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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2288F it is the complementary color #1DD770. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2288F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2288F shade: #E7288A, #F83A9D, #FF4CB0, #FF5EC3 and #FF70D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2288F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2288F shade: #E2288F, #D1167C, #C00469, #AF0056 and #9E0043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2288F shade: #E2288F, #E2285C, #E2282A and #E22828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2288F shade: #E2288F, #E228C1, #D028E2, #9E28E2 and #6C28E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2288F shade matches the following richer shades: #E2288F and #F51491

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2288F shade: #E2288F, #CE3B8C, #BA4F8A, #A66388 and #927786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2288F shade: #CF28E2, #E228C3, #E22891, #E2285F and #E2282E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2288F shade: #A11663, #C51B79, #E2288F, #E74CA2 and #EC70B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2288F shade: #E2288F, #E29D28 and #28DBE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2288F shade: #E2288F, #91E228 and #2891E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2288F shade: #E2288F, #E29D28, #28E278 and #286CE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2288F shade: #E2288F, #E2D528, #28E278 and #2834E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

Complementary color

CMYK 87 / 0 / 48 / 16

HEX #1DD770

RGB 29 215 112

HSL 146.77, 0.76%, 0.48%

LAB 76.09, -65.31, 38.76

 

CMYK 0 / 83 / 40 / 9

HEX #E7288A

RGB 231 40 138

HSL 329.21, 0.8%, 0.53%

LAB 52.22, 75.26, -6.38

 

CMYK 0 / 77 / 37 / 3

HEX #F83A9D

RGB 248 58 157

HSL 328.74, 0.93%, 0.6%

LAB 57.48, 76.72, -9.48

 

CMYK 0 / 70 / 31 / 0

HEX #FF4CB0

RGB 255 76 176

HSL 326.48, 1%, 0.65%

LAB 61.28, 74.96, -14.69

 

CMYK 0 / 63 / 24 / 0

HEX #FF5EC3

RGB 255 94 195

HSL 322.36, 1%, 0.68%

LAB 64.33, 70.65, -20.92

 

CMYK 0 / 56 / 16 / 0

HEX #FF70D6

RGB 255 112 214

HSL 317.2, 1%, 0.72%

LAB 67.8, 65.72, -26.28

 

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

CMYK 0 / 89 / 41 / 18

HEX #D1167C

RGB 209 22 124

HSL 327.27, 0.81%, 0.45%

LAB 46.42, 72.19, -6.97

 

CMYK 0 / 98 / 45 / 25

HEX #C00469

RGB 192 4 105

HSL 327.77, 0.96%, 0.38%

LAB 41.71, 68.73, -2.54

 

CMYK 0 / 100 / 51 / 31

HEX #AF0056

RGB 175 0 86

HSL 330.51, 1%, 0.34%

LAB 37.46, 63.77, 2.92

 

CMYK 0 / 100 / 58 / 38

HEX #9E0043

RGB 158 0 67

HSL 334.56, 1%, 0.31%

LAB 33.3, 58.4, 8.91

 

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

CMYK 0 / 82 / 59 / 11

HEX #E2285C

RGB 226 40 92

HSL 343.23, 0.76%, 0.52%

LAB 50.05, 70.44, 18.27

 

CMYK 0 / 82 / 81 / 11

HEX #E2282A

RGB 226 40 42

HSL 359.35, 0.76%, 0.52%

LAB 49.32, 68.24, 46.57

 

CMYK 0 / 82 / 82 / 11

HEX #E22828

RGB 226 40 40

HSL 0, 0.76%, 0.52%

LAB 49.3, 68.19, 47.59

 

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

CMYK 0 / 82 / 15 / 11

HEX #E228C1

RGB 226 40 193

HSL 310.65, 0.76%, 0.52%

LAB 53.53, 80.37, -36.86

 

CMYK 8 / 82 / 0 / 11

HEX #D028E2

RGB 208 40 226

HSL 294.19, 0.76%, 0.52%

LAB 52.31, 81.82, -57.88

 

CMYK 30 / 82 / 0 / 11

HEX #9E28E2

RGB 158 40 226

HSL 278.06, 0.76%, 0.52%

LAB 44.63, 73.67, -70.67

 

CMYK 52 / 82 / 0 / 11

HEX #6C28E2

RGB 108 40 226

HSL 261.94, 0.76%, 0.52%

LAB 38.19, 67.09, -81.47

 

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

CMYK 0 / 92 / 41 / 4

HEX #F51491

RGB 245 20 145

HSL 326.67, 0.92%, 0.52%

LAB 53.98, 82.24, -7.66

 

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

CMYK 0 / 71 / 32 / 19

HEX #CE3B8C

RGB 206 59 140

HSL 326.94, 0.6%, 0.52%

LAB 49.67, 63.87, -11.87

 

