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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E24871 it is the complementary color #1DB78E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E24871. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E24871 shade: #E7486C, #F85A7F, #FF6C92, #FF7EA5 and #FF90B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E24871. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E24871 shade: #E24871, #D1365E, #C0244B, #AF1238 and #9E0025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E24871 shade: #E2466F and #E24646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E24871 shade: #E2466F, #E2469A, #E246C4, #D646E2 and #AC46E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E24871 shade matches the following richer shades: #E2466F and #F33467

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E24871 shade: #E2466F, #D15777, #BF6880, #AE7A88 and #9D8B90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E24871 shade: #E246C3, #E24699, #E2466F, #E24646 and #E26F46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E24871 shade: #B81D46, #DC2254, #E2466F, #E8698B and #ED8DA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E24871 shade: #E24871, #E2D846 and #46AEE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E24871 shade: #E24871, #6FE246 and #466FE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E24871 shade: #E24871, #E2D846, #46E2B8 and #4650E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E24871 shade: #E24871, #BEE246, #46E2B8 and #6A46E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 50 / 11

HEX #E24871

RGB 226 72 113

HSL 344.03, 0.73%, 0.58%

LAB 54.02, 62.15, 11.09

 

Complementary color

CMYK 84 / 0 / 22 / 28

HEX #1DB78E

RGB 29 183 142

HSL 164.03, 0.73%, 0.42%

LAB 66.58, -47.47, 10.28

 

CMYK 0 / 69 / 53 / 9

HEX #E7486C

RGB 231 72 108

HSL 346.42, 0.77%, 0.59%

LAB 54.77, 63.24, 15.24

 

CMYK 0 / 64 / 49 / 3

HEX #F85A7F

RGB 248 90 127

HSL 345.95, 0.92%, 0.66%

LAB 60.61, 62.93, 12.62

 

CMYK 0 / 58 / 43 / 0

HEX #FF6C92

RGB 255 108 146

HSL 344.49, 1%, 0.71%

LAB 65.01, 59.21, 8.05

 

CMYK 0 / 51 / 35 / 0

HEX #FF7EA5

RGB 255 126 165

HSL 341.86, 1%, 0.75%

LAB 68.68, 52.91, 2.54

 

CMYK 0 / 44 / 28 / 0

HEX #FF90B8

RGB 255 144 184

HSL 338.38, 1%, 0.78%

LAB 72.67, 46.39, -2.25

 

CMYK 0 / 68 / 50 / 11

HEX #E24871

RGB 226 72 113

HSL 344.03, 0.73%, 0.58%

LAB 54.02, 62.15, 11.09

 

CMYK 0 / 74 / 55 / 18

HEX #D1365E

RGB 209 54 94

HSL 344.52, 0.63%, 0.52%

LAB 48.26, 62.05, 14.09

 

CMYK 0 / 81 / 61 / 25

HEX #C0244B

RGB 192 36 75

HSL 345, 0.68%, 0.45%

LAB 42.73, 61.3, 17.78

 

CMYK 0 / 90 / 68 / 31

HEX #AF1238

RGB 175 18 56

HSL 345.48, 0.81%, 0.38%

LAB 37.54, 59.56, 22.36

 

CMYK 0 / 100 / 77 / 38

HEX #9E0025

RGB 158 0 37

HSL 345.95, 1%, 0.31%

LAB 32.71, 56.82, 27.76

 

CMYK 0 / 69 / 51 / 11

HEX #E2466F

RGB 226 70 111

HSL 344.23, 0.73%, 0.58%

LAB 53.7, 62.73, 11.84

 

CMYK 0 / 69 / 69 / 11

HEX #E24646

RGB 226 70 70

HSL 0, 0.73%, 0.58%

LAB 52.94, 60.06, 35.03

 

CMYK 0 / 69 / 51 / 11

HEX #E2466F

RGB 226 70 111

HSL 344.23, 0.73%, 0.58%

LAB 53.7, 62.73, 11.84

 

CMYK 0 / 69 / 32 / 11

HEX #E2469A

RGB 226 70 154

HSL 327.69, 0.73%, 0.58%

LAB 54.95, 66.95, -11.9

 

CMYK 0 / 69 / 13 / 11

HEX #E246C4

RGB 226 70 196

HSL 311.54, 0.73%, 0.58%

LAB 56.62, 72.36, -33.75

 

CMYK 5 / 69 / 0 / 11

HEX #D646E2

RGB 214 70 226

HSL 295.38, 0.73%, 0.58%

LAB 56.26, 74.31, -51.51

 

CMYK 24 / 69 / 0 / 11

HEX #AC46E2

RGB 172 70 226

HSL 279.23, 0.73%, 0.58%

LAB 50.27, 65.55, -61.44

 

CMYK 0 / 69 / 51 / 11

HEX #E2466F

RGB 226 70 111

HSL 344.23, 0.73%, 0.58%

LAB 53.7, 62.73, 11.84

 

CMYK 0 / 79 / 58 / 5

HEX #F33467

RGB 243 52 103

HSL 343.98, 0.89%, 0.58%

LAB 54.54, 72.61, 18.26

 

CMYK 0 / 69 / 51 / 11

HEX #E2466F

RGB 226 70 111

HSL 344.23, 0.73%, 0.58%

LAB 53.7, 62.73, 11.84

 

CMYK 0 / 58 / 43 / 18

HEX #D15777

RGB 209 87 119

HSL 344.26, 0.57%, 0.58%

LAB 53.71, 51.06, 6.69

 

