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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E22CDB it is the complementary color #1DD324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E22CDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E22CDB shade: #E72CD6, #F83EE9, #FF50FC, #FF62FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E22CDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E22CDB shade: #E22CDB, #D11AC8, #C008B5, #AF00A2 and #9E008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E22CDB shade: #E22CDB, #E22CAA, #E22C79, #E22C48 and #E22C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E22CDB shade: #E22CDB, #B82CE2, #872CE2, #562CE2 and #2C2CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E22CDB shade matches the following richer shades: #E22CDB and #F619ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E22CDB shade: #E22CDB, #CF3FC9, #BB53B7, #A866A6 and #957A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E22CDB shade: #872CE2, #B82CE2, #E22CDC, #E22CAC and #E22C7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E22CDB shade: #A517A0, #CA1BC3, #E22CDB, #E750E1 and #EC75E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E22CDB shade: #E22CDB, #E2572C and #2CE29F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E22CDB shade: #E22CDB, #DCE22C and #2CDCE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E22CDB shade: #E22CDB, #E2572C, #2CE232 and #2CB8E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E22CDB shade: #E22CDB, #E28D2C, #2CE232 and #2C81E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

Complementary color

CMYK 86 / 0 / 83 / 17

HEX #1DD324

RGB 29 211 36

HSL 122.31, 0.76%, 0.47%

LAB 74.18, -72.13, 66.88

 

CMYK 0 / 81 / 7 / 9

HEX #E72CD6

RGB 231 44 214

HSL 305.45, 0.8%, 0.54%

LAB 55.73, 83.36, -45.38

 

CMYK 0 / 75 / 6 / 3

HEX #F83EE9

RGB 248 62 233

HSL 304.84, 0.93%, 0.61%

LAB 61.03, 84.98, -47.53

 

CMYK 0 / 69 / 1 / 0

HEX #FF50FC

RGB 255 80 252

HSL 301.03, 1%, 0.66%

LAB 64.98, 83.82, -51.76

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

CMYK 0 / 88 / 4 / 18

HEX #D11AC8

RGB 209 26 200

HSL 302.95, 0.78%, 0.46%

LAB 50.05, 80.66, -46.59

 

CMYK 0 / 96 / 6 / 25

HEX #C008B5

RGB 192 8 181

HSL 303.59, 0.92%, 0.39%

LAB 45.24, 77.08, -43.35

 

CMYK 0 / 100 / 7 / 31

HEX #AF00A2

RGB 175 0 162

HSL 304.46, 1%, 0.34%

LAB 40.77, 72.2, -39.34

 

CMYK 0 / 100 / 9 / 38

HEX #9E008F

RGB 158 0 143

HSL 305.7, 1%, 0.31%

LAB 36.47, 66.51, -34.83

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

CMYK 0 / 81 / 25 / 11

HEX #E22CAA

RGB 226 44 170

HSL 318.46, 0.76%, 0.53%

LAB 52.81, 76.6, -24.57

 

CMYK 0 / 81 / 46 / 11

HEX #E22C79

RGB 226 44 121

HSL 334.62, 0.76%, 0.53%

LAB 51.09, 71.61, 2.1

 

CMYK 0 / 81 / 68 / 11

HEX #E22C48

RGB 226 44 72

HSL 350.77, 0.76%, 0.53%

LAB 50.02, 68.37, 30.32

 

CMYK 0 / 81 / 81 / 11

HEX #E22C2C

RGB 226 44 44

HSL 0, 0.76%, 0.53%

LAB 49.68, 67.32, 45.87

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

CMYK 19 / 81 / 0 / 11

HEX #B82CE2

RGB 184 44 226

HSL 286.15, 0.76%, 0.53%

LAB 48.86, 76.73, -63.62

 

CMYK 40 / 81 / 0 / 11

HEX #872CE2

RGB 135 44 226

HSL 270, 0.76%, 0.53%

LAB 41.91, 69.11, -75.24

 

CMYK 62 / 81 / 0 / 11

HEX #562CE2

RGB 86 44 226

HSL 253.85, 0.76%, 0.53%

LAB 36.5, 63.29, -84.34

 

CMYK 81 / 81 / 0 / 11

HEX #2C2CE2

RGB 44 44 226

HSL 240, 0.76%, 0.53%

LAB 33.62, 60.26, -89.2

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

CMYK 0 / 90 / 4 / 4

HEX #F619ED

RGB 246 25 237

HSL 302.44, 0.92%, 0.53%

LAB 58.42, 92.43, -53.94

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

CMYK 0 / 70 / 3 / 19

HEX #CF3FC9

RGB 207 63 201

HSL 302.5, 0.6%, 0.53%

LAB 52.99, 71.14, -42.53

 

