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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2273ACE it is the complementary color #1DD8C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2273ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2273ACE shade: #E72735CE, #F83948CE, #FF4B5BCE, #FF5D6ECE and #FF6F81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2273ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2273ACE shade: #E2273ACE, #D11527CE, #C00314CE, #AF0001CE and #9E0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2273ACE shade: #E2283A and #E22828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2273ACE shade: #E2283A, #E2286D, #E2289F, #E228D1 and #C028E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2273ACE shade matches the following richer shades: #E2283A and #F5142B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2273ACE shade: #E2283A, #CE3B4A, #BA4F5A, #A6636A and #92777A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2273ACE shade: #E228A1, #E2286F, #E2283D, #E24328 and #E27528

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2273ACE shade: #A11624, #C51B2C, #E2283A, #E74C5C and #EC707D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2273ACE shade: #E2273A, #D2E228 and #2888E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2273ACE shade: #E2273A, #3DE228 and #283DE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2273ACE shade: #E2273A, #D2E228, #28E2CC and #3728E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2273ACE shade: #E2273A, #9AE228, #28E2CC and #6F28E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 60 / 9

HEX #E2273ACE

RGBA 226 39 58 0.81

HSLA 353.9, 0.76%, 0.52%, 0.81

LABA 49.41, 68.98, 37.81, 0.81

 

Complementary color

CMYK 70 / 0 / 7 / 12

HEX #1DD8C5CE

RGBA 29 216 197 0.81

HSLA 173.9, 0.76%, 0.48%, 0.81

LABA 78.11, -46.8, -2.86, 0.81

 

CMYK 0 / 67 / 62 / 8

HEX #E72735CE

RGBA 231 39 53 0.81

HSLA 355.63, 0.8%, 0.53%, 0.81

LABA 50.33, 70.15, 41.95, 0.81

 

CMYK 0 / 62 / 57 / 2

HEX #F83948CE

RGBA 248 57 72 0.81

HSLA 355.29, 0.93%, 0.6%, 0.81

LABA 55.43, 70.95, 37.82, 0.81

 

CMYK 0 / 57 / 52 / 0

HEX #FF4B5BCE

RGBA 255 75 91 0.81

HSLA 354.67, 1%, 0.65%, 0.81

LABA 59.02, 68.19, 31.59, 0.81

 

CMYK 0 / 51 / 46 / 0

HEX #FF5D6ECE

RGBA 255 93 110 0.81

HSLA 353.7, 1%, 0.68%, 0.81

LABA 61.84, 62.57, 24.33, 0.81

 

CMYK 0 / 46 / 40 / 0

HEX #FF6F81CE

RGBA 255 111 129 0.81

HSLA 352.5, 1%, 0.72%, 0.81

LABA 65.13, 56.29, 17.92, 0.81

 

CMYK 0 / 67 / 60 / 9

HEX #E2273ACE

RGBA 226 39 58 0.81

HSLA 353.9, 0.76%, 0.52%, 0.81

LABA 49.41, 68.98, 37.81, 0.81

 

CMYK 0 / 73 / 66 / 15

HEX #D11527CE

RGBA 209 21 39 0.81

HSLA 354.26, 0.82%, 0.45%, 0.81

LABA 44.57, 67.31, 42.41, 0.81

 

CMYK 0 / 80 / 73 / 20

HEX #C00314CE

RGBA 192 3 20 0.81

HSLA 354.6, 0.97%, 0.38%, 0.81

LABA 40.12, 64.63, 46.84, 0.81

 

CMYK 0 / 81 / 81 / 25

HEX #AF0001CE

RGBA 175 0 1 0.81

HSLA 359.66, 1%, 0.34%, 0.81

LABA 36.21, 60.42, 50.18, 0.81

 

CMYK 0 / 81 / 81 / 31

HEX #9E0000CE

RGBA 158 0 0 0.81

HSLA 0, 1%, 0.31%, 0.81

LABA 32.41, 56.02, 46.44, 0.81

 

CMYK 0 / 82 / 74 / 11

HEX #E2283A

RGB 226 40 58

HSL 354.19, 0.76%, 0.52%

LAB 49.49, 68.75, 37.9

 

CMYK 0 / 82 / 82 / 11

HEX #E22828

RGB 226 40 40

HSL 0, 0.76%, 0.52%

LAB 49.3, 68.19, 47.59

 

CMYK 0 / 82 / 74 / 11

HEX #E2283A

RGB 226 40 58

HSL 354.19, 0.76%, 0.52%

LAB 49.49, 68.75, 37.9

 

CMYK 0 / 82 / 52 / 11

HEX #E2286D

RGB 226 40 109

HSL 337.74, 0.76%, 0.52%

LAB 50.44, 71.6, 8.45

 

CMYK 0 / 82 / 30 / 11

HEX #E2289F

RGB 226 40 159

HSL 321.61, 0.76%, 0.52%

LAB 52.05, 76.25, -19.25

 

CMYK 0 / 82 / 8 / 11

HEX #E228D1

RGB 226 40 209

HSL 305.48, 0.76%, 0.52%

LAB 54.33, 82.55, -44.8

 

CMYK 15 / 82 / 0 / 11

HEX #C028E2

RGB 192 40 226

HSL 289.03, 0.76%, 0.52%

LAB 49.76, 79.08, -62.12

 

CMYK 0 / 82 / 74 / 11

HEX #E2283A

RGB 226 40 58

HSL 354.19, 0.76%, 0.52%

LAB 49.49, 68.75, 37.9

 

CMYK 0 / 92 / 82 / 4

HEX #F5142B

RGB 245 20 43

HSL 353.87, 0.92%, 0.52%

LAB 51.94, 76.62, 49.87

 

