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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E22EC6 it is the complementary color #1DD139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E22EC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E22EC6 shade: #E72EC1, #F840D4, #FF52E7, #FF64FA and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E22EC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E22EC6 shade: #E22EC6, #D11CB3, #C00AA0, #AF008D and #9E007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E22EC6 shade: #E22CC6, #E22C95, #E22C64, #E22C33 and #E22C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E22EC6 shade: #E22CC6, #CD2CE2, #9C2CE2, #6B2CE2 and #3A2CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E22EC6 shade matches the following richer shades: #E22CC6 and #F619D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E22EC6 shade: #E22CC6, #CF3FB9, #BB53AB, #A8669E and #957A90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E22EC6 shade: #9C2CE2, #CD2CE2, #E22CC7, #E22C96 and #E22C66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E22EC6 shade: #A5178F, #CA1BAE, #E22CC6, #E750D0 and #EC75DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E22EC6 shade: #E22EC6, #E26C2C and #2CE2B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E22EC6 shade: #E22EC6, #C7E22C and #2CC7E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E22EC6 shade: #E22EC6, #E26C2C, #2CE247 and #2CA2E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E22EC6 shade: #E22EC6, #E2A22C, #2CE247 and #2C6CE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 12 / 11

HEX #E22EC6

RGB 226 46 198

HSL 309.33, 0.76%, 0.53%

LAB 54.24, 79.69, -38.63

 

Complementary color

CMYK 86 / 0 / 73 / 18

HEX #1DD139

RGB 29 209 57

HSL 129.33, 0.76%, 0.47%

LAB 73.65, -70.18, 59.99

 

CMYK 0 / 80 / 16 / 9

HEX #E72EC1

RGB 231 46 193

HSL 312.32, 0.79%, 0.54%

LAB 54.86, 80.06, -34.72

 

CMYK 0 / 74 / 15 / 3

HEX #F840D4

RGB 248 64 212

HSL 311.74, 0.93%, 0.61%

LAB 60.23, 81.49, -36.98

 

CMYK 0 / 68 / 9 / 0

HEX #FF52E7

RGB 255 82 231

HSL 308.32, 1%, 0.66%

LAB 64.21, 80.01, -41.33

 

CMYK 0 / 61 / 2 / 0

HEX #FF64FA

RGB 255 100 250

HSL 301.94, 1%, 0.7%

LAB 67.48, 76.23, -46.71

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 80 / 12 / 11

HEX #E22EC6

RGB 226 46 198

HSL 309.33, 0.76%, 0.53%

LAB 54.24, 79.69, -38.63

 

CMYK 0 / 87 / 14 / 18

HEX #D11CB3

RGB 209 28 179

HSL 309.94, 0.76%, 0.46%

LAB 49.06, 77.44, -35.94

 

CMYK 0 / 95 / 17 / 25

HEX #C00AA0

RGB 192 10 160

HSL 310.55, 0.9%, 0.4%

LAB 44.18, 74.06, -32.55

 

CMYK 0 / 100 / 19 / 31

HEX #AF008D

RGB 175 0 141

HSL 311.66, 1%, 0.34%

LAB 39.64, 69.4, -28.37

 

CMYK 0 / 100 / 23 / 38

HEX #9E007A

RGB 158 0 122

HSL 313.67, 1%, 0.31%

LAB 35.35, 63.73, -23.54

 

CMYK 0 / 81 / 12 / 11

HEX #E22CC6

RGB 226 44 198

HSL 309.23, 0.76%, 0.53%

LAB 54.08, 80.16, -38.89

 

CMYK 0 / 81 / 34 / 11

HEX #E22C95

RGB 226 44 149

HSL 325.38, 0.76%, 0.53%

LAB 52, 74.25, -13.39

 

CMYK 0 / 81 / 56 / 11

HEX #E22C64

RGB 226 44 100

HSL 341.54, 0.76%, 0.53%

LAB 50.56, 70, 14.1

 

