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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E242583F it is the complementary color #1DBDA73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E242583F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E242583F shade: #E742533F, #F854663F, #FF66793F, #FF788C3F and #FF8A9F3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E242583F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E242583F shade: #E242583F, #D130453F, #C01E323F, #AF0C1F3F and #9E000C3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E242583F shade: #E14157 and #E14141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E242583F shade: #E14157, #E14182, #E141AE, #E141D9 and #BF41E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E242583F shade matches the following richer shades: #E14157 and #F3304A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E242583F shade: #E14157, #D05364, #BE6571, #AC777E and #9A888B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E242583F shade: #E141AF, #E14184, #E14159, #E15441 and #E17F41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E242583F shade: #B41C31, #D8223B, #E14157, #E76577 and #ED8996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E242583F shade: #E24258, #D9E141 and #4199E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E242583F shade: #E24258, #59E141 and #4159E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E242583F shade: #E24258, #D9E141, #41E1C9 and #4941E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E242583F shade: #E24258, #A9E141, #41E1C9 and #7941E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 15 / 3

HEX #E242583F

RGBA 226 66 88 0.25

HSLA 351.75, 0.73%, 0.57%, 0.25

LABA 52.7, 62.53, 24.2, 0.25

 

Complementary color

CMYK 21 / 0 / 3 / 6

HEX #1DBDA73F

RGBA 29 189 167 0.25

HSLA 171.75, 0.73%, 0.43%, 0.25

LABA 69.07, -43.46, 0.15, 0.25

 

CMYK 0 / 18 / 16 / 2

HEX #E742533F

RGBA 231 66 83 0.25

HSLA 353.82, 0.77%, 0.58%, 0.25

LABA 53.5, 63.73, 28.37, 0.25

 

CMYK 0 / 17 / 15 / 1

HEX #F854663F

RGBA 248 84 102 0.25

HSLA 353.41, 0.92%, 0.65%, 0.25

LABA 59.21, 63.42, 25.25, 0.25

 

CMYK 0 / 15 / 13 / 0

HEX #FF66793F

RGBA 255 102 121 0.25

HSLA 352.55, 1%, 0.7%, 0.25

LABA 63.46, 59.62, 20.2, 0.25

 

CMYK 0 / 13 / 11 / 0

HEX #FF788C3F

RGBA 255 120 140 0.25

HSLA 351.11, 1%, 0.74%, 0.25

LABA 66.97, 53.13, 14.22, 0.25

 

CMYK 0 / 11 / 9 / 0

HEX #FF8A9F3F

RGBA 255 138 159 0.25

HSLA 349.23, 1%, 0.77%, 0.25

LABA 70.83, 46.36, 9, 0.25

 

CMYK 0 / 18 / 15 / 3

HEX #E242583F

RGBA 226 66 88 0.25

HSLA 351.75, 0.73%, 0.57%, 0.25

LABA 52.7, 62.53, 24.2, 0.25

 

CMYK 0 / 19 / 17 / 5

HEX #D130453F

RGBA 209 48 69 0.25

HSLA 352.17, 0.64%, 0.5%, 0.25

LABA 47.1, 62.37, 27.78, 0.25

 

CMYK 0 / 21 / 18 / 6

HEX #C01E323F

RGBA 192 30 50 0.25

HSLA 352.59, 0.73%, 0.44%, 0.25

LABA 41.79, 61.47, 32.04, 0.25

 

CMYK 0 / 23 / 21 / 8

HEX #AF0C1F3F

RGBA 175 12 31 0.25

HSLA 353.01, 0.87%, 0.37%, 0.25

LABA 36.88, 59.49, 36.93, 0.25

 

CMYK 0 / 25 / 23 / 10

HEX #9E000C3F

RGBA 158 0 12 0.25

HSLA 355.44, 1%, 0.31%, 0.25

LABA 32.47, 56.18, 41.56, 0.25

 

CMYK 0 / 71 / 61 / 12

HEX #E14157

RGB 225 65 87

HSL 351.75, 0.73%, 0.57%

LAB 52.37, 62.52, 24.33

 

CMYK 0 / 71 / 71 / 12

HEX #E14141

RGB 225 65 65

HSL 0, 0.73%, 0.57%

LAB 52.03, 61.35, 36.76

 

CMYK 0 / 71 / 61 / 12

HEX #E14157

RGB 225 65 87

HSL 351.75, 0.73%, 0.57%

LAB 52.37, 62.52, 24.33

 

CMYK 0 / 71 / 42 / 12

HEX #E14182

RGB 225 65 130

HSL 335.63, 0.73%, 0.57%

LAB 53.38, 65.92, -0

 

CMYK 0 / 71 / 23 / 12

HEX #E141AE

RGB 225 65 174

HSL 319.13, 0.73%, 0.57%

LAB 54.91, 70.85, -23.69

 

CMYK 0 / 71 / 4 / 12

HEX #E141D9

RGB 225 65 217

HSL 303, 0.73%, 0.57%

LAB 56.88, 76.91, -45.33

 

CMYK 15 / 71 / 0 / 12

HEX #BF41E1

RGB 191 65 225

HSL 287.25, 0.73%, 0.57%

LAB 52.17, 71.15, -57.68

 

CMYK 0 / 71 / 61 / 12

HEX #E14157

RGB 225 65 87

HSL 351.75, 0.73%, 0.57%

LAB 52.37, 62.52, 24.33

 

CMYK 0 / 80 / 70 / 5

HEX #F3304A

RGB 243 48 74

HSL 352, 0.89%, 0.57%

LAB 53.67, 72.06, 34.34

 