CMYK 0 / 82 / 74 / 11

HEX #E2283A

RGB 226 40 58

HSL 354.19, 0.76%, 0.52%

LAB 49.49, 68.75, 37.9

 

CMYK 0 / 71 / 64 / 19

HEX #CE3B4A

RGB 206 59 74

HSL 353.88, 0.6%, 0.52%

LAB 47.94, 58.11, 25.7

 

CMYK 0 / 58 / 52 / 27

HEX #BA4F5A

RGB 186 79 90

HSL 353.83, 0.44%, 0.52%

LAB 47.97, 44.17, 15.48

 

CMYK 0 / 40 / 36 / 35

HEX #A6636A

RGB 166 99 106

HSL 353.73, 0.27%, 0.52%

LAB 49.58, 27.94, 7.7

 

CMYK 0 / 18 / 16 / 43

HEX #92777A

RGB 146 119 122

HSL 353.33, 0.11%, 0.52%

LAB 52.63, 11.01, 2.31

 

CMYK 0 / 82 / 29 / 11

HEX #E228A1

RGB 226 40 161

HSL 320.97, 0.76%, 0.52%

LAB 52.13, 76.47, -20.31

 

CMYK 0 / 82 / 51 / 11

HEX #E2286F

RGB 226 40 111

HSL 337.1, 0.76%, 0.52%

LAB 50.49, 71.75, 7.31

 

CMYK 0 / 82 / 73 / 11

HEX #E2283D

RGB 226 40 61

HSL 353.23, 0.76%, 0.52%

LAB 49.52, 68.87, 36.21

 

CMYK 0 / 70 / 82 / 11

HEX #E24328

RGB 226 67 40

HSL 8.71, 0.76%, 0.52%

LAB 52.22, 60.05, 50.29

 

CMYK 0 / 48 / 82 / 11

HEX #E27528

RGB 226 117 40

HSL 24.84, 0.76%, 0.52%

LAB 60.82, 37.57, 58.05

 

CMYK 0 / 86 / 78 / 37

HEX #A11624

RGB 161 22 36

HSL 353.96, 0.76%, 0.36%

LAB 34.56, 54.1, 30.62

 

CMYK 0 / 86 / 78 / 23

HEX #C51B2C

RGB 197 27 44

HSL 354, 0.76%, 0.44%

LAB 42.52, 63.25, 36.68

 

CMYK 0 / 82 / 74 / 11

HEX #E2283A

RGB 226 40 58

HSL 354.19, 0.76%, 0.52%

LAB 49.49, 68.75, 37.9

 

CMYK 0 / 67 / 60 / 9

HEX #E74C5C

RGB 231 76 92

HSL 353.81, 0.76%, 0.6%

LAB 55, 60.59, 25.01

 

CMYK 0 / 53 / 47 / 7

HEX #EC707D

RGB 236 112 125

HSL 353.71, 0.77%, 0.68%

LAB 62.42, 49.01, 16.03

 

CMYK 0 / 83 / 74 / 11

HEX #E2273A

RGB 226 39 58

HSL 353.9, 0.76%, 0.52%

LAB 49.41, 68.98, 37.81

 

CMYK 7 / 0 / 82 / 11

HEX #D2E228

RGB 210 226 40

HSL 65.16, 0.76%, 0.52%

LAB 86.13, -25.7, 79.34

 

CMYK 82 / 40 / 0 / 11

HEX #2888E2

RGB 40 136 226

HSL 209.03, 0.76%, 0.52%

LAB 55.63, 4.63, -53.33

 

CMYK 0 / 83 / 74 / 11

HEX #E2273A

RGB 226 39 58

HSL 353.9, 0.76%, 0.52%

LAB 49.41, 68.98, 37.81

 

CMYK 73 / 0 / 82 / 11

HEX #3DE228

RGB 61 226 40

HSL 113.23, 0.76%, 0.52%

LAB 79.35, -72.45, 70.76

 

CMYK 82 / 73 / 0 / 11

HEX #283DE2

RGB 40 61 226

HSL 233.23, 0.76%, 0.52%

LAB 36.52, 51.26, -84.41

 

CMYK 0 / 83 / 74 / 11

HEX #E2273A

RGB 226 39 58

HSL 353.9, 0.76%, 0.52%

LAB 49.41, 68.98, 37.81

 

CMYK 7 / 0 / 82 / 11

HEX #D2E228

RGB 210 226 40

HSL 65.16, 0.76%, 0.52%

LAB 86.13, -25.7, 79.34

 

CMYK 82 / 0 / 10 / 11

HEX #28E2CC

RGB 40 226 204

HSL 172.9, 0.76%, 0.52%

LAB 81.4, -48.39, -1.75

 

CMYK 76 / 82 / 0 / 11

HEX #3728E2

RGB 55 40 226

HSL 244.84, 0.76%, 0.52%

LAB 33.61, 62.61, -89.21

 

CMYK 0 / 83 / 74 / 11

HEX #E2273A

RGB 226 39 58

HSL 353.9, 0.76%, 0.52%

LAB 49.41, 68.98, 37.81

 

CMYK 32 / 0 / 82 / 11

HEX #9AE228

RGB 154 226 40

HSL 83.23, 0.76%, 0.52%

LAB 82.6, -47.51, 74.9

 

CMYK 82 / 0 / 10 / 11

HEX #28E2CC

RGB 40 226 204

HSL 172.9, 0.76%, 0.52%

LAB 81.4, -48.39, -1.75

 

CMYK 51 / 82 / 0 / 11

HEX #6F28E2

RGB 111 40 226

HSL 262.9, 0.76%, 0.52%

LAB 38.53, 67.43, -80.91

 

Description

Color code: HEX #E2273ACE | qconv.com Color code: HEX #E2273ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 39 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 39 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 60 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 60% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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