CMYK 0 / 81 / 77 / 11

HEX #E22C33

RGB 226 44 51

HSL 357.69, 0.76%, 0.53%

LAB 49.75, 67.53, 42.15

 

CMYK 0 / 81 / 81 / 11

HEX #E22C2C

RGB 226 44 44

HSL 0, 0.76%, 0.53%

LAB 49.68, 67.32, 45.87

 

CMYK 0 / 81 / 12 / 11

HEX #E22CC6

RGB 226 44 198

HSL 309.23, 0.76%, 0.53%

LAB 54.08, 80.16, -38.89

 

CMYK 9 / 81 / 0 / 11

HEX #CD2CE2

RGB 205 44 226

HSL 293.08, 0.76%, 0.53%

LAB 52.14, 80.37, -58.17

 

CMYK 31 / 81 / 0 / 11

HEX #9C2CE2

RGB 156 44 226

HSL 276.92, 0.76%, 0.53%

LAB 44.75, 72.19, -70.5

 

CMYK 53 / 81 / 0 / 11

HEX #6B2CE2

RGB 107 44 226

HSL 260.77, 0.76%, 0.53%

LAB 38.58, 65.51, -80.83

 

CMYK 74 / 81 / 0 / 11

HEX #3A2CE2

RGB 58 44 226

HSL 244.62, 0.76%, 0.53%

LAB 34.38, 61.05, -87.92

 

CMYK 0 / 81 / 12 / 11

HEX #E22CC6

RGB 226 44 198

HSL 309.23, 0.76%, 0.53%

LAB 54.08, 80.16, -38.89

 

CMYK 0 / 90 / 14 / 4

HEX #F619D3

RGB 246 25 211

HSL 309.5, 0.92%, 0.53%

LAB 57.07, 88.98, -41.39

 

CMYK 0 / 81 / 12 / 11

HEX #E22CC6

RGB 226 44 198

HSL 309.23, 0.76%, 0.53%

LAB 54.08, 80.16, -38.89

 

CMYK 0 / 70 / 11 / 19

HEX #CF3FB9

RGB 207 63 185

HSL 309.17, 0.6%, 0.53%

LAB 52.2, 68.69, -34.53

 

CMYK 0 / 56 / 9 / 27

HEX #BB53AB

RGB 187 83 171

HSL 309.23, 0.43%, 0.53%

LAB 51.49, 53.05, -27.71

 

CMYK 0 / 39 / 6 / 34

HEX #A8669E

RGB 168 102 158

HSL 309.09, 0.28%, 0.53%

LAB 52.17, 35.14, -19.26

 

CMYK 0 / 18 / 3 / 42

HEX #957A90

RGB 149 122 144

HSL 311.11, 0.11%, 0.53%

LAB 54.37, 14.42, -7.96

 

CMYK 31 / 81 / 0 / 11

HEX #9C2CE2

RGB 156 44 226

HSL 276.92, 0.76%, 0.53%

LAB 44.75, 72.19, -70.5

 

CMYK 9 / 81 / 0 / 11

HEX #CD2CE2

RGB 205 44 226

HSL 293.08, 0.76%, 0.53%

LAB 52.14, 80.37, -58.17

 

CMYK 0 / 81 / 12 / 11

HEX #E22CC7

RGB 226 44 199

HSL 308.9, 0.76%, 0.53%

LAB 54.13, 80.3, -39.38

 

CMYK 0 / 81 / 34 / 11

HEX #E22C96

RGB 226 44 150

HSL 325.05, 0.76%, 0.53%

LAB 52.03, 74.36, -13.93

 

CMYK 0 / 81 / 55 / 11

HEX #E22C66

RGB 226 44 102

HSL 340.88, 0.76%, 0.53%

LAB 50.6, 70.14, 12.94

 

