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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E24044 it is the complementary color #1DBFBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E24044. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E24044 shade: #E7403F, #F85252, #FF6465, #FF7678 and #FF888B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E24044. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E24044 shade: #E24044, #D12E31, #C01C1E, #AF0A0B and #9E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E24044 shade: #E24044 and #E24040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E24044 shade: #E24044, #E24070, #E2409C, #E240C7 and #D240E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E24044 shade matches the following richer shades: #E24044 and #F42E33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E24044 shade: #E24044, #D15255, #BF6466, #AD7577 and #9C8788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E24044 shade: #E2409C, #E24071, #E24046, #E26640 and #E29140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E24044 shade: #B51B1F, #D92025, #E24044, #E86467 and #ED888A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E24044 shade: #E24044, #C7E240 and #4087E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E24044 shade: #E24044, #46E240 and #4046E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E24044 shade: #E24044, #C7E240, #40E2DD and #5B40E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E24044 shade: #E24044, #97E240, #40E2DD and #8C40E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

Complementary color

CMYK 85 / 0 / 2 / 25

HEX #1DBFBB

RGB 29 191 187

HSL 178.52, 0.74%, 0.43%

LAB 70.25, -38.67, -9.07

 

CMYK 0 / 72 / 73 / 9

HEX #E7403F

RGB 231 64 63

HSL 0.36, 0.78%, 0.58%

LAB 52.97, 63.44, 39.25

 

CMYK 0 / 67 / 67 / 3

HEX #F85252

RGB 248 82 82

HSL 0, 0.92%, 0.65%

LAB 58.6, 63.02, 35.94

 

CMYK 0 / 61 / 60 / 0

HEX #FF6465

RGB 255 100 101

HSL 359.61, 1%, 0.7%

LAB 62.77, 59.04, 30.67

 

CMYK 0 / 54 / 53 / 0

HEX #FF7678

RGB 255 118 120

HSL 359.12, 1%, 0.73%

LAB 66.19, 52.31, 24.46

 

CMYK 0 / 47 / 45 / 0

HEX #FF888B

RGB 255 136 139

HSL 358.49, 1%, 0.77%

LAB 69.99, 45.27, 18.98

 

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

CMYK 0 / 78 / 77 / 18

HEX #D12E31

RGB 209 46 49

HSL 358.9, 0.64%, 0.5%

LAB 46.62, 62.09, 38.94

 

CMYK 0 / 85 / 84 / 25

HEX #C01C1E

RGB 192 28 30

HSL 359.27, 0.75%, 0.43%

LAB 41.42, 61.28, 43.01

 

CMYK 0 / 94 / 94 / 31

HEX #AF0A0B

RGB 175 10 11

HSL 359.64, 0.89%, 0.36%

LAB 36.66, 59.34, 46.51

 

CMYK 0 / 100 / 100 / 38

HEX #9E0000

RGB 158 0 0

HSL 0, 1%, 0.31%

LAB 32.41, 56.02, 46.44

 

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

CMYK 0 / 72 / 72 / 11

HEX #E24040

RGB 226 64 64

HSL 0, 0.74%, 0.57%

LAB 52.07, 61.96, 37.42

 

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

CMYK 0 / 72 / 50 / 11

HEX #E24070

RGB 226 64 112

HSL 342.22, 0.74%, 0.57%

LAB 52.96, 64.95, 10.19

 

CMYK 0 / 72 / 31 / 11

HEX #E2409C

RGB 226 64 156

HSL 325.93, 0.74%, 0.57%

LAB 54.28, 69.26, -14.09

 

CMYK 0 / 72 / 12 / 11

HEX #E240C7

RGB 226 64 199

HSL 310, 0.74%, 0.57%

LAB 56.05, 74.79, -36.37

 

CMYK 7 / 72 / 0 / 11

HEX #D240E2

RGB 210 64 226

HSL 294.07, 0.74%, 0.57%

LAB 54.93, 75.54, -53.67

 

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

CMYK 0 / 81 / 79 / 4

HEX #F42E33

RGB 244 46 51

HSL 358.48, 0.9%, 0.57%

LAB 53.41, 71.98, 47.03

 

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

CMYK 0 / 61 / 59 / 18

HEX #D15255

RGB 209 82 85

HSL 358.58, 0.58%, 0.57%

LAB 52.11, 50.4, 24.66

 

CMYK 0 / 48 / 47 / 25

HEX #BF6466

RGB 191 100 102

HSL 358.68, 0.42%, 0.57%

LAB 53.11, 36.53, 15.52

 