CMYK 0 / 71 / 61 / 12

HEX #E14157

RGB 225 65 87

HSL 351.75, 0.73%, 0.57%

LAB 52.37, 62.52, 24.33

 

CMYK 0 / 60 / 52 / 18

HEX #D05364

RGB 208 83 100

HSL 351.84, 0.57%, 0.57%

LAB 52.42, 50.77, 16.15

 

CMYK 0 / 47 / 41 / 25

HEX #BE6571

RGB 190 101 113

HSL 351.91, 0.41%, 0.57%

LAB 53.44, 36.81, 9.46

 

CMYK 0 / 31 / 27 / 33

HEX #AC777E

RGB 172 119 126

HSL 352.08, 0.24%, 0.57%

LAB 55.55, 21.78, 4.56

 

CMYK 0 / 12 / 10 / 40

HEX #9A888B

RGB 154 136 139

HSL 350, 0.08%, 0.57%

LAB 58.36, 7.31, 0.88

 

CMYK 0 / 71 / 22 / 12

HEX #E141AF

RGB 225 65 175

HSL 318.75, 0.73%, 0.57%

LAB 54.95, 70.98, -24.21

 

CMYK 0 / 71 / 41 / 12

HEX #E14184

RGB 225 65 132

HSL 334.88, 0.73%, 0.57%

LAB 53.44, 66.11, -1.11

 

CMYK 0 / 71 / 60 / 12

HEX #E14159

RGB 225 65 89

HSL 351, 0.73%, 0.57%

LAB 52.41, 62.65, 23.19

 

CMYK 0 / 63 / 71 / 12

HEX #E15441

RGB 225 84 65

HSL 7.13, 0.73%, 0.57%

LAB 54.79, 53.84, 39.95

 

CMYK 0 / 44 / 71 / 12

HEX #E17F41

RGB 225 127 65

HSL 23.25, 0.73%, 0.57%

LAB 62.98, 32.98, 49.03

 

CMYK 0 / 84 / 73 / 29

HEX #B41C31

RGB 180 28 49

HSL 351.71, 0.73%, 0.41%

LAB 39.17, 58.58, 28.97

 

CMYK 0 / 84 / 73 / 15

HEX #D8223B

RGB 216 34 59

HSL 351.76, 0.73%, 0.49%

LAB 47.05, 67.45, 34.01

 

CMYK 0 / 71 / 61 / 12

HEX #E14157

RGB 225 65 87

HSL 351.75, 0.73%, 0.57%

LAB 52.37, 62.52, 24.33

 

CMYK 0 / 56 / 48 / 9

HEX #E76577

RGB 231 101 119

HSL 351.69, 0.73%, 0.65%

LAB 59.55, 51.95, 15.39

 

CMYK 0 / 42 / 37 / 7

HEX #ED8996

RGB 237 137 150

HSL 352.2, 0.74%, 0.73%

LAB 68.09, 39.47, 9.83

 

CMYK 0 / 71 / 61 / 11

HEX #E24258

RGB 226 66 88

HSL 351.75, 0.73%, 0.57%

LAB 52.7, 62.53, 24.2

 

CMYK 4 / 0 / 71 / 12

HEX #D9E141

RGB 217 225 65

HSL 63, 0.73%, 0.57%

LAB 86.5, -21.4, 72.65

 

CMYK 71 / 32 / 0 / 12

HEX #4199E1

RGB 65 153 225

HSL 207, 0.73%, 0.57%

LAB 61.08, -2.91, -44.09

 

CMYK 0 / 71 / 61 / 11

HEX #E24258

RGB 226 66 88

HSL 351.75, 0.73%, 0.57%

LAB 52.7, 62.53, 24.2

 

CMYK 60 / 0 / 71 / 12

HEX #59E141

RGB 89 225 65

HSL 111, 0.73%, 0.57%

LAB 79.82, -65.17, 63.79

 

CMYK 71 / 60 / 0 / 12

HEX #4159E1

RGB 65 89 225

HSL 231, 0.73%, 0.57%

LAB 43.81, 36.32, -71.82

 

CMYK 0 / 71 / 61 / 11

HEX #E24258

RGB 226 66 88

HSL 351.75, 0.73%, 0.57%

LAB 52.7, 62.53, 24.2

 

CMYK 4 / 0 / 71 / 12

HEX #D9E141

RGB 217 225 65

HSL 63, 0.73%, 0.57%

LAB 86.5, -21.4, 72.65

 

CMYK 71 / 0 / 11 / 12

HEX #41E1C9

RGB 65 225 201

HSL 171, 0.73%, 0.57%

LAB 81.4, -46.22, -0.13

 

CMYK 68 / 71 / 0 / 12

HEX #4941E1

RGB 73 65 225

HSL 243, 0.73%, 0.57%

LAB 38.96, 51.46, -79.75

 

CMYK 0 / 71 / 61 / 11

HEX #E24258

RGB 226 66 88

HSL 351.75, 0.73%, 0.57%

LAB 52.7, 62.53, 24.2

 

CMYK 25 / 0 / 71 / 12

HEX #A9E141

RGB 169 225 65

HSL 81, 0.73%, 0.57%

LAB 83.27, -40.38, 68.4

 

CMYK 71 / 0 / 11 / 12

HEX #41E1C9

RGB 65 225 201

HSL 171, 0.73%, 0.57%

LAB 81.4, -46.22, -0.13

 

CMYK 46 / 71 / 0 / 12

HEX #7941E1

RGB 121 65 225

HSL 261, 0.73%, 0.57%

LAB 43.18, 58.12, -72.66

 

Description

Color code: HEX #E242583F | qconv.com Color code: HEX #E242583F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 66 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 66 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 15 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 15% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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