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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E248A7 it is the complementary color #1DB758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E248A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E248A7 shade: #E748A2, #F85AB5, #FF6CC8, #FF7EDB and #FF90EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E248A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E248A7 shade: #E248A7, #D13694, #C02481, #AF126E and #9E005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E248A7 shade: #E246A6, #E2467C, #E24652 and #E24646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E248A7 shade: #E246A6, #E246D0, #CA46E2, #9F46E2 and #7546E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E248A7 shade matches the following richer shades: #E246A6 and #F334AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E248A7 shade: #E246A6, #D157A2, #BF689E, #AE7A9A and #9D8B96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E248A7 shade: #C846E2, #E246D2, #E246A9, #E2467F and #E24655

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E248A7 shade: #B81D7D, #DC2295, #E246A6, #E869B7 and #ED8DC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E248A7 shade: #E248A7, #E29E46 and #46E2DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E248A7 shade: #E248A7, #A9E246 and #46A9E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E248A7 shade: #E248A7, #E29E46, #46E27F and #4689E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E248A7 shade: #E248A7, #E2CD46, #46E27F and #465BE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 26 / 11

HEX #E248A7

RGB 226 72 167

HSL 322.99, 0.73%, 0.58%

LAB 55.68, 67.77, -18.42

 

Complementary color

CMYK 84 / 0 / 52 / 28

HEX #1DB758

RGB 29 183 88

HSL 142.99, 0.73%, 0.42%

LAB 65.62, -58.42, 37.56

 

CMYK 0 / 69 / 30 / 9

HEX #E748A2

RGB 231 72 162

HSL 326.04, 0.77%, 0.59%

LAB 56.32, 68.49, -14.44

 

CMYK 0 / 64 / 27 / 3

HEX #F85AB5

RGB 248 90 181

HSL 325.44, 0.92%, 0.66%

LAB 62.17, 68.57, -16.32

 

CMYK 0 / 58 / 22 / 0

HEX #FF6CC8

RGB 255 108 200

HSL 322.45, 1%, 0.71%

LAB 66.64, 65.52, -20.22

 

CMYK 0 / 51 / 14 / 0

HEX #FF7EDB

RGB 255 126 219

HSL 316.74, 1%, 0.75%

LAB 70.38, 60.09, -25.1

 

CMYK 0 / 44 / 7 / 0

HEX #FF90EE

RGB 255 144 238

HSL 309.19, 1%, 0.78%

LAB 74.43, 54.41, -29.33

 

CMYK 0 / 68 / 26 / 11

HEX #E248A7

RGB 226 72 167

HSL 322.99, 0.73%, 0.58%

LAB 55.68, 67.77, -18.42

 

CMYK 0 / 74 / 29 / 18

HEX #D13694

RGB 209 54 148

HSL 323.61, 0.63%, 0.52%

LAB 49.9, 67.24, -16.26

 

CMYK 0 / 81 / 33 / 25

HEX #C02481

RGB 192 36 129

HSL 324.23, 0.68%, 0.45%

LAB 44.31, 66, -13.54

 

CMYK 0 / 90 / 37 / 31

HEX #AF126E

RGB 175 18 110

HSL 324.84, 0.81%, 0.38%

LAB 39.02, 63.7, -10.05

 

CMYK 0 / 100 / 42 / 38

HEX #9E005B

RGB 158 0 91

HSL 325.44, 1%, 0.31%

LAB 34.03, 60.35, -5.75

 

CMYK 0 / 69 / 27 / 11

HEX #E246A6

RGB 226 70 166

HSL 323.08, 0.73%, 0.58%

LAB 55.38, 68.37, -18.28

 

CMYK 0 / 69 / 45 / 11

HEX #E2467C

RGB 226 70 124

HSL 339.23, 0.73%, 0.58%

LAB 54.03, 63.85, 4.54

 

CMYK 0 / 69 / 64 / 11

HEX #E24652

RGB 226 70 82

HSL 355.38, 0.73%, 0.58%

LAB 53.12, 60.7, 28.29

 

CMYK 0 / 69 / 69 / 11

HEX #E24646

RGB 226 70 70

HSL 0, 0.73%, 0.58%

LAB 52.94, 60.06, 35.03

 

CMYK 0 / 69 / 27 / 11

HEX #E246A6

RGB 226 70 166

HSL 323.08, 0.73%, 0.58%

LAB 55.38, 68.37, -18.28

 

CMYK 0 / 69 / 8 / 11

HEX #E246D0

RGB 226 70 208

HSL 306.92, 0.73%, 0.58%

LAB 57.18, 74.11, -39.74

 

CMYK 11 / 69 / 0 / 11

HEX #CA46E2

RGB 202 70 226

HSL 290.77, 0.73%, 0.58%

LAB 54.48, 71.77, -54.45

 

CMYK 30 / 69 / 0 / 11

HEX #9F46E2

RGB 159 70 226

HSL 274.23, 0.73%, 0.58%

LAB 48.56, 62.95, -64.28

 

CMYK 48 / 69 / 0 / 11

HEX #7546E2

RGB 117 70 226

HSL 258.08, 0.73%, 0.58%

LAB 43.73, 55.26, -72.35

 

CMYK 0 / 69 / 27 / 11

HEX #E246A6

RGB 226 70 166

HSL 323.08, 0.73%, 0.58%

LAB 55.38, 68.37, -18.28

 

CMYK 0 / 79 / 30 / 5

HEX #F334AA

RGB 243 52 170

HSL 322.93, 0.89%, 0.58%

LAB 56.5, 78.49, -18.65

 

CMYK 0 / 69 / 27 / 11

HEX #E246A6

RGB 226 70 166

HSL 323.08, 0.73%, 0.58%

LAB 55.38, 68.37, -18.28

 

