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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2228E it is the complementary color #1DDD71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2228E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2228E shade: #E72289, #F8349C, #FF46AF, #FF58C2 and #FF6AD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2228E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2228E shade: #E2228E, #D1107B, #C00068, #AF0055 and #9E0042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2228E shade: #E2228E, #E2225A, #E22226 and #E22222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2228E shade: #E2228E, #E222C2, #CF22E2, #9B22E2 and #6722E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2228E shade matches the following richer shades: #E2228E and #F60E91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2228E shade: #E2228E, #CE368C, #BA4A89, #A65E86 and #917384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2228E shade: #CF22E2, #E222C2, #E2228F, #E2225C and #E22228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2228E shade: #9D1461, #C21978, #E2228E, #E746A1 and #EC6BB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2228E shade: #E2228E, #E29C22 and #22DCE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2228E shade: #E2228E, #8FE222 and #228FE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2228E shade: #E2228E, #E29C22, #22E275 and #2268E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2228E shade: #E2228E, #E2D522, #22E275 and #222FE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

Complementary color

CMYK 87 / 0 / 49 / 13

HEX #1DDD71

RGB 29 221 113

HSL 146.25, 0.77%, 0.49%

LAB 77.97, -67.12, 40.64

 

CMYK 0 / 85 / 41 / 9

HEX #E72289

RGB 231 34 137

HSL 328.63, 0.8%, 0.52%

LAB 51.77, 76.37, -6.45

 

CMYK 0 / 79 / 37 / 3

HEX #F8349C

RGB 248 52 156

HSL 328.16, 0.93%, 0.59%

LAB 56.89, 78.2, -9.77

 

CMYK 0 / 73 / 31 / 0

HEX #FF46AF

RGB 255 70 175

HSL 325.95, 1%, 0.64%

LAB 60.55, 76.8, -15.22

 

CMYK 0 / 65 / 24 / 0

HEX #FF58C2

RGB 255 88 194

HSL 321.92, 1%, 0.67%

LAB 63.45, 72.83, -21.68

 

CMYK 0 / 58 / 16 / 0

HEX #FF6AD5

RGB 255 106 213

HSL 316.91, 1%, 0.71%

LAB 66.8, 68.17, -27.26

 

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

CMYK 0 / 92 / 41 / 18

HEX #D1107B

RGB 209 16 123

HSL 326.74, 0.86%, 0.44%

LAB 46.12, 72.89, -6.81

 

CMYK 0 / 100 / 46 / 25

HEX #C00068

RGB 192 0 104

HSL 327.5, 1%, 0.38%

LAB 41.54, 69.04, -2.16

 

CMYK 0 / 100 / 51 / 31

HEX #AF0055

RGB 175 0 85

HSL 330.86, 1%, 0.34%

LAB 37.43, 63.7, 3.53

 

CMYK 0 / 100 / 58 / 38

HEX #9E0042

RGB 158 0 66

HSL 334.94, 1%, 0.31%

LAB 33.27, 58.33, 9.53

 

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

CMYK 0 / 85 / 60 / 11

HEX #E2225A

RGB 226 34 90

HSL 342.5, 0.77%, 0.51%

LAB 49.56, 71.6, 18.83

 

CMYK 0 / 85 / 83 / 11

HEX #E22226

RGB 226 34 38

HSL 358.75, 0.77%, 0.51%

LAB 48.83, 69.45, 48.17

 

CMYK 0 / 85 / 85 / 11

HEX #E22222

RGB 226 34 34

HSL 0, 0.77%, 0.51%

LAB 48.8, 69.36, 50.13

 

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

CMYK 0 / 85 / 14 / 11

HEX #E222C2

RGB 226 34 194

HSL 310, 0.77%, 0.51%

LAB 53.18, 81.68, -37.99

 

CMYK 8 / 85 / 0 / 11

HEX #CF22E2

RGB 207 34 226

HSL 294.06, 0.77%, 0.51%

LAB 51.72, 82.88, -58.82

 

CMYK 31 / 85 / 0 / 11

HEX #9B22E2

RGB 155 34 226

HSL 277.81, 0.77%, 0.51%

LAB 43.66, 74.82, -72.27

 

CMYK 54 / 85 / 0 / 11

HEX #6722E2

RGB 103 34 226

HSL 261.56, 0.77%, 0.51%

LAB 36.96, 68.57, -83.52

 

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

CMYK 0 / 94 / 41 / 4

HEX #F60E91

RGB 246 14 145

HSL 326.12, 0.93%, 0.51%

LAB 53.98, 83.03, -7.65

 

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

CMYK 0 / 74 / 32 / 19

HEX #CE368C

RGB 206 54 140

HSL 326.05, 0.61%, 0.51%

LAB 49.07, 65.55, -12.77

 