CMYK 0 / 56 / 2 / 27

HEX #BB53B7

RGB 187 83 183

HSL 302.31, 0.43%, 0.53%

LAB 52.03, 55.09, -33.86

 

CMYK 0 / 39 / 1 / 34

HEX #A866A6

RGB 168 102 166

HSL 301.82, 0.28%, 0.53%

LAB 52.49, 36.62, -23.45

 

CMYK 0 / 18 / 1 / 42

HEX #957A94

RGB 149 122 148

HSL 302.22, 0.11%, 0.53%

LAB 54.5, 15.2, -10.09

 

CMYK 40 / 81 / 0 / 11

HEX #872CE2

RGB 135 44 226

HSL 270, 0.76%, 0.53%

LAB 41.91, 69.11, -75.24

 

CMYK 19 / 81 / 0 / 11

HEX #B82CE2

RGB 184 44 226

HSL 286.15, 0.76%, 0.53%

LAB 48.86, 76.73, -63.62

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDC

RGB 226 44 220

HSL 301.98, 0.76%, 0.53%

LAB 55.21, 83.27, -49.66

 

CMYK 0 / 81 / 24 / 11

HEX #E22CAC

RGB 226 44 172

HSL 317.8, 0.76%, 0.53%

LAB 52.89, 76.84, -25.62

 

CMYK 0 / 81 / 46 / 11

HEX #E22C7B

RGB 226 44 123

HSL 333.96, 0.76%, 0.53%

LAB 51.15, 71.78, 0.97

 

CMYK 0 / 86 / 3 / 35

HEX #A517A0

RGB 165 23 160

HSL 302.11, 0.76%, 0.37%

LAB 39.83, 67.12, -39.74

 

CMYK 0 / 87 / 3 / 21

HEX #CA1BC3

RGB 202 27 195

HSL 302.4, 0.76%, 0.45%

LAB 48.61, 78.51, -46.07

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

CMYK 0 / 65 / 3 / 9

HEX #E750E1

RGB 231 80 225

HSL 302.38, 0.76%, 0.61%

LAB 60.04, 74.31, -44.8

 

CMYK 0 / 50 / 2 / 7

HEX #EC75E8

RGB 236 117 232

HSL 302.02, 0.76%, 0.69%

LAB 66.81, 61.02, -38.02

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

CMYK 0 / 62 / 81 / 11

HEX #E2572C

RGB 226 87 44

HSL 14.18, 0.76%, 0.53%

LAB 55.24, 52.07, 51.22

 

CMYK 81 / 0 / 30 / 11

HEX #2CE29F

RGB 44 226 159

HSL 157.91, 0.76%, 0.53%

LAB 80.42, -58.97, 20.58

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

CMYK 3 / 0 / 81 / 11

HEX #DCE22C

RGB 220 226 44

HSL 61.98, 0.76%, 0.53%

LAB 86.89, -21.45, 79.32

 

CMYK 81 / 3 / 0 / 11

HEX #2CDCE2

RGB 44 220 226

HSL 181.98, 0.76%, 0.53%

LAB 80.3, -39.27, -15.09

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

CMYK 0 / 62 / 81 / 11

HEX #E2572C

RGB 226 87 44

HSL 14.18, 0.76%, 0.53%

LAB 55.24, 52.07, 51.22

 

CMYK 81 / 0 / 78 / 11

HEX #2CE232

RGB 44 226 50

HSL 121.98, 0.76%, 0.53%

LAB 79.13, -74.18, 67.75

 

CMYK 81 / 19 / 0 / 11

HEX #2CB8E2

RGB 44 184 226

HSL 193.85, 0.76%, 0.53%

LAB 69.69, -21.85, -31.25

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDB

RGB 226 44 219

HSL 302.31, 0.76%, 0.53%

LAB 55.16, 83.12, -49.18

 

CMYK 0 / 38 / 81 / 11

HEX #E28D2C

RGB 226 141 44

HSL 31.98, 0.76%, 0.53%

LAB 66.06, 25.14, 61.22

 

CMYK 81 / 0 / 78 / 11

HEX #2CE232

RGB 44 226 50

HSL 121.98, 0.76%, 0.53%

LAB 79.13, -74.18, 67.75

 

CMYK 81 / 43 / 0 / 11

HEX #2C81E2

RGB 44 129 226

HSL 211.98, 0.76%, 0.53%

LAB 53.74, 9.25, -56.36

 

Description

Color code: HEX #E22CDB | qconv.com Color code: HEX #E22CDB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 44 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 44 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 3 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 3% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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