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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E24D8C it is the complementary color #1DB273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E24D8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E24D8C shade: #E74D87, #F85F9A, #FF71AD, #FF83C0 and #FF95D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E24D8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E24D8C shade: #E24D8C, #D13B79, #C02966, #AF1753 and #9E0540

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E24D8C shade: #E24B8B, #E24B62 and #E24B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E24D8C shade: #E24B8B, #E24BB3, #E24BDC, #BF4BE2 and #964BE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E24D8C shade matches the following richer shades: #E24B8B and #F33A88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E24D8C shade: #E24B8B, #D15C8D, #C06D90, #AF7E93 and #9E8F95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E24D8C shade: #E24BDD, #E24BB5, #E24B8C, #E24B64 and #E25A4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E24D8C shade: #BC1F61, #DC2874, #E24B8B, #E86FA2 and #ED92B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E24D8C shade: #E24D8C, #E2BF4B and #4BC9E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E24D8C shade: #E24D8C, #8CE24B and #4B8CE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E24D8C shade: #E24D8C, #E2BF4B, #4BE2A0 and #4B6EE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E24D8C shade: #E24D8C, #D8E24B, #4BE2A0 and #554BE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 38 / 11

HEX #E24D8C

RGB 226 77 140

HSL 334.63, 0.72%, 0.59%

LAB 55.45, 62.77, -2.89

 

Complementary color

CMYK 84 / 0 / 35 / 30

HEX #1DB273

RGB 29 178 115

HSL 154.63, 0.72%, 0.41%

LAB 64.44, -51.7, 21.99

 

CMYK 0 / 67 / 42 / 9

HEX #E74D87

RGB 231 77 135

HSL 337.4, 0.76%, 0.6%

LAB 56.13, 63.72, 1.16

 

CMYK 0 / 62 / 38 / 3

HEX #F85F9A

RGB 248 95 154

HSL 336.86, 0.92%, 0.67%

LAB 62.06, 63.45, -0.95

 

CMYK 0 / 56 / 32 / 0

HEX #FF71AD

RGB 255 113 173

HSL 334.65, 1%, 0.72%

LAB 66.59, 59.89, -5.04

 

CMYK 0 / 49 / 25 / 0

HEX #FF83C0

RGB 255 131 192

HSL 330.48, 1%, 0.76%

LAB 70.38, 53.86, -10.09

 

CMYK 0 / 42 / 17 / 0

HEX #FF95D3

RGB 255 149 211

HSL 324.91, 1%, 0.79%

LAB 74.48, 47.66, -14.47

 

CMYK 0 / 66 / 38 / 11

HEX #E24D8C

RGB 226 77 140

HSL 334.63, 0.72%, 0.59%

LAB 55.45, 62.77, -2.89

 

CMYK 0 / 72 / 42 / 18

HEX #D13B79

RGB 209 59 121

HSL 335.2, 0.62%, 0.53%

LAB 49.57, 62.67, -0.49

 

CMYK 0 / 79 / 47 / 25

HEX #C02966

RGB 192 41 102

HSL 335.76, 0.65%, 0.46%

LAB 43.87, 61.98, 2.5

 

CMYK 0 / 87 / 53 / 31

HEX #AF1753

RGB 175 23 83

HSL 336.32, 0.77%, 0.39%

LAB 38.47, 60.37, 6.3

 

CMYK 0 / 97 / 59 / 38

HEX #9E0540

RGB 158 5 64

HSL 336.86, 0.94%, 0.32%

LAB 33.45, 57.53, 11.1

 

CMYK 0 / 67 / 38 / 11

HEX #E24B8B

RGB 226 75 139

HSL 334.57, 0.72%, 0.59%

LAB 55.14, 63.45, -2.76

 

CMYK 0 / 67 / 57 / 11

HEX #E24B62

RGB 226 75 98

HSL 350.86, 0.72%, 0.59%

LAB 54.11, 59.83, 20.14

 

CMYK 0 / 67 / 67 / 11

HEX #E24B4B

RGB 226 75 75

HSL 0, 0.72%, 0.59%

LAB 53.72, 58.39, 33.1

 

CMYK 0 / 67 / 38 / 11

HEX #E24B8B

RGB 226 75 139

HSL 334.57, 0.72%, 0.59%

LAB 55.14, 63.45, -2.76

 

CMYK 0 / 67 / 21 / 11

HEX #E24BB3

RGB 226 75 179

HSL 318.68, 0.72%, 0.59%

LAB 56.54, 68.21, -24.07

 

CMYK 0 / 67 / 3 / 11

HEX #E24BDC

RGB 226 75 220

HSL 302.38, 0.72%, 0.59%

LAB 58.38, 74.2, -44.64

 

CMYK 15 / 67 / 0 / 11

HEX #BF4BE2

RGB 191 75 226

HSL 286.09, 0.72%, 0.59%

LAB 53.6, 67.47, -55.95

 

CMYK 34 / 67 / 0 / 11

HEX #964BE2

RGB 150 75 226

HSL 269.8, 0.72%, 0.59%

LAB 48.27, 58.89, -64.81

 

CMYK 0 / 67 / 38 / 11

HEX #E24B8B

RGB 226 75 139

HSL 334.57, 0.72%, 0.59%

LAB 55.14, 63.45, -2.76

 

CMYK 0 / 76 / 44 / 5

HEX #F33A88

RGB 243 58 136

HSL 334.7, 0.89%, 0.59%

LAB 55.95, 73.49, 0.55

 

CMYK 0 / 67 / 38 / 11

HEX #E24B8B

RGB 226 75 139

HSL 334.57, 0.72%, 0.59%

LAB 55.14, 63.45, -2.76

 

