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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E21EB6 it is the complementary color #1DE149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E21EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E21EB6 shade: #E71EB1, #F830C4, #FF42D7, #FF54EA and #FF66FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E21EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E21EB6 shade: #E21EB6, #D10CA3, #C00090, #AF007D and #9E006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E21EB6 shade: #E21DB6, #E21D81, #E21D4C and #E21D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E21EB6 shade: #E21DB6, #D91DE2, #A41DE2, #6F1DE2 and #3A1DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E21EB6 shade matches the following richer shades: #E21DB6 and #F609C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E21EB6 shade: #E21DB6, #CD32AA, #B8479F, #A45B93 and #8F7088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E21EB6 shade: #A31DE2, #D81DE2, #E21DB7, #E21D83 and #E21D4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E21EB6 shade: #99147B, #BD1998, #E21DB6, #E642C1 and #EB66CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E21EB6 shade: #E21EB6, #E26F1D and #1DE2BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E21EB6 shade: #E21EB6, #B7E21D and #1DB7E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E21EB6 shade: #E21EB6, #E26F1D, #1DE248 and #1D90E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E21EB6 shade: #E21EB6, #E2AA1D, #1DE248 and #1D55E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 19 / 11

HEX #E21EB6

RGB 226 30 182

HSL 313.47, 0.77%, 0.5%

LAB 52.37, 80.84, -32.28

 

Complementary color

CMYK 87 / 0 / 68 / 12

HEX #1DE149

RGB 29 225 73

HSL 133.47, 0.77%, 0.5%

LAB 78.81, -73.46, 59.41

 

CMYK 0 / 87 / 23 / 9

HEX #E71EB1

RGB 231 30 177

HSL 316.12, 0.81%, 0.51%

LAB 53.05, 81.25, -28.23

 

CMYK 0 / 81 / 21 / 3

HEX #F830C4

RGB 248 48 196

HSL 315.6, 0.93%, 0.58%

LAB 58.09, 83.55, -31.18

 

CMYK 0 / 74 / 16 / 0

HEX #FF42D7

RGB 255 66 215

HSL 312.7, 1%, 0.63%

LAB 61.71, 82.85, -36.28

 

CMYK 0 / 67 / 8 / 0

HEX #FF54EA

RGB 255 84 234

HSL 307.37, 1%, 0.66%

LAB 64.6, 79.75, -42.4

 

CMYK 0 / 60 / 1 / 0

HEX #FF66FD

RGB 255 102 253

HSL 300.78, 1%, 0.7%

LAB 67.91, 75.91, -47.68

 

CMYK 0 / 87 / 19 / 11

HEX #E21EB6

RGB 226 30 182

HSL 313.47, 0.77%, 0.5%

LAB 52.37, 80.84, -32.28

 

CMYK 0 / 94 / 22 / 18

HEX #D10CA3

RGB 209 12 163

HSL 314.01, 0.89%, 0.43%

LAB 47.58, 77.52, -28.79

 

CMYK 0 / 100 / 25 / 25

HEX #C00090

RGB 192 0 144

HSL 315, 1%, 0.38%

LAB 43.09, 73.05, -24.58

 

CMYK 0 / 100 / 29 / 31

HEX #AF007D

RGB 175 0 125

HSL 317.14, 1%, 0.34%

LAB 38.89, 67.5, -19.66

 

CMYK 0 / 100 / 33 / 38

HEX #9E006A

RGB 158 0 106

HSL 319.75, 1%, 0.31%

LAB 34.62, 61.87, -14.53

 

CMYK 0 / 87 / 19 / 11

HEX #E21DB6

RGB 226 29 182

HSL 313.4, 0.77%, 0.5%

LAB 52.31, 81.01, -32.37

 

CMYK 0 / 87 / 43 / 11

HEX #E21D81

RGB 226 29 129

HSL 329.54, 0.77%, 0.5%

LAB 50.25, 75.4, -3.98

 

CMYK 0 / 87 / 66 / 11

HEX #E21D4C

RGB 226 29 76

HSL 345.69, 0.77%, 0.5%

LAB 48.97, 71.76, 26.59

 

CMYK 0 / 87 / 87 / 11

HEX #E21D1D

RGB 226 29 29

HSL 0, 0.77%, 0.5%

LAB 48.43, 70.21, 52.18

 

CMYK 0 / 87 / 19 / 11

HEX #E21DB6

RGB 226 29 182

HSL 313.4, 0.77%, 0.5%

LAB 52.31, 81.01, -32.37

 

CMYK 4 / 87 / 0 / 11

HEX #D91DE2

RGB 217 29 226

HSL 297.26, 0.77%, 0.5%

LAB 53.08, 85.42, -56.55

 

CMYK 27 / 87 / 0 / 11

HEX #A41DE2

RGB 164 29 226

HSL 281.12, 0.77%, 0.5%

LAB 44.61, 77.21, -70.67

 

CMYK 51 / 87 / 0 / 11

HEX #6F1DE2

RGB 111 29 226

HSL 264.97, 0.77%, 0.5%

LAB 37.39, 70.81, -82.79

 

CMYK 74 / 87 / 0 / 11

HEX #3A1DE2

RGB 58 29 226

HSL 248.83, 0.77%, 0.5%

LAB 32.41, 66.9, -91.19

 

CMYK 0 / 87 / 19 / 11

HEX #E21DB6

RGB 226 29 182

HSL 313.4, 0.77%, 0.5%

LAB 52.31, 81.01, -32.37

 

CMYK 0 / 96 / 22 / 4

HEX #F609C1

RGB 246 9 193

HSL 313.42, 0.93%, 0.5%

LAB 55.72, 88.27, -33.17

 