CMYK 0 / 86 / 13 / 35

HEX #A5178F

RGB 165 23 143

HSL 309.3, 0.76%, 0.37%

LAB 38.89, 64.62, -30.91

 

CMYK 0 / 87 / 14 / 21

HEX #CA1BAE

RGB 202 27 174

HSL 309.6, 0.76%, 0.45%

LAB 47.49, 75.57, -35.54

 

CMYK 0 / 81 / 12 / 11

HEX #E22CC6

RGB 226 44 198

HSL 309.23, 0.76%, 0.53%

LAB 54.08, 80.16, -38.89

 

CMYK 0 / 65 / 10 / 9

HEX #E750D0

RGB 231 80 208

HSL 309.14, 0.76%, 0.61%

LAB 59.23, 71.69, -36.46

 

CMYK 0 / 50 / 8 / 7

HEX #EC75DA

RGB 236 117 218

HSL 309.08, 0.76%, 0.69%

LAB 66.23, 58.69, -31.16

 

CMYK 0 / 80 / 12 / 11

HEX #E22EC6

RGB 226 46 198

HSL 309.33, 0.76%, 0.53%

LAB 54.24, 79.69, -38.63

 

CMYK 0 / 52 / 81 / 11

HEX #E26C2C

RGB 226 108 44

HSL 21.1, 0.76%, 0.53%

LAB 59.04, 42.21, 54.79

 

CMYK 81 / 0 / 20 / 11

HEX #2CE2B5

RGB 44 226 181

HSL 165.16, 0.76%, 0.53%

LAB 80.89, -53.93, 9.68

 

CMYK 0 / 80 / 12 / 11

HEX #E22EC6

RGB 226 46 198

HSL 309.33, 0.76%, 0.53%

LAB 54.24, 79.69, -38.63

 

CMYK 12 / 0 / 81 / 11

HEX #C7E22C

RGB 199 226 44

HSL 68.9, 0.76%, 0.53%

LAB 85.36, -30.06, 77.4

 

CMYK 81 / 12 / 0 / 11

HEX #2CC7E2

RGB 44 199 226

HSL 188.9, 0.76%, 0.53%

LAB 74.11, -29.37, -24.47

 

CMYK 0 / 80 / 12 / 11

HEX #E22EC6

RGB 226 46 198

HSL 309.33, 0.76%, 0.53%

LAB 54.24, 79.69, -38.63

 

CMYK 0 / 52 / 81 / 11

HEX #E26C2C

RGB 226 108 44

HSL 21.1, 0.76%, 0.53%

LAB 59.04, 42.21, 54.79

 

CMYK 81 / 0 / 69 / 11

HEX #2CE247

RGB 44 226 71

HSL 128.9, 0.76%, 0.53%

LAB 79.26, -72.57, 60.71

 

CMYK 81 / 28 / 0 / 11

HEX #2CA2E2

RGB 44 162 226

HSL 201.1, 0.76%, 0.53%

LAB 63.23, -10.07, -41.3

 

CMYK 0 / 80 / 12 / 11

HEX #E22EC6

RGB 226 46 198

HSL 309.33, 0.76%, 0.53%

LAB 54.24, 79.69, -38.63

 

CMYK 0 / 28 / 81 / 11

HEX #E2A22C

RGB 226 162 44

HSL 38.9, 0.76%, 0.53%

LAB 71, 13.93, 65.65

 

CMYK 81 / 0 / 69 / 11

HEX #2CE247

RGB 44 226 71

HSL 128.9, 0.76%, 0.53%

LAB 79.26, -72.57, 60.71

 

CMYK 81 / 52 / 0 / 11

HEX #2C6CE2

RGB 44 108 226

HSL 218.9, 0.76%, 0.53%

LAB 47.95, 22.4, -65.69

 

Description

Color code: HEX #E22EC6 | qconv.com Color code: HEX #E22EC6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 46 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 46 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 12 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 12% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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