CMYK 0 / 58 / 22 / 18

HEX #D157A2

RGB 209 87 162

HSL 323.11, 0.57%, 0.58%

LAB 55.05, 56.25, -16.69

 

CMYK 0 / 46 / 17 / 25

HEX #BF689E

RGB 191 104 158

HSL 322.76, 0.4%, 0.58%

LAB 55.53, 41.71, -13.88

 

CMYK 0 / 30 / 11 / 32

HEX #AE7A9A

RGB 174 122 154

HSL 323.08, 0.24%, 0.58%

LAB 57.32, 25.34, -9.08

 

CMYK 0 / 11 / 4 / 38

HEX #9D8B96

RGB 157 139 150

HSL 323.33, 0.08%, 0.58%

LAB 59.74, 8.75, -3.37

 

CMYK 12 / 69 / 0 / 11

HEX #C846E2

RGB 200 70 226

HSL 290, 0.73%, 0.58%

LAB 54.19, 71.34, -54.93

 

CMYK 0 / 69 / 7 / 11

HEX #E246D2

RGB 226 70 210

HSL 306.15, 0.73%, 0.58%

LAB 57.27, 74.41, -40.73

 

CMYK 0 / 69 / 25 / 11

HEX #E246A9

RGB 226 70 169

HSL 321.92, 0.73%, 0.58%

LAB 55.5, 68.74, -19.86

 

CMYK 0 / 69 / 44 / 11

HEX #E2467F

RGB 226 70 127

HSL 338.08, 0.73%, 0.58%

LAB 54.11, 64.13, 2.87

 

CMYK 0 / 69 / 62 / 11

HEX #E24655

RGB 226 70 85

HSL 354.23, 0.73%, 0.58%

LAB 53.17, 60.88, 26.59

 

CMYK 0 / 84 / 32 / 28

HEX #B81D7D

RGB 184 29 125

HSL 322.84, 0.73%, 0.42%

LAB 42.08, 65.29, -14.62

 

CMYK 0 / 85 / 32 / 14

HEX #DC2295

RGB 220 34 149

HSL 322.9, 0.73%, 0.5%

LAB 50.13, 75.07, -16.32

 

CMYK 0 / 69 / 27 / 11

HEX #E246A6

RGB 226 70 166

HSL 323.08, 0.73%, 0.58%

LAB 55.38, 68.37, -18.28

 

CMYK 0 / 55 / 21 / 9

HEX #E869B7

RGB 232 105 183

HSL 323.15, 0.73%, 0.66%

LAB 62.23, 57.83, -17.59

 

CMYK 0 / 41 / 16 / 7

HEX #ED8DC8

RGB 237 141 200

HSL 323.13, 0.73%, 0.74%

LAB 70.33, 44.22, -14.85

 

CMYK 0 / 68 / 26 / 11

HEX #E248A7

RGB 226 72 167

HSL 322.99, 0.73%, 0.58%

LAB 55.68, 67.77, -18.42

 

CMYK 0 / 30 / 69 / 11

HEX #E29E46

RGB 226 158 70

HSL 33.85, 0.73%, 0.58%

LAB 70.22, 17.18, 54.49

 

CMYK 69 / 0 / 2 / 11

HEX #46E2DD

RGB 70 226 221

HSL 178.08, 0.73%, 0.58%

LAB 82.33, -40.69, -9.35

 

CMYK 0 / 68 / 26 / 11

HEX #E248A7

RGB 226 72 167

HSL 322.99, 0.73%, 0.58%

LAB 55.68, 67.77, -18.42

 

CMYK 25 / 0 / 69 / 11

HEX #A9E246

RGB 169 226 70

HSL 81.92, 0.73%, 0.58%

LAB 83.58, -40.52, 66.93

 

CMYK 69 / 25 / 0 / 11

HEX #46A9E2

RGB 70 169 226

HSL 201.92, 0.73%, 0.58%

LAB 65.88, -10.84, -37.12

 

CMYK 0 / 68 / 26 / 11

HEX #E248A7

RGB 226 72 167

HSL 322.99, 0.73%, 0.58%

LAB 55.68, 67.77, -18.42

 

CMYK 0 / 30 / 69 / 11

HEX #E29E46

RGB 226 158 70

HSL 33.85, 0.73%, 0.58%

LAB 70.22, 17.18, 54.49

 

CMYK 69 / 0 / 44 / 11

HEX #46E27F

RGB 70 226 127

HSL 141.92, 0.73%, 0.58%

LAB 80.31, -61.74, 36.84

 

CMYK 69 / 39 / 0 / 11

HEX #4689E2

RGB 70 137 226

HSL 214.23, 0.73%, 0.58%

LAB 56.77, 7.56, -51.47

 

CMYK 0 / 68 / 26 / 11

HEX #E248A7

RGB 226 72 167

HSL 322.99, 0.73%, 0.58%

LAB 55.68, 67.77, -18.42

 

CMYK 0 / 9 / 69 / 11

HEX #E2CD46

RGB 226 205 70

HSL 51.92, 0.73%, 0.58%

LAB 81.99, -7.47, 66.65

 

CMYK 69 / 0 / 44 / 11

HEX #46E27F

RGB 70 226 127

HSL 141.92, 0.73%, 0.58%

LAB 80.31, -61.74, 36.84

 

CMYK 69 / 60 / 0 / 11

HEX #465BE2

RGB 70 91 226

HSL 231.92, 0.73%, 0.58%

LAB 44.63, 36.05, -71.04

 

Description

Color code: HEX #E248A7 | qconv.com Color code: HEX #E248A7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 72 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 72 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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