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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E23C85 it is the complementary color #1DC37A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E23C85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E23C85 shade: #E73C80, #F84E93, #FF60A6, #FF72B9 and #FF84CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E23C85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E23C85 shade: #E23C85, #D12A72, #C0185F, #AF064C and #9E0039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E23C85 shade: #E23C85, #E23C58 and #E23C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E23C85 shade: #E23C85, #E23CB2, #E23CDE, #B93CE2 and #8C3CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E23C85 shade matches the following richer shades: #E23C85 and #F42A83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E23C85 shade: #E23C85, #D04E87, #BE6089, #AB728B and #99848E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E23C85 shade: #E23CDF, #E23CB3, #E23C86, #E23C5A and #E24A3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E23C85 shade: #B11A5C, #D5206F, #E23C85, #E7609B and #ED84B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E23C85 shade: #E23C85, #E2B83C and #3CC9E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E23C85 shade: #E23C85, #86E23C and #3C86E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E23C85 shade: #E23C85, #E2B83C, #3CE297 and #3C65E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E23C85 shade: #E23C85, #DAE23C, #3CE297 and #443CE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

Complementary color

CMYK 85 / 0 / 37 / 24

HEX #1DC37A

RGB 29 195 122

HSL 153.61, 0.74%, 0.44%

LAB 69.96, -56.56, 25.7

 

CMYK 0 / 74 / 45 / 9

HEX #E73C80

RGB 231 60 128

HSL 336.14, 0.78%, 0.57%

LAB 53.79, 69.02, 1.92

 

CMYK 0 / 69 / 41 / 3

HEX #F84E93

RGB 248 78 147

HSL 335.65, 0.92%, 0.64%

LAB 59.45, 69.36, -0.72

 

CMYK 0 / 62 / 35 / 0

HEX #FF60A6

RGB 255 96 166

HSL 333.58, 1%, 0.69%

LAB 63.65, 66.4, -5.39

 

CMYK 0 / 55 / 27 / 0

HEX #FF72B9

RGB 255 114 185

HSL 329.79, 1%, 0.72%

LAB 67.12, 60.91, -11.03

 

CMYK 0 / 48 / 20 / 0

HEX #FF84CC

RGB 255 132 204

HSL 324.88, 1%, 0.76%

LAB 70.96, 55.04, -15.91

 

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

CMYK 0 / 80 / 45 / 18

HEX #D12A72

RGB 209 42 114

HSL 334.13, 0.67%, 0.49%

LAB 47.53, 67.21, 0.79

 

CMYK 0 / 88 / 51 / 25

HEX #C0185F

RGB 192 24 95

HSL 334.64, 0.78%, 0.42%

LAB 42.29, 65.37, 4.6

 

CMYK 0 / 97 / 57 / 31

HEX #AF064C

RGB 175 6 76

HSL 335.15, 0.93%, 0.35%

LAB 37.42, 62.35, 9.33

 

CMYK 0 / 100 / 64 / 38

HEX #9E0039

RGB 158 0 57

HSL 338.35, 1%, 0.31%

LAB 33.06, 57.77, 15.19

 

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

CMYK 0 / 73 / 61 / 11

HEX #E23C58

RGB 226 60 88

HSL 349.88, 0.74%, 0.56%

LAB 51.96, 64.58, 23.23

 

CMYK 0 / 73 / 73 / 11

HEX #E23C3C

RGB 226 60 60

HSL 0, 0.74%, 0.56%

LAB 51.53, 63.16, 39.06

 

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

CMYK 0 / 73 / 21 / 11

HEX #E23CB2

RGB 226 60 178

HSL 317.35, 0.74%, 0.56%

LAB 54.67, 73.21, -26.37

 

CMYK 0 / 73 / 2 / 11

HEX #E23CDE

RGB 226 60 222

HSL 301.45, 0.74%, 0.56%

LAB 56.76, 79.42, -48.34

 

CMYK 18 / 73 / 0 / 11

HEX #B93CE2

RGB 185 60 226

HSL 285.18, 0.74%, 0.56%

LAB 50.73, 71.94, -60.6

 

CMYK 38 / 73 / 0 / 11

HEX #8C3CE2

RGB 140 60 226

HSL 268.92, 0.74%, 0.56%

LAB 44.66, 63.78, -70.73

 

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

CMYK 0 / 83 / 46 / 4

HEX #F42A83

RGB 244 42 131

HSL 333.56, 0.9%, 0.56%

LAB 54.58, 77.31, 1.56

 

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

CMYK 0 / 63 / 35 / 18

HEX #D04E87

RGB 208 78 135

HSL 333.69, 0.58%, 0.56%

LAB 52.52, 56.48, -4.59

 