CMYK 0 / 56 / 33 / 18

HEX #D15C8D

RGB 209 92 141

HSL 334.87, 0.56%, 0.59%

LAB 55.21, 51.21, -4.14

 

CMYK 0 / 43 / 25 / 25

HEX #C06D90

RGB 192 109 144

HSL 334.7, 0.4%, 0.59%

LAB 56.25, 37.31, -4.63

 

CMYK 0 / 28 / 16 / 31

HEX #AF7E93

RGB 175 126 147

HSL 334.29, 0.23%, 0.59%

LAB 58.17, 22.26, -3.76

 

CMYK 0 / 9 / 6 / 38

HEX #9E8F95

RGB 158 143 149

HSL 336, 0.07%, 0.59%

LAB 60.86, 6.67, -1.15

 

CMYK 0 / 67 / 2 / 11

HEX #E24BDD

RGB 226 75 221

HSL 301.99, 0.72%, 0.59%

LAB 58.43, 74.35, -45.12

 

CMYK 0 / 67 / 20 / 11

HEX #E24BB5

RGB 226 75 181

HSL 317.88, 0.72%, 0.59%

LAB 56.62, 68.48, -25.11

 

CMYK 0 / 67 / 38 / 11

HEX #E24B8C

RGB 226 75 140

HSL 334.17, 0.72%, 0.59%

LAB 55.17, 63.55, -3.31

 

CMYK 0 / 67 / 56 / 11

HEX #E24B64

RGB 226 75 100

HSL 350.07, 0.72%, 0.59%

LAB 54.16, 59.97, 19.01

 

CMYK 0 / 60 / 67 / 11

HEX #E25A4B

RGB 226 90 75

HSL 5.96, 0.72%, 0.59%

LAB 56.08, 52.06, 35.96

 

CMYK 0 / 84 / 48 / 26

HEX #BC1F61

RGB 188 31 97

HSL 334.78, 0.72%, 0.43%

LAB 42.05, 63.09, 2.9

 

CMYK 0 / 82 / 47 / 14

HEX #DC2874

RGB 220 40 116

HSL 334.67, 0.72%, 0.51%

LAB 49.49, 70.65, 2.67

 

CMYK 0 / 67 / 38 / 11

HEX #E24B8B

RGB 226 75 139

HSL 334.57, 0.72%, 0.59%

LAB 55.14, 63.45, -2.76

 

CMYK 0 / 52 / 30 / 9

HEX #E86FA2

RGB 232 111 162

HSL 334.71, 0.72%, 0.67%

LAB 62.62, 52.21, -5.01

 

CMYK 0 / 38 / 22 / 7

HEX #ED92B9

RGB 237 146 185

HSL 334.29, 0.72%, 0.75%

LAB 70.92, 39.38, -5.64

 

CMYK 0 / 66 / 38 / 11

HEX #E24D8C

RGB 226 77 140

HSL 334.63, 0.72%, 0.59%

LAB 55.45, 62.77, -2.89

 

CMYK 0 / 15 / 67 / 11

HEX #E2BF4B

RGB 226 191 75

HSL 46.09, 0.72%, 0.59%

LAB 78.43, -0.01, 60.99

 

CMYK 67 / 11 / 0 / 11

HEX #4BC9E2

RGB 75 201 226

HSL 189.93, 0.72%, 0.59%

LAB 75.3, -26.77, -22.59

 

CMYK 0 / 66 / 38 / 11

HEX #E24D8C

RGB 226 77 140

HSL 334.63, 0.72%, 0.59%

LAB 55.45, 62.77, -2.89

 

CMYK 38 / 0 / 67 / 11

HEX #8CE24B

RGB 140 226 75

HSL 94.17, 0.72%, 0.59%

LAB 82.1, -50.39, 63.02

 

CMYK 67 / 38 / 0 / 11

HEX #4B8CE2

RGB 75 140 226

HSL 214.17, 0.72%, 0.59%

LAB 57.79, 6.53, -49.83

 

CMYK 0 / 66 / 38 / 11

HEX #E24D8C

RGB 226 77 140

HSL 334.63, 0.72%, 0.59%

LAB 55.45, 62.77, -2.89

 

CMYK 0 / 15 / 67 / 11

HEX #E2BF4B

RGB 226 191 75

HSL 46.09, 0.72%, 0.59%

LAB 78.43, -0.01, 60.99

 

CMYK 67 / 0 / 29 / 11

HEX #4BE2A0

RGB 75 226 160

HSL 153.77, 0.72%, 0.59%

LAB 80.98, -54.76, 20.9

 

CMYK 67 / 51 / 0 / 11

HEX #4B6EE2

RGB 75 110 226

HSL 226.09, 0.72%, 0.59%

LAB 49.66, 24.91, -62.85

 

CMYK 0 / 66 / 38 / 11

HEX #E24D8C

RGB 226 77 140

HSL 334.63, 0.72%, 0.59%

LAB 55.45, 62.77, -2.89

 

CMYK 4 / 0 / 67 / 11

HEX #D8E24B

RGB 216 226 75

HSL 63.97, 0.72%, 0.59%

LAB 86.75, -21.78, 69.3

 

CMYK 67 / 0 / 29 / 11

HEX #4BE2A0

RGB 75 226 160

HSL 153.77, 0.72%, 0.59%

LAB 80.98, -54.76, 20.9

 

CMYK 62 / 67 / 0 / 11

HEX #554BE2

RGB 85 75 226

HSL 243.97, 0.72%, 0.59%

LAB 41.93, 47.65, -75.41

 

Description

Color code: HEX #E24D8C | qconv.com Color code: HEX #E24D8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 77 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 77 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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