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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1EFAF it is the complementary color #1E1050. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1EFAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1EFAF shade: #E6EFAA, #F7FFBD, #FFFFD0, #FFFFE3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1EFAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1EFAF shade: #E1EFAF, #D0DD9C, #BFCB89, #AEB976 and #9DA763

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1EFAF shade: #E1EFAE, #EFECAE, #EFDAAE, #EFC9AE and #EFB7AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1EFAF shade: #E1EFAE, #CFEFAE, #BEEFAE, #AEEFB0 and #AEEFC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1EFAF shade matches the following richer shades: #E1EFAE, #E5F7A6 and #EAFF9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1EFAF shade: #E1EFAE, #DCE7B6, #D8DFBE, #D4D7C6 and #CFD0CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1EFAF shade: #EFDAAE, #EFECAE, #E1EFAE, #D0EFAE and #BEEFAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1EFAF shade: #C7E169, #D4E88C, #E1EFAE, #EEF6D1 and #FBFDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1EFAF shade: #E1EFAF, #AEEFC9 and #E3AEEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1EFAF shade: #E1EFAF, #AEE1EF and #EFAEE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1EFAF shade: #E1EFAF, #AEEFC9, #BCAEEF and #EFAED4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1EFAF shade: #E1EFAF, #AEEFDD, #BCAEEF and #EFAEC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 27 / 6

HEX #E1EFAF

RGB 225 239 175

HSL 73.13, 0.67%, 0.81%

LAB 92.06, -14.98, 29.49

 

Complementary color

CMYK 63 / 80 / 0 / 69

HEX #1E1050

RGB 30 16 80

HSL 253.13, 0.67%, 0.19%

LAB 10.75, 26.53, -36.63

 

CMYK 4 / 0 / 29 / 6

HEX #E6EFAA

RGB 230 239 170

HSL 67.83, 0.68%, 0.8%

LAB 92.34, -13.81, 32.46

 

CMYK 3 / 0 / 26 / 0

HEX #F7FFBD

RGB 247 255 189

HSL 67.27, 1%, 0.87%

LAB 98.02, -12.97, 30.74

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAF

RGB 225 239 175

HSL 73.13, 0.67%, 0.81%

LAB 92.06, -14.98, 29.49

 

CMYK 6 / 0 / 29 / 13

HEX #D0DD9C

RGB 208 221 156

HSL 72, 0.49%, 0.74%

LAB 85.77, -14.87, 30.53

 

CMYK 6 / 0 / 33 / 20

HEX #BFCB89

RGB 191 203 137

HSL 70.91, 0.39%, 0.67%

LAB 79.38, -14.74, 31.62

 

CMYK 6 / 0 / 36 / 27

HEX #AEB976

RGB 174 185 118

HSL 69.85, 0.32%, 0.59%

LAB 72.89, -14.58, 32.76

 

CMYK 6 / 0 / 41 / 35

HEX #9DA763

RGB 157 167 99

HSL 68.82, 0.28%, 0.52%

LAB 66.29, -14.38, 33.95

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAE

RGB 225 239 174

HSL 72.92, 0.67%, 0.81%

LAB 92.04, -15.11, 29.97

 

CMYK 0 / 1 / 27 / 6

HEX #EFECAE

RGB 239 236 174

HSL 57.23, 0.67%, 0.81%

LAB 92.31, -8.47, 30.51

 

CMYK 0 / 9 / 27 / 6

HEX #EFDAAE

RGB 239 218 174

HSL 40.62, 0.67%, 0.81%

LAB 87.75, 0.66, 24.32

 

CMYK 0 / 16 / 27 / 6

HEX #EFC9AE

RGB 239 201 174

HSL 24.92, 0.67%, 0.81%

LAB 83.54, 9.49, 18.5

 

CMYK 0 / 23 / 27 / 6

HEX #EFB7AE

RGB 239 183 174

HSL 8.31, 0.67%, 0.81%

LAB 79.2, 18.98, 12.41

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAE

RGB 225 239 174

HSL 72.92, 0.67%, 0.81%

LAB 92.04, -15.11, 29.97

 

CMYK 13 / 0 / 27 / 6

HEX #CFEFAE

RGB 207 239 174

HSL 89.54, 0.67%, 0.81%

LAB 90.8, -21.58, 28.09

 

CMYK 21 / 0 / 27 / 6

HEX #BEEFAE

RGB 190 239 174

HSL 105.23, 0.67%, 0.81%

LAB 89.74, -27.46, 26.46

 

CMYK 27 / 0 / 26 / 6

HEX #AEEFB0

RGB 174 239 176

HSL 121.85, 0.67%, 0.81%

LAB 88.86, -32.42, 24.09

 

CMYK 27 / 0 / 19 / 6

HEX #AEEFC1

RGB 174 239 193

HSL 137.54, 0.67%, 0.81%

LAB 89.2, -29.46, 15.79

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAE

RGB 225 239 174

HSL 72.92, 0.67%, 0.81%

LAB 92.04, -15.11, 29.97

 

CMYK 7 / 0 / 33 / 3

HEX #E5F7A6

RGB 229 247 166

HSL 73.33, 0.84%, 0.81%

LAB 94.28, -18.6, 37.04

 

