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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E24EEC it is the complementary color #1DB113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E24EEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E24EEC shade: #E74EE7, #F860FA, #FF72FF, #FF84FF and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E24EEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E24EEC shade: #E24EEC, #D13CD9, #C02AC6, #AF18B3 and #9E06A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E24EEC shade: #E350ED, #ED50CC, #ED50A2, #ED5078 and #ED5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E24EEC shade: #E350ED, #B850ED, #8E50ED, #6450ED and #5050ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E24EEC shade matches the following richer shades: #E350ED and #F040FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E24EEC shade: #E350ED, #D55FDD, #C76FCD, #BA7FBE and #AC8EAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E24EEC shade: #8E50ED, #B850ED, #E250ED, #ED50CD and #ED50A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E24EEC shade: #C716D3, #DD2AE9, #E350ED, #E975F1 and #EF9AF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E24EEC shade: #E24EEC, #ED6550 and #50EDA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E24EEC shade: #E24EEC, #EDE250 and #50EDE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E24EEC shade: #E24EEC, #ED6550, #5AED50 and #50D8ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E24EEC shade: #E24EEC, #ED9450, #5AED50 and #50A9ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 67 / 0 / 7

HEX #E24EEC

RGB 226 78 236

HSL 296.2, 0.81%, 0.62%

LAB 59.59, 75.71, -51.71

 

Complementary color

CMYK 84 / 0 / 89 / 31

HEX #1DB113

RGB 29 177 19

HSL 116.2, 0.81%, 0.38%

LAB 63.14, -63.06, 60.83

 

CMYK 0 / 66 / 0 / 9

HEX #E74EE7

RGB 231 78 231

HSL 300, 0.76%, 0.61%

LAB 60.08, 75.99, -48.1

 

CMYK 1 / 62 / 0 / 2

HEX #F860FA

RGB 248 96 250

HSL 299.22, 0.94%, 0.68%

LAB 65.92, 76.16, -49.24

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 4 / 67 / 0 / 7

HEX #E24EEC

RGB 226 78 236

HSL 296.2, 0.81%, 0.62%

LAB 59.59, 75.71, -51.71

 

CMYK 4 / 72 / 0 / 15

HEX #D13CD9

RGB 209 60 217

HSL 296.94, 0.67%, 0.54%

LAB 53.81, 75.14, -50.36

 

CMYK 3 / 79 / 0 / 22

HEX #C02AC6

RGB 192 42 198

HSL 297.69, 0.65%, 0.47%

LAB 48.18, 73.91, -48.59

 

CMYK 2 / 87 / 0 / 30

HEX #AF18B3

RGB 175 24 179

HSL 298.45, 0.76%, 0.4%

LAB 42.8, 71.73, -46.25

 

CMYK 1 / 96 / 0 / 37

HEX #9E06A0

RGB 158 6 160

HSL 299.22, 0.93%, 0.33%

LAB 37.73, 68.31, -43.17

 

CMYK 4 / 66 / 0 / 7

HEX #E350ED

RGB 227 80 237

HSL 296.18, 0.81%, 0.62%

LAB 60.05, 75.36, -51.52

 

CMYK 0 / 66 / 14 / 7

HEX #ED50CC

RGB 237 80 204

HSL 312.61, 0.81%, 0.62%

LAB 59.98, 72.58, -32.95

 

CMYK 0 / 66 / 32 / 7

HEX #ED50A2

RGB 237 80 162

HSL 328.66, 0.81%, 0.62%

LAB 58.37, 67.16, -11.26

 

CMYK 0 / 66 / 49 / 7

HEX #ED5078

RGB 237 80 120

HSL 344.71, 0.81%, 0.62%

LAB 57.17, 62.96, 11.63

 

CMYK 0 / 66 / 66 / 7

HEX #ED5050

RGB 237 80 80

HSL 0, 0.81%, 0.62%

LAB 56.41, 60.21, 33.96

 

CMYK 4 / 66 / 0 / 7

HEX #E350ED

RGB 227 80 237

HSL 296.18, 0.81%, 0.62%

LAB 60.05, 75.36, -51.52

 

CMYK 22 / 66 / 0 / 7

HEX #B850ED

RGB 184 80 237

HSL 279.75, 0.81%, 0.62%

LAB 54.07, 66.06, -61.43

 

CMYK 40 / 66 / 0 / 7

HEX #8E50ED

RGB 142 80 237

HSL 263.69, 0.81%, 0.62%

LAB 49.01, 57.59, -69.86

 

CMYK 58 / 66 / 0 / 7

HEX #6450ED

RGB 100 80 237

HSL 247.64, 0.81%, 0.62%

LAB 45.03, 50.37, -76.52

 

CMYK 66 / 66 / 0 / 7

HEX #5050ED

RGB 80 80 237

HSL 240, 0.81%, 0.62%

LAB 43.59, 47.62, -78.93

 

CMYK 4 / 66 / 0 / 7

HEX #E350ED

RGB 227 80 237

HSL 296.18, 0.81%, 0.62%

LAB 60.05, 75.36, -51.52

 

CMYK 5 / 75 / 0 / 1

HEX #F040FC

RGB 240 64 252

HSL 296.17, 0.97%, 0.62%

LAB 60.98, 85.72, -58.27

 

CMYK 4 / 66 / 0 / 7

HEX #E350ED

RGB 227 80 237

HSL 296.18, 0.81%, 0.62%

LAB 60.05, 75.36, -51.52

 

CMYK 4 / 57 / 0 / 13

HEX #D55FDD

RGB 213 95 221

HSL 296.19, 0.65%, 0.62%

LAB 59.48, 63.14, -43.6

 

