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Color name
HEX #E2255E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2255E it is the complementary color #1DDAA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2255E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2255E shade: #E72559, #F8376C, #FF497F, #FF5B92 and #FF6DA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2255E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2255E shade: #E2255E, #D1134B, #C00138, #AF0025 and #9E0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2255E shade: #E3265F, #E3262C and #E32626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2255E shade: #E3265F, #E32692, #E326C5, #CE26E3 and #9B26E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2255E shade matches the following richer shades: #E3265F and #F71357

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2255E shade: #E3265F, #CF3A67, #BB4E6F, #A76277 and #94767F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2255E shade: #E326C7, #E32694, #E32662, #E32630 and #E34F26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2255E shade: #A2153F, #C61A4E, #E3265F, #E84B7A and #EC6F95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2255E shade: #E2255E, #E3CD26 and #26ADE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2255E shade: #E2255E, #62E326 and #2662E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2255E shade: #E2255E, #E3CD26, #26E3A7 and #263CE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2255E shade: #E2255E, #C0E326, #26E3A7 and #4926E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 58 / 11

HEX #E2255E

RGB 226 37 94

HSL 341.9, 0.77%, 0.52%

LAB 49.86, 71.23, 16.79

 

Complementary color

CMYK 87 / 0 / 26 / 15

HEX #1DDAA1

RGB 29 218 161

HSL 161.9, 0.77%, 0.48%

LAB 77.86, -56.7, 15.95

 

CMYK 0 / 84 / 61 / 9

HEX #E72559

RGB 231 37 89

HSL 343.92, 0.8%, 0.53%

LAB 50.73, 72.2, 21.17

 

CMYK 0 / 78 / 56 / 3

HEX #F8376C

RGB 248 55 108

HSL 343.52, 0.93%, 0.59%

LAB 55.86, 73.46, 17.22

 

CMYK 0 / 71 / 50 / 0

HEX #FF497F

RGB 255 73 127

HSL 342.2, 1%, 0.64%

LAB 59.49, 71.28, 11.22

 

CMYK 0 / 64 / 43 / 0

HEX #FF5B92

RGB 255 91 146

HSL 339.88, 1%, 0.68%

LAB 62.35, 66.35, 4.23

 

CMYK 0 / 57 / 35 / 0

HEX #FF6DA5

RGB 255 109 165

HSL 336.99, 1%, 0.71%

LAB 65.68, 60.76, -1.83

 

CMYK 0 / 84 / 58 / 11

HEX #E2255E

RGB 226 37 94

HSL 341.9, 0.77%, 0.52%

LAB 49.86, 71.23, 16.79

 

CMYK 0 / 91 / 64 / 18

HEX #D1134B

RGB 209 19 75

HSL 342.32, 0.83%, 0.45%

LAB 44.98, 69.03, 21.39

 

CMYK 0 / 99 / 71 / 25

HEX #C00138

RGB 192 1 56

HSL 342.72, 0.99%, 0.38%

LAB 40.43, 65.89, 26.74

 

CMYK 0 / 100 / 79 / 31

HEX #AF0025

RGB 175 0 37

HSL 347.31, 1%, 0.34%

LAB 36.46, 61.1, 32.95

 

CMYK 0 / 100 / 89 / 38

HEX #9E0012

RGB 158 0 18

HSL 353.16, 1%, 0.31%

LAB 32.51, 56.28, 38.7

 

CMYK 0 / 83 / 58 / 11

HEX #E3265F

RGB 227 38 95

HSL 341.9, 0.77%, 0.52%

LAB 50.15, 71.33, 16.61

 

CMYK 0 / 83 / 81 / 11

HEX #E3262C

RGB 227 38 44

HSL 358.1, 0.77%, 0.52%

LAB 49.37, 69.02, 45.64

 

CMYK 0 / 83 / 83 / 11

HEX #E32626

RGB 227 38 38

HSL 0, 0.77%, 0.52%

LAB 49.32, 68.87, 48.7

 

CMYK 0 / 83 / 58 / 11

HEX #E3265F

RGB 227 38 95

HSL 341.9, 0.77%, 0.52%

LAB 50.15, 71.33, 16.61

 

CMYK 0 / 83 / 36 / 11

HEX #E32692

RGB 227 38 146

HSL 325.71, 0.77%, 0.52%

LAB 51.6, 75.53, -12.18

 

CMYK 0 / 83 / 13 / 11

HEX #E326C5

RGB 227 38 197

HSL 309.52, 0.77%, 0.52%

LAB 53.76, 81.51, -38.8

 

CMYK 9 / 83 / 0 / 11

HEX #CE26E3

RGB 206 38 227

HSL 293.33, 0.77%, 0.52%

LAB 51.9, 82.07, -59.12

 

CMYK 32 / 83 / 0 / 11

HEX #9B26E3

RGB 155 38 227

HSL 277.14, 0.77%, 0.52%

LAB 44.09, 73.98, -72.14

 

CMYK 0 / 83 / 58 / 11

HEX #E3265F

RGB 227 38 95

HSL 341.9, 0.77%, 0.52%

LAB 50.15, 71.33, 16.61

 

CMYK 0 / 92 / 65 / 3

HEX #F71357

RGB 247 19 87

HSL 342.11, 0.93%, 0.52%

LAB 52.87, 78.81, 25.79

 

CMYK 0 / 83 / 58 / 11

HEX #E3265F

RGB 227 38 95

HSL 341.9, 0.77%, 0.52%

LAB 50.15, 71.33, 16.61

 