CMYK 8 / 0 / 38 / 0

HEX #EAFF9E

RGB 234 255 158

HSL 72.99, 1%, 0.81%

LAB 96.61, -21.57, 44.07

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAE

RGB 225 239 174

HSL 72.92, 0.67%, 0.81%

LAB 92.04, -15.11, 29.97

 

CMYK 5 / 0 / 21 / 9

HEX #DCE7B6

RGB 220 231 182

HSL 73.47, 0.51%, 0.81%

LAB 89.74, -11.82, 22.67

 

CMYK 3 / 0 / 15 / 13

HEX #D8DFBE

RGB 216 223 190

HSL 72.73, 0.34%, 0.81%

LAB 87.53, -8, 15.39

 

CMYK 1 / 0 / 8 / 16

HEX #D4D7C6

RGB 212 215 198

HSL 70.59, 0.18%, 0.81%

LAB 85.34, -4.01, 8.03

 

CMYK 0 / 0 / 1 / 18

HEX #CFD0CD

RGB 207 208 205

HSL 80, 0.03%, 0.81%

LAB 83.33, -0.88, 1.36

 

CMYK 0 / 9 / 27 / 6

HEX #EFDAAE

RGB 239 218 174

HSL 40.62, 0.67%, 0.81%

LAB 87.75, 0.66, 24.32

 

CMYK 0 / 1 / 27 / 6

HEX #EFECAE

RGB 239 236 174

HSL 57.23, 0.67%, 0.81%

LAB 92.31, -8.47, 30.51

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAE

RGB 225 239 174

HSL 72.92, 0.67%, 0.81%

LAB 92.04, -15.11, 29.97

 

CMYK 13 / 0 / 27 / 6

HEX #D0EFAE

RGB 208 239 174

HSL 88.62, 0.67%, 0.81%

LAB 90.87, -21.22, 28.19

 

CMYK 21 / 0 / 27 / 6

HEX #BEEFAE

RGB 190 239 174

HSL 105.23, 0.67%, 0.81%

LAB 89.74, -27.46, 26.46

 

CMYK 12 / 0 / 53 / 12

HEX #C7E169

RGB 199 225 105

HSL 73, 0.67%, 0.65%

LAB 85.51, -25.93, 55.04

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAE

RGB 225 239 174

HSL 72.92, 0.67%, 0.81%

LAB 92.04, -15.11, 29.97

 

CMYK 3 / 0 / 15 / 4

HEX #EEF6D1

RGB 238 246 209

HSL 72.97, 0.67%, 0.89%

LAB 95.45, -8.85, 16.92

 

CMYK 1 / 0 / 4 / 1

HEX #FBFDF3

RGB 251 253 243

HSL 72, 0.71%, 0.97%

LAB 98.92, -2.38, 4.54

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAF

RGB 225 239 175

HSL 73.13, 0.67%, 0.81%

LAB 92.06, -14.98, 29.49

 

CMYK 27 / 0 / 16 / 6

HEX #AEEFC9

RGB 174 239 201

HSL 144.92, 0.67%, 0.81%

LAB 89.37, -27.98, 11.88

 

CMYK 5 / 27 / 0 / 6

HEX #E3AEEF

RGB 227 174 239

HSL 288.92, 0.67%, 0.81%

LAB 77.78, 30.34, -25.01

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAF

RGB 225 239 175

HSL 73.13, 0.67%, 0.81%

LAB 92.06, -14.98, 29.49

 

CMYK 27 / 6 / 0 / 6

HEX #AEE1EF

RGB 174 225 239

HSL 192.92, 0.67%, 0.81%

LAB 86.54, -13.18, -12.16

 

CMYK 0 / 27 / 6 / 6

HEX #EFAEE1

RGB 239 174 225

HSL 312.92, 0.67%, 0.81%

LAB 78.5, 31.67, -16.24

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAF

RGB 225 239 175

HSL 73.13, 0.67%, 0.81%

LAB 92.06, -14.98, 29.49

 

CMYK 27 / 0 / 16 / 6

HEX #AEEFC9

RGB 174 239 201

HSL 144.92, 0.67%, 0.81%

LAB 89.37, -27.98, 11.88

 

CMYK 21 / 27 / 0 / 6

HEX #BCAEEF

RGB 188 174 239

HSL 252.92, 0.67%, 0.81%

LAB 74.31, 18.22, -30.62

 

CMYK 0 / 27 / 11 / 6

HEX #EFAED4

RGB 239 174 212

HSL 324.92, 0.67%, 0.81%

LAB 78.1, 29.47, -9.79

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAF

RGB 225 239 175

HSL 73.13, 0.67%, 0.81%

LAB 92.06, -14.98, 29.49

 

CMYK 27 / 0 / 8 / 6

HEX #AEEFDD

RGB 174 239 221

HSL 163.38, 0.67%, 0.81%

LAB 89.84, -24.03, 2.13

 

CMYK 21 / 27 / 0 / 6

HEX #BCAEEF

RGB 188 174 239

HSL 252.92, 0.67%, 0.81%

LAB 74.31, 18.22, -30.62

 

CMYK 0 / 27 / 20 / 6

HEX #EFAEC0

RGB 239 174 192

HSL 343.38, 0.67%, 0.81%

LAB 77.54, 26.33, 0.26

 

Description

Color code: HEX #E1EFAF | qconv.com Color code: HEX #E1EFAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 239 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 239 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 27 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 27% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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