CMYK 0 / 58 / 26 / 27

HEX #BA4F8A

RGB 186 79 138

HSL 326.92, 0.44%, 0.52%

LAB 49.33, 49.62, -11.49

 

CMYK 0 / 40 / 18 / 35

HEX #A66388

RGB 166 99 136

HSL 326.87, 0.27%, 0.52%

LAB 50.46, 32.3, -8.89

 

CMYK 0 / 18 / 8 / 43

HEX #927786

RGB 146 119 134

HSL 326.67, 0.11%, 0.52%

LAB 52.98, 13.14, -4.21

 

CMYK 8 / 82 / 0 / 11

HEX #CF28E2

RGB 207 40 226

HSL 293.87, 0.76%, 0.52%

LAB 52.15, 81.64, -58.15

 

CMYK 0 / 82 / 14 / 11

HEX #E228C3

RGB 226 40 195

HSL 310, 0.76%, 0.52%

LAB 53.63, 80.63, -37.86

 

CMYK 0 / 82 / 36 / 11

HEX #E22891

RGB 226 40 145

HSL 326.13, 0.76%, 0.52%

LAB 51.53, 74.77, -11.7

 

CMYK 0 / 82 / 58 / 11

HEX #E2285F

RGB 226 40 95

HSL 342.26, 0.76%, 0.52%

LAB 50.11, 70.63, 16.53

 

CMYK 0 / 82 / 80 / 11

HEX #E2282E

RGB 226 40 46

HSL 358.06, 0.76%, 0.52%

LAB 49.35, 68.35, 44.48

 

CMYK 0 / 86 / 39 / 37

HEX #A11663

RGB 161 22 99

HSL 326.76, 0.76%, 0.36%

LAB 36.08, 58.52, -7.77

 

CMYK 0 / 86 / 39 / 23

HEX #C51B79

RGB 197 27 121

HSL 326.82, 0.76%, 0.44%

LAB 44.28, 68.31, -8.57

 

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

CMYK 0 / 67 / 30 / 9

HEX #E74CA2

RGB 231 76 162

HSL 326.71, 0.76%, 0.6%

LAB 56.85, 67.03, -13.65

 

CMYK 0 / 53 / 24 / 7

HEX #EC70B4

RGB 236 112 180

HSL 327.1, 0.77%, 0.68%

LAB 63.93, 55.36, -13.27

 

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

CMYK 0 / 31 / 82 / 11

HEX #E29D28

RGB 226 157 40

HSL 37.74, 0.76%, 0.52%

LAB 69.78, 16.48, 65.9

 

CMYK 82 / 3 / 0 / 11

HEX #28DBE2

RGB 40 219 226

HSL 182.26, 0.76%, 0.52%

LAB 79.96, -39.12, -15.61

 

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

CMYK 36 / 0 / 82 / 11

HEX #91E228

RGB 145 226 40

HSL 86.13, 0.76%, 0.52%

LAB 82.14, -50.68, 74.32

 

CMYK 82 / 36 / 0 / 11

HEX #2891E2

RGB 40 145 226

HSL 206.13, 0.76%, 0.52%

LAB 58.22, -0.72, -49.22

 

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

CMYK 0 / 31 / 82 / 11

HEX #E29D28

RGB 226 157 40

HSL 37.74, 0.76%, 0.52%

LAB 69.78, 16.48, 65.9

 

CMYK 82 / 0 / 47 / 11

HEX #28E278

RGB 40 226 120

HSL 145.81, 0.76%, 0.52%

LAB 79.73, -66.74, 39.46

 

CMYK 82 / 52 / 0 / 11

HEX #286CE2

RGB 40 108 226

HSL 218.06, 0.76%, 0.52%

LAB 47.84, 22.06, -65.87

 

CMYK 0 / 82 / 37 / 11

HEX #E2288F

RGB 226 40 143

HSL 326.77, 0.76%, 0.52%

LAB 51.46, 74.57, -10.61

 

CMYK 0 / 6 / 82 / 11

HEX #E2D528

RGB 226 213 40

HSL 55.81, 0.76%, 0.52%

LAB 83.92, -12.67, 77.97

 

CMYK 82 / 0 / 47 / 11

HEX #28E278

RGB 40 226 120

HSL 145.81, 0.76%, 0.52%

LAB 79.73, -66.74, 39.46

 

CMYK 82 / 77 / 0 / 11

HEX #2834E2

RGB 40 52 226

HSL 236.13, 0.76%, 0.52%

LAB 34.8, 56.14, -87.25

 

Description

Color code: HEX #E2288F | qconv.com Color code: HEX #E2288F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 40 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 40 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 37 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 37% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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