CMYK 0 / 87 / 19 / 11

HEX #E21DB6

RGB 226 29 182

HSL 313.4, 0.77%, 0.5%

LAB 52.31, 81.01, -32.37

 

CMYK 0 / 76 / 17 / 20

HEX #CD32AA

RGB 205 50 170

HSL 313.55, 0.61%, 0.5%

LAB 49.69, 70.29, -29.7

 

CMYK 0 / 61 / 14 / 28

HEX #B8479F

RGB 184 71 159

HSL 313.27, 0.44%, 0.5%

LAB 48.51, 55.73, -25.29

 

CMYK 0 / 45 / 10 / 36

HEX #A45B93

RGB 164 91 147

HSL 313.97, 0.29%, 0.5%

LAB 48.86, 37.84, -17.87

 

CMYK 0 / 22 / 5 / 44

HEX #8F7088

RGB 143 112 136

HSL 313.55, 0.12%, 0.5%

LAB 50.93, 16.48, -8.47

 

CMYK 28 / 87 / 0 / 11

HEX #A31DE2

RGB 163 29 226

HSL 280.81, 0.77%, 0.5%

LAB 44.46, 77.07, -70.92

 

CMYK 4 / 87 / 0 / 11

HEX #D81DE2

RGB 216 29 226

HSL 296.95, 0.77%, 0.5%

LAB 52.92, 85.25, -56.83

 

CMYK 0 / 87 / 19 / 11

HEX #E21DB7

RGB 226 29 183

HSL 313.1, 0.77%, 0.5%

LAB 52.36, 81.13, -32.88

 

CMYK 0 / 87 / 42 / 11

HEX #E21D83

RGB 226 29 131

HSL 328.93, 0.77%, 0.5%

LAB 50.32, 75.58, -5.09

 

CMYK 0 / 87 / 65 / 11

HEX #E21D4E

RGB 226 29 78

HSL 345.08, 0.77%, 0.5%

LAB 49, 71.86, 25.42

 

CMYK 0 / 87 / 20 / 40

HEX #99147B

RGB 153 20 123

HSL 313.53, 0.77%, 0.34%

LAB 35.41, 59.93, -24.15

 

CMYK 0 / 87 / 20 / 26

HEX #BD1998

RGB 189 25 152

HSL 313.54, 0.77%, 0.42%

LAB 43.92, 70.43, -28.19

 

CMYK 0 / 87 / 19 / 11

HEX #E21DB6

RGB 226 29 182

HSL 313.4, 0.77%, 0.5%

LAB 52.31, 81.01, -32.37

 

CMYK 0 / 71 / 16 / 10

HEX #E642C1

RGB 230 66 193

HSL 313.54, 0.77%, 0.58%

LAB 56.65, 74.23, -31.93

 

CMYK 0 / 57 / 13 / 8

HEX #EB66CD

RGB 235 102 205

HSL 313.53, 0.77%, 0.66%

LAB 62.99, 63.25, -28.88

 

CMYK 0 / 87 / 19 / 11

HEX #E21EB6

RGB 226 30 182

HSL 313.47, 0.77%, 0.5%

LAB 52.37, 80.84, -32.28

 

CMYK 0 / 51 / 87 / 11

HEX #E26F1D

RGB 226 111 29

HSL 24.97, 0.77%, 0.5%

LAB 59.55, 40.32, 60.95

 

CMYK 87 / 0 / 16 / 11

HEX #1DE2BE

RGB 29 226 190

HSL 169.04, 0.77%, 0.5%

LAB 80.94, -52.79, 4.99

 

CMYK 0 / 87 / 19 / 11

HEX #E21EB6

RGB 226 30 182

HSL 313.47, 0.77%, 0.5%

LAB 52.37, 80.84, -32.28

 

CMYK 19 / 0 / 87 / 11

HEX #B7E21D

RGB 183 226 29

HSL 73.1, 0.77%, 0.5%

LAB 84.25, -36.88, 79.28

 

CMYK 87 / 19 / 0 / 11

HEX #1DB7E2

RGB 29 183 226

HSL 193.1, 0.77%, 0.5%

LAB 69.2, -22.44, -32.03

 

CMYK 0 / 87 / 19 / 11

HEX #E21EB6

RGB 226 30 182

HSL 313.47, 0.77%, 0.5%

LAB 52.37, 80.84, -32.28

 

CMYK 0 / 51 / 87 / 11

HEX #E26F1D

RGB 226 111 29

HSL 24.97, 0.77%, 0.5%

LAB 59.55, 40.32, 60.95

 

CMYK 87 / 0 / 68 / 11

HEX #1DE248

RGB 29 226 72

HSL 133.1, 0.77%, 0.5%

LAB 79.11, -73.85, 60.12

 

CMYK 87 / 36 / 0 / 11

HEX #1D90E2

RGB 29 144 226

HSL 204.97, 0.77%, 0.5%

LAB 57.75, -0.95, -49.97

 

CMYK 0 / 87 / 19 / 11

HEX #E21EB6

RGB 226 30 182

HSL 313.47, 0.77%, 0.5%

LAB 52.37, 80.84, -32.28

 

CMYK 0 / 25 / 87 / 11

HEX #E2AA1D

RGB 226 170 29

HSL 42.94, 0.77%, 0.5%

LAB 72.9, 9.28, 71.55

 

CMYK 87 / 0 / 68 / 11

HEX #1DE248

RGB 29 226 72

HSL 133.1, 0.77%, 0.5%

LAB 79.11, -73.85, 60.12

 

CMYK 87 / 62 / 0 / 11

HEX #1D55E2

RGB 29 85 226

HSL 222.94, 0.77%, 0.5%

LAB 41.61, 36.04, -76.03

 

Description

Color code: HEX #E21EB6 | qconv.com Color code: HEX #E21EB6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 30 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 30 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 19 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 19% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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