CMYK 0 / 32 / 31 / 32

HEX #AD7577

RGB 173 117 119

HSL 357.86, 0.25%, 0.57%

LAB 55.01, 22.3, 7.87

 

CMYK 0 / 13 / 13 / 39

HEX #9C8788

RGB 156 135 136

HSL 357.14, 0.1%, 0.57%

LAB 58.2, 8.11, 2.39

 

CMYK 0 / 72 / 31 / 11

HEX #E2409C

RGB 226 64 156

HSL 325.93, 0.74%, 0.57%

LAB 54.28, 69.26, -14.09

 

CMYK 0 / 72 / 50 / 11

HEX #E24071

RGB 226 64 113

HSL 341.85, 0.74%, 0.57%

LAB 52.98, 65.03, 9.62

 

CMYK 0 / 72 / 69 / 11

HEX #E24046

RGB 226 64 70

HSL 357.78, 0.74%, 0.57%

LAB 52.15, 62.24, 34.08

 

CMYK 0 / 55 / 72 / 11

HEX #E26640

RGB 226 102 64

HSL 14.07, 0.74%, 0.57%

LAB 58.08, 45.92, 44.21

 

CMYK 0 / 36 / 72 / 11

HEX #E29140

RGB 226 145 64

HSL 30, 0.74%, 0.57%

LAB 67.12, 23.82, 53.94

 

CMYK 0 / 85 / 83 / 29

HEX #B51B1F

RGB 181 27 31

HSL 358.44, 0.74%, 0.41%

LAB 39.08, 58.46, 39.48

 

CMYK 0 / 85 / 83 / 15

HEX #D92025

RGB 217 32 37

HSL 358.38, 0.74%, 0.49%

LAB 46.87, 67.42, 46.23

 

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

CMYK 0 / 57 / 56 / 9

HEX #E86467

RGB 232 100 103

HSL 358.64, 0.74%, 0.65%

LAB 59.2, 51.42, 24.19

 

CMYK 0 / 43 / 42 / 7

HEX #ED888A

RGB 237 136 138

HSL 358.81, 0.74%, 0.73%

LAB 67.61, 38.65, 15.88

 

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

CMYK 12 / 0 / 72 / 11

HEX #C7E240

RGB 199 226 64

HSL 70, 0.74%, 0.57%

LAB 85.46, -29.23, 71.54

 

CMYK 72 / 40 / 0 / 11

HEX #4087E2

RGB 64 135 226

HSL 213.7, 0.74%, 0.57%

LAB 56, 7.9, -52.71

 

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

CMYK 69 / 0 / 72 / 11

HEX #46E240

RGB 70 226 64

HSL 117.78, 0.74%, 0.57%

LAB 79.65, -69.42, 63.83

 

CMYK 72 / 69 / 0 / 11

HEX #4046E2

RGB 64 70 226

HSL 237.78, 0.74%, 0.57%

LAB 39.52, 48.01, -79.42

 

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

CMYK 12 / 0 / 72 / 11

HEX #C7E240

RGB 199 226 64

HSL 70, 0.74%, 0.57%

LAB 85.46, -29.23, 71.54

 

CMYK 72 / 0 / 2 / 11

HEX #40E2DD

RGB 64 226 221

HSL 178.15, 0.74%, 0.57%

LAB 82.22, -41.43, -9.53

 

CMYK 60 / 72 / 0 / 11

HEX #5B40E2

RGB 91 64 226

HSL 250, 0.74%, 0.57%

LAB 40.22, 54.46, -78.2

 

CMYK 0 / 72 / 70 / 11

HEX #E24044

RGB 226 64 68

HSL 358.52, 0.74%, 0.57%

LAB 52.12, 62.14, 35.2

 

CMYK 33 / 0 / 72 / 11

HEX #97E240

RGB 151 226 64

HSL 87.78, 0.74%, 0.57%

LAB 82.56, -47.4, 67.72

 

CMYK 72 / 0 / 2 / 11

HEX #40E2DD

RGB 64 226 221

HSL 178.15, 0.74%, 0.57%

LAB 82.22, -41.43, -9.53

 

CMYK 38 / 72 / 0 / 11

HEX #8C40E2

RGB 140 64 226

HSL 268.15, 0.74%, 0.57%

LAB 45.27, 62.05, -69.74

 

Description

Color code: HEX #E24044 | qconv.com Color code: HEX #E24044 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 64 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 64 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 70 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 70% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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