

LAB 55.02, 58.43, 16.63

 

CMYK 0 / 84 / 25 / 25

HEX #C01F90

RGB 192 31 144

HSL 317.89, 0.72%, 0.44%

LAB 44.52, 68.89, -22.37

 

CMYK 0 / 80 / 24 / 13

HEX #DD2CA8

RGB 221 44 168

HSL 317.97, 0.72%, 0.52%

LAB 51.84, 75.25, -24.97

 

CMYK 0 / 65 / 19 / 11

HEX #E250B6

RGB 226 80 182

HSL 318.08, 0.72%, 0.6%

LAB 57.35, 66.7, -24.56

 

CMYK 0 / 50 / 15 / 9

HEX #E873C5

RGB 232 115 197

HSL 317.95, 0.72%, 0.68%

LAB 64.52, 55.16, -22.05

 

CMYK 0 / 37 / 11 / 7

HEX #EE97D4

RGB 238 151 212

HSL 317.93, 0.72%, 0.76%

LAB 72.93, 41.27, -17.55

 

CMYK 0 / 65 / 19 / 11

HEX #E24FB6

RGB 226 79 182

HSL 317.96, 0.72%, 0.6%

LAB 57.21, 67.09, -24.78

 

CMYK 0 / 33 / 65 / 11

HEX #E29750

RGB 226 151 80

HSL 29.18, 0.72%, 0.6%

LAB 68.67, 21.5, 48.05

 

CMYK 65 / 0 / 8 / 11

HEX #50E2D1

RGB 80 226 209

HSL 173.01, 0.72%, 0.6%

LAB 82.22, -42.48, -3.13

 

CMYK 0 / 65 / 19 / 11

HEX #E24FB6

RGB 226 79 182

HSL 317.96, 0.72%, 0.6%

LAB 57.21, 67.09, -24.78

 

CMYK 18 / 0 / 65 / 11

HEX #B9E250

RGB 185 226 80

HSL 76.85, 0.72%, 0.6%

LAB 84.63, -33.79, 64.5

 

CMYK 65 / 18 / 0 / 11

HEX #50B9E2

RGB 80 185 226

HSL 196.85, 0.72%, 0.6%

LAB 70.8, -17.86, -29.47

 

CMYK 0 / 65 / 19 / 11

HEX #E24FB6

RGB 226 79 182

HSL 317.96, 0.72%, 0.6%

LAB 57.21, 67.09, -24.78

 

CMYK 0 / 33 / 65 / 11

HEX #E29750

RGB 226 151 80

HSL 29.18, 0.72%, 0.6%

LAB 68.67, 21.5, 48.05

 

CMYK 65 / 0 / 46 / 11

HEX #50E279

RGB 80 226 121

HSL 136.85, 0.72%, 0.6%

LAB 80.45, -60.94, 40.03

 

CMYK 65 / 31 / 0 / 11

HEX #509BE2

RGB 80 155 226

HSL 209.18, 0.72%, 0.6%

LAB 62.2, -1.41, -42.85

 

CMYK 0 / 65 / 19 / 11

HEX #E24FB6

RGB 226 79 182

HSL 317.96, 0.72%, 0.6%

LAB 57.21, 67.09, -24.78

 

CMYK 0 / 14 / 65 / 11

HEX #E2C350

RGB 226 195 80

HSL 47.26, 0.72%, 0.6%

LAB 79.49, -1.79, 59.99

 

CMYK 65 / 0 / 46 / 11

HEX #50E279

RGB 80 226 121

HSL 136.85, 0.72%, 0.6%

LAB 80.45, -60.94, 40.03

 

CMYK 65 / 51 / 0 / 11

HEX #506FE2

RGB 80 111 226

HSL 227.26, 0.72%, 0.6%

LAB 50.17, 25.07, -62.01

 

Description

Color code: HEX #E24FB6 | qconv.com Color code: HEX #E24FB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 79 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 79 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 19 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 19% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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