CMYK 0 / 72 / 50 / 19

HEX #CF3A67

RGB 207 58 103

HSL 341.88, 0.61%, 0.52%

LAB 48.6, 60.82, 9.01

 

CMYK 0 / 58 / 41 / 27

HEX #BB4E6F

RGB 187 78 111

HSL 341.83, 0.44%, 0.52%

LAB 48.46, 47.08, 3.5

 

CMYK 0 / 41 / 29 / 35

HEX #A76277

RGB 167 98 119

HSL 341.74, 0.28%, 0.52%

LAB 49.84, 30.63, 0.33

 

CMYK 0 / 20 / 14 / 42

HEX #94767F

RGB 148 118 127

HSL 342, 0.12%, 0.52%

LAB 52.71, 13.23, -0.47

 

CMYK 0 / 83 / 12 / 11

HEX #E326C7

RGB 227 38 199

HSL 308.89, 0.77%, 0.52%

LAB 53.86, 81.77, -39.8

 

CMYK 0 / 83 / 35 / 11

HEX #E32694

RGB 227 38 148

HSL 325.08, 0.77%, 0.52%

LAB 51.67, 75.73, -13.26

 

CMYK 0 / 83 / 57 / 11

HEX #E32662

RGB 227 38 98

HSL 340.95, 0.77%, 0.52%

LAB 50.21, 71.52, 14.87

 

CMYK 0 / 83 / 79 / 11

HEX #E32630

RGB 227 38 48

HSL 356.83, 0.77%, 0.52%

LAB 49.41, 69.14, 43.51

 

CMYK 0 / 65 / 83 / 11

HEX #E34F26

RGB 227 79 38

HSL 13.02, 0.77%, 0.52%

LAB 54.09, 55.65, 52.97

 

CMYK 0 / 87 / 61 / 36

HEX #A2153F

RGB 162 21 63

HSL 342.13, 0.77%, 0.36%

LAB 35.16, 55.95, 14.22

 

CMYK 0 / 87 / 61 / 22

HEX #C61A4E

RGB 198 26 78

HSL 341.86, 0.77%, 0.44%

LAB 43.2, 65.31, 16.75

 

CMYK 0 / 83 / 58 / 11

HEX #E3265F

RGB 227 38 95

HSL 341.9, 0.77%, 0.52%

LAB 50.15, 71.33, 16.61

 

CMYK 0 / 68 / 47 / 9

HEX #E84B7A

RGB 232 75 122

HSL 342.04, 0.77%, 0.6%

LAB 55.68, 63.56, 8.22

 

CMYK 0 / 53 / 37 / 7

HEX #EC6F95

RGB 236 111 149

HSL 341.76, 0.77%, 0.68%

LAB 62.82, 51.97, 2.81

 

CMYK 0 / 84 / 58 / 11

HEX #E2255E

RGB 226 37 94

HSL 341.9, 0.77%, 0.52%

LAB 49.86, 71.23, 16.79

 

CMYK 0 / 10 / 83 / 11

HEX #E3CD26

RGB 227 205 38

HSL 53.02, 0.77%, 0.52%

LAB 81.91, -8.27, 76.8

 

CMYK 83 / 24 / 0 / 11

HEX #26ADE3

RGB 38 173 227

HSL 197.14, 0.77%, 0.52%

LAB 66.4, -16.24, -36.91

 

CMYK 0 / 84 / 58 / 11

HEX #E2255E

RGB 226 37 94

HSL 341.9, 0.77%, 0.52%

LAB 49.86, 71.23, 16.79

 

CMYK 57 / 0 / 83 / 11

HEX #62E326

RGB 98 227 38

HSL 100.95, 0.77%, 0.52%

LAB 80.56, -65.29, 72.67

 

CMYK 83 / 57 / 0 / 11

HEX #2662E3

RGB 38 98 227

HSL 220.95, 0.77%, 0.52%

LAB 45.21, 28.68, -70.7

 

CMYK 0 / 84 / 58 / 11

HEX #E2255E

RGB 226 37 94

HSL 341.9, 0.77%, 0.52%

LAB 49.86, 71.23, 16.79

 

CMYK 0 / 10 / 83 / 11

HEX #E3CD26

RGB 227 205 38

HSL 53.02, 0.77%, 0.52%

LAB 81.91, -8.27, 76.8

 

CMYK 83 / 0 / 26 / 11

HEX #26E3A7

RGB 38 227 167

HSL 160.95, 0.77%, 0.52%

LAB 80.82, -58.1, 16.94

 

CMYK 83 / 74 / 0 / 11

HEX #263CE3

RGB 38 60 227

HSL 233.02, 0.77%, 0.52%

LAB 36.35, 52.05, -85.26

 

CMYK 0 / 84 / 58 / 11

HEX #E2255E

RGB 226 37 94

HSL 341.9, 0.77%, 0.52%

LAB 49.86, 71.23, 16.79

 

CMYK 15 / 0 / 83 / 11

HEX #C0E326

RGB 192 227 38

HSL 71.11, 0.77%, 0.52%

LAB 85.14, -33.52, 78.45

 

CMYK 83 / 0 / 26 / 11

HEX #26E3A7

RGB 38 227 167

HSL 160.95, 0.77%, 0.52%

LAB 80.82, -58.1, 16.94

 

CMYK 68 / 83 / 0 / 11

HEX #4926E3

RGB 73 38 227

HSL 251.11, 0.77%, 0.52%

LAB 34.7, 64.86, -87.93

 

Description

Color code: HEX #E2255E | qconv.com Color code: HEX #E2255E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 37 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 37 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 58% 11% C M Y K

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Provide designers and agencies with accurate color values.

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