CMYK 0 / 49 / 28 / 25

HEX #BE6089

RGB 190 96 137

HSL 333.83, 0.42%, 0.56%

LAB 53.08, 42.42, -5.24

 

CMYK 0 / 33 / 19 / 33

HEX #AB728B

RGB 171 114 139

HSL 333.68, 0.25%, 0.56%

LAB 54.61, 26.22, -4.42

 

CMYK 0 / 14 / 7 / 40

HEX #99848E

RGB 153 132 142

HSL 331.43, 0.09%, 0.56%

LAB 57.3, 9.76, -2.42

 

CMYK 0 / 73 / 1 / 11

HEX #E23CDF

RGB 226 60 223

HSL 301.08, 0.74%, 0.56%

LAB 56.81, 79.58, -48.83

 

CMYK 0 / 73 / 21 / 11

HEX #E23CB3

RGB 226 60 179

HSL 316.99, 0.74%, 0.56%

LAB 54.72, 73.34, -26.89

 

CMYK 0 / 73 / 41 / 11

HEX #E23C86

RGB 226 60 134

HSL 333.25, 0.74%, 0.56%

LAB 53.08, 68.24, -2.81

 

CMYK 0 / 73 / 60 / 11

HEX #E23C5A

RGB 226 60 90

HSL 349.16, 0.74%, 0.56%

LAB 51.99, 64.71, 22.08

 

CMYK 0 / 67 / 73 / 11

HEX #E24A3C

RGB 226 74 60

HSL 5.06, 0.74%, 0.56%

LAB 53.38, 58.07, 41.13

 

CMYK 0 / 85 / 48 / 31

HEX #B11A5C

RGB 177 26 92

HSL 333.77, 0.74%, 0.4%

LAB 39.34, 60.98, 1.86

 

CMYK 0 / 85 / 48 / 16

HEX #D5206F

RGB 213 32 111

HSL 333.81, 0.74%, 0.48%

LAB 47.4, 70.25, 2.54

 

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

CMYK 0 / 58 / 33 / 9

HEX #E7609B

RGB 231 96 155

HSL 333.78, 0.74%, 0.64%

LAB 59.64, 57.98, -5.4

 

CMYK 0 / 44 / 25 / 7

HEX #ED84B2

RGB 237 132 178

HSL 333.71, 0.74%, 0.72%

LAB 67.81, 45.59, -6.32

 

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

CMYK 0 / 19 / 73 / 11

HEX #E2B83C

RGB 226 184 60

HSL 44.82, 0.74%, 0.56%

LAB 76.54, 2.9, 65.08

 

CMYK 73 / 11 / 0 / 11

HEX #3CC9E2

RGB 60 201 226

HSL 189.04, 0.74%, 0.56%

LAB 74.97, -28.74, -23.13

 

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

CMYK 41 / 0 / 73 / 11

HEX #86E23C

RGB 134 226 60

HSL 93.25, 0.74%, 0.56%

LAB 81.72, -53.38, 67.97

 

CMYK 73 / 41 / 0 / 11

HEX #3C86E2

RGB 60 134 226

HSL 213.25, 0.74%, 0.56%

LAB 55.59, 7.98, -53.38

 

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

CMYK 0 / 19 / 73 / 11

HEX #E2B83C

RGB 226 184 60

HSL 44.82, 0.74%, 0.56%

LAB 76.54, 2.9, 65.08

 

CMYK 73 / 0 / 33 / 11

HEX #3CE297

RGB 60 226 151

HSL 152.89, 0.74%, 0.56%

LAB 80.51, -58.82, 24.89

 

CMYK 73 / 55 / 0 / 11

HEX #3C65E2

RGB 60 101 226

HSL 225.18, 0.74%, 0.56%

LAB 46.66, 28.53, -67.75

 

CMYK 0 / 73 / 41 / 11

HEX #E23C85

RGB 226 60 133

HSL 333.61, 0.74%, 0.56%

LAB 53.05, 68.15, -2.26

 

CMYK 4 / 0 / 73 / 11

HEX #DAE23C

RGB 218 226 60

HSL 62.89, 0.74%, 0.56%

LAB 86.81, -21.69, 74.63

 

CMYK 73 / 0 / 33 / 11

HEX #3CE297

RGB 60 226 151

HSL 152.89, 0.74%, 0.56%

LAB 80.51, -58.82, 24.89

 

CMYK 70 / 73 / 0 / 11

HEX #443CE2

RGB 68 60 226

HSL 242.89, 0.74%, 0.56%

LAB 37.76, 53.97, -82.31

 

Description

Color code: HEX #E23C85 | qconv.com Color code: HEX #E23C85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 60 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 60 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 41 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 41% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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