CMYK 0 / 60 / 26 / 27

HEX #BA4A89

RGB 186 74 137

HSL 326.25, 0.45%, 0.51%

LAB 48.44, 51.79, -12.24

 

CMYK 0 / 43 / 19 / 35

HEX #A65E86

RGB 166 94 134

HSL 326.67, 0.29%, 0.51%

LAB 49.29, 34.73, -9.45

 

CMYK 0 / 21 / 9 / 43

HEX #917384

RGB 145 115 132

HSL 326, 0.12%, 0.51%

LAB 51.78, 14.72, -4.82

 

CMYK 8 / 85 / 0 / 11

HEX #CF22E2

RGB 207 34 226

HSL 294.06, 0.77%, 0.51%

LAB 51.72, 82.88, -58.82

 

CMYK 0 / 85 / 14 / 11

HEX #E222C2

RGB 226 34 194

HSL 310, 0.77%, 0.51%

LAB 53.18, 81.68, -37.99

 

CMYK 0 / 85 / 37 / 11

HEX #E2228F

RGB 226 34 143

HSL 325.94, 0.77%, 0.51%

LAB 51.03, 75.8, -11.26

 

CMYK 0 / 85 / 59 / 11

HEX #E2225C

RGB 226 34 92

HSL 341.88, 0.77%, 0.51%

LAB 49.6, 71.72, 17.67

 

CMYK 0 / 85 / 82 / 11

HEX #E22228

RGB 226 34 40

HSL 358.13, 0.77%, 0.51%

LAB 48.84, 69.5, 47.16

 

CMYK 0 / 87 / 38 / 38

HEX #9D1461

RGB 157 20 97

HSL 326.28, 0.77%, 0.35%

LAB 35.07, 57.75, -8.1

 

CMYK 0 / 87 / 38 / 24

HEX #C21978

RGB 194 25 120

HSL 326.27, 0.77%, 0.43%

LAB 43.54, 67.89, -9.13

 

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

CMYK 0 / 70 / 30 / 9

HEX #E746A1

RGB 231 70 161

HSL 326.09, 0.77%, 0.59%

LAB 56.03, 69.08, -14.3

 

CMYK 0 / 55 / 24 / 7

HEX #EC6BB3

RGB 236 107 179

HSL 326.51, 0.77%, 0.67%

LAB 63.01, 57.56, -14.08

 

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

CMYK 0 / 31 / 85 / 11

HEX #E29C22

RGB 226 156 34

HSL 38.13, 0.77%, 0.51%

LAB 69.51, 16.85, 67.5

 

CMYK 85 / 3 / 0 / 11

HEX #22DCE2

RGB 34 220 226

HSL 181.88, 0.77%, 0.51%

LAB 80.19, -39.98, -15.26

 

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

CMYK 37 / 0 / 85 / 11

HEX #8FE222

RGB 143 226 34

HSL 85.94, 0.77%, 0.51%

LAB 82.03, -51.58, 75.54

 

CMYK 85 / 37 / 0 / 11

HEX #228FE2

RGB 34 143 226

HSL 205.94, 0.77%, 0.51%

LAB 57.54, -0.02, -50.31

 

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

CMYK 0 / 31 / 85 / 11

HEX #E29C22

RGB 226 156 34

HSL 38.13, 0.77%, 0.51%

LAB 69.51, 16.85, 67.5

 

CMYK 85 / 0 / 48 / 11

HEX #22E275

RGB 34 226 117

HSL 145.94, 0.77%, 0.51%

LAB 79.62, -67.75, 40.78

 

CMYK 85 / 54 / 0 / 11

HEX #2268E2

RGB 34 104 226

HSL 218.13, 0.77%, 0.51%

LAB 46.62, 24.16, -67.85

 

CMYK 0 / 85 / 37 / 11

HEX #E2228E

RGB 226 34 142

HSL 326.25, 0.77%, 0.51%

LAB 51, 75.71, -10.71

 

CMYK 0 / 6 / 85 / 11

HEX #E2D522

RGB 226 213 34

HSL 55.94, 0.77%, 0.51%

LAB 83.9, -12.82, 79.32

 

CMYK 85 / 0 / 48 / 11

HEX #22E275

RGB 34 226 117

HSL 145.94, 0.77%, 0.51%

LAB 79.62, -67.75, 40.78

 

CMYK 85 / 79 / 0 / 11

HEX #222FE2

RGB 34 47 226

HSL 235.94, 0.77%, 0.51%

LAB 33.7, 58.39, -89.08

 

Description

Color code: HEX #E2228E | qconv.com Color code: HEX #E2228E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 34 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 34 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 37 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 37% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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