CMYK 0 / 46 / 33 / 25

HEX #BF6880

RGB 191 104 128

HSL 343.45, 0.4%, 0.58%

LAB 54.59, 37.42, 2.3

 

CMYK 0 / 30 / 22 / 32

HEX #AE7A88

RGB 174 122 136

HSL 343.85, 0.24%, 0.58%

LAB 56.78, 22.37, 0.55

 

CMYK 0 / 11 / 8 / 38

HEX #9D8B90

RGB 157 139 144

HSL 343.33, 0.08%, 0.58%

LAB 59.57, 7.64, -0.19

 

CMYK 0 / 69 / 14 / 11

HEX #E246C3

RGB 226 70 195

HSL 311.92, 0.73%, 0.58%

LAB 56.57, 72.22, -33.25

 

CMYK 0 / 69 / 32 / 11

HEX #E24699

RGB 226 70 153

HSL 328.08, 0.73%, 0.58%

LAB 54.92, 66.83, -11.36

 

CMYK 0 / 69 / 51 / 11

HEX #E2466F

RGB 226 70 111

HSL 344.23, 0.73%, 0.58%

LAB 53.7, 62.73, 11.84

 

CMYK 0 / 69 / 69 / 11

HEX #E24646

RGB 226 70 70

HSL 0, 0.73%, 0.58%

LAB 52.94, 60.06, 35.03

 

CMYK 0 / 51 / 69 / 11

HEX #E26F46

RGB 226 111 70

HSL 15.77, 0.73%, 0.58%

LAB 59.87, 41.81, 43.1

 

CMYK 0 / 84 / 62 / 28

HEX #B81D46

RGB 184 29 70

HSL 344.13, 0.73%, 0.42%

LAB 40.43, 60.53, 17.58

 

CMYK 0 / 85 / 62 / 14

HEX #DC2254

RGB 220 34 84

HSL 343.87, 0.73%, 0.5%

LAB 48.26, 69.72, 20.56

 

CMYK 0 / 69 / 51 / 11

HEX #E2466F

RGB 226 70 111

HSL 344.23, 0.73%, 0.58%

LAB 53.7, 62.73, 11.84

 

CMYK 0 / 55 / 40 / 9

HEX #E8698B

RGB 232 105 139

HSL 343.94, 0.73%, 0.66%

LAB 60.89, 52.39, 5.72

 

CMYK 0 / 41 / 30 / 7

HEX #ED8DA7

RGB 237 141 167

HSL 343.75, 0.73%, 0.74%

LAB 69.36, 39.5, 2.12

 

CMYK 0 / 68 / 50 / 11

HEX #E24871

RGB 226 72 113

HSL 344.03, 0.73%, 0.58%

LAB 54.02, 62.15, 11.09

 

CMYK 0 / 4 / 69 / 11

HEX #E2D846

RGB 226 216 70

HSL 56.15, 0.73%, 0.58%

LAB 84.85, -13.01, 69.52

 

CMYK 69 / 23 / 0 / 11

HEX #46AEE2

RGB 70 174 226

HSL 200, 0.73%, 0.58%

LAB 67.33, -13.55, -34.87

 

CMYK 0 / 68 / 50 / 11

HEX #E24871

RGB 226 72 113

HSL 344.03, 0.73%, 0.58%

LAB 54.02, 62.15, 11.09

 

CMYK 51 / 0 / 69 / 11

HEX #6FE246

RGB 111 226 70

HSL 104.23, 0.73%, 0.58%

LAB 80.86, -59.6, 63.26

 

CMYK 69 / 51 / 0 / 11

HEX #466FE2

RGB 70 111 226

HSL 224.23, 0.73%, 0.58%

LAB 49.69, 23.55, -62.82

 

CMYK 0 / 68 / 50 / 11

HEX #E24871

RGB 226 72 113

HSL 344.03, 0.73%, 0.58%

LAB 54.02, 62.15, 11.09

 

CMYK 0 / 4 / 69 / 11

HEX #E2D846

RGB 226 216 70

HSL 56.15, 0.73%, 0.58%

LAB 84.85, -13.01, 69.52

 

CMYK 69 / 0 / 19 / 11

HEX #46E2B8

RGB 70 226 184

HSL 163.85, 0.73%, 0.58%

LAB 81.38, -50.18, 8.86

 

CMYK 69 / 65 / 0 / 11

HEX #4650E2

RGB 70 80 226

HSL 236.15, 0.73%, 0.58%

LAB 42.05, 42.78, -75.25

 

CMYK 0 / 68 / 50 / 11

HEX #E24871

RGB 226 72 113

HSL 344.03, 0.73%, 0.58%

LAB 54.02, 62.15, 11.09

 

CMYK 16 / 0 / 69 / 11

HEX #BEE246

RGB 190 226 70

HSL 73.85, 0.73%, 0.58%

LAB 84.89, -32.47, 68.66

 

CMYK 69 / 0 / 19 / 11

HEX #46E2B8

RGB 70 226 184

HSL 163.85, 0.73%, 0.58%

LAB 81.38, -50.18, 8.86

 

CMYK 53 / 69 / 0 / 11

HEX #6A46E2

RGB 106 70 226

HSL 253.85, 0.73%, 0.58%

LAB 42.67, 53.48, -74.13

 

Description

Color code: HEX #E24871 | qconv.com Color code: HEX #E24871 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 72 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 72 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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