CMYK 3 / 46 / 0 / 20

HEX #C76FCD

RGB 199 111 205

HSL 296.17, 0.48%, 0.62%

LAB 59.82, 48.71, -34.18

 

CMYK 2 / 33 / 0 / 25

HEX #BA7FBE

RGB 186 127 190

HSL 296.19, 0.33%, 0.62%

LAB 61.08, 33.29, -23.86

 

CMYK 1 / 18 / 0 / 32

HEX #AC8EAE

RGB 172 142 174

HSL 296.25, 0.16%, 0.62%

LAB 62.65, 17.05, -12.54

 

CMYK 40 / 66 / 0 / 7

HEX #8E50ED

RGB 142 80 237

HSL 263.69, 0.81%, 0.62%

LAB 49.01, 57.59, -69.86

 

CMYK 22 / 66 / 0 / 7

HEX #B850ED

RGB 184 80 237

HSL 279.75, 0.81%, 0.62%

LAB 54.07, 66.06, -61.43

 

CMYK 5 / 66 / 0 / 7

HEX #E250ED

RGB 226 80 237

HSL 295.8, 0.81%, 0.62%

LAB 59.91, 75.14, -51.77

 

CMYK 0 / 66 / 14 / 7

HEX #ED50CD

RGB 237 80 205

HSL 312.23, 0.81%, 0.62%

LAB 60.02, 72.72, -33.45

 

CMYK 0 / 66 / 31 / 7

HEX #ED50A3

RGB 237 80 163

HSL 328.28, 0.81%, 0.62%

LAB 58.4, 67.27, -11.79

 

CMYK 6 / 90 / 0 / 17

HEX #C716D3

RGB 199 22 211

HSL 296.19, 0.81%, 0.46%

LAB 48.78, 81.17, -55.06

 

CMYK 5 / 82 / 0 / 9

HEX #DD2AE9

RGB 221 42 233

HSL 296.23, 0.81%, 0.54%

LAB 54.98, 84.77, -57.43

 

CMYK 4 / 66 / 0 / 7

HEX #E350ED

RGB 227 80 237

HSL 296.18, 0.81%, 0.62%

LAB 60.05, 75.36, -51.52

 

CMYK 3 / 51 / 0 / 5

HEX #E975F1

RGB 233 117 241

HSL 296.13, 0.82%, 0.7%

LAB 66.82, 61.78, -43

 

CMYK 2 / 37 / 0 / 4

HEX #EF9AF4

RGB 239 154 244

HSL 296.67, 0.8%, 0.78%

LAB 74.82, 45.59, -32.15

 

CMYK 4 / 67 / 0 / 7

HEX #E24EEC

RGB 226 78 236

HSL 296.2, 0.81%, 0.62%

LAB 59.59, 75.71, -51.71

 

CMYK 0 / 57 / 66 / 7

HEX #ED6550

RGB 237 101 80

HSL 8.03, 0.81%, 0.62%

LAB 59.79, 51.19, 38.06

 

CMYK 66 / 0 / 31 / 7

HEX #50EDA3

RGB 80 237 163

HSL 151.72, 0.81%, 0.62%

LAB 84.44, -57.61, 24.13

 

CMYK 4 / 67 / 0 / 7

HEX #E24EEC

RGB 226 78 236

HSL 296.2, 0.81%, 0.62%

LAB 59.59, 75.71, -51.71

 

CMYK 0 / 5 / 66 / 7

HEX #EDE250

RGB 237 226 80

HSL 55.8, 0.81%, 0.62%

LAB 88.44, -12.9, 69.64

 

CMYK 66 / 0 / 5 / 7

HEX #50EDE2

RGB 80 237 226

HSL 175.8, 0.81%, 0.62%

LAB 85.89, -42.89, -6.69

 

CMYK 4 / 67 / 0 / 7

HEX #E24EEC

RGB 226 78 236

HSL 296.2, 0.81%, 0.62%

LAB 59.59, 75.71, -51.71

 

CMYK 0 / 57 / 66 / 7

HEX #ED6550

RGB 237 101 80

HSL 8.03, 0.81%, 0.62%

LAB 59.79, 51.19, 38.06

 

CMYK 62 / 0 / 66 / 7

HEX #5AED50

RGB 90 237 80

HSL 116.18, 0.81%, 0.62%

LAB 83.61, -67.77, 62.15

 

CMYK 66 / 9 / 0 / 7

HEX #50D8ED

RGB 80 216 237

HSL 188.03, 0.81%, 0.62%

LAB 80.14, -30.12, -21.12

 

CMYK 4 / 67 / 0 / 7

HEX #E24EEC

RGB 226 78 236

HSL 296.2, 0.81%, 0.62%

LAB 59.59, 75.71, -51.71

 

CMYK 0 / 38 / 66 / 7

HEX #ED9450

RGB 237 148 80

HSL 25.99, 0.81%, 0.62%

LAB 69.3, 27.61, 49.12

 

CMYK 62 / 0 / 66 / 7

HEX #5AED50

RGB 90 237 80

HSL 116.18, 0.81%, 0.62%

LAB 83.61, -67.77, 62.15

 

CMYK 66 / 29 / 0 / 7

HEX #50A9ED

RGB 80 169 237

HSL 205.99, 0.81%, 0.62%

LAB 66.67, -5.69, -41.9

 

Description

Color code: HEX #E24EEC | qconv.com Color code: HEX #E24EEC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 78 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 78 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 67 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 67% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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